Nikon D810

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Nikon D810 Experience, my latest Full Stop e book and the first D810 user’s guide, is now available! This e book goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable Nikon D810. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography – including the sophisticated autofocus system with its new Group-Area AF mode, and the new Highlight-Weighted metering mode.

Nikon D810 Experience book manual guide master field how to learn use tutorial tips tricks setup quick start

Written in the clear, concise, and comprehensive style of all Full Stop dSLR guides, Nikon D810 Experience will help you learn to use your full-frame D810 quickly and competently, to consistently make the types of images you desire. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Learn more about it, view a preview, and purchase it here:

http://www.dojoklo.com/Full_Stop/Nikon_D810_Experience.htm

As one reader has said about Full Stop guides, “I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Nikon D810 book manual guide learn how to use setup recommend setting tips tricks quick startNikon D810 book manual guide learn how to use setup recommend setting tips tricks quick start

Take control of your Nikon D810, the image taking process, and the photos you create!

For Intermediate and Enthusiast Photographers:
This instant download Nikon D810 e book is designed for intermediate and enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera and shoot competently in A, S, and M shooting modes; take control of the sophisticated 51 point autofocus system and its multiple AF-Area Modes including the new Group-Area AF mode; and learn how, when, and why to use and customize the various controls, buttons, and features of the D810.

To help you set up your camera, it includes explanations and recommended settings for all Menu options and Custom Settings of the D810.  It explains camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operation, such using the various metering modes and exposure compensation for correct exposure of every image, and taking advantage of other features of the D810 such as working in Live View, and the in-camera HDR, Multiple Exposure Mode, and editing features.

For Experienced Photographers to get up and running with the D810:
For experienced photographers coming to the D810 from previous Nikon models, this guide explains the new and advanced features in order to quickly get you up and running and taking advantage of these capabilities, including the advanced Autofocus System and all its AF Modes, AF-Area Modes, and Custom Settings, for capturing both still and moving subjects. It also covers back-button focusing and trap focus techniques with the D810. Plus it explains the camera controls and how to customize them, new features such as Highlight-Weighted Metering, RAW S, the Electronic Front-Curtain Shutter feature, and the HDR, Multiple Exposure, and Time-Lapse Shooting features.

The guide also introduces the HD video features and settings, and guides you through all the Playback, Shooting, and Setup Menus, Custom Settings, and Movie Mode Menu settings of the D810 in order to help you best set up the camera and its controls for your specific shooting needs, including the helpful, comprehensive Nikon D810 Set-Up Guide spreadsheet created by the author.

Nikon D810 book manual guide learn how to use setup recommend setting tips tricks quick startNikon D810 book manual guide learn how to use setup recommend setting tips tricks quick start

Nikon D810 Experience not only covers the various settings, functions and controls of the Nikon D810, but most importantly it also explains when and why to use them for your photography. The guide focuses on still-photography with an introduction to the movie functions, settings, and menus to get you up and running with HD video. Sections include:

  • Setting Up Your D810 – All of the D810 Custom Settings and Playback, Shooting, and Setup Menus, including Movie Mode Menus, with explanations and recommended settings for practical, everyday use. Set up and customize the advanced features of your dSLR to work best for the way you photograph.
  • Aperture Priority (A), Shutter Priority (S), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.
  • Auto Focusing Modes and Area Modes and Release (Drive) Modes – The 51 point D810 autofocus system is a powerful tool, and taking control of it will enable you to successfully capture more sharp images, in both still and action situations.  Learn the AF Modes, AF Area Modes, and AF Custom Settings, how they differ, how and when to take advantage of them to capture both still and moving subjects. Plus how and when to use focus lock and back-button focusing.
  • Exposure Metering Modes of the Nikon D810 – How they differ, including the new Highlight-Weighted Metering mode, how and when to use them for correct exposures in every situation, and how to customize them for your needs. Plus how to make use of exposure lock.
  • Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations, customizing the controls for easy access to these features, and setting custom white balance.
  • The Image Taking Process – Descriptive tutorials for using the settings and controls you just learned to take photos of both still and moving subjects.
  • Introduction to Video Settings – Settings and explanations to get you started shooting HD video.
  • Photography Accessories – The most useful accessories for day-to-day and travel photography including accessories specific to the D810.
  • Lenses – Nikon (Nikkor) lenses compatibility with the D810, and explanations of lens notations.
  • Composition – Tips, techniques, and explanations, including the creative use of depth of field.

Nikon D810 book manual guide learn how to use setup recommend setting tips tricks quick startNikon D810 book manual guide learn how to use setup recommend setting tips tricks quick start

This 375 page digital guide to the Nikon D810 is an illustrated e-book that goes beyond the manual to clearly explain how, when, and why to use the features, settings, and controls of the Nikon D810 to help you get the most from your camera.

Learn more about Nikon D810 Experience, view a preview, and purchase it on my Full Stop website here:

http://www.dojoklo.com/Full_Stop/Nikon_D810_Experience.htm

Here is the second part of my Nikon D810 Tips and Tricks article. You can find the first part here:

http://blog.dojoklo.com/2014/07/28/nikon-d810-tips-and-tricks-part-1/

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6. Extend Your Telephoto Reach with the DX, 1.2x, and 5:4 Image Area “Crop” Modes: The Image Area menu item of the D810 can be used to capture images of smaller dimensions and different image area ratios, such as having your full-frame FX format sensor act as an APS-C sized DX format sensor. You can choose full-frame FX (36×24), 1.2x (30×20), DX (1.5x, 24×16) or 5:4 (30×24). You can see which portion of the sensor each setting will use in the image below, and the Viewfinder of the D810 will also display the crop lines to show you the active area. By enabling the 1.2x, DX, or 5:4 image areas, it will change the aspect ratio (very slightly for 1.2x and DX) and angle of view (somewhat with 1.2x or 5:4, dramatically with DX) of your resulting images. The camera is basically cropping your photos from full-frame images to smaller sized images, so note that rather than capturing 36.3 MP full-frame FX images, you will be capturing 15.4 MP images with DX crop, and 25.1 MP images with 1.2x crop.

Nikon D810 image area viewfinder virtual crop zoom telephoto FX DX 1.2x 5:4
D810 Image Areas – Simulated view of the D810 Viewfinder, showing the full size FX image area, the location of all AF Points, the Grid, and superimposed sizes of the Image Area options. Note that the DX area approximately aligns with the Grid. The cropped Image Areas will, in effect, allow you to “virtually” extend the reach of your lens and get closer to the action, but you will not be using the full 36.3 MP resolution of your camera, so it is basically like cropping your full-frame images in Photoshop.

The first advantage of DX and 1.2x crop is that they will allow you to “get closer” to the action by virtually extending the reach of your lenses. This can be particularly helpful when using a telephoto lens to capture sports, wildlife, or bird images where the subject is at a significant distance from you. DX image area will allow, for example, your 200mm focal length lens to act as a 300mm focal length. (Since the DX frame provides a 1.5x crop factor in relation to a full-frame FX sized sensor)

The second advantage is that with the DX crop, the area of the autofocus points as seen in the Viewfinder reaches much closer to the sides of the effective frame. This will allow you to track and capture a moving subject throughout almost the entire width of the active frame (when using continuous AF-C Focus Mode), or enable you to focus on and capture a still subject most anywhere in the frame without having to lock focus and reframe (when using single-shot AF-S Focus Mode).

A third advantage of working in the DX and 1.2x crop modes is that the Continuous High shooting speed goes from 5 fps to 6 fps, allowing you to capture slightly more images in a quick burst.

Nikon D810 tips tricks how to use learn book manual guide recommend setting setup autofocus af meter metering focus
Nikon D810 – 1957 Chevrolet Corvette – 2014 Annual Antique Auto Show – Codman Estate, Lincoln, Mass. 

As mentioned above, the disadvantage of the smaller Image Area crops is that you will be using a smaller area of your sensor, and thus capturing images with reduced resolution and not the full 36.3 MP. The end result will be as if you cropped the image in post-processing. However, 15 MP and 25 MP are still very high resolutions, and for some shooting situations and image needs this may be more than sufficient.

You can set the Depth-of-Field Preview Button, Fn Button, or AE-L/AF-L Button to quickly change the Image Area. If any of these buttons are assigned this function, you can press the button and turn the Main Command Dial to change the Image Area while viewing the setting on the top Control Panel, in the Viewfinder, or on the rear Information Display.

7. Take Advantage of New Features for Videographers: While the predecessors to the D810, the D800/800E, are great cameras for HD video, this new model adds even more helpful features. The D810 can record full HD 1080 video at 60p/30p/24p, including simultaneous recording to a memory card and an external recorder, and outputting 60p video to an external recorder under certain conditions. The D810 has also added “zebra stripes” which enable you to preview potentially overexposed areas of the scene, and a Flat Picture Control which is a setting preferred by videographers because it helps to preserve details in the shadow and highlight areas of a scene, and allows one to capture videos (or images) with the widest tonal range. This can help to provide the greatest amount of flexibility for making adjustments in post-processing. Not to mention that, for both video and still photography, there is a new Clarity adjustment for Picture Controls, a broader Brightness range, and increased control over the Picture Control adjustments with more precise 0.25 EV increments.

Nikon D810 video HD movie zebra stripes highlight overexpose overexposure live view film
D810 and Zebra Stripes – The Highlight Display feature will show zebra stripes, to indicate potentially overexposed areas of the scene.

The D810 now also allows you to set the frequency range for audio recording, either Wide to capture all sounds, or Voice to capture a more limited range and thus reduce unwanted sounds. And the Power Aperture setting found on the D800/D800E can now be used not only when recording video to an external recorder, but also when recording to a memory card. Power Aperture is a feature that allows you to more smoothly and continuously change the aperture opening while recording a video, rather than change it step-by-step where you might see the depth of field change as you jump from f/4 to f/ 4.5 to f/5 to f/5.6 for example. This feature, available in A or M shooting mode, actually changes the aperture in 1/8 EV steps, rather than the 1/3 EV steps you can choose with the command dial, so it gives the appearance of a smooth transition. Power Aperture can thus allow dramatic visual changes in the depth of field of a scene, or allow you to smoothly adjust the exposure settings to accommodate changing lighting levels.

8. Set up your Dual SD / CF Memory Card Slots: The two memory card slots of the D810 – the SD slot and the CF slot – can function in a couple different ways, including using one for saving RAW files and the other for JPEG files, saving all your images to both cards simultaneously, using the second card as overflow when the first one fills up, or saving still images to one and movies to the other. You can set this up in the Shooting Menu under Primary Slot Selection to choose which is the primary card, and Secondary Slot Function to determine the role played by the second slot. To set how the cards function for saving videos, use the Shooting Menu > Movie Settings > Destination.

Nikon D810 sd cf memory card body use tips tricks how to learn manual guide book

 

Detail of the Nikon D810, showing the SD and CF card slots.

9. Customize the Exposure Compensation Controls: Exposure Compensation can be used to adjust the camera’s exposure settings in order to achieve the final exposure that you desire. Explore the various options of Custom Setting b4: Easy Exposure Compensation to customize exactly how the exposure compensation (EC) controls works. You can set it so that you press the Exposure Compensation Button first before turning a dial to change EC, or have it set so that you can just turn a dial to quickly and directly change EC. You can even select which dial you use with Custom Setting f9: Customize Control Dials. And you can set it so that the EC amount that you dialed in stays set for the subsequent shots, or that it is automatically reset to zero, depending on which controls you choose to use to set EC. This last option is the most sophisticated and most flexible, and may be the best one to learn and take advantage of. Using this option, On (Auto reset), you can choose to turn a dial to directly adjust EC, but your EC setting will be reset when the camera or exposure meter turns off. This is because you can still continue to use the Exposure Compensation Button with a Command Dial to set EC, but by setting it this way, EC will not be reset when the camera or meter turns off. Exposure Compensation will only be automatically reset if you set it directly using the dial without the button. So if you wish to use EC for just one shot, you can adjust EC with just the dial. But if you wish to take a series of shots with the same adjusted EC, you can use the button/ dial combination to set it more “permanently.” Pretty powerful stuff! This is why you got the D810, right? So that you can take advantage of these sophisticated controls!

Nikon D810 menu custom setting how to quick start tips tricks
Making use of Easy Exposure Compensation to configure how the controls can be used to change exposure compensation

10. Matrix Metering Face Detect, and Fine-Tune the Exposure Metering Modes: Using Custom Setting b5, you can enable a face detection feature of Matrix Metering. This means that the exposure metering system will take faces into account when determining the exposure settings, to ensure that portrait subjects are better exposed. This can be an extremely useful setting to use when taking images of people where they may be moving to different lighting, or moving in and out of the shade – especially in a fast moving session where you don’t have time to inspect all your images and adjust the settings. For example, if you are taking wedding portraits in lighting that varies.

While the Matrix Metering Mode will do an excellent job of determining the proper exposure for your images the majority of the time, there are some situations where you may wish to use the other exposure modes – Center-Weighted Metering, Spot Metering, and Highlight Weighted Metering. This includes dramatically backlit situations, subjects with a dramatically dark background, scenes that contain a wide range of highlights and shadow areas, or other dramatic lighting situations.

If you find that you are consistently not quite happy with how the camera’s meter is determining the exposure settings when making use of any of these modes, you can make fine-tune adjustments to the metering system using Custom Setting b7: Fine-tune optimal exposure. This is not an exposure compensation adjustment, but rather a “behind the scenes” fine-tuning of how the camera’s meter will determine the exposure settings, independently for each of the different Exposure Metering Modes (Matrix, Center-Weighted Average, Spot, Highlight Weighted). If you find that your images are always typically being slightly underexposed or overexposed when using a specific metering mode, adjust this accordingly so that you don’t have to use exposure compensation every time you use that metering mode. For example, you may find that Center-Weighted Metering delivers great exposures, but you would prefer that the images taken with Spot Metering were 1/3 EV (1/3 step) underexposed all the time. If that is the case, you would adjust Spot metering to -2/6 using this menu. If you make use of this fine-tune adjustment, you can still use exposure compensation in any situation in addition to this fine-tune adjustment.

Nikon D810 menu custom setting meter metering face detect tips tricks
Left: Custom Setting b5: Matrix Metering face detection for exposure. Right – Custom Setting b7: Fine-Tune Optimal Exposure, used to adjust the exposures of each metering mode to your preference, “behind the scenes,” so that exposure compensation is not needed each time you use that metering mode.

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I have previously written articles with tips and tricks for the Nikon D7100, and most all of those items will also apply to the D810. Some of the tips overlap, but many of them are different that the ones explained here. You can read the D7100 Tips and Tricks part 1 and 2 here:

http://blog.dojoklo.com/2013/05/06/top-ten-tips-and-tricks-for-the-nikon-d7100-part-1/

http://blog.dojoklo.com/2013/06/27/tips-and-tricks-for-the-nikon-d7100-part-2/

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Remember, I also explain these features and functions in even more detail, as well as explain all the other aspects of the D810 in my e-book guide Nikon D810 Experience, available on my Full Stop website. The guide not only explains the features, functions, and controls of the camera, but more importantly explains when and why you will want to use them in your photography. Take control of your D810 and the images you create! Click the cover below to learn more, preview, and purchase the guide.

Nikon D810 Experience book manual guide how to learn use tutorial tips tricks setup quick start

And, in conjunction with the book, I have created a detailed and comprehensive Nikon D810 Setup Guide spreadsheet, which has recommended Menu settings, Custom Settings, and exposure settings for various shooting situations such as Landscape, Performance, Sports, and Travel, in order to help you set up your camera. You can learn about and download this free “cheat sheet” spreadsheet here:

http://blog.dojoklo.com/2014/06/30/nikon-d800800e-nikon-d810-setup-guide-with-recommended-settings/

Still looking to purchase your Nikon D810 or some lenses or accessories for it? Please consider using my affiliate links for Amazon or for B and H, found at the left side of this page – thanks! And please feel free to spread the word if this blog has been helpful.

As you likely discovered as soon as you starting exploring the controls, features, menus, and Custom Settings of your 36.3 MP, full-frame Nikon D810, it is a powerful, highly customizable, and versatile camera. There are numerous Menu options and Custom Settings that you can make use of in order to fine-tune the camera to perfectly fit your needs, shooting style, and scene or situation. The autofocus system and exposure metering system can be adjusted according to your preferences, the camera controls can be customized and assigned to a variety of functions, the displays, White Balance, and Auto ISO can be tweaked according to your needs. Plus several new features have been added to the D810 compared to its predecessor the D800/D800E, and all of them enhance the shooting experience. Many of them will be explained throughout this article.

I’ve spent some dedicated time with the D810 as I’ve researched and written my e-book user’s guide to the camera called Nikon D810 Experience, and below are the some of the top “tips and tricks” I’ve discovered for setting up and photographing with this powerful dSLR. And be sure to read to the end of the article to learn about my free, detailed, and comprehensive Nikon D810 Setup Guide spreadsheet, which covers recommended Menu settings, Custom Settings, and exposure settings for various types of shooting situations!

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Detail of the Nikon D810 dSLR camera – photo by author

1. Take Control of the D810 Autofocus System: Before getting into some of the tips regarding features and functions specific to the D810, one first needs to take control of the basic functions of the camera, including the autofocus system and exposure metering settings. The D810 boasts the 51 point autofocus system of its predecessor the D800, with 15 centrally-located cross-type points. The large number of focus points and their positions in the Viewfinder will allow you to focus exactly where you wish – with minimal recomposing (when working in Single-Servo AF-S mode), plus will better enable you to track moving subjects throughout the frame when working in Continuous-Servo (AF-C) autofocus mode. The different autofocus modes (AF-S, AF-C) and the various autofocus area modes (Single Point, Dynamic Area, etc. plus the new Group Area AF) may be intimidating at first, but once they are understood, it is easy to determine which combinations fit your shooting needs. I wrote an entire post introducing the use of the Nikon autofocus system, its AF and AF-Area modes, and its controls. (Despite the larger number of AF points in the D810, the system works nearly the same as explained in the article.) If you have not used one of the more current Nikon dSLR models such as the D800, D7100/D7000, or D610/D600, you may at first be confused by the autofocus controls with the AF switch / button near the base of the lens (used in conjunction with the Command Dials), but you should quickly find that it is a quick and convenient way to change the AF modes and AF area modes.

Nikon D810 autofocus af system viewfinder book manual guide dummies how to tips tricks setting menu quick start
Simulated view of the Nikon D810 Viewfinder, with all 51 AF points shown for reference.

In addition, the D810 offers several Custom Settings to customize various aspect of the autofocus system, namely the ones in the a: Autofocus category. You can use these to tell the camera if achieving exact focus takes priority over maintaining the fastest continuous frame rate, how long the AF system continues to track a specific subject (distance) even if the subject momentarily moves away from the active AF point, and if the active AF point is illuminated in the Viewfinder. Using Custom Setting a5: Focus Point Illumination, you can now choose to display the cluster of all of the AF Points of a Dynamic-Area (such as 9-Point or 21-Point), rather than just the active middle point of the cluster. And you can even limit the number of selectable AF points to 11 if that helps you to more quickly or easily select your desired AF point. Most of these options are explained in my previous Nikon AF system post mentioned above.

The D810 also offers the ability to remember a specific AF Point so that the camera will automatically jump to the last point used when the camera is held in a specific orientation. For example, if you last used an upper-right AF Point when holding the camera in the grip-up position, then returned to shooting with the camera in landscape orientation, when you next hold the camera in the grip-up position, the camera will automatically jump back to that upper-right point. This is done through Custom Setting a9: Store by Orientation. You can register different points for each of the camera orientations. Similarly, you can assign the center Multi Selector Button to be used to jump to a Preset Focus Point of your choice, when the button is pressed during shooting.

2. Make Use of the new Group Area AF Autofocus Mode: The D810 borrows a new focus mode from the flagship Nikon D4s – Group Area AF, which makes use of a group of five AF Points arranged in a cross-shaped pattern. Instead of selecting a primary point with the surrounding points acting as “helper” points as with the Dynamic-Area AF modes, you will actually be selecting the group of five points which will all be used to attempt to focus on the subject. The Viewfinder will display the four outer points of the Group Area AF group of points, but not display the central point – perhaps so that you can better view the subject. Or you can use Using Custom Setting a5: Focus Point Illumination to display four surrounding dots rather than larger squares.

Nikon D810 autofocus af group area mode learn use setup quick start tips tricks viewfinder bif bird heron
Nikon D810 – Group Area AF – Simulated view of the D810 Viewfinder, showing what you will see in the viewfinder when making use of Group Area AF, with the cross-shaped pattern of the four outer AF Points of the Group visible. Background image shown at 65% opacity to better view Focus Points.

Keep in mind that with the other somewhat similar Dynamic-Area AF modes, you choose a primary point and attempt to keep the subject located at that point, and the surrounding points act as “helper” points if the subject happens to move away from the primary point. But with Group Area AF you select the entire group of AF Points, and they all work equally to focus on the subject. This mode can be used similar to Single Point AF but when it might be challenging to locate the subject under an individual point, which might cause you to accidentally focus on the background. When working in AF-S Focus Mode and using Group Area AF, the selected AF Points will give priority to faces if they are present, otherwise they will focus on the closest subject.

3. Take Advantage of the new [i] Button, and the “Hidden” Features it will Access: The D810 adds the [i] Button (on the rear of the camera) which gives you immediate access to the Information Display screen, where many shooting settings and functions can be viewed and changed. You can press this button to turn on the Information Display on the Monitor and immediately access these settings with the use of the Multi Selector and OK Button or the center touch-pad button. Press the [i] Button a second time or the Info button to “de-activate” the settings and simply view the camera settings on the Information Display Screen. Or, after the Info Button is pushed to display the camera settings of the Information Display screen on the rear Monitor, this [i] Button is pressed to “activate” the screen to enable changing the settings. In addition to the readily accessible camera buttons on the body of the D810, this [i] Button and Information Display screen can be a quick and easy way to change many of the camera settings without having to dig into the menus, such as Active D-Lighting, High ISO Noise Reduction, Color Space (sRGB vs Adobe RGB), and Long Exposure Noise Reduction. Plus you can use this screen to quickly access and customize the Preview (Pv) Button, AE-L / AF-L Button, and Fn Button Assignments.

Nikon D810 Information Display LCD monitor screen
The Information Display of the D810, accessed with the Info Button or i Button, and “activated” with the i Button.

The [i] Button can also be used during Live View shooting, Movie shooting, and Image Playback – to quickly access a number of applicable functions, some of them are sort-of hidden unless accessed this way, such as the LCD Monitor White Balance adjustment, and the Highlight Display for showing “zebra stripes” at potentially over-exposed areas of the scene during Movie Live View.

During Live View shooting, the [i] Button can be pressed to access settings including Image Area, Active-D Lighting, the new Electronic Front-Curtain Shutter, Monitor Brightness, Photo Live View Display White Balance (explained just below), or Split-Screen Display Zoom to compare two magnified areas of the scene in order to confirm that the image is level (as will be described in Tip 5 below). The Photo Live View Display White Balance feature allows you to set the white balance of the Live View screen differently than the current white balance of the scene. This may sound odd, until you realize it can come in handy when setting up a shot that will actually be taken with different lighting, such as a Speedlight or studio strobes. So using this feature you can set the LCD Monitor WB to better match how the final image will appear.

During Movie shooting, the [i] Button will access Image Area, Frame Size and Frame Rate, Movie Quality, Microphone Sensitivity and Frequency Response, Wind Noise Reduction, Destination to select the active memory card, Monitor Brightness, Highlight Display to view “zebra-stripes” at overexposed areas of the scene, and Headphone Volume. Plus during video playback, the [i] Button is also used to display movie edit options.

When reviewing images during Image Playback, the [i] Button will access the Retouch Menu, which will allow you to apply various image edits such as Color Balance, Filter Effects, and Distortion Control. Be sure to take advantage of the [i] Button in these various mode, rather than digging into the menus, to easily access some of the most often used features as well as a couple of the “hidden” features. I have written a separate post about the “Hidden” Features of the D810 so that you can explore them further.

Nikon D810 Retouch Menu cross screen starburst
Nikon D810 Retouch Menu – Using the Cross Screen item of the Retouch Menu to create a cheesy starburst pattern!

4. Improve Exposures with the new Highlight Weighted Metering Mode: The D810 adds a brand new metering mode, Highlight Weighted Metering. This mode is designed for certain challenging lighting situations, in order to help retain detail in bright areas and avoid the overexposure of highlights. It does this by measuring the brightness in a scene then determining the best exposure level which will prevent the highlights from being overexposed (“blown-out”). It should prove to be a useful metering mode for those who shoot theater and live music performances where the lighting can suddenly and dramatically change, or even remain consistent but be prone to include bright “hot-spots” of illumination on a subject. It can also be used in other scenes that include a well lit subject against a dark background, particularly one that is moving and thus prevents the use of Spot Metering. And it can be used at a wedding reception where the bride may be under a spot light, and you wish to properly expose the scene and the subjects yet retain all the subtle details in the highlights of the wedding dress. Also take advantage of the quieter Quiet Shutter Release (Q) and Quiet Continuous Shutter Release (Qc) release modes when in theater, performance, or wedding situations, in order to reduce shutter noise as you take your shots.

With Highlight Weighted Metering Mode when the camera’s exposure settings are biased  to avoid the overexposure of highlights, they may result in some of the other areas of the scene, such as the midtones, being slightly underexposed. However, with the excellent sensor performance of the D810, even at higher ISO settings, you should be able to easily adjust the midtone and shadow areas of an image without increasing the appearance of digital noise. Shooting in the RAW file format rather than JPEG format will allow you more post-processing flexibility for these adjustments than will images in the JPEG format. Note that when using a lens other than a Nikon G, E, or D lens (typical current lenses) with the D810 set for Highlight-Weighted Metering, the camera will actually use Center-Weighted Metering.


The Highlight-Weighted Metering Mode of the D810 is designed for theater / performance scenes such as this, where a brightly lit subject is against a dark background, and is prone to overexposed hot-spots due to theater lighting.

5. New Features Ideal for Landscape Photographers: The D810 includes several new features that landscape photographers will want to make use of, as well as those shooting in other types of controlled situations such as macro and studio still-life shooting. While the 36.3 megapixel sensor of the D810 has the potential to create images with incredible resolution, the high megapixel count can also call attention to less-than-sharp images. You will need a high quality lens to take full advantage of the resolution, plus make use of some features that will help reduce camera shake and thus image blur.  In addition to the redesigned mirror/ shutter mechanism that is quieter and smoother, you can also make use of the new Electronic Front-Curtain Shutter to help reduce camera vibrations. When working in Mirror-up (Mup) Release Mode, this uses the sensor itself as the front curtain of the shutter, rather than a mechanical curtain. You can enable this with Custom Setting d5, as well as use it in Live View (press the i Button in Live View to access it). For maximum vibration reduction, you can also make use of:

-the Mirror Up release mode, which performs the jarring mirror-raising action prior to shutter release, requiring a second Shutter Button press to take the image. Use this with or without the Electronic Front-Curtain Shutter feature

-the Exposure Delay Mode (Custom Setting d4) to delay the shutter release for a couple seconds after you press the Shutter Button.

-and of course a tripod and a remote shutter release.

Landscape and architectural photographers can also make use of the new Split Screen Display Zoom during Live View, where you can simultaneously zoom in on two different areas of the frame (on the same horizontal plane) to help determine if they are level. Press the i Button when in Live View to access this feature, then navigate to the desired area of the scene, and zoom in or out. Press the Protect (key icon) Button to select the other half of the screen and navigate to the desired area of that side of the scene. Since this feature is used to determine if the framing is level, both sides of the screen will move up and down simultaneously when you navigate either side. Press the i Button again to exit the Split-Screen.

Nikon D810 Split Screen Display Zoom LCD monitor screen Live View
The Split-Screen Display Zoom of the D810, accessible during Live View shooting, to check if the framing of the scene is level.

You can also make use of the Electronic Level on the rear LCD Monitor, the Live View Electronic Level, or the Virtual Viewfinder Horizon level which is seen in the Viewfinder. Assign the Fn or Pv Button to display the Virtual Viewfinder Horizon level, via Custom Setting f4 or f5. And landscape photographers will also want to take advantage of the new, lower 64 ISO setting. This is a “native” ISO setting, not an artificial one created by processing. Landscape photographers (and videographers) often need to use dark ND filters in order to block some light so that they can take advantage of wide apertures settings, such as f/2.8. Or they are used so that you can obtain slower shutter speeds when desired, such as when you wish to blur the motion of water. By enabling you to lower the ISO below 100, it will reduce the need for an ND filter in some situations.

This article continues with Nikon D810 Tips and Tricks – Part 2, which can be read here:

http://blog.dojoklo.com/2014/08/29/nikon-d810-tips-and-tricks-part-2/

Remember, I also explain these features and functions in even more detail, as well as explain all the other aspects of the D810 in my e-book guide Nikon D810 Experience, available on my Full Stop website. The guide not only explains the features, functions, and controls of the camera, but more importantly explains when and why you will want to use them in your photography. Take control of your D810 and the images you create! Click the link below to learn more, preview, and purchase the guide:

http://www.dojoklo.com/Full_Stop/Nikon_D810_Experience.htm

And, in conjunction with the book, I have created a detailed and comprehensive Nikon D810 Setup Guide spreadsheet, which has recommended Menu settings, Custom Settings, and exposure settings for various shooting situations such as Landscape, Performance, Sports, and Travel, in order to help you set up your camera. You can learn about and download this free “cheat sheet” spreadsheet here:

http://blog.dojoklo.com/2014/06/30/nikon-d800800e-nikon-d810-setup-guide-with-recommended-settings/

If you have found this helpful and plan to purchase a Nikon D810 or some lenses or accessories for it, please consider using my affiliate links for Amazon or for B and H, found at the left side of this page. Your price will be the same, but they will give me a small referral fee – thanks! And please feel free to spread the word if this blog has been helpful.

DSLR camera users are often curious about “hidden features” that their camera may have, though typically there really aren’t many, as long as one carefully goes through all of the Menu and Custom Settings items, and reads through the manual. However, with so many options and functions, there are a few items that truly are a bit hidden away on the Nikon D810. It’s not that the D810 manual doesn’t mention them, or that they can’t be found with careful investigation of the camera, but you may need to have them called to your attention to learn how to locate them and how to take advantage of them.

Several of these features are accessed with the new i Button when working in the appropriate mode, and others are accessible in the menus but may require an understanding of the options, or several steps of sub-menu navigation to locate them.

Nikon D810 tips tricks autofocus how to recommend tips tricks
Simulated diagram of the Nikon D810 Viewfinder, showing the locations of all of the AF Points, with the active Dynamic Area 21 Point squares shown in red. (Image shown lighter to better see Viewfinder elements.) Please note that all AF Points will not be visible in the Viewfinder when shooting, only the active AF Point or Group.

i Button Features

Pressing the i Button when shooting will allow you to access and change several settings using the Information Display on the rear LCD Monitor, such as Active D-Lighting, Color Space (sRGB vs. Adobe RGB), High ISO Noise Reduction, and Long Exposure Noise Reduction. It will also allow you to assign the function of various camera buttons including the Pv, Fn, BKT, and AE-L/AF-L Buttons. However, when working in Live View, Movie Live View, image playback, and movie playback, the i Button will access a contextual menu for that mode, and in some situations it is the only way to access and change certain of these “hidden” features.

Live View

For example, when working in Live View, you can press the i Button to adjust the Monitor Brightness. This is a different adjustment from the Monitor Brightness adjustment of the Setup Menu which affects the brightness of the screen for menus and image playback. The Live View Monitor Brightness adjustment, obviously, adjusts the screen brightness for Live View, but will not affect the exposure of the actual image. The Live View i Button menu will also allow you to access the Photo Live View Display White Balance feature. This feature allows you to set the white balance of the Live View screen separately than the actual white balance that the image will be captured this. While this may sound odd, it can come in handy when setting up a shot that will actually be taken with different lighting, such as a Speedlight or studio strobes. So using this feature you can set the LCD Monitor WB to better match how the final image will appear.

The i Button is also the only way to access the new Split Screen Display Zoom during Live View, where you can simultaneously zoom in on two different areas of the frame (on the same horizontal plane) to help determine if they are level. This can come in handy for landscape and architectural photographers. Press the i Button when in Live View to access this feature, then navigate to the desired area of the scene, and zoom in or out. Press the Protect (key icon) Button to select the other half of the screen and navigate to the desired area of that side of the scene. Since this feature is used to determine if the framing is level, both sides of the screen will move up and down simultaneously when you navigate on either side of the split-screen. Press the i Button again to exit the Split-Screen.

Although the Electronic First-Curtain Shutter is accessible with Custom Setting d5, and thus isn’t hidden, I will mention it here because it can also be accessed with the i Button during Live View. This is a feature eliminates the mechanical movement of the front curtain and can help reduce camera shake, which can lead the slight blur and reduced sharpness in images. With the high resolution 36.3 megapixel sensor of the D810, these slight movements can become apparent in images. What you need to know is that this feature must be used in conjunction with Mirror Up (Mup) Release Mode.

Nikon D810 autofocus tips tricks how to recommend setting setup quick start
Simulated diagram of the Nikon D810 Viewfinder, showing the locations of all of the AF Points, with the active Single Point square shown in red. Please note that all AF Points will not be visible in the Viewfinder when shooting, only the active AF Point or Group.

Movie Live View

Just as with Live View, some “hidden” features can be accessed with the i Button when working in Movie Live View. The new “zebra stripes” feature is accessed with the Highlight Display item of the i Button menu. This will display lines on the screen at potentially over-exposed areas of the scene, thus helping you to adjust to the proper exposure. You can also press the i Button to adjust the Monitor Brightness and the Headphone Volume.

Camera Controls Assignments

A few other “hidden” features of the Nikon D810 can only be accessed by customizing one of the camera buttons to assign it to that function. For example, you can make use of the Viewfinder Virtual Horizon, which is a camera level that you can display in the Viewfinder. It will show an electronic level along the bottom of the screen as well as one on the right side, so that you can see both pitch and roll of the camera body. In order to use this feature, you need to assign either the Fn Button or the Pv Button to the Viewfinder Virtual Horizon option. You can also assign either of these buttons to the 1 Step Shutter Speed / Aperture setting, which will allow you to quickly change the shutter speed or the aperture setting in 1 EV full stops rather than the typical 1/3 EV adjustments that are made when you turn the Command Dials.

The Nikon D810 offers the Power Aperture feature, where you can smoothly open or close the aperture during movie shooting. While the previous D800/D800E only allowed use of this when recording to an external device, the D810 allows you to use Power Aperture when recording to a memory card. If you wish to use Power Aperture, you will need to assign Custom Settings g1 and g2 to Power aperture (open) and Power aperture (closed).

Nikon D810 viewfinder, grid, af, autofocus, setup guide menus custom setting quick start cheat sheet how to manual tutorial tips tricks recommend
1963 Chevrolet Corvette Sting Ray, Split Window Fastback – 2014 Annual Antique Auto Show – Codman Estate, Lincoln, Mass. Use the Viewfinder grid or Viewfinder Virtual Horizon to keep your framing straight and level. Here I lined up the grid with the roof crease to both center the car and to keep the framing level.

Other Hidden Features

Another somewhat “hidden” feature is a method of changing which memory card and folder is being accessed during image playback. The D810 has both a CF and SD memory card slot, though you can only view images on one of them at a time. If you wish to switch over and view the images on the other card during image playback, simply press the Zoom-out Button repeatedly, and you will access the Playback slot and folder screen (rather than the calendar view screen of other Nikon models).

Finally, like all the current Nikon models, the D810 offers a powerful Auto ISO option, which will change the ISO setting if necessary in order to obtain a proper exposure. You can set the parameters of Auto ISO, including the Maximum Sensitivity and Minimum Shutter Speed that the camera will use for Auto ISO. One powerful option is that if you choose the Minimum Shutter Speed to be Auto, the camera will select a shutter speed based on the focal length of the lens. For example, a longer lens requires a faster shutter speed to avoid blur from camera movement. But, if you are unhappy with the choice that the camera is making, you can continue to press right from the Minimum Shutter Speed > Auto setting, and you can fine-tune this setting so that the camera selects a faster or slower Auto shutter speed.

If you wish to learn more about the Nikon D810, I explain these features and functions in even more detail, as well as explain all the other aspects of the D810 in my e-book guide Nikon D810 Experience, available on my Full Stop website. The guide not only explains the features, functions, and controls of the camera, but more importantly explains when and why you will want to use them in your photography. Take control of your D810 and the images you create! Click the link below to learn more, preview, and purchase the guide:

http://www.dojoklo.com/Full_Stop/Nikon_D810_Experience.htm

And, in conjunction with the book, I have created a detailed and comprehensive Nikon D810 Setup Guide spreadsheet, which has recommended Menu settings, Custom Settings, and exposure settings for various shooting situations such as Landscape, Performance, Sports, and Travel, in order to help you set up your camera. You can learn about and download this free “cheat sheet” spreadsheet here:

http://blog.dojoklo.com/2014/06/30/nikon-d800800e-nikon-d810-setup-guide-with-recommended-settings/

If you have found this helpful and plan to purchase a Nikon D810 or some lenses or accessories for it, please consider using my affiliate links for Amazon or for B and H, found at the left side of this page. Your price will be the same, but they will give me a small referral fee – thanks! And please feel free to spread the word if this blog has been helpful.

In conjunction with my camera guide for the new Nikon D810, Nikon D810 Experience, I have created a Nikon D810 Setup Guide – a comprehensive spreadsheet (cheat sheet!) with recommended settings for the applicable Menus, all of the Custom Settings, plus some shooting and exposure settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Here is a detail of just a small part of the Setup Guide spreadsheet:

Nikon D810 Setup guide menu custom setting cheat sheet quick start tips tricks recommend setting, book manual guide how to

The direct link to the Excel spreadsheet is:

http://docs.fullstopbooks.com/forms/Nikon_D810_Experience-Setup_Guide.xls

alternate link:

http://www.dojoklo.com/Full_Stop/forms/Nikon_D810_Experience-Setup_Guide.xls

Please note that the guide will also apply to the D800 and D800E, but new D810 menu items and features will obviously not be on the D800, and the names/ terms of some of the items has changed slightly.

To print the guide, you may wish to print it across several pages and then tape them together, so that the data is legible:

First, be sure to set the print area, to avoid all the blank pages. Do this by manually selecting all the cells with data in them (drag the cursor from cell A1 to G168 and they will all appear blue.) Then access the menu for File > Print Area > Set Print Area.

Then go to File > Print Preview and select the Setup button,

Then set the page for “Landscape” and “Fit To” 2 pages wide by 3 pages tall. Alternately, you can set for “Adjust to 60% Normal Size.”

Either of those options should result in 6 pages to be printed (as long as you have set the print area first).

Be sure to check the preview to see that the data will print at a reasonable size, and that there are only 6 or so pages that will print.

In the past I have resisted requests for these types of quick-start “cheat sheets,” because I prefer that readers of my Full Stop camera guides read through all of the Menu and Custom Settings options, and determine which settings suit their shooting situations and preferences. This is one of the best ways to really learn the ins-and-outs of one’s new camera, so I still encourage you to do so. But I can appreciate the value and the handy reference features of this type of recommendation guide.

Please know that I am in no way an experienced expert in all of the different photography categories I have included, so take the advice of dedicated Bird or Concert photographers, for example, above mine if it differs! And for further information, explanations, justifications, and caveats for the settings I specify, please have a look at my clear and comprehensive guide Nikon D810 Experience.

Version History
v1.2 – First version released
v1.3 – Formatting/ appearance changes
v1.4 – Formatting/ appearance changes
v1.5 – Formatting/ appearance changes
v1.6 – Footnote number corrections, some minor settings changes based on further findings and the final text of the guide

 Nikon D810 setup guide menus custom setting quick start cheat sheet how to manual tutorial tips tricks recommend
Nikon D810 – 1965 Ford Mustang GT – 2014 Annual Antique Auto Show – Codman Estate, Lincoln, Mass.

If you have purchased my Nikon D810 Experience e-book guide, be sure to sign up on the updates page, so that I can inform you of any updates made to the guide or to this spreadsheet, and well be able to provide you with a free updated guide, should there be any major updates or corrections.

Nikon D810 manual guide setup tips tricks how to use quick start recommend setting
Nikon D810, shown with 50mm f/1.4 AI-S lens. Camera courtesy of LensProToGo. Lens courtesy of Newtonville Camera.

If you have found this blog helpful and plan to purchase a Nikon D810 or some lenses or accessories for it, please consider using my affiliate links for Amazon or for B and H, found at the left side of this page. Your price will be the same, but they will give me a small referral fee – thanks! And please feel free to spread the word if this blog has been helpful.

In my e-book user’s guide for digital SLRs I include a list of accessories and books, complete with links to purchase these products on Amazon or from the manufacturer. However, the links don’t always work with some e-book formats, so I am posting the list here too. Some accessories may have been updated since this list was last modified, such as the Nikon SB-5000 Speedlight replacing the SB-910, or the Canon 600 EX II-RT Speedlite replacing the 600 EX-RT, so be sure to check for the latest versions of the various accessories.

Below are some accessories that are handy for general and travel photography use with any dSLR camera, plus some of my favorite photography books, and camera-specific accessories mentioned in the texts of my Full Stop camera guides. Click on the links to go to the product or category pages on Amazon.com or the manufacturer’s website. Please note that these are my referral links, and I will receive a small referral fee if you use these links to make your purchases, which helps to support my blog and my work. Thanks!

Contents:

dSLR Photography Accessories
Digital Photography Books

Nikon D500 Accessories
Nikon D750 Accessories
Nikon D810 Accessories
Nikon D7500 / D7200 / D7100 Accessories
Nikon D7000 Accessories
Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories
Nikon D610 / D600 Accessories
Nikon Df Accessories
Nikon D3300 Accessories

Canon 5D Mark IV Accessories and 5DS / 5DS R Accessories
Canon 7D Mark II Accessories
Canon 80D / 77D / 70D Accessories
Canon 7D Accessories
Canon 60D Accessories
Canon T5i, T4i, T3i and T2i (EOS 700D, 650D, 600D and 550D) Accessories
Canon 5D Mark III Accessories
Canon 6D Accessories

 


dSLR Photography Accessories

UV Filters – Clear, protective filters for the lenses.  You should have these on at all times to protect your lenses.  Get high quality coated ones, such as B+W, especially for higher quality lenses.   Consider the MRC multi-coated versions for highest quality lenses.  While some argue that any filter may degrade image quality, a high-quality filter will show little effect, and most know that it is cheaper to replace a $100 filter than to repair a $1500 lens.  Use the slim filters for wide angle lenses to avoid vignetting.

Circular Polarizing Filter: Use this outdoors in sunlight to darken the sky, cut through haze and reflections, and increase contrast. Do not use on a wide angle lens as it will cause the sky to change from light to dark and back again across the frame. You have to turn the second ring of the filter to create the amount of lightness or darkness in the sky that you desire, or to reduce or eliminate reflections. It works best when the sun is to your left or right, but does not have any polarizing effect if the sun is directly in front or behind you. Do not use an older linear polarizing filter with a digital camera, as it will interfere with the metering and autofocus systems.

Neutral Density (ND) Filter: If shooting video in bright lighting, you will need to use a dark neutral density (ND) filter on the lens to block light in order to be able to use dramatic wide aperture settings (such as f/ 2.8 or f/4.0). These are also useful with still photography for allowing slow shutter speeds in bright light, such as for photographing waterfalls. They are available in a variety of densities to block out the amount of light to enable you to increase your exposure settings by a certain number of stops, such as 3 stops (0.9), 6 stops (1.8), 10 stops (3.0), etc. For example, when working in M or S mode and the exposure meter reads 1/30s, f/8, ISO 100, but you wish to use and aperture setting of f/2.8 while “holding” the other settings – you can use a 3-stop ND filter and the exposure meter will now read 1/30s, f/2.8, ISO 100, allowing you to obtain the wide aperture setting and resulting shallow depth of field. There are also variable ND filters, where you can adjust one of the filter’s rings to vary the amount of density, as well as the Cokin filter system that makes use of a filter holder that attaches to the front of the lens, which then holds square filters. These are useful to landscape photographers using graduated or split neutral density filters that either gradually or sharply transition from dark to light. Using the square filter in front of the lens, you can then vary the angle and location of the transition to align with the horizon.

Nikon Lens Hoods or Canon Lens Hoods: Use a lens hood on your lens to both prevent flare and to protect the front of the lens when it inevitable bangs against something or drops. Some nicer lenses typically come with a lens hood. With other lenses, buy the corresponding optional hood.

BlackRapid R-Strap: A different, more comfortable way to carry your camera, especially one with a larger or heavier lens. The RS-7 version has a nice curved shoulder strap, the RS-4 is not curved at the shoulder but does have a handy little pocket for memory cards, and the RS-W1 R-Strap is designed for women.

Manfrotto 055XPROB Tripod Legs and Manfrotto 496RC2 Ball Head:  This is an excellent “starter” combination of tripod legs and head for the beginner or enthusiast.  They are sturdy, durable, and well built.  If you know you will be doing a lot of tripod work, such as for studio, landscape, or travel photography, it is best to invest in more advanced (expensive) versions, including lighter carbon fiber legs and a head with additional features.

Insurance: Make sure your equipment is covered by insurance. When I worked in a camera store, people came in on a weekly basis to replace the equipment that was stolen from their car, trunk, luggage, while traveling, or was in a fire. You may need special insurance or a rider if your homeowner or renter’s insurance does not cover it. I use the policy available through NANPA, though you have to join NANPA to get it. This insurance is primarily for the equipment only, so you are not paying for liability coverage geared toward a business as you are with many other photo equipment insurance plans. Please note that the NANPA membership fee covers you annually from July – they don’t pro-rate, so you will not get a full year if you join at any other time. (If you happen to join NANPA to get their insurance, mention my name as a referrer, and I save on my next membership renewal!)

Silica Packs: Keep these in your camera bags to absorb moisture. Consider using real ones that you buy in solid cases instead of the little packs that you found in your new pants pocket that may break open over time.

Sto-Fen Omni Bounce Diffuser: Works great on the optional external flash units (note some Nikon flashes come with a diffuser like this). Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder. I know you see lots of people doing it. They didn’t bother reading how to use it. Don’t imitate them. Use a direct bare or gelled flash outdoors. These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so. Not straight on, and not bouncing off the sky.

Giottos Rocket Air Blaster: Always have this manual air blower handy for getting dust off lenses in a hurry, because blowing on them with your mouth – no matter how careful – inevitably leads to spittle on the lenses. Also use for manually cleaning the sensor, carefully following sensor cleaning instructions.

Dust-Aid Platinum dSLR Sensor Filter Cleaner: If the Air Blaster does not remove all the dust during sensor cleaning, you can move to a “silicon stamp,” such as this one. This is slightly more invasive, as you will be touching the sensor with the cleaning device. Be sure to carefully read and follow the Dust-Aid instructions, as well as the manual’s sensor cleaning instructions, particularly the correct way to raise the mirror and access the sensor.

Lens Pen Cleaning System: Works great for cleaning off mysterious spots and smudges that appear on the lens. Blow dust off the lens first with the Rocket Air Blaster, brush it with the Lens Pen brush, and then follow the instructions for using the Lens Pen.

Digital Grey Card: Used to measure and set accurate custom white balance.

Rosco Strobist Collection Flash Gels: Use these to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene. Tape them in place or use the LumiQuest Gel Holder which attaches to your flash with the Honl Speed Strap, an overpriced strip of Velcro.

M Rock Holster Bag: Carry and protect your camera and walk-around lens in a holster style bag from M Rock. I used the Yellowstone style extensively in my travels throughout South America, and I love its durability and extra little features like a built-in rain cover, micro-fiber cleaning cloth, zippered interior pocket, adjustable interior, and extra strap. Be sure to get the model that fits your body and lens.

Sandisk Extreme CF Memory Cards (CompactFlash for Canon 7D, Canon 5D Mk II, 5D Mk III):  I suggest getting a couple 16 GB or 32 GB CF cards to store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III (or the 7D) to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst (7D rates are 130 JPEG / 25 RAW).

Sandisk Extreme SD Memory Cards: I suggest getting a couple 16GB, 32GB (class 10), or higher capacity Secure Digital (SD) cards to capture and store your photos – or more cards if traveling. Again, be sure to check the Sandisk site for current rebates. The Extreme SD cards are currently available in the 45 MB/s speed and the faster 80 MB/s speed.

Sandisk Extreme Pro UHS-1 SD Memory Cards: To take full advantage of the Continuous Shooting Drive Mode of the 70D and capture up to the maximum 65 continuous JPEG images or 16 RAW images in a single burst, you will need one of the fast Sandisk Extreme Pro UHS-1 SD Memory Cards (or similar card from another brand), which saves at 95MB/s.

Eye-Fi Wireless Flash Memory Card: This SD memory card can be used to automatically upload photos wirelessly via Wi-Fi to your computer during shooting or afterwards.

Card Reader: Use this to transfer image files from the memory cards to your computer if your computer does not have a card reader built in. They may be faster than the camera’s USB cable and will save camera batteries.

Stereo Microphones: The Rode VideoMic or the Rode VideoMic Pro are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

Camera’s USB Cable: Always have the included camera USB cable when traveling, as a back-up method of transferring image files to your computer.

Lens and Body Caps: Don’t forget to have these in your camera bag, to protect lenses and camera body when switching and storing them.

Camera Wrap: For protecting your camera while carrying it around in dusty, misty, or sandy situations, or for protection when storing it.

Rainhood or Rainsleeve: For protecting your camera while using it in dusty, misty, rainy, or sandy situations.

Adobe Photoshop CS6 or new Adobe C.C., and/ or Adobe Lightroom 5: These software programs are essential for editing, processing, retouching, and manipulating your photographs, especially if you are shooting in RAW. Lightroom is designed specifically for photographers and is the processing program of choice for many of them, but it does not have the manipulation capabilities of Photoshop. Take advantage of Adobe’s significant student and teacher discounts if applicable.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

Camera Bags and Travel Gear: For additional gear that is helpful for travel situations, including various camera bags for different situations, have a look at my travel gear blog post:

http://blog.dojoklo.com/2009/12/01/assignment-guatemala-gear/


Digital Photography Books

Understanding Exposure: How to Shoot Great Photos with Any Camera by Bryan Peterson

Learning to See Creatively: Design, Color & Composition in Photography by Bryan Peterson

The Photographer’s Eye: Composition and Design for Better Digital Photos by Michael Freeman

The Photographer’s Mind: Creative Thinking for Better Digital Photos by Michael Freeman

Available Light: Photographic Techniques for Using Existing Light Sources by Don Marr

On-Camera Flash Techniques for Digital Wedding and Portrait Photography by Neil van Niekerk

Speedliter’s Handbook: Learning to Craft Light with Canon Speedlites by Syl Arena

Digital Photographer’s Complete Guide to HD Video by Rob Sheppard and Michael Gunchen.

Canon Speedlite System Digital Field Guide by Michael Corsentino

Nikon Speedlight Handbook: Flash Techniques for Digital Photographers by Stephanie Zettl

The New Complete Guide to Digital Photography by Michael Freeman – a comprehensive general reference guide with brief explanations of nearly every aspect of digital photography.

New Epson Complete Guide to Digital Printing by Rob Sheppard.

More Essential Digital Photography Books are listed in this post.

 


Nikon D500 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event. Be sure to use the newer Li-Ion20 type of EN-EL15 battery for best results. Nikon will replace your older EN-EL15 Li-ion01 batteries with the newer version, for free. See this link for further information:

https://support.nikonusa.com/app/answers/detail/a_id/19541

Nikon MB-D17 Battery Pack/ Grip: This accessory will enable you to use an additional EN-EL15 battery, or eight alkaline, lithium, or Ni-MH AA batteries, or an EN-EL18 battery with the use of the optional BL-5 Battery Chamber Cover. This allows you to shoot longer without having to change batteries, and can allow you to share EN-EL18 batteries with the Nikon D5 body. It also increases the size of the D500 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-30 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-T10/ WR-R10 /WR-A10 Wireless Remote Controller, Transceiver, and Adapter: This wireless remote set will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-7A Wireless Transmitter: This can be used to wirelessly transmit your images and videos to an FTP server, computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. It also offers a wired Ethernet port for a wired (tethered) connection. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection, which allows you to remotely change numerous camera settings. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission of full sized images.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Remember that you can also make use of the camera’s wireless capabilities to add time and location data from your smart phone to the images on the camera, and thus perform similar capabilities as a GPS device.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as one of the BeachTek Audio Adapters, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Lexar 64GB Professional 2933x XQD card: The maximum continuous burst capacity specifications given by Nikon for the D500 are based on the use of this card. When set for RAW L image files and DX Image Area, this XQD card can capture up to the maximum 200 14-bit lossless compressed or 12-bit uncompressed images, without filling the buffer and having to pause. Sony also offers numerous XQD cards that are compatible with the D500, as listed on page 385 of the Nikon D500 User’s Manual.

SanDisk Extreme Pro UHS-II 280MBs SD: This is a very fast SD type card that appears to be working well with the D500. There have been issues reported with SD cards from Lexar and Transcend, which are caused by the card and not the camera. Nikon has released a firmware update that creates a workaround for errors when using a problematic UHS-II card, though it reverts to using it as a slower UHS-I card. The memory card manufacturers are working to resolve this issue.


Nikon D750 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D16 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use six AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D750 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP server via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D810 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D12 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use eight AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D810 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation. And its use with AA batteries will enable the maximum 7 frames per second continuous shooting speed when using DX Image Area. If you wish to use the larger EN-EL18 battery (used with the D4 body) with this MB-D12 battery grip, you can purchase the optional BL-5 Battery Chamber Cover which accepts the EN-EL18 battery.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

MC-30A Remote Release Cord: Another basic corded remote release, with a larger thumb button that enables you to hold it down to keep the shutter open for Bulb shooting.

MC-36a Remote Shutter Release Cord: A multi-function corded remote for shutter release with an intervalometer, which attaches via the ten-pin connector.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP sever via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient and less expensive.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG, TIFF, or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Nikon D810 dSLR Filmmaker’s Kit: This package, costing about $5,000, includes the D810 camera plus everything one needs to get started with dSLR HD filmmaking. In addition to the body, the kit includes three prime lenses which are all f/1.8 (35mm, 50mm, 85mm), a video recorder with HDMI cable, the ME-1 Stereo microphone, variable ND filters so that you can take advantage of wide apertures even in brighter lighting, and two EN-EL15 batteries.

Sandisk Extreme CF Memory Cards: I suggest getting a couple 32 GB or higher CompactFlash (CF) cards to store your photos – more if traveling. Be sure to check the Sandisk site for current rebates. This card’s speed is 120 MB/s, so to achieve the buffer rates of the D810 listed in the manual you will need to use the CF card listed just below.

SanDisk Extreme Pro UMDA 7 CF Memory Card: For an even faster CF memory card, look at the Extreme Pro version, which is rated at 160 MB/s, higher than the 120 MB/s speed of the Extreme CF cards. This is the minimum card needed to achieve the buffer capacity rates listed in the D810 manual on page 489.

SanDisk Extreme Pro SDHC UHS-I SD Memory Cards: If you plan to use the camera’s SD card slot, I suggest getting a couple 32GB or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling. Review the various ways that the camera’s two memory card slots can be used with the Primary slot selection and Secondary slot function items of the Shooting Menu. Again, be sure to check the SanDisk site for current rebates. This card is rated at 95 MB/s speed, so you may need the above CF card to achieve the maximum the buffer capacity of the D810.


Nikon D7500 / D7200 / D7100 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D15 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7100 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. Other options include the Rode VideoMic or the Rode VideoMic Pro, which are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

UT-1 Communication Unit: This unit is used with an Ethernet cable or wirelessly with the WT-5a Wireless Transmitter to connect to a network and transfer images to a computer or server, or to control the camera remotely from your computer. You can also purchase these two units, the UT-1 and WT-5a as a bundle.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D7000 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D11 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7000 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910, SB-900, SB-800, SB-700, or SB-600 Speedlight Flashes: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon WT-4A Wireless Transmitter: This can be used to wirelessly transmit your images to a computer as you shoot. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories

Nikon EN-EL14a Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D5600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Grip Base Extension: There is also a third-party non-battery-pack grip, or grip base extender that is designed to simply enlarge the size of the body in order to make the camera easier to hold for some users, but does not hold additional batteries.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as commanders to control and trigger multiple remote flashes.

Nikon WU-1a Wireless Mobile Adapter: (Nikon D5200, D7100, D3200 and later cameras only) This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) (Not needed for D5300) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Using this accessory, you images will also be automatically located on a map, such as when uploaded to the Flickr photo website.

ME-1 Stereo Microphone or ME-W1 Wireless Microphone: External, stereo mics to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D5600 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.


Nikon D610 / D600 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D14 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1b Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, or even use the smart device to remotely release the shutter. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon Df Accessories

Nikon Df User’s Manual – For a PDF download of the Nikon Df manual, see the webpage below:

https://support.nikonusa.com/app/answers/detail/a_id/18767

AF-S NIKKOR 50mm f/1.8G Special Edition Lens: This lens, with its silver ring, is specifically designed to match the retro-style of the Df – though it contains the same optics of the non-special AF-S 50mm f/1.8 lens.

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

AR-3 Cable Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless. In keeping with the styling of the Df, it is a “retro” cable-release with a plunger.

MC-DC2 Remote Release Cord: This is also a straightforward corded remote used to trigger the shutter of the camera, and is plugged into the Accessory Terminal of the Df.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-400 Speedlight: This is a much smaller and less powerful flash than the versatile SB-910, and is closer to the strength of a typical built-in flash. However you can angle it for bounce-flash purposes.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely autofocus and release the camera’s shutter.

Wireless Mobile Utility: To get started with Wi-Fi, you will also need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, sharpening, and noise. This version is in the process of being replaced with Capture NX-D.

CF-DC6 Semi-Soft Case or CF-DC5 Semi-Soft Case: The CF-DC6 is a retro-styled leatherette case specially designed for the Df, and is available in Black or in light Brown. The CF-DC5 is of a more contemporary style and materials.

Leather Strap in Black or in Brown: You can pair the retro-styled CF-DC6 case with a leather strap, available in similar colors.

Gariz Leather Half-Case: There is also a very nice looking leather half-case by a third-party named Gariz. It is available in black and brown, and covers the grip area and lower part of the Df body, but also allows you to open and access the battery/ memory card compartment and the side terminal covers, without removing the case. It lengthens the body of the camera in order to provide a replacement tripod socket (since the camera’s is used for attaching the case), and perhaps to enlarge the camera to offer a better grip.

Screen Protectors: This pair of screen protectors is specifically sized for the LCD screens of the Df. While I have not personally used them, and thus cannot vouch for their quality or usefulness, previous versions of this brand have gained good reviews.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the Df to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D3300 Accessories

Nikon D3300 Manuals: The D3300 Reference Manual can be obtained as a PDF file from the Nikon website at this link:

https://support.nikonusa.com/app/answers/detail/a_id/18824

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, to share your images, or even to use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app.

Wireless Mobile Utility:To get started with Wi-Fi, you will first need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

http://nikonasia-en.custhelp.com/app/answers/detail/a_id/7494/~/wireless-mobile-adaptor-utility-download

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D3300 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

DK-5 Eyepiece Cap:When using any of the Release Modes such as Self-Timer or Remote, where your eye is not at the Viewfinder, be sure to cover the Viewfinder with a piece of tape or this optional eyepiece cap in order to prevent stray light from entering the camera and modifying the exposure settings.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as remote flashes triggered by the built-in flash, and as commanders to control and trigger multiple remote flashes.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D3300 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.



Canon 5D Mark IV Accessories and Canon 5DS / 5DS R Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E20 Battery Grip: This optional battery pack and grip for the 5DIV will enable you to use two LP-E6N batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 5D Mark IV body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX II-RT: This external flash will give you the most flash power and control of the Canon Speedlites, as well as continuous shooting support. It has an adjustable and rotating head so that you can use indirect and bounce flash, and includes a diffuser plus color filters for white balance. The 600EX II-RT also allows optical wireless functionality plus is compatible with the radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Compatible with the Canon 600EX II-RT Speedlite.

Note that either the 600EX II-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mark IV. If either one of these units is in the Hot Shoe of the 5D Mark IV, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Speedlite 430EX III-RT or Speedlite 320EX: These external flashes will provide less flash power and control, and fewer features than the top of the line 600EX II-RT, however they may meet your needs if you don’t make extensive use of a flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 430EX III-RT allows optical wireless functionality plus is compatible with Canon’s radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT or a 600EX II-RT. The 430EX III-RT offers an optional bounce adapter and color filter. The 320EX has a built in LED light for lighting video.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 5D Mark IV to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function.


Canon 7D Mark II Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E16 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6N batteries or six AA/ LR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 7D Mark II body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 7D Mark II. If either one of these units is in the Hot Shoe of the 7D Mark II, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section below.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 7D Mark II to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function. The device attaches to the base of the 7D Mark II, and is a similar size and shape as the optional battery grip.

Eh-S Super Precision Matte Focusing Screen: The 7D Mark II is able to accept this optional focusing screen, which is designed for manual focusing. However, you will need to be using a lens with a maximum aperture of f/2.8 or larger, or else it will make the Viewfinder appear darker than the standard focusing screen. This screen will display the out-of-focus areas of the scene more dramatically out-of-focus, thus helping you to better view what is in-focus. Be sure to change the C.Fn 3 Custom Function item of the Focusing Screen for Eh-S, if you make use of this screen.

 


Canon 80D / 77D / 70D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E14 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 70D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 70D. If either one of these units is in the hotshoe of the 70D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 70D to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 menu), you will also be able to then control the image or video playback using the TV remote. Use the Canon AVC-DC400ST Stereo AV cable for non-HD TV sets.


Canon 7D Accessories (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E7 Battery Grip:   This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries.  It also increases the size of the 7D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.  (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories).

Canon WFT-E5A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.


Canon 60D Accessories (see also the 5D Mark III section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E9 Battery Grip: This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the 60D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the 60D and your right hand slips between it and the camera.

Canon EF-D Focusing Screen: This is the grid focusing screen to help you keep your compositions and horizons straight and level.


Canon Rebel T5i/700D, T4i/650D, T3i/600D, and T2i/550D Accessories

Canon LP-E8 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E8 Battery Grip: This accessory will enable you to use two LP-E8 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the camera’s body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the T4i. If either one of these units is in the hotshoe of the T4i, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap, used with or without the battery grip, provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the camera and your right hand slips between it and the camera.


Canon EOS 5D Mark III Accessories

Sandisk Extreme CF Memory Cards:  I suggest getting a couple 16GB, 32GB, or higher capacity CompactFlash (CF) cards to capture and store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

Sandisk Extreme SD Memory Cards:  If you plan to use the camera’s second card slot, I suggest getting a couple 16GB, 32GB, or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling.  Review the various ways that the camera’s second card slot can be used.  Again, be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro SD Memory Cards:  For an even faster SD memory card, look at the Extreme Pro version, which saves at 95MB/s over 30 MB/s of the Extreme SD cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst.

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E11 Battery Grip:   This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries.  The grip replicates the controls of the body and also increases the size of the 5D Mk III body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon WFT-E7A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.  There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT:  This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites.  It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below).  The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.  The AF assist beam of the Canon 600EX-RT is the only current Speedlite designed to be compatible with the 61 point autofocus system of the 5D Mk III.

Speedlite Transmitter ST-E3-RT:  Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required.  Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mk III.  If either one of these units is in the hotshoe of the 5D Mk III, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder:  This plastic holder attaches to the front of the 600EX-RT Speedlight and holds the gels of the Canon Color Filter Set.  Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX:  These external flashes will give you varying levels of flash power and control, with the 580EXII being the most powerful of the group.  They also have adjustable and rotating heads so that you can use indirect and bounce flash.  The 320EX also has a built in LED light for lighting video.  To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Sto-Fen Omni Bounce Diffuser for the Canon 580EXII or for the Canon 600EX-RT:  Works great on the optional external flash units like the Canon 580EX II Speedlite or the newer 600EX-RT Speedlite.  Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder.  I know you see lots of people doing it.  They didn’t bother reading how to use it – don’t imitate them!  Use a direct bare or gelled flash outdoors.  These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so, not straight on, and not bouncing off the sky.


Canon EOS 6D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E13 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 6D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time. However the EOS 6D (WG) has built-in GPS, so this accessory is generally not necessary. Ironically, the GP-E2 is not compatible with the EOS 6D (N), the model that is sold in certain regions without built-in Wi-Fi and GPS.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 6D. If either one of these units is in the hotshoe of the 6D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Viewfinder Focusing Screens: The optional Canon Eg-S Super Precision Matte focusing screen is designed to assist with manual focusing, and the optional Canon Eg-D Precision Matte focusing screen provides a grid in the Viewfinder to help keep your compositions straight and level.