The First Nikon Df Guide – Now Available!

Nikon has recently introduced the Nikon Df, a unique, retro-inspired full frame dSLR. Its fusion of manual control dials and digital technology offers photographers a new (but perhaps familiar) way of shooting.

Nikon Df Experience, my latest Full Stop e book and the first Df user’s guide, is now available! This e book goes beyond the manual to help you learn the features, settings, and controls of the unique, powerful, and highly customizable Nikon Df. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography – including the new “manual” exposure controls, the sophisticated autofocus system, and the in-camera features such as Multiple Exposure, HDR, and Interval Timer Shooting.

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Written in the clear, concise, and comprehensive style of all Full Stop dSLR guides, Nikon Df Experience will help you learn to use your full-frame Df quickly and competently, to consistently create the types of images you want to capture. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Learn more about it, view a preview, and purchase it here:

As one reader has said about Full Stop guides, “I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Take control of your Nikon Df, the image taking process, and the photos you create!

Nikon Df book manual guide use learn controls dummies how to quick start tips tricks tutorial   Nikon Df book manual guide use learn controls dummies how to quick start tips tricks tutorial

For Intermediate and Enthusiast Photographers – This guide is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their Nikon Df and shoot competently in A, S, and M modes; take full control of the versatile 39-Point autofocus system; and learn how, when, and why to use and customize the unique controls, buttons, and features of the Df. It covers basic dSLR camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operation such as Metering Modes, Exposure Compensation, and Histograms.

For Experienced Photographers – This guide explains the new and advanced features and settings in order to quickly get you up and running and taking advantage of these capabilities including the 39 point autofocus system and its Focus Modes and AF-Area Modes. Plus it explains the retro-styled camera controls and how to customize them, the in-camera HDR and Multiple Exposure features, in-camera image processing and editing, introduces back-button focusing, and guides you through all the Df Menu and Custom Setting items in order to help you best set up and customize the camera for your specific shooting needs. It also explains how to set up the Df to make full use of your legacy Nikkor lenses.

Nikon Df book manual guide use learn controls dummies how to quick start tips tricks tutorial   Nikon Df book manual guide use learn controls dummies how to quick start tips tricks tutorial

Sections include:

-Setting Up Your Df – All of the Df Custom Settings, Playback, Shooting, Setup, and Retouch Menus, with explanations and recommended settings to set up and customize the advanced features to work best for the way you photograph.

-Aperture Priority (A), Shutter Priority (S), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.

-Auto Focusing Modes and Area Modes, and Release (Drive) Modes – Learn the AF Modes, AF Area Modes, and AF Custom Settings, how they differ, how and when to take advantage of them to capture both still and moving subjects.

-Exposure Metering Modes – How they differ, how and when to use them for correct exposures in every situation.

-Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations.

-The Image Taking Process – Descriptive tutorials for using the settings and controls to take photos of both still and moving subjects.

-Lenses – Setting up the camera to take advantage of older Nikkor lenses, including AF, AI, and Non-AI lenses.

-Composition – Brief tips, techniques, and explanations, including the creative use of depth of field.

-Photography Accessories and Books – The most useful accessories for digital photography including accessories specific to the Df.

This digital guide to the Nikon Df is an illustrated e-book that goes beyond the manual to explain how, when, and why to use the features, settings, and controls of the Df to help you get the most from your camera.

Nikon Df book manual guide use learn controls dummies how to quick start tips tricks tutorial   Nikon Df book manual guide use learn controls dummies how to quick start tips tricks tutorial

Learn more about Nikon Df Experience, view a preview, and purchase it on my Full Stop website here:

Nikon D5100 Autofocus System Video

I’ve written a detailed article about Taking Advantage of the Nikon D5100 Autofocus System, but I decided to make a video as well, to introduce and explain the Focus Modes, Autofocus Area Modes, and the AF Custom Settings of the D5100, in order to help one use their camera to its full capabilities:

Change the viewer settings to 720p to watch in HD

To learn more about about the Nikon D5100 autofocus system as well as how to fully take control of your camera in order to consistently capture better images, please have a look at my e-book user’s guide Nikon D5100 Experience.  It not only explains all the features and controls but also when and why to use them in real life photography.

Taking Control of Your Canon Autofocus System

This article mostly applies to the 9 point autofocus system of the Canon 60D and the Rebels including the T5i / 700D and T4i / EOS 650D (and their predecessors), as well as to the new Canon 6D and its 11 AF points.  The Canon EOS 7D also shares the same Autofocus Modes discussed below, but it adds Autofocus Area Modes to the mix as well as additional Custom Functions affecting the AF system, so I will have to address those additional capabilities in the future (or you can learn all about them now in my Canon 7D Experience e-book).  I have written a separate post that addresses the AF system of the Canon 5D Mark III.

You can learn much more about using these cameras with my Full Stop e-book camera guides for Canon dSLR cameras.

Using Auto Focus
One of the essential steps in taking a successful photo is controlling where the camera focuses.  If you allow the camera to auto focus by choosing its own focus point(s), it typically focuses on the closest object.  This may or may not be what you want to focus on, so you should select where the camera focuses using the Auto Focus Points.  This does not mean you have to manually focus the camera, it means you tell the camera exactly where to autofocus.  For example, you often want to focus on a subject’s eyes, but if you allow the camera to choose the autofocus point itself, it may select another part of the face, or somewhere else on the body, or even a raised hand that is nearer to the camera than the face to focus most sharply on.  If you are capturing an image of a bird in a tree, the camera has no idea you want the autofocus system to zero-in on the bird so that it is in sharp focus and not the branches or leaves near it, or the leaves closest to you.

Autofocus works by looking for contrast, so try to focus (place your AF Point) on a detail with a strong line or strong contrast between light and dark.  It may not be able to focus on a large area of consistent color – such as a white wall or blue sky or even an evenly colored and lit shirt – or on a subject that is too dark.  It can be disrupted by regular patterns or confused when looking through close objects to objects farther away, such as looking through a fence.  And it sometimes fails to work as well in dim light, though the AF-Assist Beam can assist in this situation.  When photographing people, always try to focus somewhere on the face, ideally on the eyes or eyebrows, then recompose the framing of your image if necessary.

Select an Auto Focus Point, or AF Point, using the Multi-Controller or using the AF Point Selection Button and the Cross Keys (depending on your camera).  If you have a model with the Multi-Controller (such as the 60D with the thumb-pad or the 7D or 5DII with the thumb-joystick), be sure to set the Custom Function setting for AF Point Selection Method so that you can directly change the AF Point without pressing the AF Button first.

Canon 60D T3i 600D autofocus system AF point select choose set setting
Figure 1 – The selected AF Point is located over the subject’s eye in order to ensure the camera autofocuses where desired.  (Canon 60D viewfinder shown, T3i/600D viewfinder similar)

To see how autofocus point selection works, make sure the switch on your lens it set to AF and your Autofocus Mode, as seen on the top LCD Panel or rear LCD screen, is set to One Shot, then:

•    Tap the Shutter Button with a half-press to wake up the camera.
•    Looking through the viewfinder, use the Multi-Controller or Cross Keys to select the focus point that is nearest to where you want to focus.
•    Place that point over your intended subject.
•    Press and hold the Shutter Button halfway down and see that point blink red.  The Focus Confirmation Light should light up in your viewfinder.  You have locked the focus.
•    Keeping the Shutter Button pressed halfway, recompose if necessary, and take the shot by fully pressing the Shutter Button.

There are reasons to use the outer focus points and not just the center one all the time.  First, if you are taking several shots of the same subject and framing, you will not have to re-focus with the center point and recompose between each shot.  And by controlling exactly where you focus, you then have greater, more precise control over the use of dramatic depth of field.  Also, if you use the center point and recompose, you have swept the camera in an arc to recompose, and are thus always focusing at a distance behind the subject (think of an arc that is your focus distance, and the tangent line off that arc that is the focus plane which now runs behind the subject after re-composing).  This may not be as noticeable when the subject is further away, but for a close subject – especially when using shallow depth of field – the difference is critical.

It may sound difficult to select the focus point each time, but it is actually very quickly done and should become instinctive.  You may even start to set your focus point as you approach a scene before even bringing your camera to your eye.

Focus Modes
The 60D and T3i (and 5D/ 5DII and 7D) have different focus modes to choose from, typically depending if your subject is still or moving, or if you wish to track its movement.

One-Shot AF
Use this mode when your subject is still and not going to move, or if your subject is not going to move very much, or if the distance between you and the subject is not going to change between the time you lock focus, recompose, and take the shot.  Lock focus on the subject and recompose if necessary.  This mode can even be used for moving people or objects if you quickly take the shot after establishing or locking focus.

Focus on your subject by pressing the Shutter Button halfway.  The active or selected AF Point will be displayed or will illuminate, and the Focus Confirmation Light at the lower right in the Viewfinder will illuminate as well.  Continue to press the Shutter Button all the way to take the shot.  If you half-press the Shutter Button to lock focus on your subject, the camera will remain focused at that distance as long as you keep half-pressing the Shutter Button.  You can recompose the shot as you wish and then full press the Shutter Button to take the photo.

As just noted, if the Focus Confirmation Light does not light up and the camera does not take the photo, the camera may not be finding enough contrast to focus on, you may be too close to your subject for the lens to focus, or the lighting may be too dim for the AF system to work properly.

However, if you are photographing a subject that is approaching or receding from view at a relatively constant rate, or photographing fast or erratic or unpredictably moving subjects, or photographing sports, action, or wildlife you will usually want to use AI Servo Focus Mode.

Canon 7D 5D mark II 60D T3i 600D autofocus system AF point choose select set setting
Figure 2 – Use One-Shot AF mode and select your desired AF Point to capture still or moderately moving subjects.  (Canon T3i viewfinder shown – 60D similar)

AI Servo
AI Servo mode is used for tracking and focusing on moving subjects, and is ideal for capturing sports and wildlife including birds.  If the subject is moving towards you or away from you the camera will keep evaluating the focus distance as long as the subject remains under the focus point that was originally active and the Shutter Button is kept half-pressed, and if the subject is moving from side to side or throughout the frame the camera will track it as it passes from one AF Point or Zone to the other ones (if you started tracking with the center AF point on the 60D and T3i or any selected AF point with the 7D).

If the subject is going to be moving across your field of view, set the camera to automatically select the focus point using all the AF points (this is one of the few times you will not be manually selecting the auto focus point), focus on the moving subject with the center focus point, and then as long as the Shutter Button remains half-pressed the camera will track the subject to the other focus points if it moves to them.  Thus when the image is taken, the subject is in focus.  This will even work in conjunction with continuous shooting.  If you keep the Shutter Button fully pressed and continue to take photos, the camera will keep focusing on the moving subject.  As you can imagine, this is ideal for tracking a player running across a field, a dog running toward you, or a bird moving across the fame.  Note that when shooting with Continuous Shooting Drive Mode not every shot may be in sharp focus as the camera sometimes can’t keep up and accurately predict the subject’s speed or location.  But you should be able to capture many sharp images with this technique.  The more sophisticated Canon 7D will allow you to start tracking moving subjects with any selected AF Point and not just the center AF Point.  These are the types of advanced capabilities you are paying for (and should take advantage of!) with a more expensive dSLR.

As you will see, when using AI Servo mode your compositions will be partially dictated by the positions of the autofocus points in your Viewfinder.  The subject needs to be at one of these AF Points in order for the camera to maintain focus on it.  This is why in some situations becoming skilled at quickly using One-Shot AF – even for action scenes – will give you much more ability to control your compositions.

AI Focus
This mode is a hybrid of the two other focus modes.  It starts in One-Shot AF mode then changes to AI Servo mode if your subject starts moving.  Why shouldn’t you use this all the time, then?  Well, it is typically not the best of both worlds.  If you are focusing and then recomposing, as you may often be doing, your movement of the camera may fool it into thinking that the subject is moving and then activate subject tracking AI Servo Mode, and your resulting focus may not be where you intend it to be or may not be as accurate as it could have been with One-Shot AF.  And in AI Focus Mode it may not be as quick to respond to a moving subject as it would in AI Servo Mode.  Typically you know if your subject is still or moving so it is better to select one of the other two AF Modes.  Plus that way you always know which AF Mode you are working in and can either lock focus where you want it or begin tracking a subject without wondering what mode the camera is in and if it will suddenly change.  But there may be situations that call for this combination mode such as a still bird or animal that may start moving unexpectedly, so keep it in mind.

How do you remember which mode is which since the terms “AI Servo” and “AI Focus” tell you nothing that makes sense?  Although I listed them in a different order above to explain them more easily, on your camera they are listed:


Remember that One-Shot AF just focuses once and doesn’t change once you lock it in, and AI Servo AF is the other extreme – continuous focus used for moving objects. And AI Focus AF is listed in the middle, between the two, because it is the hybrid, combination of the two.

Checking Focus
You can review your images on the rear LCD Monitor of your camera to try to determine if they are in focus, especially by zooming in as close as possible.  But be aware that this screen has only about one million dots or pixels, while your actual image has about 18 million pixels.  That means that many images will appear to be in proper focus on your LCD screen, but you might discover that the actual images are not really so sharply in focus.

Before continuing, I want to mention that much of this text is excerpted from my dSLR guides for the Canon EOS 6D, Canon 70D, Rebel T5i / EOS 700D, Rebel T4i / EOS 650D, and the Canon EOS 7D. If you would like to learn more about the autofocus systems as well as all the other features of your camera including metering modes, Aperture and Shutter priority modes (Av and Tv), all the menus and Custom Function settings, and more, have a look at my Full Stop e-book camera guides. In addition to explaining the features and settings, the guides clearly explain when and why to use them in order to capture the images you desire.

Take control of your camera and the images you create!

Learn more about the e-books by clicking on the banner below:

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To learn about another important reason why you need to take control of your autofocus system, and why the two example photos above actually weren’t my final compositions, see the next post:

Don’t Let the Locations of the AF Points Dictate Your Composition

What do you do when, with your desired framing, your subject is not located exactly under or near an AF point?  Even with the 19 or 39 points of an advanced Canon 7D or Nikon D7000, this will often be an issue.  For example in Figure 2 above, I actually wish to capture the entire window and more space around it within the image frame, but moving the camera and framing for that composition leaves me with no AF Point at the woman where I wish to focus.  Have a look at the above post to learn why this is an issue and how to resolve it.

Focus and Depth of Field

Many functions of dSLR cameras are related to some degree or another, and Focus and Depth of Field are two of these.  The depth of field, based on your aperture setting (and thus related to exposure…) expands forward and back from your point of focus.  Thus, one important aspect of controlling your depth of field begins with focusing exactly where you want to.  To begin learning more about depth of field, have a look at my post Depth of Field Simplified.

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