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OK, I admit, I’m being a bit deceptive.  While this post will include “tips” for taking full advantage of the Canon EOS 5D Mk III, it won’t really contain any “tricks.”  That is because with digital photography, especially a camera as powerful and complex as the 5D3, there really aren’t any tricksTricks implies shortcuts, and to paraphrase Euclid, there is no royal road to dSLR photography.  Instead there are techniques and camera controls that can and should be learned.  These will then allow you to adapt not just to a specific situation or emulate a certain image or style, but will give you the tools and knowledge to adapt to any situation and create the images you desire.

I spent several intimate weeks with the Canon 5D Mk III as I researched and wrote my dSLR camera guide, Canon 5D Mark III Experience, the first (and hopefully best!) book available for the 5D Mk III.  In the process I learned and discovered a few obvious and not so obvious things about the 5D3 that will help you get the most from your camera.

Canon 5D mark III mk 3 Experience e book tips tricks how to learn manual guide instruction
Detail of the Canon 5D Mark III

Learn and Take Advantage of the Autofocus System

First and foremost is to learn, understand, and make full use of the new 61 Point autofocus system.  This powerful and highly customizable AF system will allow you to capture more sharp images of a variety of moving subjects which was not previously possible with the 5DII, or even the 7D.  But to do this you will need to take control of it in order to focus on, or begin tracking, your intended subject.  This involves making use of the AF Modes as well as the AF Area Selection Modes and AF Points.

For moving subjects you can then employ the AF Cases and their settings to let the camera know what to expect as far as subject movement.  AF subject tracking works in part by predicting where the subject will be when the Shutter is pressed, so if the camera knows the subject is going to be moving erratically about the frame and changing its rate of speed, then it can take measures to better follow this than if it is set for a subject that is expected to move smoothly at a steady rate.  Ten tips could easily be written about the autofocus system alone, but I will limit it to a few (my e-book guide Canon 5D Mark III Experience contains extensive explanation of the AF system and all its elements, if you wish to learn it inside and out.)

Canon 5d mark iii mk 3 auto focus autofocus 61 af point select
Simulated image of the Canon 5D Mark III viewfinder showing the 61 autofocus points, with the desired AF Point shown as the larger black square.

One of the essential steps in taking a successful and sharp photo is controlling where the camera autofocuses.  If you allow the camera to autofocus by automatically choosing its own focus point(s) (such as in Auto+ Shooting Mode or with One-Shot AF Mode and Auto Selection – 61 Point AF Area Selection Mode) it typically focuses on the closest object.  This may or may not be what you want to focus on, so you should select or at least narrow down where the camera focuses using the autofocus AF Points or Zones.  By doing so you are telling the camera exactly where to autofocus or to look to find a moving subject to track.  For example, you often want to focus on a subject’s eyes, but if you allow the camera to choose the autofocus point itself, it may select another part of the face, or somewhere else on the body, or even a raised hand that is nearer to the camera than the face to focus most sharply on.  If you are capturing an image of a bird in a tree, the camera has no idea you want the autofocus system to zero in on the bird so that it is in sharp focus and not the branches or leaves near it or the perhaps even the leaves closer to you.

You will select an AF Mode based on whether the subject is still or moving, and select an AF Area Selection Mode based on how large of an area you want the camera to look at to find your intended subject – ranging from a small spot to a wider Zone to all the available 61 AF Points.  You can set the AF Modes and AF Area Selection Modes in a variety of combinations based on what and how you are shooting.

Activate all the Available AF Area Selection Modes at first and experiment with them all.  Then if you decide that you will never or rarely use one or more of them, de-activate those modes so that you don’t have to “click” through them every time to select your desired mode.

canon 5d mark III mk 3 autofocus auto focus af point zone 61 af area selection mode
Available AF Area Selection Modes of the Canon 5D Mark III

Spot AF is Not Necessarily More Accurate than Single-Point AF.  You may be inclined to use Spot AF all the time, assuming it will be more accurate than Single-Point AF, but this is not advised.  Spot AF is designed for specific situations and autofocusing challenges, where you need to focus on a very precise area and avoid any surrounding or foreground objects that the AF system may otherwise lock onto.  This can include making sure you zero-in on a bird that is sitting among leaves and branches, or perhaps shooting through a fence to a subject beyond.  In those situations you may find that Single-Point AF searches back and forth between the near leaves/ fence and the further subject, because the area it is looking at to find the subject encompasses both potential subjects.  Spot AF will allow you to target in on a more precise area.  Although Spot AF is indicated in the Viewfinder by the tiny square within the larger selected AF Point square, Spot AF will actually pinpoint the focus to an area about the size of the larger square.

So while Spot AF will be more accurate in certain situations as described, it should not be used for general use.  Because it is so precise, the area it looks at to find contrast or a detail on which to focus may be an area of solid color.  For example if you used Spot AF to quickly focus on the general cheek and eye area of a face, it may be aimed at an area of skin without contrast, whereas the Single-Point AF area might encompass the cheek and the eye and thus find enough contrast to be able to properly and quickly focus.

Decide How Many Selectable AF Points you wish to Choose From.  If you are coming from a Canon 5D Mark II, the 60D, or any number of other previous Canon dSLR cameras, you may be used to only having 9 AF Point to choose from.  If you still wish to manually select a specific point or zone, you may find that 61 points are a bit overwhelming at first.  Even if you are used to the 19 AF Points of the Canon 7D, you may not wish to suddenly jump up to 61 AF Points.  So you can limit the number of AF Points you wish to choose from to either 15 or 9, or to just the more accurate cross-type points.  Unfortunately, the 9 points are not in the nice diamond pattern of previous EOS cameras, but you may find them to be more manageable.

canon 5d mark III mk 3 auto foucs autofocus af mode point area selection 61 11
Limit your Selectable AF Points if 61 are too many to deal with.

Choose Your Priority when Working in AI Servo – Focus or Release.  You will need to tell the camera what your priority is when shooting in AI Servo AF mode – is it to ensure that the subject is in focus, or that the shutter is release immediately, whether or not the subject is in focus?  There are two menu items to set the priority for the first image and the second and subsequent images if shooting in Continuous Shooting Mode.

For AI Servo 1st Image Priority, Release priority will prioritize shutter release, or immediately capturing the initial shot at the possible expense of exact focus.  Generally when taking a photo, you are supposed to half-press the Shutter Button, allow the camera to focus, then continue the full-press of the Shutter Button to take the image.  If you simply “mash” down the Shutter Button, this setting will cause the camera to take the photo without bothering to focus first.  Sometimes when photographing sports, news, or events, capturing the “decisive moment” may take priority over exact focus.

Setting for Focus priority will prioritize focus for the first shot, ensuring that the subject is in focus before the picture is taken.  So when you fully press the Shutter Button, this setting may cause a brief, perhaps micro-seconds delay while the camera confirms focus before actually releasing the shutter.

Equal priority is a slight compromise between Release and Focus priorities.  It allows a brief (perhaps micro-seconds) pause for the camera to possibly find focus before releasing the shutter.  It does not guarantee that the image will be in focus, but merely gives it more of a chance to find focus.  It generally seems to make more sense to choose Release or Focus based on your priority.

Canon 5D mark III mk 3 custom setting function control multi controller direct autofocus point
AI Servo 1st Image Priority menu to determine if capturing the shot or getting the subject in-focus is the priority.

AI Servo 2nd Image Priority is similar except that it applies to the second and subsequent images in the burst.  Setting for Speed (Shooting speed priority) will prioritize shutter release, or continuing the high speed burst at the possible expense of exact focus.

Setting for Focus will prioritize focus tracking for the following shot(s), ensuring that the subject is in focus as you continue to take the burst of images.  Again, this may cause a brief, perhaps micro-seconds delay while the camera confirms focus before releasing the shutter for each image.

Equal priority again allows a slight pause before each of the subsequent shots to perhaps give the camera time to find focus before releasing the shutter.  This pause may be slightly more pronounced when shooting in low light or low contrast situations.

These 1st Image Priority and 2nd Image Priority settings should be set in conjunction with each other, based on the type of situation you are photographing and thus your priorities.  Generally, it sharp images are your goal, you will want to set both for  Focus Priority.  You may sacrifice the maximum 6 frames per second (fps) continuous shooting speed (if you have the Drive Mode set for High Speed Continuous) as there might be a  couple micro-seconds or more delays as the camera ensures that the subject is in focus before taking the subsequent shots.  If you are capturing a “decisive moment” such as a runner at the finish line or a goal being scored, you will want to set one or both of the settings to Release Priority/ Speed Priority, but ensure somehow that you have pre-focused on the subject distance so the result is not wildly out of focus.  Again, I go into much more detail about the various combinations and when to make use of them in my e-book.

Set the Custom Controls for Multi-Controller Direct.  This will allow you to manually select your AF Point or Zone more quickly by simply toggling the Multi-Controller thumb joystick, without having to first press the AF Point Selection Button.  You have probably noticed, to the dismay of your muscle memory, that the AF Point Selection Button no longer controls image zoom.  This is because there are many more image review options that are now made possible by Comparative Playback (side by side image review), discussed just below.

canon 5d mark iii mk 3 multi controller direct af auto focus autofocus point select

canon 5d mark iii mk 3 auto focus autofocus multi controller direct af point select zone control custom function setting
Set the Multi-Controller for AF Point Direct Selection for ease and speed.

Take Advantage of Comparative Playback (Side by Side Image Review).  Of course you can instantly review the image you just captured on the rear LCD Monitor, but the 5D Mk III now also offers Comparative Image Playback Mode (Two-Image Display) which gives you the ability to simultaneously compare two images or two different sections of the same image.  Whereas before, one would have to “flip” back and forth between two images and navigate around the images, this feature allows for some extremely helpful and flexible image analysis that was previously only possible once you were back at your computer.

To enter Comparative Playback Mode during image playback or review, press the Creative Photo / Comparative Playback Button (at the top of the row on the left of the camera back), which is also indicated by the side-by-side blue squares icon for side-by-side image playback.  Use the SET Button to highlight which of the two image windows you wish to navigate, then use the Quick Control Dial or Main Dial to scroll or jump to the desired image, the Magnify Button followed by the top Main Dial to zoom in or out of the selected image, and the Multi-Controller to navigate around the selected image frame.  You can press the INFO Button repeatedly to change the Shooting Information Display in order to view shooting information and/ or the Histograms.  If you zoom in on a specific area of one image and wish to zoom in on the other image to the same magnification and same area of the image, press the SET Button to switch to the other image window, then press the [Q] Button.  Also, press and hold the Playback Button to view the highlighted image as a single, full-screen image.

canon 5d mark iii mk 3 view image lcd side by side comparative playback review rear screen
Comparative Playback Mode view of two different images, also showing the images’ Histograms.

There are several different viewing options and potential uses for Comparative Playback, whether you are simultaneously viewing two separate images or two areas of the same image.

-Display the active AF point(s).
-Preview alternate cropping guides.
-View the thumbnail plus the Luminance Histogram.
-View the thumbnail plus the RGB Histograms.
-View the thumbnail plus basic exposure information.

For two different images:
-Compare the compositions of two images simultaneously.
-Zoom in and simultaneously compare a specific area for focus or exposure.
-View the thumbnails along with histograms or basic exposure information of both images.

For the same image:
-Zoom in and simultaneously compare two separate areas of the same image to have a closer look at focus or exposure.
-View the entire image for overall composition while also zooming in to view an area of detail for focus or exposure (see Figure 61).

Set the Default Magnification for Image Review.  In order to immediately review your images according to your preferences, you should set the initial magnification and position that you will view an image during image review (Playback) when you press the Magnify Button.  You can set for no magnification (1x) and then use the top Main Dial to zoom in and out.  This can be handy if you have the image review set to initially show the Shooting Information Display with the Histogram.  Since the image in that view is a thumbnail, you can then press the Magnify Button to show the full size image.  After this initial zoom, you can then use the Main Dial to zoom in or out.

Or set for 2x, 4x, 8x, or 10x magnification and it will instantly zoom to that magnification when the Magnify Button is pressed.  Again, after this initial zoom, you can then use the Main Dial to zoom in or out.  Each of these magnifications will zoom from the center of the image.  Or you can set it to quickly zoom in to full size, 100% view of the pixels, zoomed into the AF Point where focus was achieved, using setting Actual size (from selected pt).  This can be useful to quickly check for precise focus, though note that if you focused with a selected AF Point and recomposed, it will zoom into the final position of that AF Point in the composition, not the actual position where you used it to focus on your subject.  But if you only recomposed slightly, it will often be easy to quickly navigate to the actual area of focus.  The setting Same as last magnif. (from ctr) will zoom in at the same magnification that you last viewed an image at, centered at the image center.

canon 5D mark III mk 3 magnify button lcd view zoom
Magnification menu to set how images are initially viewed during Playback when the Magnify Button is pressed.

 

I’m still putting this post together but wanted to share what I had already written.  Next week I will go into more detail about the tips below:

Turn on the Viewfinder Warnings

canon 5D mark III mk 3 viewfinder warning custom function setting

 

Auto Rotate Images in the Camera and on Your Computer

canon 5D mark III mk 3 auto rotate image view lcd

 

Use the Q Button for Quick Access to a Variety of Features for Still Images

canon 5d mark iii mk 3 q button control edit image view lcd

 

Make Use of the Silent Control Touch Pad and Q Button for Movie Shooting

canon 5d mark iii mk 3 movie video silent control touch pad q button menu

 

canon 5d mark iii mk 3 movie video silent control touch pad q button menu

 

All of the above information – and much, much more – can be found in Canon 5D Mark III Experience, my latest Full Stop dSLR user’s guide e book, which goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable EOS 5D Mk III, plus most importantly how, when, and why to use the functions, settings, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon 5D Mark III Experience will help you learn to use your Canon 5D Mk 3 quickly and competently, to consistently create the types of images you want to capture. The e-book is available in either PDF, EPUB, or MOBI format for reading on any device.

Learn more about it, preview it, and purchase it here:
http://www.dojoklo.com/Full_Stop/Canon_5DMkIII_Experience.htm

As one Canon user has said about Full Stop guides, “I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Take control of your 5D Mk III, the image taking process, and the photos you create!

Canon 5D Mark III mk 3 book ebook manual guide tutorial instruction bible how to dummies field EOS

 

It is here!

Canon 5D Mark III pre-orders available at Amazon.com and at B and H Photo (my affiliate links – thanks for supporting this blog by using them!):

pre-order your Canon 5D Mk III from Amazon

pre-order your Canon 5D Mk III from B and H Photo

 

It is expected to be available and start shipping on March 22, 2012.

THE INTRODUCTION of the CANON EOS 5D Mk III

The long awaited and highly anticipated Canon EOS 5D Mark III has finally been announced!  There has been wide speculation of what the camera will include (including predictions at one time that it would be split into two camera lines for still vs. video).  It seems that the most current leaked specs were accurate, and the new 5D boasts such features as a whopping 61 point autofocus system, improved exposure metering system, fast DIGIC 5+ processor, and dual card slots for CF and SD.

I myself made some educated guesses back on August 5, 2011 as to what the camera was likely to offer.  I have included my predictions below in red, and my reactions and comments are in blue:

Canon EOS 5D Mk III specs:

  • 22.3 MP Full Frame Sensor. (26 to 28 MP Full Frame sensor.)  This is a surprise that they didn’t increase the sensor resolution very much, but as anyone who has used a 5D Mk II is aware, it already has amazing resolution and great high ISO/ low noise performance.  It appears from early test samples that this new sensor is going to show significant improvement in the high ISO/ low noise area, with perfectly acceptable, low noise, usable images all the way up to 12,800.  Yes, 12,800 ISO.
  • DIGIC 5+ Processor. (Single or Dual DIGIC 5 processors).  A nice, fast processor to keep up with the 6 fps frame rate, HD video, and all the image info coming from the high resolution sensor either in RAW or JPEGs that are being processed in-camera to include various settings such as Auto Lighting Optimization, Picture Controls, and other user-set adjustments such as the newly included Lens Aberration Correction.  This higher processing speed will also allow long continuous bursts even with the in-camera processing settings being used on JPEG images as they are being captured.
  • Full HD Movie – ISO 100-12800 H:25600.  (Full HD video at all the frame rates, perhaps with RAW video, perhaps with full time autofocus).  With two different compression formats to choose from, time codes with multiple options, and audio control plus a new headphone jack.
  • 6.0 frames per second high speed continuous shooting.  (7 frames per second high speed continuous shooting.)  Not quite as fast as I expected, but this is actually a much more useful rate for most situations.  This higher fps rate combined with the new 61 point AF system is going to allow the 5D to be used a bit more as a sports and action camera.  It does not appear the this desired feature that I hoped for is included:  Ability to customize Continuous Low and High settings so that you can choose your own rates.
  • ISO 100-25600, expandable to L: 50 H1: 51,200, H2: 102,400.  (ISO 100 to 12,800 or more, and then expandable.)  The new sensor, as mentioned, is likely to have tremendous performance in low light, high ISO situations with minimal noise, and preliminary samples and tests indicate this is indeed the case.
  • 3.2″ 1.04 million pixel Clear View II LCD screen.  Not articulating.  (3” very-high resolution LCD screen – Non-articulating?  Articulating?  Touch screen?)  A nice, high-resolution rear LCD screen, with a wider ratio to match the sensor and great for video shooting.
  • 61 point autofocus system with up to 41 cross type sensors.  (19 point (or more) autofocus system, all cross-type, with numerous configurations and customization options, as taken from the 7D.  Plus the new Autofocus menu system of the new 1D X to make configuring and taking full advantage of the AF system much easier.)  This is the biggest surprise for me.  I expected something like the19 point AF system of the Canon 7D, maybe with 20-30 AF points – but the 61 points is a shock.  While this will be awesome for tracking moving subjects and action, it is also customizable to reduce the number of choosable AF points and make it reasonable workable for “still” photography, as demonstrated in this still grabbed from a Canon video.
      Canon 5D Mk III mark III autofocus points 61 41 15 9
    Still from Canon video on the 5D Mk III

What this is showing is that if you wish to manually select a single AF point – which you should typically do in non-action-tracking situations to ensure that the camera autofocuses exactly where you want – you can limit the number of selectable AF points so that you don’t have to  manually click across dozens of points to quickly get to the one you want.  You can limit it to 9 points (as with the 5D Mk II or 60D), 15 points (similar to the 19 points of the 7D and likely the one I will most often use), just the cross-type points (which will number up to 41 depending on which lens you are using), or all 61 of them.

  • When using Center AF Point with an f/2.8 lens, the 5D Mark III is able to focus in EV -2, which according to Canon, “is the equivalent of shooting by the light of a full moon.”  This is an incredible improvement over the autofocusing abilities of the 5D Mk II, which struggles in low light.
  • 63-zone dual layer metering sensor.  (Improved 63 zone+ exposure metering system)  This is a similar metering system as in many of the current Canon cameras, such as the 7D and 60D, which has proved to be excellent as determining the proper exposure even in challenging lighting situations.  This metering system takes into account color, luminance, as well as information provided by the active AF point(s) to best determine the exposure.
  • Magnesium alloy body with improved durability, water, and dust resistance.  (Magnesium alloy body with weather sealing – already has this, not much improvement required.)  A durable, go-anywhere camera is now even more durable and resistant!

Additional features of the new 5D Mk III:

  • “Intelligent viewfinder” which means it includes the 7D type viewfinder with the LCD grid that can be turned on or off, sensitivity to light and dark to automatically illuminate the AF points when needed, if desired.
  • Silent and Low Vibration Modes.  These are likely designed to enable one to use the camera more stealthily – not just surreptitiously, but in situations such as dance and theater performances where you need the shutter and mirror to be quieter.  Low vibration is handy for optimal sharpness in certain hand-held and tripod shooting situations.
  • Dual memory card slots – CF and SD.  This is a new feature for the 5D line.  (It will likely and hopefully retain the CF card)
  • LP-E6 battery – thankfully they have retained the same battery as the 5D Mk II and 7D.  (It will likely retain the LP-E6 battery)
  • HDR Mode – This is an in-camera feature that will take and combine 3 images, either at auto-levels of exposure or user-selected EV increments.  You can then choose from various options of how you wish the camera to process the final image.  The original 3 images will also be saved for your own use.  The camera also offers an improved 7 stop EV latitude of exposures for auto bracketing, for those who wish to do more with HDR using other software and post-processing themselves.
  • Multiple Exposures – Nikon has had this feature for a while, so it is nice to see it on a Canon.

The 5D Mk III has also incorporated many of the menu and Custom Function features of the 7D, such as the ability to customize many of the buttons and controls of the camera, as well as the new, easier to use and comprehend Autofocus Menu system as the one seen in the Canon 1D X.  By putting all the AF options in one menu, it makes it considerably easier to take advantage of the powerful AF system options without having to access and understand various menus items and Custom Function options (as you do with the 7D).  There are also AF “presets” so you don’t have to remember and set the variables such as “Tracking Sensitivity” and “AF Point Auto Switching.”  The Custom Functions of the 5D Mk III have also been grouped into 3 categories now for ease of use.

There is also an image comparison feature where you can compare two images side by side on the rear LCD to see the effects of your adjustments – double chimping!

Hopefully there will be the options to customize the size of the Center-Weighted, Spot, or Partial Metering circles, and to adjust the Hi Speed and Low Speed Continuous shooting rates, and perhaps some additional WB options such as more Fluorescent option.

Built-in GPS, wireless flash, or wi-fi?  No, they all still require optional, external devices.  But we will see these in-camera features eventually.

I will soon be starting to write an e-book user guide for the Canon 5D Mk III to join my current Full Stop camera guide line-up which includes Canon 7D Experience and Your World 60D. You can check out my Full Stop bookstore website to learn more:

full stop dslr photo photography camera manual guide for dummies canon nikon

If you are interested in pre-ordering your Canon 5D Mk III, please use my referral links to the 5D Mk III on Amazon.com or B&H Photo. Using these links will help support my blog and my work.  Thanks, I appreciate your support!

If you are in the UK, please click here for the UK Amazon referral link.

And if you are in Canada, please click here to use my Canada Amazon.ca referral link.

BandH Photo

Direct Link to Canon 5D Mark III pre-order at B and H Photo.

These are retailers that I have purchased equipment from (excluding Amazon UK/ CA), and I recommend them based on my good experiences, their extensive selection, competitive prices, great customer service and responsiveness, and fair return policies.

Canon has just announced their latest, high-end professional model, the EOS 1D X.  I don’t normally discuss the top of the line pro models (as this one is listed at $6,800) but instead concentrate on the consumer and pro-sumer level dSLR cameras.  However I would like to look at some of the new feature of the flagship Canon 1D X that will – sooner or later – make their way down to the more affordable models.

Canon EOS 1D X
Canon EOS 1D X – image courtesy of Canon USA
(If you do plan to purchase a 1D X, please use one of my referral links to Amazon, B and H, Canon,or Adorama!!)

In the past we have seen some of the advanced features of the high end cameras later introduced into the consumer models in one form or another, including faster processors and shooting speeds, more sophisticated autofocus system features, and advanced custom functions that allow the user to modify the functions and controls to operate in a specific desired manner.  And since the replacement for the 5D Mk II is imminent (Mk III? 6D?), and the 7D Mk II probably around the same time (Feb 2012?) we are likely to see variations of some of these refinements soon in the consumer and pro-sumer models.

Some of the new advanced features of the Canon 1D X that we will eventually see in the replacements to the 5D Mk II, 7D, 60D, and perhaps even the Rebel line:

  • 18 Megapixel full frame CMOS sensor.  The high-end cameras have less megapixel than the consumer cameras because they are extremely high quality sensors and can deliver high image quality with a lower number of larger pixels.  The 7D and 5D replacements, however, are bound to boast 21 to 26 MP or so.
  • Refinements to the controls and their layout.  This includes user-configurable buttons on the front of the camera, which has already been seen with the 7D to an extent, but will definitely be incorporated into the 5D Mk III (or 6D or whatever it may be called).
  • A 61 point AF system with 41 cross-type AF points and five dual cross-type points for extra precision.  The 7D and 5D replacements won’t have this many AF points, but perhaps will increase upon the 19 AF points of the current 7D.
  • Zone, Spot, and AF Expansion autofocus Area Modes including 4 point and 8 point expansion.  The 7D currently offers these as well (4 point expansion only, not 8), and the new 5D is certain to have these capabilities.  Perhaps the 8 point expansion will be added to the 7D replacement.
  • Refinements to the autofocus system, including a simplification of the complex AF related Custom Functions that are so difficult to explain and differentiate even with the 7D.  With the new 1D X the changes include a new AF menu tab to easily access and change the AF options, and presets such as “Continuous shooting, ignore obstructions,” “Subjects that accelerate or decelerate quickly,” and “Instantly refocus suddenly with obstructions.”  While specific combinations of the AF Mode, AF Area Mode and AF related Custom Function settings of the 7D already allows for these types of settings, these new, easy to access presents are a welcome change from the previous difficult-to-decipher (much less remember) Custom Functions such as AI Servo Tracking Sensitivity and AI Servo AF Tracking Method.
  • Additional changes to the AF system include “Intelligent Tracking and Recognition” which incorporates color and face detection in order to more easily assist the photographer on focusing on a subject’s face when tracking a moving subject, such as a dancer or sports player, rather than perhaps focusing on a closer hand, racquet, or jersey.  Now even the pros will be using face detection!  And focusing is improved in even very low light.
  • 12 frames per second continuous shooting speed with full autofocus and metering, plus up to 14fps possible with the mirror locked up when shooting JPEGs.  While the 1D X offers 12 and 14 frames per second shooting, it is unlikely that the 7D and 5D replacements will be capable of more than 8 or 10fps, though any increase is sorely needed for the 5D.
  • Higher ISO capability.  The ISO performance increases with just about every new sensor, so any of the new cameras are bound to have improved high ISO performance – probably not as incredible as the 1D X, but improved from the current models.
  • Faster start-up time and shutter lag.  This is always a welcome improvement.
  • Easy one-touch 100% zoom during image playback to the area of the image where the active autofocus point is located, in order to quickly check for sharp focus in the area of the image that should display the sharpest focus.
  • Dual DIGIC 5+ image / data processors.  The 7D has dual Digic 4 processors, and the new 7D and 5D are certain to have improved processors, which assist with overall camera speed including continuous shooting speeds, multiple exposures, and writing files to the CF memory card.  A processor also assists with metering and autofocus.
  • Multiple exposures between two and nine shots with various options for combining the frames, plus chromatic aberration correction and peripheral illumination correction.  HDR shooters and those wanting to shoot multiple exposures will appreciate a new 7D or 5D with these in-camera capabilities, and the chromatic aberration correction may also find its way to the lower level cameras.
  • The 1D X “deploys a 100,000-pixel RGB metering sensor and a new metering algorithm. The sensor is used to detect a subject’s brightness, color and face and based on this evaluative metering or evaluative flash metering is executed. This data is also communicated to the AF system to assist with subject tracking.”  New models typically bring an improvement in the metering system, and while the new 5D and 7D won’t have this level system with 253 zones over the previous 63, they will certainly have these same types of improvements made to their current systems.
  • Plus / minus 5 stops of exposure compensation.  This is already a feature of the 7D and will be a welcome addition to the 5D replacement, especially for those shooting HDR.
  • Various video improvements, including longer shooting times, manual audio level control and adjustable live level meters, some compression and timecode features.  There are several features that videographers will appreciate and many will definitely find their way into the new 7D and 5D, which are already extremely popular cameras for dedicated videographers.
  • 3.2-inch (diagonal), 1,040,000-dot rear LCD screen with “ClearView II” technology and extremely durable glass screen.  This is slightly lager than the 3″ screen of most of Canon’s dSLRs, but I’m not sure if a new 7D or 5D will see much of a size increase here.
  • Built in LAN Ethernet port.  This is a new feature for a Canon.  While most of them allow for an optional wireless transmitter, this wired version is built right in.  I don’t see this being added to other cameras quite yet.
  • Twin CF memory card slots, which can be used in various configurations.  Some heavy shooters and videographers might like to see this on a new 7D or 5D, to (I’m speculating here) separately save stills and video, or JPEG and RAW, or use the second card for overflow, or save dual copies of all files.
  • Canon’s second generation self-cleaning sensor unit, which uses “carrier wave technology” to better coax the small dust particles gently down the surface of the (filter in front of the) sensor to the collecting adhesive strip at the base.
  • New EOS System Monitor screen showing total shutter actuations, serial number, and firmware version.  This would be a welcomed addition to the 7D and 5D, though it always seems Canon is hesitant to make it easy to see shutter actuations on a consumer camera.

There are a variety of other additions and improvements to the EOS 1D X, but these are the features that are likely to be incorporated into the more affordable consumer and pro-sumer models.  Some I am certain we will see in the following months when the new versions of the 7D and 5D are released, and some will eventually make their way into the 60D replacement and perhaps, in time, even into the Rebel models.

As I recently noted in my post about the eventual release of the 7D Mk II, as an e-book camera guide author, I have to attempt to plan my life and writing schedule around the release of the latest dSLR cameras. And since major camera companies typically give little-to-no advance notice for the announcement then release of a new model, this involves lots of speculation and following of online rumors. And then I subject myself to a few weeks of intense, non-stop research and writing when it is finally announced.

The Canon 5D Mark III has been rumored for imminent release numerous times, including most recently Feb 2011, November 2011, first quarter of 2012, and “any minute now.”  This speculation occurs with every expected new model, so as you can see, there is no telling when it will suddenly be announced.  But based on Canon’s history of model releases, it is sometimes pretty easy to narrow the range down.  For example, the original 5D reigned for 3 years, and then was replaced by the 5D Mark II, which was announced on September 17, 2008.  Add three years to that, and you get an announcement of the Canon 5D Mk III expected in September 2011.  Not so difficult, really.  Except one has to take into account the disruptions to manufacturing and supply caused by the earthquake in Japan, so that could cause a delay of a month or three.  As equally fascinating is the speculation for what features the 5D Mark III will have. Most interestingly, some have wildly suggested that the line will be split in two with a stills version and a video version.  Not likely.  So what is there to improve on this amazing camera?  Well, several of its features can easily be improved, and hopefully there will be a few surprises added.

canon 6d canon 5d mk iii mkiii mk 3 mark 3 mark ii vs compare which one
The Canon 5D Mk II, patiently awaiting its successor, the Canon 5D Mk III – or is it the Canon 6D…

Currently the Canon 5D Mk II offers:

  • 21 MP Full Frame sensor
  • DIGIC 4 processor
  • Full HD video
  • 3.9 frames per second continuous shooting
  • ISO 100 to 6400 (expandable to 25,600)
  • 3” high resolution LCD screen – non-articulating
  • 9 point autofocus system, all cross-type plus 6 assist points
  • 35 zone exposure metering system
  • Magnesium alloy body with weather sealing

Much of this can easily be improved upon, and in fact the current 7D already boasts several upgrades to these features.  The 5D Mark III will obviously take the best of the 7D and improve upon it in some areas.

Canon EOS 5D Mk III predictions:

  • 26 to 28 MP Full Frame sensor
  • Single or Dual DIGIC 5 processors
  • Full HD video at all the frame rates – plus many additional video features and options that videographers have been waiting for or use 3rd party firmware to obtain, but that I don’t know much about since I have yet to enter the video world.  But I can assure you that the 5D Mk III is going to be a videographers dream, perhaps with RAW video.  Perhaps it will even be able to autofocus full time in video mode.
  • 7 frames per second high speed continuous shooting.  I’m not sure of the mechanics of it but it seems that the large mirror flipping up and down is an impediment to a super fast fps, but Canon has done it both on previous film cameras and in the 1D line.  So hopefully it will be significantly higher than the current 3.9fps.  It will definitely boast an improved maximum burst rate (more JPEG or RAW frames captured before the camera pauses to digest them).
  • Ability to customize Continuous Low and High settings so that you can choose your own rates. Please, please, please.
  • ISO 100 to 12,800 or more, and then expandable – while the ISO performance of the 5D MkII is already stellar, the new one will boast even more improved high ISO performance (less noise at high ISOs)
  • 3” very-high resolution LCD screen – Non-articulating?  Articulating?  Touch screen?  It seems that an articulating screen is the way to go for any camera now, but will Canon hold off with putting this on their higher end models?  Touch screen is definitely coming to dSLRs, but will it be on this one?  …maybe, probably not.
  • 19 point (or more) autofocus system, all cross-type, with numerous configurations and customization options, as taken from the 7D – this desperately needs to be improved in the 5D, and the technology is already there in the 7D.  Canon will definitely add the new Autofocus menu system of the new 1D X to make configuring and taking full advantage of the AF system much easier – as opposed to the autofocus menu and C.Fn options on the 7D which make it a bit complicated.
  • Improved 63 zone+ exposure metering system – it will definitely boast an upgraded exposure metering system, perhaps the current 63 zone system, but probably even a bit improved.
  • Magnesium allow body with weather sealing – already has this, not much improvement required.

Additional features:

It will certainly have a several new menu and custom function settings, hopefully including some additional control over Spot, Center-weighted, and Partial metering, like the ability to change the size of the area metered and the ability to link it to the active AF point.  Plus the new Autofocus menu system similar to the 1D X.

Oh yes, and the HDR fans would appreciate more latitude in auto exposure bracketing, such as perhaps 5 exposures over 5 to 9 stops. And maybe some more fluorescent white balance options like Nikon offers.

It will likely and hopefully retain the CF card and the LP-E6 battery.

Built-in GPS or wi-fi?  This will eventually be in all cameras, and maybe this one will have these features.

So, there are my best guesses. Be sure to follow the rumors at Canon Rumors to find out when the 5D Mk III may come out, particularly the 5D Mk III category. And learn about my Canon 7D Mk II predictions in this previous post.

In my e-book user’s guide for digital SLRs I include a list of accessories and books, complete with links to purchase these products on Amazon or from the manufacturer. However, the links don’t always work with some e-book formats, so I am posting the list here too. Some accessories may have been updated since this list was last modified, such as the Nikon SB-5000 Speedlight replacing the SB-910, or the Canon 600 EX II-RT Speedlite replacing the 600 EX-RT, so be sure to check for the latest versions of the various accessories.

Below are some accessories that are handy for general and travel photography use with any dSLR camera, plus some of my favorite photography books, and camera-specific accessories mentioned in the texts of my Full Stop camera guides. Click on the links to go to the product or category pages on Amazon.com or the manufacturer’s website. Please note that these are my referral links, and I will receive a small referral fee if you use these links to make your purchases, which helps to support my blog and my work. Thanks!

Contents:

dSLR Photography Accessories
Digital Photography Books

Nikon D500 Accessories
Nikon D750 Accessories
Nikon D810 Accessories
Nikon D7500 / D7200 / D7100 Accessories
Nikon D7000 Accessories
Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories
Nikon D610 / D600 Accessories
Nikon Df Accessories
Nikon D3300 Accessories

Canon 5D Mark IV Accessories and 5DS / 5DS R Accessories
Canon 7D Mark II Accessories
Canon 80D / 77D / 70D Accessories
Canon 7D Accessories
Canon 60D Accessories
Canon T5i, T4i, T3i and T2i (EOS 700D, 650D, 600D and 550D) Accessories
Canon 5D Mark III Accessories
Canon 6D Accessories

 


dSLR Photography Accessories

UV Filters – Clear, protective filters for the lenses.  You should have these on at all times to protect your lenses.  Get high quality coated ones, such as B+W, especially for higher quality lenses.   Consider the MRC multi-coated versions for highest quality lenses.  While some argue that any filter may degrade image quality, a high-quality filter will show little effect, and most know that it is cheaper to replace a $100 filter than to repair a $1500 lens.  Use the slim filters for wide angle lenses to avoid vignetting.

Circular Polarizing Filter: Use this outdoors in sunlight to darken the sky, cut through haze and reflections, and increase contrast. Do not use on a wide angle lens as it will cause the sky to change from light to dark and back again across the frame. You have to turn the second ring of the filter to create the amount of lightness or darkness in the sky that you desire, or to reduce or eliminate reflections. It works best when the sun is to your left or right, but does not have any polarizing effect if the sun is directly in front or behind you. Do not use an older linear polarizing filter with a digital camera, as it will interfere with the metering and autofocus systems.

Neutral Density (ND) Filter: If shooting video in bright lighting, you will need to use a dark neutral density (ND) filter on the lens to block light in order to be able to use dramatic wide aperture settings (such as f/ 2.8 or f/4.0). These are also useful with still photography for allowing slow shutter speeds in bright light, such as for photographing waterfalls. They are available in a variety of densities to block out the amount of light to enable you to increase your exposure settings by a certain number of stops, such as 3 stops (0.9), 6 stops (1.8), 10 stops (3.0), etc. For example, when working in M or S mode and the exposure meter reads 1/30s, f/8, ISO 100, but you wish to use and aperture setting of f/2.8 while “holding” the other settings – you can use a 3-stop ND filter and the exposure meter will now read 1/30s, f/2.8, ISO 100, allowing you to obtain the wide aperture setting and resulting shallow depth of field. There are also variable ND filters, where you can adjust one of the filter’s rings to vary the amount of density, as well as the Cokin filter system that makes use of a filter holder that attaches to the front of the lens, which then holds square filters. These are useful to landscape photographers using graduated or split neutral density filters that either gradually or sharply transition from dark to light. Using the square filter in front of the lens, you can then vary the angle and location of the transition to align with the horizon.

Nikon Lens Hoods or Canon Lens Hoods: Use a lens hood on your lens to both prevent flare and to protect the front of the lens when it inevitable bangs against something or drops. Some nicer lenses typically come with a lens hood. With other lenses, buy the corresponding optional hood.

BlackRapid R-Strap: A different, more comfortable way to carry your camera, especially one with a larger or heavier lens. The RS-7 version has a nice curved shoulder strap, the RS-4 is not curved at the shoulder but does have a handy little pocket for memory cards, and the RS-W1 R-Strap is designed for women.

Manfrotto 055XPROB Tripod Legs and Manfrotto 496RC2 Ball Head:  This is an excellent “starter” combination of tripod legs and head for the beginner or enthusiast.  They are sturdy, durable, and well built.  If you know you will be doing a lot of tripod work, such as for studio, landscape, or travel photography, it is best to invest in more advanced (expensive) versions, including lighter carbon fiber legs and a head with additional features.

Insurance: Make sure your equipment is covered by insurance. When I worked in a camera store, people came in on a weekly basis to replace the equipment that was stolen from their car, trunk, luggage, while traveling, or was in a fire. You may need special insurance or a rider if your homeowner or renter’s insurance does not cover it. I use the policy available through NANPA, though you have to join NANPA to get it. This insurance is primarily for the equipment only, so you are not paying for liability coverage geared toward a business as you are with many other photo equipment insurance plans. Please note that the NANPA membership fee covers you annually from July – they don’t pro-rate, so you will not get a full year if you join at any other time. (If you happen to join NANPA to get their insurance, mention my name as a referrer, and I save on my next membership renewal!)

Silica Packs: Keep these in your camera bags to absorb moisture. Consider using real ones that you buy in solid cases instead of the little packs that you found in your new pants pocket that may break open over time.

Sto-Fen Omni Bounce Diffuser: Works great on the optional external flash units (note some Nikon flashes come with a diffuser like this). Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder. I know you see lots of people doing it. They didn’t bother reading how to use it. Don’t imitate them. Use a direct bare or gelled flash outdoors. These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so. Not straight on, and not bouncing off the sky.

Giottos Rocket Air Blaster: Always have this manual air blower handy for getting dust off lenses in a hurry, because blowing on them with your mouth – no matter how careful – inevitably leads to spittle on the lenses. Also use for manually cleaning the sensor, carefully following sensor cleaning instructions.

Dust-Aid Platinum dSLR Sensor Filter Cleaner: If the Air Blaster does not remove all the dust during sensor cleaning, you can move to a “silicon stamp,” such as this one. This is slightly more invasive, as you will be touching the sensor with the cleaning device. Be sure to carefully read and follow the Dust-Aid instructions, as well as the manual’s sensor cleaning instructions, particularly the correct way to raise the mirror and access the sensor.

Lens Pen Cleaning System: Works great for cleaning off mysterious spots and smudges that appear on the lens. Blow dust off the lens first with the Rocket Air Blaster, brush it with the Lens Pen brush, and then follow the instructions for using the Lens Pen.

Digital Grey Card: Used to measure and set accurate custom white balance.

Rosco Strobist Collection Flash Gels: Use these to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene. Tape them in place or use the LumiQuest Gel Holder which attaches to your flash with the Honl Speed Strap, an overpriced strip of Velcro.

M Rock Holster Bag: Carry and protect your camera and walk-around lens in a holster style bag from M Rock. I used the Yellowstone style extensively in my travels throughout South America, and I love its durability and extra little features like a built-in rain cover, micro-fiber cleaning cloth, zippered interior pocket, adjustable interior, and extra strap. Be sure to get the model that fits your body and lens.

Sandisk Extreme CF Memory Cards (CompactFlash for Canon 7D, Canon 5D Mk II, 5D Mk III):  I suggest getting a couple 16 GB or 32 GB CF cards to store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III (or the 7D) to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst (7D rates are 130 JPEG / 25 RAW).

Sandisk Extreme SD Memory Cards: I suggest getting a couple 16GB, 32GB (class 10), or higher capacity Secure Digital (SD) cards to capture and store your photos – or more cards if traveling. Again, be sure to check the Sandisk site for current rebates. The Extreme SD cards are currently available in the 45 MB/s speed and the faster 80 MB/s speed.

Sandisk Extreme Pro UHS-1 SD Memory Cards: To take full advantage of the Continuous Shooting Drive Mode of the 70D and capture up to the maximum 65 continuous JPEG images or 16 RAW images in a single burst, you will need one of the fast Sandisk Extreme Pro UHS-1 SD Memory Cards (or similar card from another brand), which saves at 95MB/s.

Eye-Fi Wireless Flash Memory Card: This SD memory card can be used to automatically upload photos wirelessly via Wi-Fi to your computer during shooting or afterwards.

Card Reader: Use this to transfer image files from the memory cards to your computer if your computer does not have a card reader built in. They may be faster than the camera’s USB cable and will save camera batteries.

Stereo Microphones: The Rode VideoMic or the Rode VideoMic Pro are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

Camera’s USB Cable: Always have the included camera USB cable when traveling, as a back-up method of transferring image files to your computer.

Lens and Body Caps: Don’t forget to have these in your camera bag, to protect lenses and camera body when switching and storing them.

Camera Wrap: For protecting your camera while carrying it around in dusty, misty, or sandy situations, or for protection when storing it.

Rainhood or Rainsleeve: For protecting your camera while using it in dusty, misty, rainy, or sandy situations.

Adobe Photoshop CS6 or new Adobe C.C., and/ or Adobe Lightroom 5: These software programs are essential for editing, processing, retouching, and manipulating your photographs, especially if you are shooting in RAW. Lightroom is designed specifically for photographers and is the processing program of choice for many of them, but it does not have the manipulation capabilities of Photoshop. Take advantage of Adobe’s significant student and teacher discounts if applicable.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

Camera Bags and Travel Gear: For additional gear that is helpful for travel situations, including various camera bags for different situations, have a look at my travel gear blog post:

http://blog.dojoklo.com/2009/12/01/assignment-guatemala-gear/


Digital Photography Books

Understanding Exposure: How to Shoot Great Photos with Any Camera by Bryan Peterson

Learning to See Creatively: Design, Color & Composition in Photography by Bryan Peterson

The Photographer’s Eye: Composition and Design for Better Digital Photos by Michael Freeman

The Photographer’s Mind: Creative Thinking for Better Digital Photos by Michael Freeman

Available Light: Photographic Techniques for Using Existing Light Sources by Don Marr

On-Camera Flash Techniques for Digital Wedding and Portrait Photography by Neil van Niekerk

Speedliter’s Handbook: Learning to Craft Light with Canon Speedlites by Syl Arena

Digital Photographer’s Complete Guide to HD Video by Rob Sheppard and Michael Gunchen.

Canon Speedlite System Digital Field Guide by Michael Corsentino

Nikon Speedlight Handbook: Flash Techniques for Digital Photographers by Stephanie Zettl

The New Complete Guide to Digital Photography by Michael Freeman – a comprehensive general reference guide with brief explanations of nearly every aspect of digital photography.

New Epson Complete Guide to Digital Printing by Rob Sheppard.

More Essential Digital Photography Books are listed in this post.

 


Nikon D500 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event. Be sure to use the newer Li-Ion20 type of EN-EL15 battery for best results. Nikon will replace your older EN-EL15 Li-ion01 batteries with the newer version, for free. See this link for further information:

https://support.nikonusa.com/app/answers/detail/a_id/19541

Nikon MB-D17 Battery Pack/ Grip: This accessory will enable you to use an additional EN-EL15 battery, or eight alkaline, lithium, or Ni-MH AA batteries, or an EN-EL18 battery with the use of the optional BL-5 Battery Chamber Cover. This allows you to shoot longer without having to change batteries, and can allow you to share EN-EL18 batteries with the Nikon D5 body. It also increases the size of the D500 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-30 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-T10/ WR-R10 /WR-A10 Wireless Remote Controller, Transceiver, and Adapter: This wireless remote set will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-7A Wireless Transmitter: This can be used to wirelessly transmit your images and videos to an FTP server, computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. It also offers a wired Ethernet port for a wired (tethered) connection. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection, which allows you to remotely change numerous camera settings. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission of full sized images.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Remember that you can also make use of the camera’s wireless capabilities to add time and location data from your smart phone to the images on the camera, and thus perform similar capabilities as a GPS device.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as one of the BeachTek Audio Adapters, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Lexar 64GB Professional 2933x XQD card: The maximum continuous burst capacity specifications given by Nikon for the D500 are based on the use of this card. When set for RAW L image files and DX Image Area, this XQD card can capture up to the maximum 200 14-bit lossless compressed or 12-bit uncompressed images, without filling the buffer and having to pause. Sony also offers numerous XQD cards that are compatible with the D500, as listed on page 385 of the Nikon D500 User’s Manual.

SanDisk Extreme Pro UHS-II 280MBs SD: This is a very fast SD type card that appears to be working well with the D500. There have been issues reported with SD cards from Lexar and Transcend, which are caused by the card and not the camera. Nikon has released a firmware update that creates a workaround for errors when using a problematic UHS-II card, though it reverts to using it as a slower UHS-I card. The memory card manufacturers are working to resolve this issue.


Nikon D750 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D16 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use six AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D750 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP server via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D810 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D12 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use eight AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D810 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation. And its use with AA batteries will enable the maximum 7 frames per second continuous shooting speed when using DX Image Area. If you wish to use the larger EN-EL18 battery (used with the D4 body) with this MB-D12 battery grip, you can purchase the optional BL-5 Battery Chamber Cover which accepts the EN-EL18 battery.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

MC-30A Remote Release Cord: Another basic corded remote release, with a larger thumb button that enables you to hold it down to keep the shutter open for Bulb shooting.

MC-36a Remote Shutter Release Cord: A multi-function corded remote for shutter release with an intervalometer, which attaches via the ten-pin connector.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP sever via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient and less expensive.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG, TIFF, or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Nikon D810 dSLR Filmmaker’s Kit: This package, costing about $5,000, includes the D810 camera plus everything one needs to get started with dSLR HD filmmaking. In addition to the body, the kit includes three prime lenses which are all f/1.8 (35mm, 50mm, 85mm), a video recorder with HDMI cable, the ME-1 Stereo microphone, variable ND filters so that you can take advantage of wide apertures even in brighter lighting, and two EN-EL15 batteries.

Sandisk Extreme CF Memory Cards: I suggest getting a couple 32 GB or higher CompactFlash (CF) cards to store your photos – more if traveling. Be sure to check the Sandisk site for current rebates. This card’s speed is 120 MB/s, so to achieve the buffer rates of the D810 listed in the manual you will need to use the CF card listed just below.

SanDisk Extreme Pro UMDA 7 CF Memory Card: For an even faster CF memory card, look at the Extreme Pro version, which is rated at 160 MB/s, higher than the 120 MB/s speed of the Extreme CF cards. This is the minimum card needed to achieve the buffer capacity rates listed in the D810 manual on page 489.

SanDisk Extreme Pro SDHC UHS-I SD Memory Cards: If you plan to use the camera’s SD card slot, I suggest getting a couple 32GB or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling. Review the various ways that the camera’s two memory card slots can be used with the Primary slot selection and Secondary slot function items of the Shooting Menu. Again, be sure to check the SanDisk site for current rebates. This card is rated at 95 MB/s speed, so you may need the above CF card to achieve the maximum the buffer capacity of the D810.


Nikon D7500 / D7200 / D7100 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D15 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7100 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. Other options include the Rode VideoMic or the Rode VideoMic Pro, which are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

UT-1 Communication Unit: This unit is used with an Ethernet cable or wirelessly with the WT-5a Wireless Transmitter to connect to a network and transfer images to a computer or server, or to control the camera remotely from your computer. You can also purchase these two units, the UT-1 and WT-5a as a bundle.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D7000 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D11 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7000 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910, SB-900, SB-800, SB-700, or SB-600 Speedlight Flashes: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon WT-4A Wireless Transmitter: This can be used to wirelessly transmit your images to a computer as you shoot. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories

Nikon EN-EL14a Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D5600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Grip Base Extension: There is also a third-party non-battery-pack grip, or grip base extender that is designed to simply enlarge the size of the body in order to make the camera easier to hold for some users, but does not hold additional batteries.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as commanders to control and trigger multiple remote flashes.

Nikon WU-1a Wireless Mobile Adapter: (Nikon D5200, D7100, D3200 and later cameras only) This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) (Not needed for D5300) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Using this accessory, you images will also be automatically located on a map, such as when uploaded to the Flickr photo website.

ME-1 Stereo Microphone or ME-W1 Wireless Microphone: External, stereo mics to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D5600 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.


Nikon D610 / D600 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D14 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1b Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, or even use the smart device to remotely release the shutter. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon Df Accessories

Nikon Df User’s Manual – For a PDF download of the Nikon Df manual, see the webpage below:

https://support.nikonusa.com/app/answers/detail/a_id/18767

AF-S NIKKOR 50mm f/1.8G Special Edition Lens: This lens, with its silver ring, is specifically designed to match the retro-style of the Df – though it contains the same optics of the non-special AF-S 50mm f/1.8 lens.

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

AR-3 Cable Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless. In keeping with the styling of the Df, it is a “retro” cable-release with a plunger.

MC-DC2 Remote Release Cord: This is also a straightforward corded remote used to trigger the shutter of the camera, and is plugged into the Accessory Terminal of the Df.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-400 Speedlight: This is a much smaller and less powerful flash than the versatile SB-910, and is closer to the strength of a typical built-in flash. However you can angle it for bounce-flash purposes.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely autofocus and release the camera’s shutter.

Wireless Mobile Utility: To get started with Wi-Fi, you will also need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, sharpening, and noise. This version is in the process of being replaced with Capture NX-D.

CF-DC6 Semi-Soft Case or CF-DC5 Semi-Soft Case: The CF-DC6 is a retro-styled leatherette case specially designed for the Df, and is available in Black or in light Brown. The CF-DC5 is of a more contemporary style and materials.

Leather Strap in Black or in Brown: You can pair the retro-styled CF-DC6 case with a leather strap, available in similar colors.

Gariz Leather Half-Case: There is also a very nice looking leather half-case by a third-party named Gariz. It is available in black and brown, and covers the grip area and lower part of the Df body, but also allows you to open and access the battery/ memory card compartment and the side terminal covers, without removing the case. It lengthens the body of the camera in order to provide a replacement tripod socket (since the camera’s is used for attaching the case), and perhaps to enlarge the camera to offer a better grip.

Screen Protectors: This pair of screen protectors is specifically sized for the LCD screens of the Df. While I have not personally used them, and thus cannot vouch for their quality or usefulness, previous versions of this brand have gained good reviews.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the Df to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D3300 Accessories

Nikon D3300 Manuals: The D3300 Reference Manual can be obtained as a PDF file from the Nikon website at this link:

https://support.nikonusa.com/app/answers/detail/a_id/18824

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, to share your images, or even to use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app.

Wireless Mobile Utility:To get started with Wi-Fi, you will first need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D3300 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

DK-5 Eyepiece Cap:When using any of the Release Modes such as Self-Timer or Remote, where your eye is not at the Viewfinder, be sure to cover the Viewfinder with a piece of tape or this optional eyepiece cap in order to prevent stray light from entering the camera and modifying the exposure settings.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as remote flashes triggered by the built-in flash, and as commanders to control and trigger multiple remote flashes.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D3300 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.



Canon 5D Mark IV Accessories and Canon 5DS / 5DS R Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E20 Battery Grip: This optional battery pack and grip for the 5DIV will enable you to use two LP-E6N batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 5D Mark IV body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX II-RT: This external flash will give you the most flash power and control of the Canon Speedlites, as well as continuous shooting support. It has an adjustable and rotating head so that you can use indirect and bounce flash, and includes a diffuser plus color filters for white balance. The 600EX II-RT also allows optical wireless functionality plus is compatible with the radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Compatible with the Canon 600EX II-RT Speedlite.

Note that either the 600EX II-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mark IV. If either one of these units is in the Hot Shoe of the 5D Mark IV, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Speedlite 430EX III-RT or Speedlite 320EX: These external flashes will provide less flash power and control, and fewer features than the top of the line 600EX II-RT, however they may meet your needs if you don’t make extensive use of a flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 430EX III-RT allows optical wireless functionality plus is compatible with Canon’s radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT or a 600EX II-RT. The 430EX III-RT offers an optional bounce adapter and color filter. The 320EX has a built in LED light for lighting video.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 5D Mark IV to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function.


Canon 7D Mark II Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E16 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6N batteries or six AA/ LR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 7D Mark II body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 7D Mark II. If either one of these units is in the Hot Shoe of the 7D Mark II, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section below.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 7D Mark II to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function. The device attaches to the base of the 7D Mark II, and is a similar size and shape as the optional battery grip.

Eh-S Super Precision Matte Focusing Screen: The 7D Mark II is able to accept this optional focusing screen, which is designed for manual focusing. However, you will need to be using a lens with a maximum aperture of f/2.8 or larger, or else it will make the Viewfinder appear darker than the standard focusing screen. This screen will display the out-of-focus areas of the scene more dramatically out-of-focus, thus helping you to better view what is in-focus. Be sure to change the C.Fn 3 Custom Function item of the Focusing Screen for Eh-S, if you make use of this screen.

 


Canon 80D / 77D / 70D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E14 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 70D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 70D. If either one of these units is in the hotshoe of the 70D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 70D to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 menu), you will also be able to then control the image or video playback using the TV remote. Use the Canon AVC-DC400ST Stereo AV cable for non-HD TV sets.


Canon 7D Accessories (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E7 Battery Grip:   This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries.  It also increases the size of the 7D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.  (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories).

Canon WFT-E5A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.


Canon 60D Accessories (see also the 5D Mark III section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E9 Battery Grip: This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the 60D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the 60D and your right hand slips between it and the camera.

Canon EF-D Focusing Screen: This is the grid focusing screen to help you keep your compositions and horizons straight and level.


Canon Rebel T5i/700D, T4i/650D, T3i/600D, and T2i/550D Accessories

Canon LP-E8 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E8 Battery Grip: This accessory will enable you to use two LP-E8 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the camera’s body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the T4i. If either one of these units is in the hotshoe of the T4i, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap, used with or without the battery grip, provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the camera and your right hand slips between it and the camera.


Canon EOS 5D Mark III Accessories

Sandisk Extreme CF Memory Cards:  I suggest getting a couple 16GB, 32GB, or higher capacity CompactFlash (CF) cards to capture and store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

Sandisk Extreme SD Memory Cards:  If you plan to use the camera’s second card slot, I suggest getting a couple 16GB, 32GB, or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling.  Review the various ways that the camera’s second card slot can be used.  Again, be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro SD Memory Cards:  For an even faster SD memory card, look at the Extreme Pro version, which saves at 95MB/s over 30 MB/s of the Extreme SD cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst.

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E11 Battery Grip:   This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries.  The grip replicates the controls of the body and also increases the size of the 5D Mk III body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon WFT-E7A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.  There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT:  This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites.  It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below).  The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.  The AF assist beam of the Canon 600EX-RT is the only current Speedlite designed to be compatible with the 61 point autofocus system of the 5D Mk III.

Speedlite Transmitter ST-E3-RT:  Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required.  Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mk III.  If either one of these units is in the hotshoe of the 5D Mk III, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder:  This plastic holder attaches to the front of the 600EX-RT Speedlight and holds the gels of the Canon Color Filter Set.  Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX:  These external flashes will give you varying levels of flash power and control, with the 580EXII being the most powerful of the group.  They also have adjustable and rotating heads so that you can use indirect and bounce flash.  The 320EX also has a built in LED light for lighting video.  To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Sto-Fen Omni Bounce Diffuser for the Canon 580EXII or for the Canon 600EX-RT:  Works great on the optional external flash units like the Canon 580EX II Speedlite or the newer 600EX-RT Speedlite.  Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder.  I know you see lots of people doing it.  They didn’t bother reading how to use it – don’t imitate them!  Use a direct bare or gelled flash outdoors.  These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so, not straight on, and not bouncing off the sky.


Canon EOS 6D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E13 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 6D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time. However the EOS 6D (WG) has built-in GPS, so this accessory is generally not necessary. Ironically, the GP-E2 is not compatible with the EOS 6D (N), the model that is sold in certain regions without built-in Wi-Fi and GPS.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 6D. If either one of these units is in the hotshoe of the 6D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Viewfinder Focusing Screens: The optional Canon Eg-S Super Precision Matte focusing screen is designed to assist with manual focusing, and the optional Canon Eg-D Precision Matte focusing screen provides a grid in the Viewfinder to help keep your compositions straight and level.