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Canon 6D Experience, my newest Full Stop e book and the first EOS 6D user’s guide, is now available! This e book goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable full-frame Canon 6D. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography – including the autofocus system, exposure and shooting settings, and the in-camera features such as Multiple Exposure, HDR, RAW image processing, and the new Wi-Fi and GPS functions.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon 6D Experience will help you learn to use your full-frame 6D quickly and competently, to consistently create the types of images you want to capture. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Canon 6D EOS book manual dummies field guide instruction tutorial how to use learn full frame autofocus system

Learn more about it, view a preview, and purchase it here:

http://www.dojoklo.com/Full_Stop/Canon_6D_Experience.htm

As readers have said about Full Stop guides:

“An excellent guide, clear and concise. A great tool for budding photographer as well as the seasoned pro. A sure way to get the most out of your camera.”

and

“I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Take control of your Canon 6D, the image taking process, and the photos you create!

For Intermediate and Enthusiast Photographers:

This instant download Canon EOS 6D e book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

  • Go beyond Auto+ and Program modes and shoot competently in Av, Tv, and M modes.
  • Take full control of the versatile autofocus system.
  • Learn how, when, and why to use and customize the various controls, buttons, and features of the 6D.

To get you started, it includes explanations and recommended settings for all Menu settings and Custom Function options of the 6D.  It covers basic dSLR camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operation, such as taking control of the autofocus system for sharp focus of still or moving subjects, using the various metering modes and exposure compensation for correct exposure of every image, and taking advantage of the newer features found in the 6D such as in-camera HDR and Multiple Exposure Modes.

For Experienced Photographers to get up and running with the 6D :
For experienced photographers coming to the EOS 6D from other models, this guide explains the new and advanced features and settings in order to quickly get you up and running and taking advantage of these capabilities.  Plus it explains the camera controls, the in-camera HDR and Multiple Exposures features, in-camera image processing, introduces the HD video capabilities, Wi-Fi and GPS functions, and guides you through all the 6D Menu and Custom Function items in order to help you best set up and customize the camera and its controls for your specific shooting needs.

Canon EOS 6D ISO     Canon EOS 6D af autofocus point

Canon 6D multiple exposure shooting mode     Canon 6D wireless wi-fi wifi control ipad tablet iphone shootin
Example images from Canon 6D Experience:
High ISO sample, Autofocus AF Points in Viewfinder,
Multiple Exposure Shooting Mode, Wi-Fi remote shooting using smart device.

Canon 6D Experience not only covers the various settings, functions and controls of the Canon 6D, but also explains when and why to use them for your photography. The guide focuses on still-photography with an introduction to the movie menus, settings, and options to get you up and running with HD video.  Sections include:

  • Setting Up Your EOS 6D – Explanations of all of the Canon 6D Custom Function settings and Menu options, with recommended settings for practical, everyday use. These settings are a significant part of what makes the 6D such a powerful and versatile camera.  Set up and customize the advanced features to work best for the way you photograph.
  • Camera Controls – Description of all of the camera’s controls, how to customize them for your needs, and when and why to use them.
  • Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.
  • Auto Focusing Modes and Drive Modes – How they differ, how and when to use them to capture sharp images of both still and moving subjects. Also how and when to use focus lock and back-button focusing.
  • Exposure Metering Modes of the Canon 6D – How they differ, how and when to use them for correct exposures in every situation. Also how to make use of exposure lock.
  • Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations or for capturing a range of exposures to combine into HDR images.
  • Wi-Fi and GPS – Introduction to the set-up and use of the camera’s built-in Wi-Fi and GPS. Wirelessly control the 6D, save, or share images with your smart device or computer, and geotag and map your photos.
  • Introduction to Video Settings – Explanations of the menus, settings, and options to get you started.
  • Composition – Brief tips, techniques, and explanations, including the creative use of depth of field.
  • The Image Taking Process – Descriptive tutorials for using the settings and controls you just learned to take still and action photos.
  • Lenses – Explanation of Canon lenses and choosing your next lens.
  • Photography Accessories – The most useful accessories for day-to-day and travel photography including those specific to the 6D, plus recommended photography books.

This digital guide to the Canon 6D is a 248 page illustrated e-book that goes beyond the 6D manual to explain how, when, and why to use the features, settings, and controls of the 6D to help you get the most from your camera.

Learn more about Canon 6D Experience, view a preview, and purchase it on my Full Stop website here:

http://www.dojoklo.com/Full_Stop/Canon_6D_Experience.htm

Several weeks ago I wrote a post previewing the Canon EOS 6D, based on its specs and information available at its announcement. I’ve now had some hands-on time and have done significant research on the camera and its functions and features as I work on my latest e-book camera guide Canon 6D Experience. So now I am able to share some more insight into the body, controls, features, and handling of this very nice new full frame dSLR camera. And thanks to Newtonville Camera of Newton, Mass. for getting it into my hands so quickly!

Canon 6D EOS unbox unboxing new full frame dslr review preview hands on test how to use manual guide dummies
The Canon EOS 6D Unboxing – shown here with a Canon 50mm f/1.4 lens attached, not the EF 24-105mm f.4L kit lens.

The EOS 6D is first “affordable” full frame camera from Canon, priced at about $2,100. This means it is a consumer level camera that boasts an image sensor the same size as a frame 35mm film – rather than the smaller APS-C sized sensors that have been the necessary compromise for so many years in order to offer highly capable dSLRs which are still affordable to enthusiast photographers. With the availability of the 6D, many more photographers will now be able to gain the benefits of full frame photography, including the ability to use your lenses at their “intended” focal lengths (no more 1.6x crop factor) as well as obtain great image quality, resolution, and low noise at high ISO settings.

The Canon 6D is aimed at intermediate and dedicated enthusiast photographers (and dSLR beginners willing to learn!), not only with its price and body size, but also with its features and straightforward controls and menus. It is obviously not as fully-featured as the professional-level 5D Mark III, yet it contains nearly every feature that the majority of “non-pro” photographers will need. Besides the much more basic 11 point autofocus system (vs. the 61 AF points of the 5DIII), what the 6D leaves off are often very specific customization options that even some pros never get around to figuring out or using. Plus the 6D adds a couple new features previously not yet seen on a Canon dSLR such as built-in WiFi and GPS.  Most importantly, with its 20.2 megapixel sensor, the image quality of the 6D should prove to be nearly at the level of the 22.3 megapixel 5D MkIII.

As the author of dSLR user guides, my primary interest is more with the controls, features, functions, and “real world” use of any camera – as opposed to the image quality/ sensor issues (resolution, dynamic range, noise, etc.), which I leave up to DP Review, DXOMark, and other sites to examine in depth.  Although I will discuss and give examples of some of these issues in this post, I direct you these other sites to view sample/ comparison images and read detailed discussions of sensor and image quality issues.

Body: Weight and Size: The very first thing I noticed when picking up the camera is how incredibly light it is.  Granted, it was just the body only without a lens attached yet, but I was pleasantly surprised at its light weight. The body only (w/o battery) weighs a mere 1.5 lb. (680g), much lighter (relatively) than the full frame 5D Mark III (1.9 lb./860g) and the APS-C sized 7D (1.8 lb./820g).  The EOS 6D is nearly the same weight – and size – as its closest sibling the (smaller APS-C sensor-sized) EOS 60D, and truly represents an important milestone in dSLR evolution where a full-frame sensor and several advanced features fit into a similar body as an mid/upper-level consumer camera.

Body: Controls and Feel:  The controls of the 6D are similar to those of the 60D. It shares many of the same buttons (though some are relocated) as well as the thumb-pad Multi-Controller that sits inside the rear Quick Control Dial. This replaces the thumb-joystick version of this controller that was seen on all non-Rebel Canon dSLR cameras up until the 60D. Personally I am still not a fan of this thumb-pad, as the joystick is more comfortably located for autofocus selection, and I also find that I sometimes accidentally hit the thumb-pad while turning the Quick Control Dial when navigating menus, and thus suddenly jump to a different menu option. I also prefer to have the Playback and Delete buttons on the left side, so that I can access them with my left thumb, perhaps due to much more experience and muscle-memory with that set-up. However, these are simply a matter of getting use to the locations and sensitivity of the controls – after some use, muscle memory and habit typically allows one to easily use the controls they are provided with. The top Main Dial (for adjusting aperture and changing various settings) has a great “soft” feel as if made of firm rubber rather than the harder plastic of lower-end models. The rubber of the grip areas also feels great, no complaints regarding the over-all ergonomics of holding and carrying the camera, and the body feels perfectly solid.

Canon 6D EOS unbox unboxing new full frame dslr review preview controls button autofocus hands on test how to use manual guide dummies
Detail of the Canon 6D, including some of the buttons and controls.

There are several “quirks” to get used to with the 6D if you are accustomed to working with a different Canon body such as a 50D, 7D, or one of the older 5D models. Primarily, the 6D has the new single Magnify Button introduced on the 5DIII, rather than the Zoom-in/ Zoom-out buttons of previous models. Your muscle memory will definitely cause you frustration with this one for awhile until you get used to reaching for this new button rather than using the top-right rear buttons for zooming in and out during image playback. Now during image playback, you press the Magnify Button located just above the Playback Button, and then use the top Main Dial to zoom in and out. One of the advantages of this Magnify Button is that its initial magnification level is customizable from 1x to “zoom-in immediately to pixel level on the area of the image where you focused” (Actual size from selected point). Instead of pressing the Playback Button and then zooming, you can simply press the Magnify Button and immediately view the image at your zoom-level of choice. I found that I actually prefer to set the Magnify Button for 1x zoom. Then after taking an image, I can press the Playback Button to view the thumbnail of the image with the histogram (since I leave this as my default Image Playback view), or press the Magnify Button to immediately see the image full-screen. Using the two buttons, I can easily toggle between these two views.  Others will enjoy immediately zooming in on the area where they focused to ensure that it is indeed in-focus.

As with the 7D and 5DIII, the 6D has the ability to customize the various buttons and controls of the camera. I recommend that you use these Custom Functions to set the Multi-Controller to AF Point direct selection. That way you can simply use the Multi-Controller to manually select your desired AF Point instead of having to first press the AF Point Selection Button. However, if you do this, the SET Button will not select the center AF Point, as you may be used to from other cameras. Instead it will activate whichever function you set the SET Button for. But if you press the AF Point Selection Button first and then use the Multi-Controller, you can then still use the SET Button to select the center AF Point, which can be very convenient for quickly choosing this point.

The 6D has the Live View/ Movie switch and START/STOP Button which makes it quick and easy to switch between the two, start Live View, or begin Movie recording. However, this may bring you to another “quirk” (ok, it is not really a “quirk,” more a necessity of design and function, but until you realize that you may feel like it is a quirk!).  There are a couple functions that will be greyed-out in your menus if you have a certain conflicting setting option set. For example, some features will not be available (like HDR Mode) if you have the image quality set for RAW or JPEG+RAW.  You will have to switch to JPEG only in order to access these features.  Or you cannot access the Multi Shot Noise Reduction feature if you have Long Exposure Noise Reduction enabled or if you are shooting in RAW. This is bound to aggravate you at first as you try to determine why the function is greyed-out and not accessible in the menus. So, back to the Movie function, you cannot begin movie shooting if you have WiFi enabled. Thankfully with this particular incompatibility, the camera will alert you to this on the rear LCD Monitor. With the other conflicting settings, you are simply going to have to learn and remember the conflicting option.

As with the 60D, the 6D has the top row of buttons that only access one function (such as ISO or Drive Mode) rather than two functions as with previous/ other Canon models. However, this means you can press the button and then use either the top Main Dial or the rear Quick Control Dial to change the function. Or you can always use the [Q] Button and Quick Control Screen to access these functions or other functions that there is not a dedicated button for, such as Image Quality, White Balance, or Flash Exposure Compensation. And Canon has continued the use of the locking Mode Dial, which I prefer as there have been many times my 50D Mode Dial was accidentally turned when pulling the camera out of its bag.

Brief Commercial Interruption: I have completed my e-book guide to the Canon 6D, called Canon 6D Experience. The guide covers all the controls, functions, features, Menus options and Custom Function settings (with recommended settings), autofocus system, exposure, metering, and more. Plus most importantly, it explains how, when, and why to use the various controls, features, and functions of the 6D. Click the link above or the cover to learn more, preview, and purchase the guide.

Canon 6D EOS book manual dummies field guide instruction tutorial how to use learn full frame autofocus system

Use and Response: There really isn’t too much I can say about the 6D in action, as it performs as expected.  Not really any complaints, aside from my personal issues with the controls issues I described above.  The autofocus response is quick and accurate in normal use. I realize now that I was paying more attention to my photographic tasks and wasn’t paying particular attention to the AF performance as I was out and about with the camera, and didn’t specifically test the center vs. outer points, so I need to get back out and do that.  But on the other hand I didn’t notice and wasn’t limited by any issues or shortcomings.  In low light, night-time scenes, such as the in-camera Multiple Exposure image below and the in-camera HDR image above, the camera locked right on and focused well with the center and outer points. In extremely low light when using the outer points, it did not seem to react as quick and instantaneous – in my experience so far – as the highly advanced AF system of the 5DIII. For example the 5DIII could immediately find focus on the black face of a cat in very low light, while the 6D needed me to find a slightly stronger area of contrast on the kitty’s face before it locked on. But you can see from the exposure settings and the lack of contrast in the focus area of the image below, it still performed rather admirably for the situation (I focused just above the eye and recomposed slightly).

Canon 6D eos in camera hdr mode autofocus af system low light high iso hand held
Canon 6D – In-camera HDR Mode, with three images automatically combined and processed in-camera. “Adjust Dynamic Range” setting +/-1, “Auto Align” enabled, hand-held. Resulting image 1/40, f/2.8, ISO 6400. This image was also automatically geotagged with the GPS, as can be seen on Flickr.


A closer look at the above image.  I focused at about the center of this image, where the white meets the blue dome, though it may have focused on the closer branches.  Keep in mind this was handheld, for 3 images that were aligned and combined in camera.

The center cross-type AF point of the 6D is said to be even more sensitive (both in specifications and by users in real life use) than that of the 5DIII (according to Canon, the 6D center point is EV -3 while the outer points are EV +0.5; 5DIII is EV -2 all points; 60D is EV 0 all points).  Unfortunately I now realize I did not test the center point in this situation, and I will have to go back and do that.  So, I acknowledge it is premature for me to take away any conclusions about the extreme low light AF performance of center vs. outer points before I re-examine this further. Others are already saying that the center AF Point is stellar in very low light. And I did not test the AF system for tracking moving subjects using AI Servo yet. What does all this EV info mean?  If you are a wedding photographer or a concert photographer and simply need to get the shot and capture a very precise moment with no delay, then you may prefer to work with the 5D Mk III. If you are not working on assignment and perhaps have 1 extra second to re-position an outer AF point on an area of slight contrast, or else use the center AF point and recompose in dark situations, then you will certainly still be able to capture great low light shots with the 6D.

Canon 6d autofocus af low light auto focus system sample image center outer af point
Canon 6D Autofocus in low light – I had to focus just above the eye where dark meets light, and then I slightly recomposed. But as you can see from the settings, it was very low light, and that type of performance is a major accomplishment for any camera: f/2.5 1/60 ISO 6400 (screenshot from DPP in order to show AF points.)


A closer look at the above image. I think due to the high ISO setting some sharpness was lost, but that could be recovered with sharpening.

WiFi: The Canon 6D is the first of their dSLR models to incorporate built-in WiFi and GPS capabilities. Neither of these is something I thought I needed – but I can already see the benefits. With the 6D you can wirelessly connect your camera to your computer, smart phone/ tablet, wireless network, printer, or TV to perform a variety of functions:

Computer: when wirelessly connected to your computer, you can make use of the included EOS Utility software to remotely control the camera (change settings and release the shutter) and save the images directly to your computer.  Previously you could do this only through the use of a USB cable.

Canon 6D wifi wireless tablet ipad iphone smartphone android share connect upload test review preview hands on
Canon 6D WiFi – Control the camera remotely with an iPhone, iPad, or tablet.  Here the aperture setting is being changed, and the focus area is positioned on the subject.

Smart Phone/ Tablet: You can also control your camera through your smart device (iPad, iPhone, Android phone or tablet) using the free EOS Remote app, and this takes it to a higher level than with EOS Utility. You can actually monitor on your device what the camera is seeing, as if you are seeing the camera’s Live View screen on your device.  You can change some settings (like aperture, shutter speed, ISO), move and resize the focus area to tell the camera where to focus, and release the shutter. You can also view the images that are on the camera’s memory card, and transfer images from your camera to the device, however they will be reduced size JPEGs.

Wireless Network – Internet Services: You can set up your camera with websites including Canon Image Gateway, Facebook, Flickr, Twitter, and YouTube, and directly send images or videos to these sites – straight from the camera! (Some instances like Twitter will merely share a link to the image on Canon Image Gateway, but with Facebook the actual image will appear.)

Canon 6D wifi wireless facebook share connect upload test review preview hands on
Canon 6D WiFi – Send your images directly to Facebook (or links to Twitter, or movies to YouTube) straight from the camera.

TV and Printer: You can wirelessly show a slideshow of the images on your camera with a compatible TV, or print images directly from the camera with a wireless compatible printer.

The great thing about these wireless functions is that they are actually easy to set up and use (at least in my experience). By following the simple instructions in the manuals and the prompts on the camera’s screen and the software and apps, you can just keep clicking OK (and enter your password and name your connections) as the camera finds the network or device and connects them together. The EOS Utility software also automatically installs a “device pairing” function on your computer that finds the camera and easily lets you connect. The biggest challenge was setting up the connections to the Internet sites (Facebook, Twitter)  since the instructions were not straightforward. But once you determine that you need to first connect the camera via USB to the computer then open EOS Utility, the right set-up screen is available on EOS Utility.  Then the Internet sites can be selected and registered with the camera, and it works great. There are lots of intimidating wireless set-up option screens on the camera that may have to be used if the connections to your wireless network or devices are not so straightforward.

GPS: The built-in GPS function can be enabled so that your images are automatically geotagged with data such as location and elevation. You can even log your camera’s journey – even when the camera is turned off (as long as it can “see” the satellites) – and then view the route on a Google map (with the included Map Utility software). You can set the camera to communicate with the satellites at anywhere from every 1 second to every 5 minutes, though note that this will drain the battery to some extent.

Functions and Features: The 6D has all of the features of the other current Canon dSLRs, such as in-camera HDR Mode, Multiple Exposure Mode, Handheld Night Scene mode, and various Noise Reduction features. In my standard camera use, I don’t typically have a need for many of these types of features, but they might come in handy or be fun to experiment with for many users. The image rating option is also included and can be quickly accessed during image playback. While initially this seemed unnecessary for me, I have found that it is a great time saver for marking either really good images or likely deletions, both of which require a quick review on a full size monitor once back at my computer – and now can be easily located with their 1 to 5 star rating.

Canon 6D EOS multiple exposure how to manual instruction use review preview hands on tutorial dummies guide book
Canon 6D Multiple Exposure mode used to create a multiple exposure image in-camera, combining three images. Multiple Exposure Control setting: “Average” used here, as it works best for night/ dark scenes. This image was also automatically geotagged with the built-in GPS, as can be seen on Flickr.

The fast Digic 5+ processor of the 6D also allows for some lens correction features – Peripheral Illumination Correction and Chromatic Aberration Correction – to correct for issues introduced with some lenses, several of which are pre-registered in the camera. These types of corrections can also be done with specific lens profiles in Lightroom or Photoshop, so you will need to decide if you want to make these corrections with more control in post processing.  However, if you will be outputting JPEG files, you may want to take advantage of this in-camera.  You can even apply the corrections in-camera after the fact if you have shot in RAW. There are also several other in-camera RAW processing options which will allow you to fully process the image in camera (for brightness, Picture Style, White Balance, JPEG size, etc.) and output a JPEG file for immediate use.

One other nice feature is that not only does the 6D have lens autofocus microadjustment capability to correct for minor autofocusing distance issues, but (as with the 5D Mk III) you can adjust separately for the wide end and tele end of a zoom lens! Of course this means a lot more work in your AF microadjustment process. Also, through the Custom Functions you can choose the number of shots to take during bracketing, either 3, 2, 5, or 7. This is extremely desired by HDR shooters who were previously frustrated with the 3 shot limit.

On the down-side, the 6D has a relatively slow continuous shooting speed of 4.5 frames per second, and no Low-speed and High-speed Continuous settings – unless of course you use Silent Continuous Shooting at 3fps (though be aware that use of the Silent Drive Modes can result in slight shutter lag). This slower maximum rate, along with the less sophisticated 11 point AF system may limit the camera’s appeal to sports and action shooters who need to track moving subjects. (“Less sophisticated” = not as many AF Points as the 7D or 5DIII, only 1 cross-type AF Point, not as many options to customize how it tracks and responds to moving subjects.) Action photographers should look instead at the Canon 7D or 5D Mark III.) On an unrelated note, I should also mention that the 6D has a slower 1/180 flash sync speed.

Menus and Custom Functions: The 6D has the standard menu interface and options as the other current models. You can adjust and customize a few more settings than with the 60D, but the menus are reduced and simplified a bit from the 5DIII.  For an enthusiast photographer this is generally a good thing, as the 6D contains most all of the customization options that you will need, without overwhelming you with extremely specific or advanced items that are found on the 5D Mk III. After becoming familiar with the 5DIII however, it is interesting to note what options were left off, such as additional Multiple Exposure and in-camera HDR Mode processing options, no Auto level for LCD Brightness, and the elimination of some of the extremely precise, nearly “hidden” Custom Controls sub-sub-menus and options.

But the 6D does contain the additional ISO settings used to specify the minimum and maximum ISO available for you – or the camera in Auto ISO – to select, plus the minimum shutter speed for the camera to use in Auto ISO.  If you choose to use Auto Lighting Optimizer, you can tell the camera to turn it off when shooting in M (since you will want full control of your exposures and don’t want the camera to over-ride your careful settings).  A nice feature is the Safety Shift options, where instead of merely enabling the camera to over-ride your settings if it needs to in order to obtain the proper exposure, you can specifically tell it shift either the shutter speed/ aperture setting, or the ISO setting.  Generally, I believe, it will be better to shift the ISO setting in order to obtain the exposure, as you probably intentionally selected your aperture or shutter speed. The Custom Setting for autofocus Tracking Sensitivity now helpfully lists the options as “Locked On” and “Responsive” rather than the previous vague and confusing notations, so you can tell the camera to remain locked-on to your subject or to be more responsive and begin focusing on a new subject that enters the field of view of your active AF Point.

The Orientation Linked AF Point feature is much simplified from the 7D and 5DIII in that you do not need to pre-register the desired points, but rather the camera makes use of the current, manually selected AF points for each specific camera orientation, and then returns to them when you hold the camera in that orientation.

Image Quality: I am not a pixel peeper, I am more of the “just get out there and shoot” variety, and I believe that most all the current consumer cameras – including the 6D – offer more than enough in terms of image quality and low noise for most every photography from enthusiast to semi-pro. So I will leave it up to DP Review and other sites to evaluate the image quality and sensor performance. I have shot some informal ISO tests, which can be viewed on Flickr. For pixel peepers, here is a 6400 ISO, 100% crop detail of the scene below, with no in-camera Noise Reduction or White Balance correction.

Canon 6D high iso noise full frame test review preview hands on
Canon 6D full frame sensor – high ISO noise performance. Click image to see larger version with notes of all the settings.

Video: Oops, I just realized that I forgot to discuss this in the review!  I will come back to this, but it is interesting to note that while the 6D has manual audio input level control, the Wind Filter and Attenuator, it lacks a headphone jack for monitoring audio.

Manuals: Canon has unfortunately followed the trend of not including the full printed manuals with the camera.  While the camera comes with the printed version of the basic instruction manual and “pocket guide” for the camera, plus the basic WiFi/ GPS manual, you have to access the PDF files on the included disc for the full camera manual, the full detailed manual for WiFi, plus the instruction manuals for the software including Map Utility and EOS Utility. Of course you need the full manual to properly set up and learn all the features of the camera, plus you will need to look at some of the the other manuals in order to learn how to get your camera connected to Internet services.  It is a bit frustrating not to have these at hand to quickly refer to.  Fortunately if you have an iPad or tablet, you can download the PDF version of all the manuals from the Canon website and easily read and search through them and take them with you.

However, to quickly learn all the essential and important features of the camera, how to set up the menus and Custom Functions, and learn how, when, and why to use the various controls, features, and functions of the Canon 6D, have a look at my e-book guide Canon 6D Experience.

Canon 6D EOS book manual dummies field guide instruction tutorial how to use learn full frame autofocus system

Conclusion: Overall I think the Canon 6D is an excellent dSLR camera, a very good value for the price, and should easily meet or exceed the needs of most enthusiast and dedicated photographers. It provides the wonderful possibility for a non-pro or aspiring-pro to finally shoot with an affordable full-frame camera. Landscape photographers should enjoy this, as their wide angle lenses will once again act as true wide angle lenses, and be able to capture sweeping vistas.  It should provide general, portrait, and travel photographers with the controls, features, durability, and image quality they desire. Sports, wildlife, and action photographers may not find what they need, however, due to the limited 4.5 frames per second continuous shooting speed and the less sophisticated 11 point autofocus system with only one cross-type point. edit 12/13/12DXOMark summarized it well when they concluded that the 6D “is a high-end, full-frame camera ideal for enthusiast and advanced photographers, or professional photographers looking for a second camera body. Its resolution and AF system mark it out as a camera that is aimed at those shooting portraits or landscapes, where good resolution and a full-frame sensor are key, but where the fastest AF is not as important.”

Designed as a consumer-level camera, a few features (or lack of features) – such as those mentioned – obviously prevent it from being a full-fledged professional level body for highly demanding users (at least not the primary body), but its sensor, image quality, and capabilities will certainly provide anyone with the potential to take professional quality images – and in most situations capture exactly the image you intend. And that, in the end, is the number one goal of photography!

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If you are going to be ordering your Canon 6D online, please consider using my affiliate links below or on the left side of the page (Amazon, B and H, Adorama). Your camera (or other gear) will be the same price, but they will give me a small referral bonus – thanks!

Canon 6D on Amazon (body only or 24-105mm f/4L kit)

Canon 6D at B and H Photo – body only

Canon 6D at B and H Photo – with the 24-105mm f/4L IS kit lens

Introducing the Canon 6D Full Frame dSLR Camera

First, I have been corrected – the Sony a850 was the first “affordable” full frame (meaning ~$2000 price at introduction), followed by the Nikon D600, then the Canon 6D. But as I unfortunately only have time in my work day to mostly follow, research, and write about Canon and Nikon news and dSLR cameras, this one slipped by me.

Just as I have been digesting the specs and features of the new Nikon D600 full frame dSLR, Canon quickly follows on their heels with their version of a “pro-sumer” full frame camera, the Canon EOS 6D.  The big deal about these two cameras – and indeed they are a big deal – is that they are the first full frame cameras priced at around $2000 at first release.  In fact they are each priced at just under $2100.  dSLR cameras with full frame sized sensors (sensors about the size of a frame of 35mm film – remember film?) have typically cost several hundred, if not $1000 more than this when first introduced. The Canon 5D, though also referred to as “affordable” at the time, was around $3300 when introduced as a professional camera. The Canon 5D Mark II was about $2700 at introduction, and the Nikon D700 and D800 were each about $3000.  The latest Canon full frame, the 5D Mark III is around $3400, but Canon knew they would be coming out with the 6D to fill in the price point vacated by the 5D Mark II.

Canon EOS 6D full frame dslr review
Canon EOS 6D

Previously, the compromise in order to put a high-quality, fully featured camera into enthusiasts’ and semi-pros’ hands was a smaller sensor – the APS-C sized sensor which is about 64% of the size of a full frame sensor.  Nikon calls the smaller size the DX and the full frame the FX format, while Canon really doesn’t have a special name for either that I can recall. But larger sensors have always been prized for several reasons.  They typically deliver better performance in terms of improved resolution, increased dynamic range, and improved low light / high ISO performance.  In other words, the images have much better detail and can withstand serious cropping, display a fuller range of colors and tones, and are cleaner with less digital noise, especially in low light situations.  The full frame sensor will also affect the field of view of your lenses. For those moving from an APS-C sized sensor camera to a full frame body, a 50mm lens will now act as a true 50mm lens – no more 1.6x crop factor to consider. This means that your wide angle lenses will now act as true wide angle lenses, but your telephoto lenses will no longer have quite as much reach as you may be used to.

I have long warned that Canon users should carefully consider buying EF-S lenses that are only compatible with APS-C Canon dSLRs, and my reasoning was that one day you would either want to upgrade to a full frame 5D that does not accept AF-S lenses, and/ or eventually full frame bodies would become more affordable.  Well, that day is today!  The 6D is the “affordable” full frame camera, and indeed it does not accept EF-S lenses, only EF lenses.

For those who can’t or don’t wish to spend $3400 on the 5D Mark III yet still want the full frame experience, the 6D is now a reasonable option.  The 5D Mk II of course is currently under $2000, but it really isn’t very desirable anymore with its relatively slow and outdated 9 point autofocus system and relatively slow 3.9 frames per second continuous shooting speed.  Not to mention the wide variety of feature, HD video improvements, and in-camera processing features that have been added to more recent models.  However, based on its controls, autofocus system, and other features (whether included or left out), the 6D can be considered a full frame version of the 60D, and thus sits firmly in the enthusiast range rather than the professional range. Again, some compromises were made in order to offer a well-featured full-frame camera at an enthusiast photographer price point.  But its full frame coupled with its smaller, lighter body (more like an APS-C camera body) will make it a great option for everyday and travel use.

Canon 6D EOS book manual dummies field guide instruction tutorial how to use learn full frame autofocus system

Brief Commercial Interruption: I have written an e-book camera guide to the Canon 6D, Canon 6D Experience, now available. Click the link or book cover to learn more, preview, or purchase this guide (as well as all my other e-book camera guides for Nikon and Canon dSLR cameras).

 

 

 

 

 

 

Canon EOS 6D full frame dslr review
Canon EOS 6D

Here are some of the specs of the Canon 6D, and more importantly what they mean. After reading about what the camera offers, be sure to also read my Canon 6D Hands On Reveiw:

Sensor: The 6D sits between the 7D and the 5DIII in terms of resolution, with 20.2MP compared to the 18MP of the 7D, 21MP of the 5DII, and 22.3MP of the 5DIII. As mentioned above, a full-frame size sensor promises not only improved image quality but also increased dynamic range and improved low light / high ISO performance (100-25,600 max. ISO expandable up to 102,400). Have a look just below and at my images here to see some example images of the performance of the 5DIII at various ISO settings.  The 6D may not be quite as excellent, but it should be very close (edit: my informal ISO tests of the 6D can now be seen below and here.  And as noted above, the full-frame sensor will also affect the field of view of your lenses. Your wide angle lenses will now act as true wide angle lenses, but your telephoto lenses will no longer have quite as much reach as you may be used to.

Canon 6D high iso noise digital camera slr pixel test compare preview
Example image of the Canon 6D ISO performance and digital noise. Image by the Author – click on the image to view larger.

A full frame sensor also affects your depth of field…indirectly.  This is because depth of field is affected by not only your aperture setting but also the camera-to-subject distance.  So say that you were to use the full frame 6D to frame a shot with a 50mm focal length and f/2.0 aperture, from 10 feet away.  To “recreate” this same shot with the APS-C sensor-sized 7D and a 50mm focal length, you would have to back up several feet (6 more feet I believe?) to have the same field of view.  (The full frame sensor will capture a wider field of view, while the APS-C “crops” the scene due to its smaller size.)  Even though you use the same f/2.0 aperture setting, the depth of field is not as dramatically shallow because the camera-to-subject distance has increased.  The depth of field in this case changes from less than a foot to over 2 feet.  (I may be wrong about backing up from 10 feet to 16 feet for this example, which means my final numbers are off, but none-the-less, the dof increases as you move back.)  So…indirectly…a full frame camera can contribute to more dramatic depth of field.

Processor: The 6D incorporates a single speedy Digic 5+ processor – the latest processor that is also included in the 5DIII (there as one of two processors). This allows you to take more continuous photos at the maximum frame rate, as well as to keep up a fast rate as the camera applies optional in-camera processing to the images, such as lens aberration corrections.  The speedy processor also allows for the in-camera HDR and Multiple Exposure features.

Viewfinder: The 6D also has a nice big and bright 97% view viewfinder, not as awesome as a 100% viewfinder would have been to be able to frame the entire scene to be captured, but excellent none-the-less.  Unfortunately, there is not an electronic grid included in the viewfinder view as there is with the 7D.  In order to get a grid, you will have to make use of the optional Eg-D matte focusing screen.  You can see a simulated view of the viewfinder below the Autofocus section.

Autofocus (AF) System / FPS: The Canon 6D has a new 11 point autofocus system with only the center point as a more accurate cross-type point.  Not quite the 19 AF point system of the 7D as one might have expected, and also significantly lower than the 61 AF point system of the 5DIII.  In terms of number of focus points, it is a minor improvement to the 5DII.  However, I am sure that it is a system that will react and perform significantly faster (even despite only one cross-type point) as well as offer numerous customization options. This AF system, along with its 4.5 frame per second (fps) continuous shooting speed, indicates that the 6D is not intended to be a sports and action camera, but rather a camera geared towards standard photography, weddings, portraits, travel, etc.

Canon 6D EOS autofocus AF viewfinder 11 points compare choose dummies guide book digital dslr
Simulated view of the Canon 6D viewfinder, showing the Spot Metering circle and the 11 autofocus AF Points

Body, Size, Battery, Memory Cards:  Regarding size and weight, the 6D is nearly the same size and weight as the 7D – in fact it is not quite as wide and as deep as the 7D, stands at the same height, and weights a little less.  Overall it is 145 x 111 x 71 mm, weighing 770g (with the battery) compared to the 860g of the 7D.  The 6D accepts the same excellent LP-E6 battery as the 7D and 5DIII, as well as SD memory cards (single card slot).  The body is constructed primarily of magnesium alloy, is weather sealed against dust and moisture, and should prove to be quite durable for any everyday-type use plus more rugged situations.  It boasts a 3″ LCD screen – fixed not articulating – with 102,400 pixels, making it large, clear, and sharp – but not a touch screen as originally speculated.

Interface and Controls: The controls on the body of the 6D closely resemble those of the EOS 60D, with a few changes.  The Multi-Controller pad is used for autofocus AF point control rather than the thumb joystick of the 5D cameras, the top row of buttons control one function only, and the Mode Dial has the handy center locking button.  The power switch has been moved to the typical current location for Canon dSLRs – at the Mode Dial.  The row of buttons on the rear left side, common on most Canon dSLRs without a rotating screen, has been pared down and moved to the right of the screen.  Rather than the zoom-in and zoom-out buttons, there is a single Magnify button that was first found on the 5DIII and initially drove users crazy due to the muscle memory of their thumbs that had to be retrained.  The exposure lock and focus lock buttons remain, thus allowing for back-button focusing and easily separating focus and exposure functions.

Canon EOS 6D full frame dslr review
Canon EOS 6D

New Features: The 6D is the first Canon camera to offer built-in wireless and built-in GPS capability.  The Wi-Fi feature will allow photographers to do some great wireless stuff, including cable-free “tethered” shooting and camera control using EOS Utility and a computer, easily sharing images on Facebook and other social networks straight from the camera, controlling the camera (in Live View) from a smartphone or tablet – including focusing and changing some settings, using the smart device to view and transfer images that are on the camera’s memory card, and Wi-Fi connection to a TV or printer.  And the GPS will allow geotagging of images with the coordinates, altitude, and orientation, and mapping the route of the camera.

Accessories: Of course there will be a battery grip for the 6D, the BG-E13, for the use of two LP-E6 batteries for longer shooting.  The larger body size created by the grip is also more comfortable for some, especially when shooting often in the portrait orientation and/ or when using larger, heavier lenses.  There are also a couple optional focusing screens that are compatible, the Eg-D and Eg-S matte focusing screens which make manual focusing eaiser.  The Eg-D offers a grid as well for assistance with compositions and keeping the framing straight.  This means that there is no electronic grid built into the viewfinder, as with the 7D.

The typical remote shutter releases are certain to be compatible, such as the Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-1 or RC-5 or RC-6.  These remotes will allow either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Flash: Similar to the 5D line of cameras, the 6D does not include a built-in flash, though it is fully compatible with all the Canon Speedlite flashes such as the new Canon 600EX-RT as well as the older but still highly capable 580EX II.  It will certainly be compatible with the Speedlite Transmitter ST-E3-RT radio wave wireless transmitter, which can control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. (Currently only compatible with the Canon 600EX-RT Speedlite.)

HD Video: And of course the 6D offers full HD video with manual control and all the usual frame rates (1080p at 30/25/24 fps and 720p at 60/50 fps plus 480p at 25/30 fps. The new sensor is not capable of full time autofocus, though most dedicated videographers still prefer manually focusing anyway. The camera records mono audio but is compatible with optional stereo mics, and unfortunately lacks a headphone jack for audio monitoring.

Bracketing: The offers 3, 2, 5, or 7 frame Auto Exposure Bracketing, which will please HDR shooter. There is also a built-in “HDR mode” which combines and processes three automatically bracketed images in-camera, and a Multiple Exposure mode that can “overlay” and process up to 9 images in-camera. And there are a couple more multi-shop options where the camera takes a few shots in a row and then combines them for a better final result, such as the multi-shot noise reduction option, and the hand-held night scene.

Of course the 6D offers the usual 63-Zone dual layer exposure metering system for consistent, accurate exposures in all types of situations including challenging scenes like back-lit ones.  It has the usual Canon Metering Modes and Drive Modes as well as the familiar Picture Style settings and in-camera image processing and filter/ art effects as found in the 7D, 60D, and 5D Mk III.

Conclusions:  Just as with the new Nikon D600 full frame camera, I expect the Canon EOS 6D to be an extremely popular camera, offering an affordable full-frame dSLR for dedicated enthusiasts, aspiring pros/ semi-pros, or a highly competent second body for semi-pros and pros on a budget. There is nothing lacking in this camera that would prevent any photographer from capturing the highest quality, professional level images in most every shooting situation, be it general photography, portraits, street photography, studio work, wedding photography or travel use.  Its pairing with the professional 24-105mm f/4L lens is an indication of its exceptional image quality capabilities.  Plus it offers the ability, although somewhat limited by its autofocus system and maximum continuous frame rate, to capture sports, wildlife, and other action type situations.

The 6D may not be the “fully featured budget pro-sumer full frame dSLR” that many had hoped for, however.  Its 11 point AF system with only one cross-type point is clearly on the consumer/ enthusiast level, as are its external controls such as the thumb pad Multi-Controller and the single function top buttons.  Its inclusion of the Scene Modes on the Mode Dial also indicates that it is targeted to enthusiasts, as well as its single SD memory card slot.  But these are the types of compromises that had to be made to keep the price within reach of more enthusiast photographers while still offering full frame image quality.  As Canon says in their 6D press release, “the EOS 6D bridges the gap for budget-minded photographers, videographers and cinematographers who are eager to step up into the world of full-frame imaging.”

Be sure to also read my subsequent Canon 6D Hands On Reveiw, written after the camera became available.

As I work on a comparison post of the current Canon dSLR line-up, have a look at these other Canon related posts, including how to take full advantage of your autofocus system.

The camera will be offered as a body-only or with the 24-105mm f/4L IS (image stabilized) lens, and is expected to be available in December 2012.

Canon 6D EOS book manual dummies field guide instruction tutorial how to use learn full frame autofocus system

And as I mentioned, I have written the first guide to the Canon 6D, my Full Stop e-book user’s guide for the Canon 6D – Canon 6D Experience, now available.

Order your 6D today on Amazon or B and H:

Canon 6D on Amazon (body only or 24-105mm f/4L kit)

Canon 6D at B and H Photo – body only

Canon 6D at B and H Photo – with the 24-105mm f/4L IS kit lens

Canon has just announced their latest, high-end professional model, the EOS 1D X.  I don’t normally discuss the top of the line pro models (as this one is listed at $6,800) but instead concentrate on the consumer and pro-sumer level dSLR cameras.  However I would like to look at some of the new feature of the flagship Canon 1D X that will – sooner or later – make their way down to the more affordable models.

Canon EOS 1D X
Canon EOS 1D X – image courtesy of Canon USA
(If you do plan to purchase a 1D X, please use one of my referral links to Amazon, B and H, Canon,or Adorama!!)

In the past we have seen some of the advanced features of the high end cameras later introduced into the consumer models in one form or another, including faster processors and shooting speeds, more sophisticated autofocus system features, and advanced custom functions that allow the user to modify the functions and controls to operate in a specific desired manner.  And since the replacement for the 5D Mk II is imminent (Mk III? 6D?), and the 7D Mk II probably around the same time (Feb 2012?) we are likely to see variations of some of these refinements soon in the consumer and pro-sumer models.

Some of the new advanced features of the Canon 1D X that we will eventually see in the replacements to the 5D Mk II, 7D, 60D, and perhaps even the Rebel line:

  • 18 Megapixel full frame CMOS sensor.  The high-end cameras have less megapixel than the consumer cameras because they are extremely high quality sensors and can deliver high image quality with a lower number of larger pixels.  The 7D and 5D replacements, however, are bound to boast 21 to 26 MP or so.
  • Refinements to the controls and their layout.  This includes user-configurable buttons on the front of the camera, which has already been seen with the 7D to an extent, but will definitely be incorporated into the 5D Mk III (or 6D or whatever it may be called).
  • A 61 point AF system with 41 cross-type AF points and five dual cross-type points for extra precision.  The 7D and 5D replacements won’t have this many AF points, but perhaps will increase upon the 19 AF points of the current 7D.
  • Zone, Spot, and AF Expansion autofocus Area Modes including 4 point and 8 point expansion.  The 7D currently offers these as well (4 point expansion only, not 8), and the new 5D is certain to have these capabilities.  Perhaps the 8 point expansion will be added to the 7D replacement.
  • Refinements to the autofocus system, including a simplification of the complex AF related Custom Functions that are so difficult to explain and differentiate even with the 7D.  With the new 1D X the changes include a new AF menu tab to easily access and change the AF options, and presets such as “Continuous shooting, ignore obstructions,” “Subjects that accelerate or decelerate quickly,” and “Instantly refocus suddenly with obstructions.”  While specific combinations of the AF Mode, AF Area Mode and AF related Custom Function settings of the 7D already allows for these types of settings, these new, easy to access presents are a welcome change from the previous difficult-to-decipher (much less remember) Custom Functions such as AI Servo Tracking Sensitivity and AI Servo AF Tracking Method.
  • Additional changes to the AF system include “Intelligent Tracking and Recognition” which incorporates color and face detection in order to more easily assist the photographer on focusing on a subject’s face when tracking a moving subject, such as a dancer or sports player, rather than perhaps focusing on a closer hand, racquet, or jersey.  Now even the pros will be using face detection!  And focusing is improved in even very low light.
  • 12 frames per second continuous shooting speed with full autofocus and metering, plus up to 14fps possible with the mirror locked up when shooting JPEGs.  While the 1D X offers 12 and 14 frames per second shooting, it is unlikely that the 7D and 5D replacements will be capable of more than 8 or 10fps, though any increase is sorely needed for the 5D.
  • Higher ISO capability.  The ISO performance increases with just about every new sensor, so any of the new cameras are bound to have improved high ISO performance – probably not as incredible as the 1D X, but improved from the current models.
  • Faster start-up time and shutter lag.  This is always a welcome improvement.
  • Easy one-touch 100% zoom during image playback to the area of the image where the active autofocus point is located, in order to quickly check for sharp focus in the area of the image that should display the sharpest focus.
  • Dual DIGIC 5+ image / data processors.  The 7D has dual Digic 4 processors, and the new 7D and 5D are certain to have improved processors, which assist with overall camera speed including continuous shooting speeds, multiple exposures, and writing files to the CF memory card.  A processor also assists with metering and autofocus.
  • Multiple exposures between two and nine shots with various options for combining the frames, plus chromatic aberration correction and peripheral illumination correction.  HDR shooters and those wanting to shoot multiple exposures will appreciate a new 7D or 5D with these in-camera capabilities, and the chromatic aberration correction may also find its way to the lower level cameras.
  • The 1D X “deploys a 100,000-pixel RGB metering sensor and a new metering algorithm. The sensor is used to detect a subject’s brightness, color and face and based on this evaluative metering or evaluative flash metering is executed. This data is also communicated to the AF system to assist with subject tracking.”  New models typically bring an improvement in the metering system, and while the new 5D and 7D won’t have this level system with 253 zones over the previous 63, they will certainly have these same types of improvements made to their current systems.
  • Plus / minus 5 stops of exposure compensation.  This is already a feature of the 7D and will be a welcome addition to the 5D replacement, especially for those shooting HDR.
  • Various video improvements, including longer shooting times, manual audio level control and adjustable live level meters, some compression and timecode features.  There are several features that videographers will appreciate and many will definitely find their way into the new 7D and 5D, which are already extremely popular cameras for dedicated videographers.
  • 3.2-inch (diagonal), 1,040,000-dot rear LCD screen with “ClearView II” technology and extremely durable glass screen.  This is slightly lager than the 3″ screen of most of Canon’s dSLRs, but I’m not sure if a new 7D or 5D will see much of a size increase here.
  • Built in LAN Ethernet port.  This is a new feature for a Canon.  While most of them allow for an optional wireless transmitter, this wired version is built right in.  I don’t see this being added to other cameras quite yet.
  • Twin CF memory card slots, which can be used in various configurations.  Some heavy shooters and videographers might like to see this on a new 7D or 5D, to (I’m speculating here) separately save stills and video, or JPEG and RAW, or use the second card for overflow, or save dual copies of all files.
  • Canon’s second generation self-cleaning sensor unit, which uses “carrier wave technology” to better coax the small dust particles gently down the surface of the (filter in front of the) sensor to the collecting adhesive strip at the base.
  • New EOS System Monitor screen showing total shutter actuations, serial number, and firmware version.  This would be a welcomed addition to the 7D and 5D, though it always seems Canon is hesitant to make it easy to see shutter actuations on a consumer camera.

There are a variety of other additions and improvements to the EOS 1D X, but these are the features that are likely to be incorporated into the more affordable consumer and pro-sumer models.  Some I am certain we will see in the following months when the new versions of the 7D and 5D are released, and some will eventually make their way into the 60D replacement and perhaps, in time, even into the Rebel models.

This article mostly applies to the 9 point autofocus system of the Canon 60D and the Rebels including the T5i / 700D and T4i / EOS 650D (and their predecessors), as well as to the new Canon 6D and its 11 AF points.  The Canon EOS 7D also shares the same Autofocus Modes discussed below, but it adds Autofocus Area Modes to the mix as well as additional Custom Functions affecting the AF system, so I will have to address those additional capabilities in the future (or you can learn all about them now in my Canon 7D Experience e-book).  I have written a separate post that addresses the AF system of the Canon 5D Mark III.

You can learn much more about using these cameras with my Full Stop e-book camera guides for Canon dSLR cameras.

Using Auto Focus
One of the essential steps in taking a successful photo is controlling where the camera focuses.  If you allow the camera to auto focus by choosing its own focus point(s), it typically focuses on the closest object.  This may or may not be what you want to focus on, so you should select where the camera focuses using the Auto Focus Points.  This does not mean you have to manually focus the camera, it means you tell the camera exactly where to autofocus.  For example, you often want to focus on a subject’s eyes, but if you allow the camera to choose the autofocus point itself, it may select another part of the face, or somewhere else on the body, or even a raised hand that is nearer to the camera than the face to focus most sharply on.  If you are capturing an image of a bird in a tree, the camera has no idea you want the autofocus system to zero-in on the bird so that it is in sharp focus and not the branches or leaves near it, or the leaves closest to you.

Autofocus works by looking for contrast, so try to focus (place your AF Point) on a detail with a strong line or strong contrast between light and dark.  It may not be able to focus on a large area of consistent color – such as a white wall or blue sky or even an evenly colored and lit shirt – or on a subject that is too dark.  It can be disrupted by regular patterns or confused when looking through close objects to objects farther away, such as looking through a fence.  And it sometimes fails to work as well in dim light, though the AF-Assist Beam can assist in this situation.  When photographing people, always try to focus somewhere on the face, ideally on the eyes or eyebrows, then recompose the framing of your image if necessary.

Select an Auto Focus Point, or AF Point, using the Multi-Controller or using the AF Point Selection Button and the Cross Keys (depending on your camera).  If you have a model with the Multi-Controller (such as the 60D with the thumb-pad or the 7D or 5DII with the thumb-joystick), be sure to set the Custom Function setting for AF Point Selection Method so that you can directly change the AF Point without pressing the AF Button first.

Canon 60D T3i 600D autofocus system AF point select choose set setting
Figure 1 – The selected AF Point is located over the subject’s eye in order to ensure the camera autofocuses where desired.  (Canon 60D viewfinder shown, T3i/600D viewfinder similar)

To see how autofocus point selection works, make sure the switch on your lens it set to AF and your Autofocus Mode, as seen on the top LCD Panel or rear LCD screen, is set to One Shot, then:

•    Tap the Shutter Button with a half-press to wake up the camera.
•    Looking through the viewfinder, use the Multi-Controller or Cross Keys to select the focus point that is nearest to where you want to focus.
•    Place that point over your intended subject.
•    Press and hold the Shutter Button halfway down and see that point blink red.  The Focus Confirmation Light should light up in your viewfinder.  You have locked the focus.
•    Keeping the Shutter Button pressed halfway, recompose if necessary, and take the shot by fully pressing the Shutter Button.

There are reasons to use the outer focus points and not just the center one all the time.  First, if you are taking several shots of the same subject and framing, you will not have to re-focus with the center point and recompose between each shot.  And by controlling exactly where you focus, you then have greater, more precise control over the use of dramatic depth of field.  Also, if you use the center point and recompose, you have swept the camera in an arc to recompose, and are thus always focusing at a distance behind the subject (think of an arc that is your focus distance, and the tangent line off that arc that is the focus plane which now runs behind the subject after re-composing).  This may not be as noticeable when the subject is further away, but for a close subject – especially when using shallow depth of field – the difference is critical.

It may sound difficult to select the focus point each time, but it is actually very quickly done and should become instinctive.  You may even start to set your focus point as you approach a scene before even bringing your camera to your eye.

Focus Modes
The 60D and T3i (and 5D/ 5DII and 7D) have different focus modes to choose from, typically depending if your subject is still or moving, or if you wish to track its movement.

One-Shot AF
Use this mode when your subject is still and not going to move, or if your subject is not going to move very much, or if the distance between you and the subject is not going to change between the time you lock focus, recompose, and take the shot.  Lock focus on the subject and recompose if necessary.  This mode can even be used for moving people or objects if you quickly take the shot after establishing or locking focus.

Focus on your subject by pressing the Shutter Button halfway.  The active or selected AF Point will be displayed or will illuminate, and the Focus Confirmation Light at the lower right in the Viewfinder will illuminate as well.  Continue to press the Shutter Button all the way to take the shot.  If you half-press the Shutter Button to lock focus on your subject, the camera will remain focused at that distance as long as you keep half-pressing the Shutter Button.  You can recompose the shot as you wish and then full press the Shutter Button to take the photo.

As just noted, if the Focus Confirmation Light does not light up and the camera does not take the photo, the camera may not be finding enough contrast to focus on, you may be too close to your subject for the lens to focus, or the lighting may be too dim for the AF system to work properly.

However, if you are photographing a subject that is approaching or receding from view at a relatively constant rate, or photographing fast or erratic or unpredictably moving subjects, or photographing sports, action, or wildlife you will usually want to use AI Servo Focus Mode.

Canon 7D 5D mark II 60D T3i 600D autofocus system AF point choose select set setting
Figure 2 – Use One-Shot AF mode and select your desired AF Point to capture still or moderately moving subjects.  (Canon T3i viewfinder shown – 60D similar)

AI Servo
AI Servo mode is used for tracking and focusing on moving subjects, and is ideal for capturing sports and wildlife including birds.  If the subject is moving towards you or away from you the camera will keep evaluating the focus distance as long as the subject remains under the focus point that was originally active and the Shutter Button is kept half-pressed, and if the subject is moving from side to side or throughout the frame the camera will track it as it passes from one AF Point or Zone to the other ones (if you started tracking with the center AF point on the 60D and T3i or any selected AF point with the 7D).

If the subject is going to be moving across your field of view, set the camera to automatically select the focus point using all the AF points (this is one of the few times you will not be manually selecting the auto focus point), focus on the moving subject with the center focus point, and then as long as the Shutter Button remains half-pressed the camera will track the subject to the other focus points if it moves to them.  Thus when the image is taken, the subject is in focus.  This will even work in conjunction with continuous shooting.  If you keep the Shutter Button fully pressed and continue to take photos, the camera will keep focusing on the moving subject.  As you can imagine, this is ideal for tracking a player running across a field, a dog running toward you, or a bird moving across the fame.  Note that when shooting with Continuous Shooting Drive Mode not every shot may be in sharp focus as the camera sometimes can’t keep up and accurately predict the subject’s speed or location.  But you should be able to capture many sharp images with this technique.  The more sophisticated Canon 7D will allow you to start tracking moving subjects with any selected AF Point and not just the center AF Point.  These are the types of advanced capabilities you are paying for (and should take advantage of!) with a more expensive dSLR.

As you will see, when using AI Servo mode your compositions will be partially dictated by the positions of the autofocus points in your Viewfinder.  The subject needs to be at one of these AF Points in order for the camera to maintain focus on it.  This is why in some situations becoming skilled at quickly using One-Shot AF – even for action scenes – will give you much more ability to control your compositions.

AI Focus
This mode is a hybrid of the two other focus modes.  It starts in One-Shot AF mode then changes to AI Servo mode if your subject starts moving.  Why shouldn’t you use this all the time, then?  Well, it is typically not the best of both worlds.  If you are focusing and then recomposing, as you may often be doing, your movement of the camera may fool it into thinking that the subject is moving and then activate subject tracking AI Servo Mode, and your resulting focus may not be where you intend it to be or may not be as accurate as it could have been with One-Shot AF.  And in AI Focus Mode it may not be as quick to respond to a moving subject as it would in AI Servo Mode.  Typically you know if your subject is still or moving so it is better to select one of the other two AF Modes.  Plus that way you always know which AF Mode you are working in and can either lock focus where you want it or begin tracking a subject without wondering what mode the camera is in and if it will suddenly change.  But there may be situations that call for this combination mode such as a still bird or animal that may start moving unexpectedly, so keep it in mind.

How do you remember which mode is which since the terms “AI Servo” and “AI Focus” tell you nothing that makes sense?  Although I listed them in a different order above to explain them more easily, on your camera they are listed:

ONE SHOT
AI FOCUS
AI SERVO

Remember that One-Shot AF just focuses once and doesn’t change once you lock it in, and AI Servo AF is the other extreme – continuous focus used for moving objects. And AI Focus AF is listed in the middle, between the two, because it is the hybrid, combination of the two.

Checking Focus
You can review your images on the rear LCD Monitor of your camera to try to determine if they are in focus, especially by zooming in as close as possible.  But be aware that this screen has only about one million dots or pixels, while your actual image has about 18 million pixels.  That means that many images will appear to be in proper focus on your LCD screen, but you might discover that the actual images are not really so sharply in focus.

Before continuing, I want to mention that much of this text is excerpted from my dSLR guides for the Canon EOS 6D, Canon 70D, Rebel T5i / EOS 700D, Rebel T4i / EOS 650D, and the Canon EOS 7D. If you would like to learn more about the autofocus systems as well as all the other features of your camera including metering modes, Aperture and Shutter priority modes (Av and Tv), all the menus and Custom Function settings, and more, have a look at my Full Stop e-book camera guides. In addition to explaining the features and settings, the guides clearly explain when and why to use them in order to capture the images you desire.

Take control of your camera and the images you create!

Learn more about the e-books by clicking on the banner below:

full stop dslr photo photography camera manual guide for dummies canon nikon

 

To learn about another important reason why you need to take control of your autofocus system, and why the two example photos above actually weren’t my final compositions, see the next post:

Don’t Let the Locations of the AF Points Dictate Your Composition

What do you do when, with your desired framing, your subject is not located exactly under or near an AF point?  Even with the 19 or 39 points of an advanced Canon 7D or Nikon D7000, this will often be an issue.  For example in Figure 2 above, I actually wish to capture the entire window and more space around it within the image frame, but moving the camera and framing for that composition leaves me with no AF Point at the woman where I wish to focus.  Have a look at the above post to learn why this is an issue and how to resolve it.

Focus and Depth of Field

Many functions of dSLR cameras are related to some degree or another, and Focus and Depth of Field are two of these.  The depth of field, based on your aperture setting (and thus related to exposure…) expands forward and back from your point of focus.  Thus, one important aspect of controlling your depth of field begins with focusing exactly where you want to.  To begin learning more about depth of field, have a look at my post Depth of Field Simplified.

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As I recently noted in my post about the eventual release of the 7D Mk II, as an e-book camera guide author, I have to attempt to plan my life and writing schedule around the release of the latest dSLR cameras. And since major camera companies typically give little-to-no advance notice for the announcement then release of a new model, this involves lots of speculation and following of online rumors. And then I subject myself to a few weeks of intense, non-stop research and writing when it is finally announced.

The Canon 5D Mark III has been rumored for imminent release numerous times, including most recently Feb 2011, November 2011, first quarter of 2012, and “any minute now.”  This speculation occurs with every expected new model, so as you can see, there is no telling when it will suddenly be announced.  But based on Canon’s history of model releases, it is sometimes pretty easy to narrow the range down.  For example, the original 5D reigned for 3 years, and then was replaced by the 5D Mark II, which was announced on September 17, 2008.  Add three years to that, and you get an announcement of the Canon 5D Mk III expected in September 2011.  Not so difficult, really.  Except one has to take into account the disruptions to manufacturing and supply caused by the earthquake in Japan, so that could cause a delay of a month or three.  As equally fascinating is the speculation for what features the 5D Mark III will have. Most interestingly, some have wildly suggested that the line will be split in two with a stills version and a video version.  Not likely.  So what is there to improve on this amazing camera?  Well, several of its features can easily be improved, and hopefully there will be a few surprises added.

canon 6d canon 5d mk iii mkiii mk 3 mark 3 mark ii vs compare which one
The Canon 5D Mk II, patiently awaiting its successor, the Canon 5D Mk III – or is it the Canon 6D…

Currently the Canon 5D Mk II offers:

  • 21 MP Full Frame sensor
  • DIGIC 4 processor
  • Full HD video
  • 3.9 frames per second continuous shooting
  • ISO 100 to 6400 (expandable to 25,600)
  • 3” high resolution LCD screen – non-articulating
  • 9 point autofocus system, all cross-type plus 6 assist points
  • 35 zone exposure metering system
  • Magnesium alloy body with weather sealing

Much of this can easily be improved upon, and in fact the current 7D already boasts several upgrades to these features.  The 5D Mark III will obviously take the best of the 7D and improve upon it in some areas.

Canon EOS 5D Mk III predictions:

  • 26 to 28 MP Full Frame sensor
  • Single or Dual DIGIC 5 processors
  • Full HD video at all the frame rates – plus many additional video features and options that videographers have been waiting for or use 3rd party firmware to obtain, but that I don’t know much about since I have yet to enter the video world.  But I can assure you that the 5D Mk III is going to be a videographers dream, perhaps with RAW video.  Perhaps it will even be able to autofocus full time in video mode.
  • 7 frames per second high speed continuous shooting.  I’m not sure of the mechanics of it but it seems that the large mirror flipping up and down is an impediment to a super fast fps, but Canon has done it both on previous film cameras and in the 1D line.  So hopefully it will be significantly higher than the current 3.9fps.  It will definitely boast an improved maximum burst rate (more JPEG or RAW frames captured before the camera pauses to digest them).
  • Ability to customize Continuous Low and High settings so that you can choose your own rates. Please, please, please.
  • ISO 100 to 12,800 or more, and then expandable – while the ISO performance of the 5D MkII is already stellar, the new one will boast even more improved high ISO performance (less noise at high ISOs)
  • 3” very-high resolution LCD screen – Non-articulating?  Articulating?  Touch screen?  It seems that an articulating screen is the way to go for any camera now, but will Canon hold off with putting this on their higher end models?  Touch screen is definitely coming to dSLRs, but will it be on this one?  …maybe, probably not.
  • 19 point (or more) autofocus system, all cross-type, with numerous configurations and customization options, as taken from the 7D – this desperately needs to be improved in the 5D, and the technology is already there in the 7D.  Canon will definitely add the new Autofocus menu system of the new 1D X to make configuring and taking full advantage of the AF system much easier – as opposed to the autofocus menu and C.Fn options on the 7D which make it a bit complicated.
  • Improved 63 zone+ exposure metering system – it will definitely boast an upgraded exposure metering system, perhaps the current 63 zone system, but probably even a bit improved.
  • Magnesium allow body with weather sealing – already has this, not much improvement required.

Additional features:

It will certainly have a several new menu and custom function settings, hopefully including some additional control over Spot, Center-weighted, and Partial metering, like the ability to change the size of the area metered and the ability to link it to the active AF point.  Plus the new Autofocus menu system similar to the 1D X.

Oh yes, and the HDR fans would appreciate more latitude in auto exposure bracketing, such as perhaps 5 exposures over 5 to 9 stops. And maybe some more fluorescent white balance options like Nikon offers.

It will likely and hopefully retain the CF card and the LP-E6 battery.

Built-in GPS or wi-fi?  This will eventually be in all cameras, and maybe this one will have these features.

So, there are my best guesses. Be sure to follow the rumors at Canon Rumors to find out when the 5D Mk III may come out, particularly the 5D Mk III category. And learn about my Canon 7D Mk II predictions in this previous post.

In my e-book user’s guide for digital SLRs I include a list of accessories and books, complete with links to purchase these products on Amazon or from the manufacturer. However, the links don’t always work with some e-book formats, so I am posting the list here too. Some accessories may have been updated since this list was last modified, such as the Nikon SB-5000 Speedlight replacing the SB-910, or the Canon 600 EX II-RT Speedlite replacing the 600 EX-RT, so be sure to check for the latest versions of the various accessories.

Below are some accessories that are handy for general and travel photography use with any dSLR camera, plus some of my favorite photography books, and camera-specific accessories mentioned in the texts of my Full Stop camera guides. Click on the links to go to the product or category pages on Amazon.com or the manufacturer’s website. Please note that these are my referral links, and I will receive a small referral fee if you use these links to make your purchases, which helps to support my blog and my work. Thanks!

Contents:

dSLR Photography Accessories
Digital Photography Books

Nikon D500 Accessories
Nikon D750 Accessories
Nikon D810 Accessories
Nikon D7500 / D7200 / D7100 Accessories
Nikon D7000 Accessories
Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories
Nikon D610 / D600 Accessories
Nikon Df Accessories
Nikon D3300 Accessories

Canon 5D Mark IV Accessories and 5DS / 5DS R Accessories
Canon 7D Mark II Accessories
Canon 80D / 77D / 70D Accessories
Canon 7D Accessories
Canon 60D Accessories
Canon T5i, T4i, T3i and T2i (EOS 700D, 650D, 600D and 550D) Accessories
Canon 5D Mark III Accessories
Canon 6D Accessories

 


dSLR Photography Accessories

UV Filters – Clear, protective filters for the lenses.  You should have these on at all times to protect your lenses.  Get high quality coated ones, such as B+W, especially for higher quality lenses.   Consider the MRC multi-coated versions for highest quality lenses.  While some argue that any filter may degrade image quality, a high-quality filter will show little effect, and most know that it is cheaper to replace a $100 filter than to repair a $1500 lens.  Use the slim filters for wide angle lenses to avoid vignetting.

Circular Polarizing Filter: Use this outdoors in sunlight to darken the sky, cut through haze and reflections, and increase contrast. Do not use on a wide angle lens as it will cause the sky to change from light to dark and back again across the frame. You have to turn the second ring of the filter to create the amount of lightness or darkness in the sky that you desire, or to reduce or eliminate reflections. It works best when the sun is to your left or right, but does not have any polarizing effect if the sun is directly in front or behind you. Do not use an older linear polarizing filter with a digital camera, as it will interfere with the metering and autofocus systems.

Neutral Density (ND) Filter: If shooting video in bright lighting, you will need to use a dark neutral density (ND) filter on the lens to block light in order to be able to use dramatic wide aperture settings (such as f/ 2.8 or f/4.0). These are also useful with still photography for allowing slow shutter speeds in bright light, such as for photographing waterfalls. They are available in a variety of densities to block out the amount of light to enable you to increase your exposure settings by a certain number of stops, such as 3 stops (0.9), 6 stops (1.8), 10 stops (3.0), etc. For example, when working in M or S mode and the exposure meter reads 1/30s, f/8, ISO 100, but you wish to use and aperture setting of f/2.8 while “holding” the other settings – you can use a 3-stop ND filter and the exposure meter will now read 1/30s, f/2.8, ISO 100, allowing you to obtain the wide aperture setting and resulting shallow depth of field. There are also variable ND filters, where you can adjust one of the filter’s rings to vary the amount of density, as well as the Cokin filter system that makes use of a filter holder that attaches to the front of the lens, which then holds square filters. These are useful to landscape photographers using graduated or split neutral density filters that either gradually or sharply transition from dark to light. Using the square filter in front of the lens, you can then vary the angle and location of the transition to align with the horizon.

Nikon Lens Hoods or Canon Lens Hoods: Use a lens hood on your lens to both prevent flare and to protect the front of the lens when it inevitable bangs against something or drops. Some nicer lenses typically come with a lens hood. With other lenses, buy the corresponding optional hood.

BlackRapid R-Strap: A different, more comfortable way to carry your camera, especially one with a larger or heavier lens. The RS-7 version has a nice curved shoulder strap, the RS-4 is not curved at the shoulder but does have a handy little pocket for memory cards, and the RS-W1 R-Strap is designed for women.

Manfrotto 055XPROB Tripod Legs and Manfrotto 496RC2 Ball Head:  This is an excellent “starter” combination of tripod legs and head for the beginner or enthusiast.  They are sturdy, durable, and well built.  If you know you will be doing a lot of tripod work, such as for studio, landscape, or travel photography, it is best to invest in more advanced (expensive) versions, including lighter carbon fiber legs and a head with additional features.

Insurance: Make sure your equipment is covered by insurance. When I worked in a camera store, people came in on a weekly basis to replace the equipment that was stolen from their car, trunk, luggage, while traveling, or was in a fire. You may need special insurance or a rider if your homeowner or renter’s insurance does not cover it. I use the policy available through NANPA, though you have to join NANPA to get it. This insurance is primarily for the equipment only, so you are not paying for liability coverage geared toward a business as you are with many other photo equipment insurance plans. Please note that the NANPA membership fee covers you annually from July – they don’t pro-rate, so you will not get a full year if you join at any other time. (If you happen to join NANPA to get their insurance, mention my name as a referrer, and I save on my next membership renewal!)

Silica Packs: Keep these in your camera bags to absorb moisture. Consider using real ones that you buy in solid cases instead of the little packs that you found in your new pants pocket that may break open over time.

Sto-Fen Omni Bounce Diffuser: Works great on the optional external flash units (note some Nikon flashes come with a diffuser like this). Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder. I know you see lots of people doing it. They didn’t bother reading how to use it. Don’t imitate them. Use a direct bare or gelled flash outdoors. These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so. Not straight on, and not bouncing off the sky.

Giottos Rocket Air Blaster: Always have this manual air blower handy for getting dust off lenses in a hurry, because blowing on them with your mouth – no matter how careful – inevitably leads to spittle on the lenses. Also use for manually cleaning the sensor, carefully following sensor cleaning instructions.

Dust-Aid Platinum dSLR Sensor Filter Cleaner: If the Air Blaster does not remove all the dust during sensor cleaning, you can move to a “silicon stamp,” such as this one. This is slightly more invasive, as you will be touching the sensor with the cleaning device. Be sure to carefully read and follow the Dust-Aid instructions, as well as the manual’s sensor cleaning instructions, particularly the correct way to raise the mirror and access the sensor.

Lens Pen Cleaning System: Works great for cleaning off mysterious spots and smudges that appear on the lens. Blow dust off the lens first with the Rocket Air Blaster, brush it with the Lens Pen brush, and then follow the instructions for using the Lens Pen.

Digital Grey Card: Used to measure and set accurate custom white balance.

Rosco Strobist Collection Flash Gels: Use these to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene. Tape them in place or use the LumiQuest Gel Holder which attaches to your flash with the Honl Speed Strap, an overpriced strip of Velcro.

M Rock Holster Bag: Carry and protect your camera and walk-around lens in a holster style bag from M Rock. I used the Yellowstone style extensively in my travels throughout South America, and I love its durability and extra little features like a built-in rain cover, micro-fiber cleaning cloth, zippered interior pocket, adjustable interior, and extra strap. Be sure to get the model that fits your body and lens.

Sandisk Extreme CF Memory Cards (CompactFlash for Canon 7D, Canon 5D Mk II, 5D Mk III):  I suggest getting a couple 16 GB or 32 GB CF cards to store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III (or the 7D) to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst (7D rates are 130 JPEG / 25 RAW).

Sandisk Extreme SD Memory Cards: I suggest getting a couple 16GB, 32GB (class 10), or higher capacity Secure Digital (SD) cards to capture and store your photos – or more cards if traveling. Again, be sure to check the Sandisk site for current rebates. The Extreme SD cards are currently available in the 45 MB/s speed and the faster 80 MB/s speed.

Sandisk Extreme Pro UHS-1 SD Memory Cards: To take full advantage of the Continuous Shooting Drive Mode of the 70D and capture up to the maximum 65 continuous JPEG images or 16 RAW images in a single burst, you will need one of the fast Sandisk Extreme Pro UHS-1 SD Memory Cards (or similar card from another brand), which saves at 95MB/s.

Eye-Fi Wireless Flash Memory Card: This SD memory card can be used to automatically upload photos wirelessly via Wi-Fi to your computer during shooting or afterwards.

Card Reader: Use this to transfer image files from the memory cards to your computer if your computer does not have a card reader built in. They may be faster than the camera’s USB cable and will save camera batteries.

Stereo Microphones: The Rode VideoMic or the Rode VideoMic Pro are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

Camera’s USB Cable: Always have the included camera USB cable when traveling, as a back-up method of transferring image files to your computer.

Lens and Body Caps: Don’t forget to have these in your camera bag, to protect lenses and camera body when switching and storing them.

Camera Wrap: For protecting your camera while carrying it around in dusty, misty, or sandy situations, or for protection when storing it.

Rainhood or Rainsleeve: For protecting your camera while using it in dusty, misty, rainy, or sandy situations.

Adobe Photoshop CS6 or new Adobe C.C., and/ or Adobe Lightroom 5: These software programs are essential for editing, processing, retouching, and manipulating your photographs, especially if you are shooting in RAW. Lightroom is designed specifically for photographers and is the processing program of choice for many of them, but it does not have the manipulation capabilities of Photoshop. Take advantage of Adobe’s significant student and teacher discounts if applicable.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

Camera Bags and Travel Gear: For additional gear that is helpful for travel situations, including various camera bags for different situations, have a look at my travel gear blog post:

http://blog.dojoklo.com/2009/12/01/assignment-guatemala-gear/


Digital Photography Books

Understanding Exposure: How to Shoot Great Photos with Any Camera by Bryan Peterson

Learning to See Creatively: Design, Color & Composition in Photography by Bryan Peterson

The Photographer’s Eye: Composition and Design for Better Digital Photos by Michael Freeman

The Photographer’s Mind: Creative Thinking for Better Digital Photos by Michael Freeman

Available Light: Photographic Techniques for Using Existing Light Sources by Don Marr

On-Camera Flash Techniques for Digital Wedding and Portrait Photography by Neil van Niekerk

Speedliter’s Handbook: Learning to Craft Light with Canon Speedlites by Syl Arena

Digital Photographer’s Complete Guide to HD Video by Rob Sheppard and Michael Gunchen.

Canon Speedlite System Digital Field Guide by Michael Corsentino

Nikon Speedlight Handbook: Flash Techniques for Digital Photographers by Stephanie Zettl

The New Complete Guide to Digital Photography by Michael Freeman – a comprehensive general reference guide with brief explanations of nearly every aspect of digital photography.

New Epson Complete Guide to Digital Printing by Rob Sheppard.

More Essential Digital Photography Books are listed in this post.

 


Nikon D500 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event. Be sure to use the newer Li-Ion20 type of EN-EL15 battery for best results. Nikon will replace your older EN-EL15 Li-ion01 batteries with the newer version, for free. See this link for further information:

https://support.nikonusa.com/app/answers/detail/a_id/19541

Nikon MB-D17 Battery Pack/ Grip: This accessory will enable you to use an additional EN-EL15 battery, or eight alkaline, lithium, or Ni-MH AA batteries, or an EN-EL18 battery with the use of the optional BL-5 Battery Chamber Cover. This allows you to shoot longer without having to change batteries, and can allow you to share EN-EL18 batteries with the Nikon D5 body. It also increases the size of the D500 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-30 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-T10/ WR-R10 /WR-A10 Wireless Remote Controller, Transceiver, and Adapter: This wireless remote set will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-7A Wireless Transmitter: This can be used to wirelessly transmit your images and videos to an FTP server, computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. It also offers a wired Ethernet port for a wired (tethered) connection. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection, which allows you to remotely change numerous camera settings. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission of full sized images.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Remember that you can also make use of the camera’s wireless capabilities to add time and location data from your smart phone to the images on the camera, and thus perform similar capabilities as a GPS device.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as one of the BeachTek Audio Adapters, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Lexar 64GB Professional 2933x XQD card: The maximum continuous burst capacity specifications given by Nikon for the D500 are based on the use of this card. When set for RAW L image files and DX Image Area, this XQD card can capture up to the maximum 200 14-bit lossless compressed or 12-bit uncompressed images, without filling the buffer and having to pause. Sony also offers numerous XQD cards that are compatible with the D500, as listed on page 385 of the Nikon D500 User’s Manual.

SanDisk Extreme Pro UHS-II 280MBs SD: This is a very fast SD type card that appears to be working well with the D500. There have been issues reported with SD cards from Lexar and Transcend, which are caused by the card and not the camera. Nikon has released a firmware update that creates a workaround for errors when using a problematic UHS-II card, though it reverts to using it as a slower UHS-I card. The memory card manufacturers are working to resolve this issue.


Nikon D750 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D16 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use six AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D750 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP server via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D810 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D12 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use eight AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D810 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation. And its use with AA batteries will enable the maximum 7 frames per second continuous shooting speed when using DX Image Area. If you wish to use the larger EN-EL18 battery (used with the D4 body) with this MB-D12 battery grip, you can purchase the optional BL-5 Battery Chamber Cover which accepts the EN-EL18 battery.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

MC-30A Remote Release Cord: Another basic corded remote release, with a larger thumb button that enables you to hold it down to keep the shutter open for Bulb shooting.

MC-36a Remote Shutter Release Cord: A multi-function corded remote for shutter release with an intervalometer, which attaches via the ten-pin connector.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP sever via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient and less expensive.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG, TIFF, or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Nikon D810 dSLR Filmmaker’s Kit: This package, costing about $5,000, includes the D810 camera plus everything one needs to get started with dSLR HD filmmaking. In addition to the body, the kit includes three prime lenses which are all f/1.8 (35mm, 50mm, 85mm), a video recorder with HDMI cable, the ME-1 Stereo microphone, variable ND filters so that you can take advantage of wide apertures even in brighter lighting, and two EN-EL15 batteries.

Sandisk Extreme CF Memory Cards: I suggest getting a couple 32 GB or higher CompactFlash (CF) cards to store your photos – more if traveling. Be sure to check the Sandisk site for current rebates. This card’s speed is 120 MB/s, so to achieve the buffer rates of the D810 listed in the manual you will need to use the CF card listed just below.

SanDisk Extreme Pro UMDA 7 CF Memory Card: For an even faster CF memory card, look at the Extreme Pro version, which is rated at 160 MB/s, higher than the 120 MB/s speed of the Extreme CF cards. This is the minimum card needed to achieve the buffer capacity rates listed in the D810 manual on page 489.

SanDisk Extreme Pro SDHC UHS-I SD Memory Cards: If you plan to use the camera’s SD card slot, I suggest getting a couple 32GB or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling. Review the various ways that the camera’s two memory card slots can be used with the Primary slot selection and Secondary slot function items of the Shooting Menu. Again, be sure to check the SanDisk site for current rebates. This card is rated at 95 MB/s speed, so you may need the above CF card to achieve the maximum the buffer capacity of the D810.


Nikon D7500 / D7200 / D7100 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D15 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7100 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. Other options include the Rode VideoMic or the Rode VideoMic Pro, which are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

UT-1 Communication Unit: This unit is used with an Ethernet cable or wirelessly with the WT-5a Wireless Transmitter to connect to a network and transfer images to a computer or server, or to control the camera remotely from your computer. You can also purchase these two units, the UT-1 and WT-5a as a bundle.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D7000 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D11 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7000 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910, SB-900, SB-800, SB-700, or SB-600 Speedlight Flashes: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon WT-4A Wireless Transmitter: This can be used to wirelessly transmit your images to a computer as you shoot. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories

Nikon EN-EL14a Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D5600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Grip Base Extension: There is also a third-party non-battery-pack grip, or grip base extender that is designed to simply enlarge the size of the body in order to make the camera easier to hold for some users, but does not hold additional batteries.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as commanders to control and trigger multiple remote flashes.

Nikon WU-1a Wireless Mobile Adapter: (Nikon D5200, D7100, D3200 and later cameras only) This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) (Not needed for D5300) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Using this accessory, you images will also be automatically located on a map, such as when uploaded to the Flickr photo website.

ME-1 Stereo Microphone or ME-W1 Wireless Microphone: External, stereo mics to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D5600 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.


Nikon D610 / D600 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D14 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1b Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, or even use the smart device to remotely release the shutter. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon Df Accessories

Nikon Df User’s Manual – For a PDF download of the Nikon Df manual, see the webpage below:

https://support.nikonusa.com/app/answers/detail/a_id/18767

AF-S NIKKOR 50mm f/1.8G Special Edition Lens: This lens, with its silver ring, is specifically designed to match the retro-style of the Df – though it contains the same optics of the non-special AF-S 50mm f/1.8 lens.

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

AR-3 Cable Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless. In keeping with the styling of the Df, it is a “retro” cable-release with a plunger.

MC-DC2 Remote Release Cord: This is also a straightforward corded remote used to trigger the shutter of the camera, and is plugged into the Accessory Terminal of the Df.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-400 Speedlight: This is a much smaller and less powerful flash than the versatile SB-910, and is closer to the strength of a typical built-in flash. However you can angle it for bounce-flash purposes.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely autofocus and release the camera’s shutter.

Wireless Mobile Utility: To get started with Wi-Fi, you will also need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, sharpening, and noise. This version is in the process of being replaced with Capture NX-D.

CF-DC6 Semi-Soft Case or CF-DC5 Semi-Soft Case: The CF-DC6 is a retro-styled leatherette case specially designed for the Df, and is available in Black or in light Brown. The CF-DC5 is of a more contemporary style and materials.

Leather Strap in Black or in Brown: You can pair the retro-styled CF-DC6 case with a leather strap, available in similar colors.

Gariz Leather Half-Case: There is also a very nice looking leather half-case by a third-party named Gariz. It is available in black and brown, and covers the grip area and lower part of the Df body, but also allows you to open and access the battery/ memory card compartment and the side terminal covers, without removing the case. It lengthens the body of the camera in order to provide a replacement tripod socket (since the camera’s is used for attaching the case), and perhaps to enlarge the camera to offer a better grip.

Screen Protectors: This pair of screen protectors is specifically sized for the LCD screens of the Df. While I have not personally used them, and thus cannot vouch for their quality or usefulness, previous versions of this brand have gained good reviews.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the Df to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D3300 Accessories

Nikon D3300 Manuals: The D3300 Reference Manual can be obtained as a PDF file from the Nikon website at this link:

https://support.nikonusa.com/app/answers/detail/a_id/18824

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, to share your images, or even to use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app.

Wireless Mobile Utility:To get started with Wi-Fi, you will first need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D3300 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

DK-5 Eyepiece Cap:When using any of the Release Modes such as Self-Timer or Remote, where your eye is not at the Viewfinder, be sure to cover the Viewfinder with a piece of tape or this optional eyepiece cap in order to prevent stray light from entering the camera and modifying the exposure settings.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as remote flashes triggered by the built-in flash, and as commanders to control and trigger multiple remote flashes.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D3300 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.



Canon 5D Mark IV Accessories and Canon 5DS / 5DS R Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E20 Battery Grip: This optional battery pack and grip for the 5DIV will enable you to use two LP-E6N batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 5D Mark IV body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX II-RT: This external flash will give you the most flash power and control of the Canon Speedlites, as well as continuous shooting support. It has an adjustable and rotating head so that you can use indirect and bounce flash, and includes a diffuser plus color filters for white balance. The 600EX II-RT also allows optical wireless functionality plus is compatible with the radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Compatible with the Canon 600EX II-RT Speedlite.

Note that either the 600EX II-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mark IV. If either one of these units is in the Hot Shoe of the 5D Mark IV, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Speedlite 430EX III-RT or Speedlite 320EX: These external flashes will provide less flash power and control, and fewer features than the top of the line 600EX II-RT, however they may meet your needs if you don’t make extensive use of a flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 430EX III-RT allows optical wireless functionality plus is compatible with Canon’s radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT or a 600EX II-RT. The 430EX III-RT offers an optional bounce adapter and color filter. The 320EX has a built in LED light for lighting video.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 5D Mark IV to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function.


Canon 7D Mark II Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E16 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6N batteries or six AA/ LR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 7D Mark II body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 7D Mark II. If either one of these units is in the Hot Shoe of the 7D Mark II, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section below.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 7D Mark II to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function. The device attaches to the base of the 7D Mark II, and is a similar size and shape as the optional battery grip.

Eh-S Super Precision Matte Focusing Screen: The 7D Mark II is able to accept this optional focusing screen, which is designed for manual focusing. However, you will need to be using a lens with a maximum aperture of f/2.8 or larger, or else it will make the Viewfinder appear darker than the standard focusing screen. This screen will display the out-of-focus areas of the scene more dramatically out-of-focus, thus helping you to better view what is in-focus. Be sure to change the C.Fn 3 Custom Function item of the Focusing Screen for Eh-S, if you make use of this screen.

 


Canon 80D / 77D / 70D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E14 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 70D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 70D. If either one of these units is in the hotshoe of the 70D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 70D to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 menu), you will also be able to then control the image or video playback using the TV remote. Use the Canon AVC-DC400ST Stereo AV cable for non-HD TV sets.


Canon 7D Accessories (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E7 Battery Grip:   This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries.  It also increases the size of the 7D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.  (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories).

Canon WFT-E5A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.


Canon 60D Accessories (see also the 5D Mark III section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E9 Battery Grip: This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the 60D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the 60D and your right hand slips between it and the camera.

Canon EF-D Focusing Screen: This is the grid focusing screen to help you keep your compositions and horizons straight and level.


Canon Rebel T5i/700D, T4i/650D, T3i/600D, and T2i/550D Accessories

Canon LP-E8 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E8 Battery Grip: This accessory will enable you to use two LP-E8 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the camera’s body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the T4i. If either one of these units is in the hotshoe of the T4i, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap, used with or without the battery grip, provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the camera and your right hand slips between it and the camera.


Canon EOS 5D Mark III Accessories

Sandisk Extreme CF Memory Cards:  I suggest getting a couple 16GB, 32GB, or higher capacity CompactFlash (CF) cards to capture and store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

Sandisk Extreme SD Memory Cards:  If you plan to use the camera’s second card slot, I suggest getting a couple 16GB, 32GB, or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling.  Review the various ways that the camera’s second card slot can be used.  Again, be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro SD Memory Cards:  For an even faster SD memory card, look at the Extreme Pro version, which saves at 95MB/s over 30 MB/s of the Extreme SD cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst.

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E11 Battery Grip:   This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries.  The grip replicates the controls of the body and also increases the size of the 5D Mk III body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon WFT-E7A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.  There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT:  This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites.  It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below).  The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.  The AF assist beam of the Canon 600EX-RT is the only current Speedlite designed to be compatible with the 61 point autofocus system of the 5D Mk III.

Speedlite Transmitter ST-E3-RT:  Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required.  Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mk III.  If either one of these units is in the hotshoe of the 5D Mk III, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder:  This plastic holder attaches to the front of the 600EX-RT Speedlight and holds the gels of the Canon Color Filter Set.  Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX:  These external flashes will give you varying levels of flash power and control, with the 580EXII being the most powerful of the group.  They also have adjustable and rotating heads so that you can use indirect and bounce flash.  The 320EX also has a built in LED light for lighting video.  To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Sto-Fen Omni Bounce Diffuser for the Canon 580EXII or for the Canon 600EX-RT:  Works great on the optional external flash units like the Canon 580EX II Speedlite or the newer 600EX-RT Speedlite.  Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder.  I know you see lots of people doing it.  They didn’t bother reading how to use it – don’t imitate them!  Use a direct bare or gelled flash outdoors.  These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so, not straight on, and not bouncing off the sky.


Canon EOS 6D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E13 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 6D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time. However the EOS 6D (WG) has built-in GPS, so this accessory is generally not necessary. Ironically, the GP-E2 is not compatible with the EOS 6D (N), the model that is sold in certain regions without built-in Wi-Fi and GPS.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 6D. If either one of these units is in the hotshoe of the 6D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Viewfinder Focusing Screens: The optional Canon Eg-S Super Precision Matte focusing screen is designed to assist with manual focusing, and the optional Canon Eg-D Precision Matte focusing screen provides a grid in the Viewfinder to help keep your compositions straight and level.