EOS | Picturing Change

Canon 77D vs 80D Beyond the Specs – Hands On Differences

Since the introduction of the Canon EOS 77D, there have been numerous articles comparing the 77D to the Canon 80D. However, most of those articles merely compare the specifications of the two cameras, simply showing information that can be found on a spec sheet without ever having to actually touch the cameras. And most all of those articles completely fail to explain the actual, hands on differences between the 77D and 80D. In fact, based on the information they share (and fail to share), it becomes obvious that most of them have not actually used the new 77D!

Canon 77D body controls button dials

Detail of the Canon 77D body and controls.

While working on my guide for the 77D, Canon 77D Experience, I have found that the important differences between the two cameras lie in their Menus and the Custom Functions. These are the options which enable you to customize the camera for your needs and preferences, and for the different types of shooting situations in which you will be using the camera. (My guide for the 80D, Canon 80D Experience is available here.)

Canon 77D example sample image

Example image from Canon 77D Experience guide – non-cropped image of swan, taken with the 77D.

To review the more “superficial” comparisons, the Canon 77D and 80D share some important features such as the 45-point viewfinder autofocus system, which helps you to locate an AF point on your subject without necessarily having to first focus then recompose, as well as enables you to better track and retain focus on a moving subject. Then both have Canon’s revolutionary Dual Pixel live view autofocus system, which allows for fast autofocusing as well as much more accurate tracking of a moving subject in live view (for stills and video) than previous models. (What most of the comparison articles fail to point out is that the 77D includes a new Smooth Zone AF method in live view, which allows you to place the zone most anywhere on the screen, not just in 9 preset locations as with the 80D – a pretty significant upgrade to be overlooked.) They also both share a 24.3 megapixel sensor, 3″ articulating touch screen, and similar buttons and controls on the body of the camera including a top Main Dial as well as the rear Quick Control Dial. Being newer, the 77D has a faster Digic 7 processor (vs. the Digic 6 of the 80D), an expanded ISO range (up to the unusable 51,200) allowing for cleaner images in low light situations, a larger buffer for more shots during continuous shooting, and the addition of Bluetooth for connecting to a smart phone or tablet. (Interestingly, none of the comparison articles seem to have tried to use the Bluetooth connection with iOS, which will immediately ask you to switch to Wi-Fi in order to use any of the wireless functions. So it is a feature you can really only make use of with Android. Or else you can use it with the new Canon BR-E1 Bluetooth Wireless Remote Control.)

The 77D, however, lacks the weather-sealing and headphone jack of the 80D. The 80D also boasts a better pentaprism viewfinder, slightly faster maximum shooting speed of 7 fps vs 6 fps, faster maximum shutter speed of 1/8000 vs 1/4000, and a faster 1/250 flash sync speed vs. the 1/200 speed of the 77D. The larger battery of the 80D will allow for more shots or longer live view sessions. The 77D is also a few hundred dollars cheaper than the 80D.

These various pros and cons can make it difficult to choose between the two cameras, because they mainly present figures from a spec sheet, and for the most part these types of differences are not significant. They certainly don’t tell the full story.

Canon 77D example, sample image

Example image of great blue heron taken with the 77D, from Canon 77D Experience guide.

While the two cameras share the same 45-point viewfinder autofocus system, they do not have the autofocus capabilities because the 80D includes numerous autofocus customizations in the Custom Functions that are not on the 77D, particularly for how the camera responds to moving subjects as you are tracking them and trying to retain focus. The items on the 80D that are absent on the 77D include the options for adjusting Tracking Sensitivity, Acceleration/Deceleration Tracking, and AF Point Auto Switching. These options are adjusted in order to help the camera better retain focus on different types of moving subjects, such as one moving smoothly and consistently vs. one moving erratically and switching speed and direction. They allow you to adjust the camera differently to track the distinct types of movements of (for example) a runner, a race car, a tennis player, or a bird in flight. While the 77D is fully capable of capturing sharp images of moving subjects, as demonstrated in the image of the flying heron above, the 80D allows you the ability to adapt the camera to different types of subjects, to better ensure that you capture more in-focus shots of moving subjects when capturing a burst of images.

Some of the autofocus-related Custom Function options of the 80D that are not offered on the 77D.

The 80D also includes the 1st Image/2nd Image Priority options, which enable you to tell the camera to prioritize shutter release vs. focus. In other words, you can choose if you want the camera to capture all images in a burst in-focus, or if you just wish to maintain the rapid frame rate at the possible expense of missing focus on some of the images. And the 80D offers the option of Orientation Linked AF Point, where the camera can automatically switch AF Point / Zones as well as AF Area Modes (Single Point vs. Zone of multiple points) when you turn the camera to a different orientation. For example, if you are capturing a portrait subject and are using one of the upper-right AF Points, when you turn the camera to the vertical orientation, the camera can automatically select an upper-right AF Point so that you don’t have to move the active AF Point yourself. The 80D also has the AF Point Selection Movement option, which allows you to tell the camera how to address AF Point selection when you reach an outer point. The AF Point selection can stop at the edge, or it can “wrap around” to the other side. I believe that with the 77D, the AF Point selection will always just stop at the edge. Another autofocus-related Custom Function on the 80D that is missing from the 77D is AF Microadjustment, which allows you to adjust the focus of each lens in order to obtain (ideally) exact focus. With the 77D, you are going to have to accept any slight front-focus or back-focus issues with your various lenses.

AF Microadjustment options on the 80D that are not included on the 77D.

Example image from Canon 77D Experience guide – Cropped detail of great blue heron in-flight, with fish, taken with the 77D, showing the ability to capture a sharp, detailed image of a difficult moving subject. Cropped from a similar distance as the above heron image.

Some of these options you can live without and might never miss, but once you start taking advantage of them with a camera that offers them, you might never wish to do without them again! Other features of the 80D that are not included on the 77D are the Silent Shooting Drive Modes that allow for quieter shutter release. The 77D however, adds the Self-Timer Continuous option, which allows you to specify the number of continuous images to be taken with the self-timer. The 80D will only take one image with the self-timer. The 77D is also missing the in-camera HDR Mode, Multiple Exposure shooting, and in-camera RAW processing of images. During image playback, the 77D will display the blinking highlights only when you view the smaller thumbnail view of the image along with the histogram. With the 80D, you can choose to view the blinking highlights on the full-screen image playback. These “blinkies” allow you to see if you have over-exposed parts of an image. The 80D also offers a playback grid, which can help you to assess the composition.

Viewing the blinking highlights on the full-screen image on the 80D (left) or on the thumbnail (right). The 77D only offers the blinking highlights on the thumbnail / histogram view (right).

While both cameras offer Auto ISO, the 80D allows for additional Auto ISO options such as adjusting or specifying the minimum shutter speed that the camera can select when using Auto ISO. For example, if you are using Auto ISO and Aperture-Priority Shooting Mode, you may find that the camera is selecting a shutter speed that is slower than you may want, thus risking blur from camera movement. With the 80D, you can adjust this setting accordingly. The 80D will also allow you to select ISO speeds in 1/3 stop increments, rather than the full stops (100, 200, 400) of the 77D. The 80D also includes the Safety Shift option, where the camera will automatically adjust the exposure settings for you if the current settings are going to result in a poorly exposed image. For example, you may be taking images at a concert or performance using Aperture-Priority mode, and you have set your desired aperture setting. But if the lighting suddenly becomes much brighter, and your combination of exposure settings are going to result in a bad exposure, the camera will adjust that aperture setting to enable you to capture a proper exposure.

The additional Auto ISO adjustments of the 80D that are not included on the 77D.

Some additional features offered on the 80D but not on the 77D are the Custom C1 and C2 shooting modes on the Mode Dial, which allow you to register a pre-set selection of shooting settings and menu settings. For example, you might assign all your sports-related camera settings to the C1 mode, and all your landscape-related settings to the C2 mode, and thus be able to quickly switch to a different camera set-up. The 80D allows you to customize what is displayed on the various Live View display screens as you press the INFO Button (such as the shooting settings, grid, level, and histogram). The 77D offers these various information displays as you press the INFO Button, but you can’t customize what is shown with each click of the button. Both cameras offer Auto Exposure Bracketing, but the 80D allows you to customize the bracketing sequence as well as the number of bracketed shots up to 7 (only 3 shots with the 77D). And the 80D will allow you to set a precise Kelvin (K) White Balance temperature, while the 77D does not have this option. And while the 77D allows you to customize 4 major controls / buttons of the camera, the 80D provides the option of customizing several additional controls. These types of customizations enable you to set up the camera controls exactly how you want them, for quick access to various functions while shooting.

The Custom Controls of the 80D that can be customized. The 77D only enables you to customize the Shutter Button, AF-ON Button, AE-L (*) Button, and SET Button.

Regarding movie shooting, the 80D offers more format and compression options (MOV vs. MP4, ALL-I vs. IPB), while the 77D only records with MP4 and IPB. The 77D however offers the in-camera 5-axis electronic image stabilization for video.

Which Camera is Best for You?

While I’ve noted several of the functions and features of the of the 80D that are not included on the 77D, it is important to realize that you may never miss many of those features. Many shooters never really take advantage of some of these features, or they set them once and then forget they are there. And some of the features are the types of options you will start to realize you need only after using your camera for a while and then getting to the point where you say “I wish my camera would do ___.” At that point, you might be ready for an upgrade, and then choose a higher-end model.

As noted above, even without these added features of the 80D, the 77D is fully capable of capturing high-quality, sharp images, even of difficult moving subjects such as birds in flight. In fact, even without several of the AF customization options that the 80D offers, I was able to capture just as many bird in flight “keepers” with the 77D as I have with higher-end models! Some of this was due to luck and timing, but the 77D can obviously do it. As the 77D shares the same 24.3 MP sensor of the 80D, the 77D is a great camera for enthusiasts who desire great image quality, sharpness, clarity, and low-light performance, but don’t have the time or desire to dig into the menus, settings, and customizations to adjust the camera for different photo shoots. And the 77D has the necessary features and controls for those who wish to take more control of the camera and its settings. The 77D is also good for enthusiast or occasional videographers who don’t need all the movie file type options.

If you are interested in digging into the menus and Custom Functions of either camera, and learning to take full control, be sure to read my guides Canon 80D Experience and Canon 77D Experience!

But if your primary subjects are sports, action, wildlife, or birds, you will want to upgrade to the Canon 80D (or 7D Mark II), particularly for their additional autofocus settings and customizations for tracking different types of moving subjects. Plus those models offer faster continuous shooting rates. And for those who want to take full advantage of the camera controls in order to change and adjust settings on-the-fly, the 80D offers far more Custom Controls options.

If you are planning to purchase your Canon 77D or Canon 80D online, please consider using my affiliate links and help support this blog – thanks!

You can purchase the new Canon 77D from Amazon here. $899.00 body only.

And you can purchase the Canon 80D from Amazon here. $1099.00 body only.

My guides to the cameras, Canon 77D Experience and Canon 80D Experience are available at www.fullstopbooks.com

The First and Best Canon 77D User’s Guide now Available!

My latest Full Stop e-book, Canon 77D Experience user guide to the Canon EOS 77D (and the first Canon 77D user’s guide) is now available! This e-book goes beyond the manual to help you learn the features, settings, and controls of the powerful and customizable Canon 77D. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon 77D Experience will help you learn to use your 77D quickly and competently, to consistently create the types of images you want to capture. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Learn more about this 77D guide, view a preview, and purchase it here:

www.fullstopbooks.com/canon-77d-experience

As one Canon user has said about Full Stop guides:

“I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

For Intermediate and Enthusiast Photographers: This instant download Canon EOS 77D e-book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

-Go beyond Auto+ and Program modes and shoot competently in Av, Tv, and M modes.

-Take full control of the powerful 45-point autofocus system to capture sharp images of still and moving subjects.

-Set up your camera with clear explanations and recommended settings for all Menu options and Custom Settings of the 77D.

-Learn how, when, and why to use and customize the various controls, buttons, and features of the 77D.

-Understand the various metering modes, exposure compensation, and exposure lock for correct exposure of every image, even in challenging lighting situations.

For Experienced Photographers coming to the EOS 77D from previous models, this guide explains the new and advanced features and settings in order to quickly get you up and running and taking advantage of these capabilities. Plus it explains the camera controls, the sophisticated 45-point autofocus system, the in-camera Time-Lapse Movie and Interval Timer features, in-camera image processing and Creative Filters, introduces the HD video capabilities, Wireless Flash, Wi-Fi/Bluetooth functions, and guides you through all of the 77D Menu and Custom Function items in order to help you best set up and customize the camera and its controls for your specific shooting needs.

This 375 page digital guide to the Canon 77D is an illustrated e-book that goes beyond the 77D manual to explain how, when, and why to use the features, settings, and controls of the 77D to help you take control of your camera and the images you create.

Learn more about Canon 77D Experience, view a preview, and purchase it on my Full Stop website here:

www.fullstopbooks.com/canon-77d-experience

The First and Best Canon EOS 5DS / 5DS R User’s Guide now Available!

Canon 5DS / 5DS R Experience, my latest Full Stop e book and the first EOS 5DS and 5DS R user’s guide, is now available!

This e book goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable Canon 5DS and 5DS R. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography – including the sophisticated 61-point viewfinder autofocus system with its AF Modes and AF Case settings, the Live View-Movie AF system, personalizing the Custom Controls, and controlling exposure and shooting settings. The guide also covers the in-camera features such as Multiple Exposure, Time-Lapse, HDR, RAW image processing, and the Mirror Lock-Up and Exposure Time delay settings to help maximize sharpness and get the most from the high-resolution sensor. Plus it includes explanations and recommended settings for the Menu items and Custom Function settings.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon 5DS / 5DS R Experience will help you learn to use your 5DS or 5DS R quickly and competently, to consistently create the types of images you want to capture. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Learn more about it, view a preview, and purchase it here:

http://www.fullstopbooks.com/canon-5ds-5ds-r-experience/

As readers have said about Full Stop guides:

“Best reference book for Canon – Well written and easy to understand. This book really helps one to be able to take advantage of all the features of the camera. A must have book.”

“Excellent ebook – This ebook is first-class, and this author knows his stuff about Canon cameras. He cuts to the chase, and gets right to the heart of the important matters. I learned a lot and I learned it very quickly indeed – which I am now putting to good use with my camera. Highly recommended.”

“Will Save You A Month On The Learning Curve – This book clearly and practically walks the reader through every step of setting up and using the camera for the first time. A wonderfully well-organized book, it explains every feature and setting on the camera with recommendations on optimal setup choices and the reasoning behind each recommendation. Whether you are a novice or experienced photographer, this book will impart a huge amount of information quickly and you will save yourself weeks on the learning curve in just a few hours.”

“Well-organized, easy to understand – I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Canon 5DS / 5DS R Experience autofocus viewfinder book manual guide how to tips trick master Canon 5DS / 5DS R Experience book manual guide how to tips trick master controls

Take control of your Canon 5DS / 5DS R, the image taking process, and the photos you create!

For Intermediate and Enthusiast Photographers – This guide is designed for enthusiast dSLR photographers who wish to take fuller advantage of their camera and shoot competently in Av, Tv, and M modes; take full control of the versatile 61-Point autofocus system; and learn how, when, and why to use and customize the various controls, buttons, and features of the 5DS and 5DS R. It covers dSLR camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operations such as Metering Modes, Exposure Compensation, and Histograms.

For Experienced Photographers – This guide explains the new and advanced features and settings in order to quickly get you up and running and taking advantage of these capabilities. Plus it explains the camera controls and how to customize them, how to take control of the AF Area Modes and configuration Cases for capturing moving subjects, how to make use of the in-camera HDR, Multiple Exposure, and Time-Lapse features, and how to get the most from the 50.6 MP sensor. It introduces back-button focusing, the HD video capabilities, and guides you through all the 5DS / 5DS R Menu and Custom Function items to help you best set up and customize the camera for your specific shooting needs.

The guide contains a link to a detailed 5DS / 5DS R Setup Spreadsheet, to help set up your menus and settings for various shooting situations.

Canon 5DS / 5DS R Experience book manual guide how to tips trick master exposure autofocus

Canon 5DS / 5DS R Experience includes:

Setting Up Your 5DS / 5DS R – All of the Menus and Custom Function settings, with explanations and recommended settings to set up and customize the advanced features to work best for the way you photograph.

Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over the exposure settings.

Auto Focusing Modes and Area Modes, and Drive Modes – Learn the AF Modes, AF Area Modes, and the AF Menus and Cases, plus how they differ, how and when to take advantage of them to capture both still and moving subjects.

Exposure Metering Modes – How they differ, how and when to use them for correct exposures in every situation, including exposure lock and exposure compensation.

Histograms, Bracketing, and White Balance – Understanding these features for adjusting to the proper exposure in challenging lighting situations.

Multiple Exposures, HDR, Interval Timer, and Time-Lapse Shooting

Optional Flash and GPS use

The Image Taking Process – Using the settings and controls for both still and moving subjects.

Introduction to Video

Photography Accessories and Books – Useful accessories for the 5DS / 5DS R.

Canon 5DS / 5DS R Experience book manual guide how to tips trick master exposure focus autofocus

This digital guide to the Canon 5DS and 5DS R is a 400 page illustrated e-book that goes beyond the 5DS / 5DS R manual to explain how, when, and why to use the features, settings, and controls of the 5DS and 5DS R to help you get the most from your camera.

Learn more about Canon 5DS / 5DS R Experience, view a preview, and purchase it on my Full Stop website here:

http://www.fullstopbooks.com/canon-5ds-5ds-r-experience/

The First and Best Canon 70D User’s Guide now Available!

Canon 70D Experience, my latest Full Stop e book and the first EOS 70D user’s guide, is now available! This e book goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable Canon 70D. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography – including the 19-point viewfinder autofocus system, new Live View-Movie AF system, exposure and shooting settings, flash and Wireless Flash, the in-camera features such as Multiple Exposure, HDR, RAW image processing, and the new Wi-Fi functions.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon 70D Experience will help you learn to use your 70D quickly and competently, to consistently create the types of images you want to capture. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc. It is my most comprehensive, fully illustrated guide yet!

Learn more about it, view a preview, and purchase it here:

http://www.dojoklo.com/Full_Stop/Canon_70D_Experience.htm

As readers have said about Full Stop guides:

“An excellent guide, clear and concise. A great tool for budding photographer as well as the seasoned pro. A sure way to get the most out of your camera.”

and

Take control of your Canon 70D, the image taking process, and the photos you create!

For Intermediate and Enthusiast Photographers:

This instant download Canon EOS 70D e book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

Go beyond Auto+ and Program modes and shoot competently in Av, Tv, and M modes.
Take full control of the versatile 19-point and new Live View autofocus systems.
Learn how, when, and why to use and customize the various controls, buttons, and features of the 70D.

To get you started, it includes explanations and recommended settings for all Menu settings and Custom Function options of the 70D. It covers basic dSLR camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operation, such as taking control of the autofocus system for sharp focus of still or moving subjects, using the various metering modes and exposure compensation for correct exposure of every image, and taking advantage of the newer features found in the 70D such as Wi-Fi Functions and in-camera HDR and Multiple Exposure Modes.

For Experienced Photographers to get up and running with the 70D:

For experienced photographers coming to the EOS 70D from other models, this guide explains the new and advanced features and settings in order to quickly get you up and running and taking advantage of these capabilities. Plus it explains the camera controls, the in-camera HDR and Multiple Exposures features, in-camera image processing and editing, introduces the HD video capabilities, Wi-Fi functions, Flash and Wireless Flash, and guides you through all the 70D Menu and Custom Function items in order to help you best set up and customize the camera and its controls for your specific shooting needs.

Canon 70D Experience not only covers the various settings, functions and controls of the Canon 70D, but also explains when and why to use them for your photography. The guide focuses on still-photography with an introduction to the movie menus, settings, and options to get you up and running with HD video. Sections include:

Setting Up Your EOS 70D – Explanations of all of the Canon 70D Custom Function settings and Menu options, with recommended settings for practical, everyday use. These settings are a significant part of what makes the 70D such a powerful and versatile camera. Set up and customize the advanced features to work best for the way you photograph.

Camera Controls – Description of all of the camera’s controls, how to customize them for your needs, and when and why to use them.

Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.

Auto Focusing Modes and Drive Modes – Explanations of the 19-Point Viewfinder AF system and new Live View-Movie AF system, how and when to use them to capture sharp images of both still and moving subjects. Also how and when to use focus lock and back-button focusing.

Exposure Metering Modes of the Canon 70D – How they differ, how and when to use them for correct exposures in every situation. Also how to make use of exposure lock.

Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations or for capturing a range of exposures to combine into HDR images.

Flash and Wireless Flash – Introduction to setting up and using the built-in flash or an external Speedlite, as well as taking advantage of the Wireless Flash capabilities of the 70D.

Wi-Fi Functions – Introduction to the set-up and use of the camera’s built-in Wi-Fi. Wirelessly control the 70D, save, or share images with your smart device or computer.

Introduction to Video Settings – Explanations of all the movie menus, settings, and options to get you started.

Composition – Tips, techniques, and explanations, including the creative use of depth of field.

The Image Taking Process – Descriptive tutorials for using the settings and controls you just learned to take still and action photos.

Lenses – Explanation of Canon lenses and choosing your next lens.

Photography Accessories – The most useful accessories for day-to-day and travel photography including those specific to the 70D, plus recommended photography books.

This digital guide to the Canon 70D is a 360 page illustrated e-book that goes beyond the 70D manual to explain how, when, and why to use the features, settings, and controls of the 70D to help you get the most from your camera.

Learn more about Canon 70D Experience, view a preview, and purchase it on my Full Stop website here:

http://www.dojoklo.com/Full_Stop/Canon_70D_Experience.htm

Canon 70D Unboxing and Hands-On Preview Images

The Canon 70D is hitting the stores today, and I was able to get my first hands-on experience with an actual production model. As with most all of my posts, I will leave the “pixel peeping” to the other sites that do in-depth lab tests of image quality, noise, AF responsiveness, etc., and instead I will present some images and briefly offer some notes on the user experience. While numerous pre-production models of the EOS 70D have been on the loose (for reviewers, etc.) over the past few weeks, it does not appear that there are any major differences with the final, retail version (although the retail version is Firmware 1.1.1, so some menu bugs were likely fixed). Note that larger versions of all these images can be inspected on Flickr here.

Canon 70D unbox unboxing book manual guide tutorial hands on tips tricks
Canon 70D Unboxing, at Newtonville Camera in Newton, Mass. (It was a body only kit, so I threw on the closest 18-135mm lens).

I’ve gotten to know the 70D very well over the past several weeks as I’ve been working on my latest Full Stop camera guide, Canon 70D Experience. This user’s guide goes beyond the manual to explain not only the functions, controls, and menus, but more importantly when and why to use them. Learn more about Canon 70D Experience at my Full Stop website here.

The Canon EOS 70D is the long-awaited upgrade to the EOS 60D. While the xxD line of Canon mid-level dSLR cameras has typically been updated every one-and-a-half years in the past, the 60D has been out for a full three years without an update! This hasn’t been a huge issue, as the 60D was very well-featured and has maintained its popularity, but none-the-less there are some welcomed improvements. I have recently written all about the camera’s specs, features, and new additions in this previous post Introducing the Canon EOS 70D, which you may wish to read first to learn about the camera’s specs, features, and improvements.

Canon 70D image quality detail sample focus autofocus hands on tips tricks
Canon 70D sample image – JPEG straight from camera. See enlarged detail below.

Canon 70D image quality detail sample focus autofocus hands on tips tricks
Canon 70D sample image – JPEG straight from camera. Enlarged detail of above image. If added sharpening is applied, the details will become even crisper.

Canon 70D image quality detail sample focus autofocus hands on tips tricks processed post-process, picture style
Canon 70D sample image – Processed version of above JPEG image.

In actual use, the 70D feels and functions great, as expected, both with a typical 18-135mm kit lens and with a bigger, heavier 24-70mm f/2.8L lens. The surface materials feel great, the camera is solid, the menus are well organized, and the controls are responsive and (for the most part) well-placed. There are a few changes in the controls from the 60D, including the relocation of a few buttons, the addition of the much more convenient Live View/ Movie Switch and button, and of course the addition of the top AF Area Selection Button to allow you to quickly change the AF Area Selection Mode (Single Point AF, Zone AF, 19-Point Automatic Selection). However, it is the addition of the Touch Screen that has the potential to make a significant difference in how you access the menus and settings. While you can still quickly change various settings using the buttons and dials on the camera body, you may soon find it is often easier to hit the [Q] Button or [Q] icon and access the settings and navigate the menus via the Quick Control Screen, using touch. The screen not only uses the multi-touch gestures that you are familiar with from your smart-phone or tablet, it is also an extremely responsive touch screen (which can even be set for more responsiveness if desired). The small menu tabs and options are easy to accurately tap, numerous settings can be changed directly from the shooting Quick Control Screen with taps and swipes, Live View and Movie autofocusing can be accomplished by touching the desired area of the screen (even during filming!), image playback can be done with multi-touch gestures just as on an iPhone, and image processing can be accomplished by making selections directly on the Playback Quick Control Screen.

Canon 70D image quality detail sample focus autofocus hands on tips tricks
Canon 70D sample image – JPEG straight from camera. See enlarged detail below.

Canon 70D image quality detail sample focus autofocus hands on tips tricks
Canon 70D sample image – JPEG straight from camera. Enlarged detail of above image. If added sharpening is applied, the details will become even crisper.

My one predicted gripe that I mentioned in the previous 70D post is indeed true – I’m a much bigger fan of the thumb-joystick Multi-Controller on the 7D and 5DIII rather than the Multi-Controller touch pad of the 60D and 70D. I find the joystick better positioned for selecting an AF Point while working through the viewfinder. Not to mention that you have to be careful when navigating menus with the 70D Multi-Controller thumb-pad and surrounding Quick Control Dial, as your finger may easily touch one or the other during an operation, and you may suddenly jump away from the menu item or settings option you were attempting to set.

What the manual fails to mention is that there are often several controls options that can be used to navigate menus, Quick Control Screens, and settings options. While the manual may tell you, for example, to press left and right on the Multi-Controller, often you can also use the top Main Dial and / or rear Quick Control Dial to accomplish the same thing. While there are some settings that require the use of one of these specific controls, you will find that with many other settings they can be used interchangeably. So be sure to try out the various options and use the controls that work most intuitively for you. There is also a nearly-hidden feature of the 70D that you may not pick up in the manual. There is a new Level icon in the Viewfinder that you can enable and then use with the camera in either the horizontal (landscape) or vertical (portrait) orientation, which you will likely come across. But what you may not realize is that you can use the Custom Controls to set the Depth of Field Button to enable a Level also – however, this level makes use of the autofocus points in the viewfinder rather than the Level icon. (There is also the Level on the rear LCD Monitor that can be viewed by pressing the INFO Button a couple times.)

Regarding some of the other customizations you can make to the camera’s controls, I’ve written a post called Tips and Tricks for the 70D about taking advantage of the camera’s Custom Controls. These will allow you to better set up the camera for your needs and shooting style.

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Canon 70D sample image – JPEG straight from camera.

As with most current dSLR cameras, the 70D has a few menu settings “quirks” or conflicts that may drive you crazy if you are not aware why they are occurring. Most notably, some settings will be inaccessible or greyed-out in the menus, and you will not be able to select them if a “conflicting” setting is enabled. These are actually not arbitrary quirks, but are typically due to logical conflicts or camera limitations. Examples include certain functions like Multi-Shot Noise Reduction, Handheld Night Scene, HDR Backlight Control, or Live View Creative Filters, which are not accessible when the camera is set to capture files in the RAW or RAW+JPEG image format. You must then set the Image Quality to one of the JPEG-only settings. The use of Auto Exposure Bracketing, White Balance Bracketing, or Long Exposure Noise Reduction will also conflict with other settings including Multi-Shot Noise Reduction or the use of the Creative Filters. Similarly, the use of Auto Exposure Bracketing, White Balance Bracketing, Multi-Shot Noise Reduction, or Multiple Exposure will conflict with using the built-in HDR function. And Multiple Exposure cannot be set if White Balance Bracketing, Multi-Shot Noise Reduction, or HDR is set, or if Wi-Fi is enabled. In addition, Wi-Fi must be disabled in order to shoot a video.

While it is obviously not realistic for you to remember all of these conflicts, you can begin to see a pattern in the examples above. If you do encounter an inaccessible menu item, remember to check your Image Quality setting (RAW vs. JPEG), that Wi-Fi is disabled, and then make sure any of the above mentioned functions are disabled, as many of the same ones simply conflict with each other.

The 70D now offers a 3x-10x movie Digital Zoom feature, which will allow you to digitally extend the range of your lens and thus get closer to the action. However, when you enable this the framing will automatically jump to the 3X zoom. You can then use the controls or touch screen to zoom-in further. But it is important to remember that Movie Servo AF (automatic continuous focus) will not function when Digital Zoom is in use. And the camera will not make use of the advanced Dual Pixel CMOS AF phase-detection autofocusing during Digital Zoom, but rather will use the slower contrast-detection autofocusing. Also, for movie shooting, if you activate manual control of the audio level, you can adjust the level directly from the rear LCD screen via the [Q] Button or icon and then by pressing or selecting the Audio Level icon. This is an improvement over other recent models which required you to go into the menu to manually adjust the audio level.

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Canon 70D Unboxing, at Newtonville Camera in Newton, Mass.

To learn more about using your Canon 70D and how to take full advantage of all its features, functions and controls – including back-button focusing, plus taking control of the autofocus system, making use of the various metering modes, and understanding the elements of exposure – have a look at my e-book guide called Canon 70D Experience. As with all my dSLR guides, Canon 70D Experience will help you to learn not only how but more importantly when and why to use the features, functions, and controls of the 70D. Learn more about the guide on my Full Stop website here.

PURCHASING: And if you are planning to purchase your Canon 70D online, please consider using my affiliate links and help support this blog – thanks!

Order your Canon EOS 70D from Amazon or B and H Photo:

Amazon:

Canon 70D – Body or with choice of kit lenses – $1,199 to $1,549

B and H Photo:

Canon 70D – Body only – $1,199

Canon 70D – with 18-135mm STM lens – $1,549

Canon 70D – with 18-55mm STM lens – $1,349

Canon 70D Tips and Tricks – Custom Controls

One of the most powerful features of the Canon EOS 70D is the ability to customize the functions of various buttons and controls on the camera body. Taking advantage of this will allow you to set up the camera specifically for you and your shooting style and needs, and thus enable you to work more smoothly, quickly, and efficiently. Having the ability to easily and intuitively change the camera settings on the fly will also allow you to focus on the more important aspects of capturing the framing, moment, or composition you are after.

These settings are found in the III-4: Custom Controls menu (see Figure 1). At first you may wish to leave many of these on the default settings or set them to match your previous camera settings. Then after working with the camera awhile, you will begin to know how you work and how you wish to work faster or more conveniently through customizing some controls. Pages 384-385 of the Canon 70D manual show all the possible options, and you might consider printing these manual pages to carefully study and consider your potential configurations.

These explanations are excerpted from my e-book guide to the EOS 70D called Canon 70D Experience. As with all my dSLR guides, Canon 70D Experience will help you to learn not only how but more importantly when and why to use the features, functions, and controls of the 70D. Learn more about the guide on my Full Stop website here.

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Figure 1 – Custom Controls menu to customize the buttons and controls of the camera to function exactly how you need, to fit your working methods and shooting style.

Some custom controls that you may consider experimenting with are the assigned settings of the Shutter Button (when it is pressed halfway), the AF Start Button (AF-ON), and the AE Lock Button (the one with the [*] symbol). You can customize them so that they initiate and/ or lock focus and exposure separately or in a variety of different button combinations. When working in Evaluative Metering Mode and One-Shot AF, the default setting is that exposure metering is locked and focus is locked at your active AF Point when you press the Shutter Button halfway. You then recompose if necessary and fully press the Shutter Button to take your photo. But the exposure settings were locked on a different framing than your final framing! So you may wish to lock focus with a different button than you lock exposure, or else re-determine the exposure metering settings for the final framing before taking the shot (which is typically done with the AE Lock [*] Button).

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Figure 2 – Custom Controls options – Selecting the Shutter Button (left), and choosing which function(s) it will perform when pressed half-way (right).

When working in One-Shot AF with one of the Metering Modes other than Evaluative Metering (Spot, Partial, or Center-Weighted), the default setting is that exposure metering is begun (not locked) and focus is locked when you press the Shutter Button halfway. You then recompose if necessary and fully press the Shutter Button to take your photo, and exposure is determined at that moment. But with these other Metering Modes it is likely that you will want to lock exposure on a certain area before framing for the final shot and taking the photo.

Either of these above default settings may cause you to meter for a scene or area that is different from what you intend, and thus result in a slight or profound under- or over-exposed shot. With the default button settings and the above scenarios, you can always use the AE Lock Button (exposure lock button with the [*] symbol) to lock in the exposure of your desired framing. But you may find that after working awhile, you would like to start or stop exposure metering and/ or focusing in a different manner than the default settings, and then you can reconfigure the functions of these buttons (See Figure 2).

To test how your camera functions before or after changing these settings, set it on One-Shot AF Mode, Tv or Av Shooting Mode, and Evaluative Metering Mode, hold the camera to your eye, aim it at a bright area, and half-press the Shutter Button. While keeping the Shutter Button half-pressed, move the camera and aim it at a dark area. Keep your eye on the aperture and shutter speed settings in the viewfinder and watch if they change or if they remain locked. Change the metering mode (Spot, Partial, or Center-Weighted) and do this again. Then repeat the process by first pressing the Shutter Button half-way and then pressing (and releasing) the AE Lock [*] Button. You can repeat a similar process to see focus lock in action or to test your custom focus lock button settings.

Note that there are multiple Auto Exposure Lock (AE Lock) options, such as when setting the function of the AE Lock [*] Button (see Figure 3). The AE Lock option will lock the exposure for the current scene when you press and release it. If you reframe the shot and want the camera to re-evaluate and re-lock the exposure, just press the [*] Button again. The AE Lock (while button pressed) option only applies to the Shutter Button, and will lock the exposure as long as the Shutter Button remains half-pressed, similar to how the camera works with the One-Shot / Evaluative Metering default settings, as described above. This differs from assigning the Shutter Button to Metering start because with Metering start, the camera will start evaluating for exposure, but the exposure values will not be locked but will continue to change until you take the photo or press the AE Lock [*] button (when you are working in Partial, Spot, or Center-Weighted Metering Modes). Again, you can see this in action by half-pressing the Shutter Button to start metering, look in the viewfinder (or on the LCD Panel) at the exposure settings, move the camera around, and see the settings change. The AE Lock (hold) option (indicated with “*H”) will lock the exposure and maintain that lock with those exposure settings for all subsequent shots, until you press the AE Lock [*] Button again. The AE Lock option without the (hold) option (indicated in the menu options with “*”) will only lock the exposure settings until the metering timer ends (the exposure numbers disappear in the viewfinder and on the top LCD Panel).

The AE Lock/FE Lock option will lock both the exposure settings as well as the flash output setting when using a flash. If a button is set for this option, pressing the button will fire a pre-flash from the built-in flash or a Speedlite to determine and then lock the proper flash output.

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Figure 3 – Custom Controls options for customizing the functions of the AE Lock Button.

Some options will allow you to perform what is called “back button focusing,” which is further explained in the Back Button Focusing section of Canon 70D Experience. This technique allows you to start and/ or stop (lock) the autofocusing using the AF-ON button, in conjunction with or instead of the Shutter Button. Taking advantage of these options can help you to fully utilize the autofocus system of the 70D as well as modify it for your personal shooting style.

While you may wish to work with your camera before considering changing most of these settings, I strongly encourage you to immediately change the function of the thumb-pad Multi-Controller to AF Point direct selection so that you don’t have to press the AF Point Selection Button first every time before you select your autofocus point (see Figure 4). Instead you can just press the thumb-pad Multi-Controller to choose your desired AF Point (once you have tapped the Shutter Button to wake up the camera and begin metering).

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Figure 4 – Left: Custom Controls options for the Multi-Controller (thumb pad) to set for AF Point Direct Selection so that your desired AF Point can be quickly selected with the Multi-Controller alone. Right: Custom Controls options for customizing the functions of the Depth-of-Field Preview Button, including the Electronic Level.

You may also want to consider assigning the Depth of Field Preview Button to one of the other available functions if you don’t typically use it for its depth of field preview function (see Figure 5). For example, you can use it for FE Lock (flash exposure lock) or to quickly switch between One-Shot focus mode and AI Servo focus mode. The switch only occurs as you hold the button, so for example if you are shooting a still subject using One-Shot focus mode but suddenly wish to start tracking a moving subject, press and hold this button to temporarily work in AI Servo mode. Or if the camera is set for AI Servo mode, holding this button will temporarily switch the camera to One-Shot mode.

70D “Hidden” Feature: You can also set the Depth of Field Button as the Viewfinder’s VF Electronic Level, which is sort of a “hidden” feature of the 70D. This is different than the Viewfinder Level icon of the Shooting 1 menu, and instead uses the AF Points displayed in the Viewfinder as a one-axis level. This level will function in either camera orientation (see Figure 4). If this option is selected, when you are shooting simply press the Depth of Field Preview button for this Viewfinder Level to appear, then tap the Shutter Button to resume shooting.

And you may want to assign the SET Button to the function of your choice for quick access, such as perhaps Flash Exposure Compensation since there is not a dedicated button for this. Or you might set it for Image Quality. This can be a helpful setting because certain camera functions such as HDR Mode are only accessible when capturing JPEG images, so you may need to quickly change from RAW or RAW+JPEG image quality to JPEG only. Another interesting setting for the SET Button is Set ISO speed (hold button, turn Main Dial). What this customization does is allow you to change the ISO setting by pressing and holding the SET Button and turning the top Main Dial (see Figure 5). While this may seem unnecessary as there is a dedicated ISO Button on the top of the camera that allows you to quickly change the ISO, it can come in handy during shooting. For example if your camera is on a tripod and you are positioned behind it using the Live View screen, it may easier to use this SET Button and Main Dial arrangement to change the ISO than it is for you to look or feel around the top of the camera to determine which button is the ISO Button. Or you may find that this method is just a really quick way to change the ISO during Viewfinder shooting. Of course you can always use the [Q] Button or icon and Touch Screen to change the ISO setting as well. So, as with many other settings, determine which camera set-up and method works best for you and your shooting situation.

Unfortunately, if you set the Multi-Controller to AF Point direct selection, the SET Button will not directly select the center AF Point, as you may be used to. You will still have to press the AF Point Selection Button first and then press the SET Button to directly choose the center AF Point. This issue may cause you a bit of trouble if you have assigned the SET Button to another function, as that function screen will suddenly appear on the rear LCD Monitor if you press the SET Button while you are shooting, and you may accidentally change that setting. If this becomes an issue, assign the SET Button to OFF.

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Figure 5 – Custom Controls options for customizing the functions of the SET Button.

Finally, if you often work in Aperture Priority (Av) mode but then sometimes work in Manual (M) shooting mode I suggest you swap the functions of the Main Dial and the Quick Control Dial in Manual Mode (see Figure 6). Access the Main Dial option (the half-circle icon) and assign it to the Av option (Aperture setting in M mode). Then access the Quick Control Dial (the full-circle icon) and assign it to the Tv option (Shutter speed setting in M mode). By doing this the Main Dial controls the aperture setting in M mode just as it does in Aperture Priority Mode, and the Quick Control Dial controls the shutter speed setting when working in Manual (M) mode. If you typically work in Av Mode and then switch over to M mode, the muscle memory of your index finger will thank you as it will instinctively turn the Main Dial to adjust the aperture setting, and this was not the default setting of the camera. If you typically work in Tv Mode and sometimes switch to M Mode, leave these buttons on the default settings.

Canon 70D set up quick start tips tricks recommended setting guide cool tricks
Figure 6 – Custom Controls options for customizing the functions of the Main Dial (left) and Quick Control Dial (right) when working in Manual (M) Shooting Mode.

To learn more about using your Canon 70D and how to take full advantage of all its features, functions and controls – including back-button focusing, plus taking control of the autofocus system, making use of the various metering modes, and understanding the elements of exposure – have a look at my e-book guide called Canon 70D Experience. As with all my dSLR guides, Canon 70D Experience will help you to learn not only how but more importantly when and why to use the features, functions, and controls of the 70D. Learn more about the guide on my Full Stop website here.

Read my hands-on preview of the 70D with some sample images at my Canon 70D Unboxing and Hands-On Preview post.

Live View – White Balance: I ran across a question online about setting a Kelvin white balance in Live View, so I will add this info here with some screen shots below. To change the WB in Live View, press the Q Button to access the Quick Control Screen, then select the White Balance icon, either by navigating to it by pressing up or down on the Multi-Controller, or simply using the Touch Screen. If you have navigated to it, you can then press left and right on the Multi-Controller to make your selection at the bottom of the screen. If you select the K option, press the INFO Button to select your desired temperature.

And if you are planning to purchase your Canon 70D online, please consider using my affiliate links and help support this blog – thanks!

Order your Canon EOS 70D from Amazon or B and H Photo:

Amazon:

Canon 70D – Body or with choice of kit lenses – $1,199 to $1,549

B and H Photo:

Canon 70D – Body only – $1,199

Canon 70D – with 18-135mm STM lens – $1,549

Canon 70D – with 18-55mm STM lens – $1,349

Introducing the Canon EOS 70D

The new Canon EOS 70D has just been announced, and based on its specs, it looks to be a superb camera. If fact in many ways, it appears that it will be quite similar to the Canon 7D, albeit with the two current gripes many Canon users have – the thumbpad autofocus Multi-Controller and the single function top buttons of the 6D and 60D, rather than the small thumb-joystick and the dual-function top buttons of the 7D and Canon 5D Mark III. Of course there are also more subtle differences that I will address below.

Canon EOS 70D, image courtesy of Canon USA

The 70D has the 19 point, cross-type autofocus system of the 7D, and a 7 frames per second rapid shooting speed (just slightly slower than the 8fps of the 7D) – features which have both proven to be ideal for action, sports, and wildlife shooting. Plus the 70D adds a new “Dual Pixel CMOS” autofocus system for Live View and movie shooting, which should prove to be much faster at Live View autofocusing and smoother at Movie autofocusing than previous models – effective with any current Canon lens, and especially helpful when paired with one of Canon’s STM stepping motor lens. While this will allow still photographers to focus much faster when using Live View, it will also now allow action photographers to effectively work in Live View and be able to successfully track and retain focus on moving subject. And this should prove to be practically revolutionary to those shooting video, as it will allow then to also retain focus on moving subjects, plus allow them to quickly and automatically pull focus to a different part of the scene, simply by tapping on the rear LCD screen.

However back to the Viewfinder autofocus system: while it seems to share the 7D AF system, the 70D has a limited number of AF Area Selection Modes compared to the 7D. The 70D only offers Single Point AF, Zone AF, and Auto 19-point AF Area Modes (while eliminating Expansion and Spot AF). This could make or break the decision for a sports, action, or wildlife shooter who often make use of these additional modes. For example, Expansion (not on the 70D) allows the photographer much more control over where the camera focuses, as you choose a specific AF point to focus on your subject and the surrounding points assist if needed. While with Zone AF, (included on the 70D), the camera will choose from among the group of AF points and decide which one(s) to use for focusing, thus not allowing you to as accurately choose the exact area of focus.

With 20.2 megapixels, there is even a slight increase in image resolution over the 18 MP of the 7D. While we will have to wait for some lab tests to see about low light performance and dynamic range, I suspect the results will be excellent.

And the 70D adds Wi-Fi capability. As with the recent Canon 6D, this will allow you to:

Wirelessly connect the camera to an iPhone, smart phone, iPad, or tablet, using the EOS Remote app, so that you can control the camera remotely. You will then be able to view on your smart-device screen what the camera sees – basically remote Live View shooting where you can autofocus and release the shutter by tapping your tablet/ phone screen. You can then also use your tablet/ phone to view and download the images that are on your camera’s memory card (download smaller versions only).

Wirelessly connect the 70D to your computer and perform “untethered” shooting using EOS Utility. This will allow much greater control of the camera than with the remote tablet, enabling you to change additional settings. You can then instantly download and view the full size image on your computer screen.

Upload images directly from the camera to Facebook, Twitter, etc.

Share images between cameras, send images directly to a Wi-Fi printer, or view them wirelessly on a compatible TV.

The EOS 70D adds the very useful Touch Screen of the T5i, which allows you to quickly access and change the camera’s functions, settings, and menus. While some may think this is an extraneous feature on a camera of this level, I have find from using the Touch Screen with the T5i that it is as responsive as an iPhone screen, and incredibly handy for quickly changing settings and viewing images. You may soon find yourself in the habit of making use of it regularly.

Canon EOS 70D, image courtesy of Canon USA

The EOS 70D is not quite as strongly constructed and weather-sealed as the 7D, but I can assure you that it will be rugged and durable enough for most every user. And the 70D is certain to lack a few of the advanced Custom Function options of the 7D, though it will have the newer in-camera processing options like we have seen on the 5D3 and 6D – such as chromatic aberration correction, multiple exposures, in-camera HDR, and easy JPEG and RAW image processing of images directly during playback using the Quick Control Screen.

The advanced 19 Point autofocus system necessitates the addition of the M-Fn Button – now simply an AF Area Expansion Control Button – which allows you to quickly choose among the Autofocus AF Area Selection Modes such as Single-Point AF and Zone AF. These AF area modes dictate how many AF points the camera is using to focus on the subject or to track a moving subject, and can come in handy when shooting speed or subject speed doesn’t allow you to align an autofocus point with your subject as precisely as you would normally desire. As I mentioned above, the 70D offers Single-Point, Zone, and 19-Point Auto AF Autofocus Area Modes.

Canon EOS 70D, image courtesy of Canon USA

Those upgrading from a Rebel, 40D, 50D, 60D, etc. will be pleased that the image playback zoom-in and zoom-out buttons will remain the same as always – while those considering the 70D as a second body to their 5DIII or 6D will be frustrated to learn that, (just when they finally retrained their finders to use the new Magnify Button in conjunction with the Main Dial), the 70D still retains the old-style buttons.

Here are the major specs of the Canon EOS 70D:

20.2MP CMOS Sensor
DIGIC 5+ processor
19-point AF System (all accurate cross-type points)
7 frames per second for High Speed Continuous Shooting
Built-in Wi-Fi
3″ rotating Touch Screen LCD
ISO 12,800 Maximum
Dual Pixel CMOS Autofocus for Live View and Movie shooting
Full HD Video
in-camera HDR and Multiple Exposure
LP-E6 Battery – same as the 7D and 5DIII
single SD memory card slot
Wireless flash control
98% Viewfinder coverage with illuminated grid and electronic level

What many reviews leave out is the all important Menu and Custom Functions options, which can really differentiate cameras in terms of the user’s ability to customize the controls and functions of the camera. As cameras move up the model line from entry level through enthusiast to pro, the amount of customization increases significantly. The 70D is certain to have certain features such as autofocus microadjustment for numerous lenses, but it is always interesting to see which options are included and which are left out. Although many photographers never bother to make use of these types of options, they can make a significant difference for a demanding user.

As with all new Canon dSLR cameras, I will be offering an e-book camera guide for the EOS 70D called Canon 70D Experience. My very first guide was for its predecessor, the 60D, and my books have come a long way since then with my Full Stop camera guides being among the bestselling and highest rated guides on Amazon. With Canon 70D Experience you will learn not only how but more importantly when and why to use the features, functions, and controls of the 70D. Learn more about the guide on my Full Stop website here.

Read my hands-on preview of the 70D with some sample images at my Canon 70D Unboxing and Hands-On Preview post.

Order your Canon EOS 70D from Amazon or B and H Photo:

Amazon:

Canon 70D – Body or with choice of kit lenses – $1,199 to $1,549

B and H Photo:

Canon 70D – Body only – $1,199

Canon 70D – with 18-135mm STM lens – $1,549

Canon 70D – with 18-55mm STM lens – $1,349

The First User’s Guide to the Canon Rebel T5i / EOS 700D Now Available!

Canon T5i / 700D Experience, my latest Full Stop dSLR e-book and the first (and best!) available user’s guide to the T5i / 700D, goes beyond the manual to help you learn the features, settings, and controls of the advanced and versatile Rebel T5i / 700D, plus most importantly how, when, and why to use the functions, settings, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon T5i / 700D Experience will help you learn to use your Canon T5i / 700D quickly and competently, to consistently make the types of images you desire. The e-book is available in PDF and EPUB formats for reading on your computer, e-reader, or tablet.

Learn more about it, preview it, and purchase it here:

http://www.dojoklo.com/Full_Stop/Canon_T5i_Experience.htm

As one Canon user has said about Doug’s previous Canon guide:

“The author skillfully unlocks all of the camera’s features and power, while offering clear guidance about how to use them to achieve the camera’s full potential. This is not just an explanation of each feature, but a road-map for their best use…in combination with good photographic technique.”

For beginner, intermediate and enthusiast photographers: This Canon T5i / 700D guide is for those who wish to get more out of their camera and to go beyond Auto+ and Program modes and shoot in Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) modes. To get you set up, it begins with explanations and recommended settings for all Menu settings, Custom Function options, and Movie Mode Menu settings of the T5i / 700D. It covers basic dSLR camera functions and exposure concepts for those new to digital SLR photography, and explains more advanced camera controls and operation, such as using the various metering modes and exposure compensation for correct exposure of every image, controlling autofocus modes and focus points for sharp focus of still or moving subjects, and making use of the built-in flash or an external Speedlite.

Canon T5i / 700D Experience focuses on still-photography with an introduction to the movie menus and settings to get you up and running with video. Sections include:

Setting Up Your T5i: Explanations of all the Menu options and Custom Function settings including Movie Mode menus, with descriptions and recommended settings for practical, everyday use.

Camera Controls: Description of all of the camera’s controls plus when and how to use them, including how to take advantage of the Touch Screen and Quick Control settings screens.

Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) Modes: How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings. Plus using the multi-shot exposure modes.

Auto Focusing Modes and Drive Modes: How they differ, how and when to use them to capture sharp images of both still and moving subjects, for both viewfinder shooting and Live View.

Exposure Metering Modes: How they differ, how and when to use them for correct exposures in every situation.

Histograms, Exposure Compensation, Bracketing, and White Balance: Understanding and using these features for adjusting to the proper exposure in challenging lighting situations.

The Image Taking Process: Descriptive tutorials for using the settings and controls you just learned to take still and action photos.

Introduction to Video Settings: Explanation of the settings and options to get you started shooting movies.

Flash: Using the built-in flash, external Speedlites, and wireless flash.

Lenses: Explanation of Canon lenses and choosing your next lens.

Composition: Brief tips, techniques, and explanations, including the creative use of depth of field.

Photography Accessories: The most useful accessories for the T5i and for dSLR photography.

This illustrated digital guide to the Canon T5i / 700D goes beyond the manual to explain how, when, and why to use the features, settings, and controls of the T5i / 700D to help you get the most from your camera.

Take control of your Rebel T5i / EOS 700D, the image taking process, and the photos you create!

Canon T5i 700D rebel EOS book guide manual dummies how to tips tricks tutorial
Example images from Canon T5i / 700D Experience

Learn more about Canon T5i / 700D Experience e book manual for the Rebel T5i / EOS 700D on my Full Stop website here:

http://www.dojoklo.com/Full_Stop/Canon_T5i_Experience.htm

Canon 6D Hands On Review

Several weeks ago I wrote a post previewing the Canon EOS 6D, based on its specs and information available at its announcement. I’ve now had some hands-on time and have done significant research on the camera and its functions and features as I work on my latest e-book camera guide Canon 6D Experience. So now I am able to share some more insight into the body, controls, features, and handling of this very nice new full frame dSLR camera. And thanks to Newtonville Camera of Newton, Mass. for getting it into my hands so quickly!

The Canon EOS 6D Unboxing – shown here with a Canon 50mm f/1.4 lens attached, not the EF 24-105mm f.4L kit lens.

The EOS 6D is first “affordable” full frame camera from Canon, priced at about $2,100. This means it is a consumer level camera that boasts an image sensor the same size as a frame 35mm film – rather than the smaller APS-C sized sensors that have been the necessary compromise for so many years in order to offer highly capable dSLRs which are still affordable to enthusiast photographers. With the availability of the 6D, many more photographers will now be able to gain the benefits of full frame photography, including the ability to use your lenses at their “intended” focal lengths (no more 1.6x crop factor) as well as obtain great image quality, resolution, and low noise at high ISO settings.

The Canon 6D is aimed at intermediate and dedicated enthusiast photographers (and dSLR beginners willing to learn!), not only with its price and body size, but also with its features and straightforward controls and menus. It is obviously not as fully-featured as the professional-level 5D Mark III, yet it contains nearly every feature that the majority of “non-pro” photographers will need. Besides the much more basic 11 point autofocus system (vs. the 61 AF points of the 5DIII), what the 6D leaves off are often very specific customization options that even some pros never get around to figuring out or using. Plus the 6D adds a couple new features previously not yet seen on a Canon dSLR such as built-in WiFi and GPS. Most importantly, with its 20.2 megapixel sensor, the image quality of the 6D should prove to be nearly at the level of the 22.3 megapixel 5D MkIII.

As the author of dSLR user guides, my primary interest is more with the controls, features, functions, and “real world” use of any camera – as opposed to the image quality/ sensor issues (resolution, dynamic range, noise, etc.), which I leave up to DP Review, DXOMark, and other sites to examine in depth. Although I will discuss and give examples of some of these issues in this post, I direct you these other sites to view sample/ comparison images and read detailed discussions of sensor and image quality issues.

Body: Weight and Size: The very first thing I noticed when picking up the camera is how incredibly light it is. Granted, it was just the body only without a lens attached yet, but I was pleasantly surprised at its light weight. The body only (w/o battery) weighs a mere 1.5 lb. (680g), much lighter (relatively) than the full frame 5D Mark III (1.9 lb./860g) and the APS-C sized 7D (1.8 lb./820g). The EOS 6D is nearly the same weight – and size – as its closest sibling the (smaller APS-C sensor-sized) EOS 60D, and truly represents an important milestone in dSLR evolution where a full-frame sensor and several advanced features fit into a similar body as an mid/upper-level consumer camera.

Body: Controls and Feel: The controls of the 6D are similar to those of the 60D. It shares many of the same buttons (though some are relocated) as well as the thumb-pad Multi-Controller that sits inside the rear Quick Control Dial. This replaces the thumb-joystick version of this controller that was seen on all non-Rebel Canon dSLR cameras up until the 60D. Personally I am still not a fan of this thumb-pad, as the joystick is more comfortably located for autofocus selection, and I also find that I sometimes accidentally hit the thumb-pad while turning the Quick Control Dial when navigating menus, and thus suddenly jump to a different menu option. I also prefer to have the Playback and Delete buttons on the left side, so that I can access them with my left thumb, perhaps due to much more experience and muscle-memory with that set-up. However, these are simply a matter of getting use to the locations and sensitivity of the controls – after some use, muscle memory and habit typically allows one to easily use the controls they are provided with. The top Main Dial (for adjusting aperture and changing various settings) has a great “soft” feel as if made of firm rubber rather than the harder plastic of lower-end models. The rubber of the grip areas also feels great, no complaints regarding the over-all ergonomics of holding and carrying the camera, and the body feels perfectly solid.

Detail of the Canon 6D, including some of the buttons and controls.

There are several “quirks” to get used to with the 6D if you are accustomed to working with a different Canon body such as a 50D, 7D, or one of the older 5D models. Primarily, the 6D has the new single Magnify Button introduced on the 5DIII, rather than the Zoom-in/ Zoom-out buttons of previous models. Your muscle memory will definitely cause you frustration with this one for awhile until you get used to reaching for this new button rather than using the top-right rear buttons for zooming in and out during image playback. Now during image playback, you press the Magnify Button located just above the Playback Button, and then use the top Main Dial to zoom in and out. One of the advantages of this Magnify Button is that its initial magnification level is customizable from 1x to “zoom-in immediately to pixel level on the area of the image where you focused” (Actual size from selected point). Instead of pressing the Playback Button and then zooming, you can simply press the Magnify Button and immediately view the image at your zoom-level of choice. I found that I actually prefer to set the Magnify Button for 1x zoom. Then after taking an image, I can press the Playback Button to view the thumbnail of the image with the histogram (since I leave this as my default Image Playback view), or press the Magnify Button to immediately see the image full-screen. Using the two buttons, I can easily toggle between these two views. Others will enjoy immediately zooming in on the area where they focused to ensure that it is indeed in-focus.

As with the 7D and 5DIII, the 6D has the ability to customize the various buttons and controls of the camera. I recommend that you use these Custom Functions to set the Multi-Controller to AF Point direct selection. That way you can simply use the Multi-Controller to manually select your desired AF Point instead of having to first press the AF Point Selection Button. However, if you do this, the SET Button will not select the center AF Point, as you may be used to from other cameras. Instead it will activate whichever function you set the SET Button for. But if you press the AF Point Selection Button first and then use the Multi-Controller, you can then still use the SET Button to select the center AF Point, which can be very convenient for quickly choosing this point.

The 6D has the Live View/ Movie switch and START/STOP Button which makes it quick and easy to switch between the two, start Live View, or begin Movie recording. However, this may bring you to another “quirk” (ok, it is not really a “quirk,” more a necessity of design and function, but until you realize that you may feel like it is a quirk!). There are a couple functions that will be greyed-out in your menus if you have a certain conflicting setting option set. For example, some features will not be available (like HDR Mode) if you have the image quality set for RAW or JPEG+RAW. You will have to switch to JPEG only in order to access these features. Or you cannot access the Multi Shot Noise Reduction feature if you have Long Exposure Noise Reduction enabled or if you are shooting in RAW. This is bound to aggravate you at first as you try to determine why the function is greyed-out and not accessible in the menus. So, back to the Movie function, you cannot begin movie shooting if you have WiFi enabled. Thankfully with this particular incompatibility, the camera will alert you to this on the rear LCD Monitor. With the other conflicting settings, you are simply going to have to learn and remember the conflicting option.

As with the 60D, the 6D has the top row of buttons that only access one function (such as ISO or Drive Mode) rather than two functions as with previous/ other Canon models. However, this means you can press the button and then use either the top Main Dial or the rear Quick Control Dial to change the function. Or you can always use the [Q] Button and Quick Control Screen to access these functions or other functions that there is not a dedicated button for, such as Image Quality, White Balance, or Flash Exposure Compensation. And Canon has continued the use of the locking Mode Dial, which I prefer as there have been many times my 50D Mode Dial was accidentally turned when pulling the camera out of its bag.

Brief Commercial Interruption: I have completed my e-book guide to the Canon 6D, called Canon 6D Experience. The guide covers all the controls, functions, features, Menus options and Custom Function settings (with recommended settings), autofocus system, exposure, metering, and more. Plus most importantly, it explains how, when, and why to use the various controls, features, and functions of the 6D. Click the link above or the cover to learn more, preview, and purchase the guide.

Use and Response: There really isn’t too much I can say about the 6D in action, as it performs as expected. Not really any complaints, aside from my personal issues with the controls issues I described above. The autofocus response is quick and accurate in normal use. I realize now that I was paying more attention to my photographic tasks and wasn’t paying particular attention to the AF performance as I was out and about with the camera, and didn’t specifically test the center vs. outer points, so I need to get back out and do that. But on the other hand I didn’t notice and wasn’t limited by any issues or shortcomings. In low light, night-time scenes, such as the in-camera Multiple Exposure image below and the in-camera HDR image above, the camera locked right on and focused well with the center and outer points. In extremely low light when using the outer points, it did not seem to react as quick and instantaneous – in my experience so far – as the highly advanced AF system of the 5DIII. For example the 5DIII could immediately find focus on the black face of a cat in very low light, while the 6D needed me to find a slightly stronger area of contrast on the kitty’s face before it locked on. But you can see from the exposure settings and the lack of contrast in the focus area of the image below, it still performed rather admirably for the situation (I focused just above the eye and recomposed slightly).

Canon 6D – In-camera HDR Mode, with three images automatically combined and processed in-camera. “Adjust Dynamic Range” setting +/-1, “Auto Align” enabled, hand-held. Resulting image 1/40, f/2.8, ISO 6400. This image was also automatically geotagged with the GPS, as can be seen on Flickr.

A closer look at the above image. I focused at about the center of this image, where the white meets the blue dome, though it may have focused on the closer branches. Keep in mind this was handheld, for 3 images that were aligned and combined in camera.

The center cross-type AF point of the 6D is said to be even more sensitive (both in specifications and by users in real life use) than that of the 5DIII (according to Canon, the 6D center point is EV -3 while the outer points are EV +0.5; 5DIII is EV -2 all points; 60D is EV 0 all points). Unfortunately I now realize I did not test the center point in this situation, and I will have to go back and do that. So, I acknowledge it is premature for me to take away any conclusions about the extreme low light AF performance of center vs. outer points before I re-examine this further. Others are already saying that the center AF Point is stellar in very low light. And I did not test the AF system for tracking moving subjects using AI Servo yet. What does all this EV info mean? If you are a wedding photographer or a concert photographer and simply need to get the shot and capture a very precise moment with no delay, then you may prefer to work with the 5D Mk III. If you are not working on assignment and perhaps have 1 extra second to re-position an outer AF point on an area of slight contrast, or else use the center AF point and recompose in dark situations, then you will certainly still be able to capture great low light shots with the 6D.

Canon 6D Autofocus in low light – I had to focus just above the eye where dark meets light, and then I slightly recomposed. But as you can see from the settings, it was very low light, and that type of performance is a major accomplishment for any camera: f/2.5 1/60 ISO 6400 (screenshot from DPP in order to show AF points.)

A closer look at the above image. I think due to the high ISO setting some sharpness was lost, but that could be recovered with sharpening.

WiFi: The Canon 6D is the first of their dSLR models to incorporate built-in WiFi and GPS capabilities. Neither of these is something I thought I needed – but I can already see the benefits. With the 6D you can wirelessly connect your camera to your computer, smart phone/ tablet, wireless network, printer, or TV to perform a variety of functions:

Computer: when wirelessly connected to your computer, you can make use of the included EOS Utility software to remotely control the camera (change settings and release the shutter) and save the images directly to your computer. Previously you could do this only through the use of a USB cable.

Canon 6D WiFi – Control the camera remotely with an iPhone, iPad, or tablet. Here the aperture setting is being changed, and the focus area is positioned on the subject.

Smart Phone/ Tablet: You can also control your camera through your smart device (iPad, iPhone, Android phone or tablet) using the free EOS Remote app, and this takes it to a higher level than with EOS Utility. You can actually monitor on your device what the camera is seeing, as if you are seeing the camera’s Live View screen on your device. You can change some settings (like aperture, shutter speed, ISO), move and resize the focus area to tell the camera where to focus, and release the shutter. You can also view the images that are on the camera’s memory card, and transfer images from your camera to the device, however they will be reduced size JPEGs.

Wireless Network – Internet Services: You can set up your camera with websites including Canon Image Gateway, Facebook, Flickr, Twitter, and YouTube, and directly send images or videos to these sites – straight from the camera! (Some instances like Twitter will merely share a link to the image on Canon Image Gateway, but with Facebook the actual image will appear.)

Canon 6D WiFi – Send your images directly to Facebook (or links to Twitter, or movies to YouTube) straight from the camera.

TV and Printer: You can wirelessly show a slideshow of the images on your camera with a compatible TV, or print images directly from the camera with a wireless compatible printer.

The great thing about these wireless functions is that they are actually easy to set up and use (at least in my experience). By following the simple instructions in the manuals and the prompts on the camera’s screen and the software and apps, you can just keep clicking OK (and enter your password and name your connections) as the camera finds the network or device and connects them together. The EOS Utility software also automatically installs a “device pairing” function on your computer that finds the camera and easily lets you connect. The biggest challenge was setting up the connections to the Internet sites (Facebook, Twitter) since the instructions were not straightforward. But once you determine that you need to first connect the camera via USB to the computer then open EOS Utility, the right set-up screen is available on EOS Utility. Then the Internet sites can be selected and registered with the camera, and it works great. There are lots of intimidating wireless set-up option screens on the camera that may have to be used if the connections to your wireless network or devices are not so straightforward.

GPS: The built-in GPS function can be enabled so that your images are automatically geotagged with data such as location and elevation. You can even log your camera’s journey – even when the camera is turned off (as long as it can “see” the satellites) – and then view the route on a Google map (with the included Map Utility software). You can set the camera to communicate with the satellites at anywhere from every 1 second to every 5 minutes, though note that this will drain the battery to some extent.

Functions and Features: The 6D has all of the features of the other current Canon dSLRs, such as in-camera HDR Mode, Multiple Exposure Mode, Handheld Night Scene mode, and various Noise Reduction features. In my standard camera use, I don’t typically have a need for many of these types of features, but they might come in handy or be fun to experiment with for many users. The image rating option is also included and can be quickly accessed during image playback. While initially this seemed unnecessary for me, I have found that it is a great time saver for marking either really good images or likely deletions, both of which require a quick review on a full size monitor once back at my computer – and now can be easily located with their 1 to 5 star rating.

Canon 6D Multiple Exposure mode used to create a multiple exposure image in-camera, combining three images. Multiple Exposure Control setting: “Average” used here, as it works best for night/ dark scenes. This image was also automatically geotagged with the built-in GPS, as can be seen on Flickr.

The fast Digic 5+ processor of the 6D also allows for some lens correction features – Peripheral Illumination Correction and Chromatic Aberration Correction – to correct for issues introduced with some lenses, several of which are pre-registered in the camera. These types of corrections can also be done with specific lens profiles in Lightroom or Photoshop, so you will need to decide if you want to make these corrections with more control in post processing. However, if you will be outputting JPEG files, you may want to take advantage of this in-camera. You can even apply the corrections in-camera after the fact if you have shot in RAW. There are also several other in-camera RAW processing options which will allow you to fully process the image in camera (for brightness, Picture Style, White Balance, JPEG size, etc.) and output a JPEG file for immediate use.

One other nice feature is that not only does the 6D have lens autofocus microadjustment capability to correct for minor autofocusing distance issues, but (as with the 5D Mk III) you can adjust separately for the wide end and tele end of a zoom lens! Of course this means a lot more work in your AF microadjustment process. Also, through the Custom Functions you can choose the number of shots to take during bracketing, either 3, 2, 5, or 7. This is extremely desired by HDR shooters who were previously frustrated with the 3 shot limit.

On the down-side, the 6D has a relatively slow continuous shooting speed of 4.5 frames per second, and no Low-speed and High-speed Continuous settings – unless of course you use Silent Continuous Shooting at 3fps (though be aware that use of the Silent Drive Modes can result in slight shutter lag). This slower maximum rate, along with the less sophisticated 11 point AF system may limit the camera’s appeal to sports and action shooters who need to track moving subjects. (“Less sophisticated” = not as many AF Points as the 7D or 5DIII, only 1 cross-type AF Point, not as many options to customize how it tracks and responds to moving subjects.) Action photographers should look instead at the Canon 7D or 5D Mark III.) On an unrelated note, I should also mention that the 6D has a slower 1/180 flash sync speed.

Menus and Custom Functions: The 6D has the standard menu interface and options as the other current models. You can adjust and customize a few more settings than with the 60D, but the menus are reduced and simplified a bit from the 5DIII. For an enthusiast photographer this is generally a good thing, as the 6D contains most all of the customization options that you will need, without overwhelming you with extremely specific or advanced items that are found on the 5D Mk III. After becoming familiar with the 5DIII however, it is interesting to note what options were left off, such as additional Multiple Exposure and in-camera HDR Mode processing options, no Auto level for LCD Brightness, and the elimination of some of the extremely precise, nearly “hidden” Custom Controls sub-sub-menus and options.

But the 6D does contain the additional ISO settings used to specify the minimum and maximum ISO available for you – or the camera in Auto ISO – to select, plus the minimum shutter speed for the camera to use in Auto ISO. If you choose to use Auto Lighting Optimizer, you can tell the camera to turn it off when shooting in M (since you will want full control of your exposures and don’t want the camera to over-ride your careful settings). A nice feature is the Safety Shift options, where instead of merely enabling the camera to over-ride your settings if it needs to in order to obtain the proper exposure, you can specifically tell it shift either the shutter speed/ aperture setting, or the ISO setting. Generally, I believe, it will be better to shift the ISO setting in order to obtain the exposure, as you probably intentionally selected your aperture or shutter speed. The Custom Setting for autofocus Tracking Sensitivity now helpfully lists the options as “Locked On” and “Responsive” rather than the previous vague and confusing notations, so you can tell the camera to remain locked-on to your subject or to be more responsive and begin focusing on a new subject that enters the field of view of your active AF Point.

The Orientation Linked AF Point feature is much simplified from the 7D and 5DIII in that you do not need to pre-register the desired points, but rather the camera makes use of the current, manually selected AF points for each specific camera orientation, and then returns to them when you hold the camera in that orientation.

Image Quality: I am not a pixel peeper, I am more of the “just get out there and shoot” variety, and I believe that most all the current consumer cameras – including the 6D – offer more than enough in terms of image quality and low noise for most every photography from enthusiast to semi-pro. So I will leave it up to DP Review and other sites to evaluate the image quality and sensor performance. I have shot some informal ISO tests, which can be viewed on Flickr. For pixel peepers, here is a 6400 ISO, 100% crop detail of the scene below, with no in-camera Noise Reduction or White Balance correction.

Canon 6D full frame sensor – high ISO noise performance. Click image to see larger version with notes of all the settings.

Video: Oops, I just realized that I forgot to discuss this in the review! I will come back to this, but it is interesting to note that while the 6D has manual audio input level control, the Wind Filter and Attenuator, it lacks a headphone jack for monitoring audio.

Manuals: Canon has unfortunately followed the trend of not including the full printed manuals with the camera. While the camera comes with the printed version of the basic instruction manual and “pocket guide” for the camera, plus the basic WiFi/ GPS manual, you have to access the PDF files on the included disc for the full camera manual, the full detailed manual for WiFi, plus the instruction manuals for the software including Map Utility and EOS Utility. Of course you need the full manual to properly set up and learn all the features of the camera, plus you will need to look at some of the the other manuals in order to learn how to get your camera connected to Internet services. It is a bit frustrating not to have these at hand to quickly refer to. Fortunately if you have an iPad or tablet, you can download the PDF version of all the manuals from the Canon website and easily read and search through them and take them with you.

However, to quickly learn all the essential and important features of the camera, how to set up the menus and Custom Functions, and learn how, when, and why to use the various controls, features, and functions of the Canon 6D, have a look at my e-book guide Canon 6D Experience.

Conclusion: Overall I think the Canon 6D is an excellent dSLR camera, a very good value for the price, and should easily meet or exceed the needs of most enthusiast and dedicated photographers. It provides the wonderful possibility for a non-pro or aspiring-pro to finally shoot with an affordable full-frame camera. Landscape photographers should enjoy this, as their wide angle lenses will once again act as true wide angle lenses, and be able to capture sweeping vistas. It should provide general, portrait, and travel photographers with the controls, features, durability, and image quality they desire. Sports, wildlife, and action photographers may not find what they need, however, due to the limited 4.5 frames per second continuous shooting speed and the less sophisticated 11 point autofocus system with only one cross-type point. edit 12/13/12: DXOMark summarized it well when they concluded that the 6D “is a high-end, full-frame camera ideal for enthusiast and advanced photographers, or professional photographers looking for a second camera body. Its resolution and AF system mark it out as a camera that is aimed at those shooting portraits or landscapes, where good resolution and a full-frame sensor are key, but where the fastest AF is not as important.”

Designed as a consumer-level camera, a few features (or lack of features) – such as those mentioned – obviously prevent it from being a full-fledged professional level body for highly demanding users (at least not the primary body), but its sensor, image quality, and capabilities will certainly provide anyone with the potential to take professional quality images – and in most situations capture exactly the image you intend. And that, in the end, is the number one goal of photography!

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If you are going to be ordering your Canon 6D online, please consider using my affiliate links below or on the left side of the page (Amazon, B and H, Adorama). Your camera (or other gear) will be the same price, but they will give me a small referral bonus – thanks!

Canon 6D on Amazon (body only or 24-105mm f/4L kit)

Canon 6D at B and H Photo – body only

Canon 6D at B and H Photo – with the 24-105mm f/4L IS kit lens

Canon 6D – The Second Affordable Full-Frame dSLR

Introducing the Canon 6D Full Frame dSLR Camera

First, I have been corrected – the Sony a850 was the first “affordable” full frame (meaning ~$2000 price at introduction), followed by the Nikon D600, then the Canon 6D. But as I unfortunately only have time in my work day to mostly follow, research, and write about Canon and Nikon news and dSLR cameras, this one slipped by me.

Just as I have been digesting the specs and features of the new Nikon D600 full frame dSLR, Canon quickly follows on their heels with their version of a “pro-sumer” full frame camera, the Canon EOS 6D. The big deal about these two cameras – and indeed they are a big deal – is that they are the first full frame cameras priced at around $2000 at first release. In fact they are each priced at just under $2100. dSLR cameras with full frame sized sensors (sensors about the size of a frame of 35mm film – remember film?) have typically cost several hundred, if not $1000 more than this when first introduced. The Canon 5D, though also referred to as “affordable” at the time, was around $3300 when introduced as a professional camera. The Canon 5D Mark II was about $2700 at introduction, and the Nikon D700 and D800 were each about $3000. The latest Canon full frame, the 5D Mark III is around $3400, but Canon knew they would be coming out with the 6D to fill in the price point vacated by the 5D Mark II.

Canon EOS 6D

Previously, the compromise in order to put a high-quality, fully featured camera into enthusiasts’ and semi-pros’ hands was a smaller sensor – the APS-C sized sensor which is about 64% of the size of a full frame sensor. Nikon calls the smaller size the DX and the full frame the FX format, while Canon really doesn’t have a special name for either that I can recall. But larger sensors have always been prized for several reasons. They typically deliver better performance in terms of improved resolution, increased dynamic range, and improved low light / high ISO performance. In other words, the images have much better detail and can withstand serious cropping, display a fuller range of colors and tones, and are cleaner with less digital noise, especially in low light situations. The full frame sensor will also affect the field of view of your lenses. For those moving from an APS-C sized sensor camera to a full frame body, a 50mm lens will now act as a true 50mm lens – no more 1.6x crop factor to consider. This means that your wide angle lenses will now act as true wide angle lenses, but your telephoto lenses will no longer have quite as much reach as you may be used to.

I have long warned that Canon users should carefully consider buying EF-S lenses that are only compatible with APS-C Canon dSLRs, and my reasoning was that one day you would either want to upgrade to a full frame 5D that does not accept AF-S lenses, and/ or eventually full frame bodies would become more affordable. Well, that day is today! The 6D is the “affordable” full frame camera, and indeed it does not accept EF-S lenses, only EF lenses.

For those who can’t or don’t wish to spend $3400 on the 5D Mark III yet still want the full frame experience, the 6D is now a reasonable option. The 5D Mk II of course is currently under $2000, but it really isn’t very desirable anymore with its relatively slow and outdated 9 point autofocus system and relatively slow 3.9 frames per second continuous shooting speed. Not to mention the wide variety of feature, HD video improvements, and in-camera processing features that have been added to more recent models. However, based on its controls, autofocus system, and other features (whether included or left out), the 6D can be considered a full frame version of the 60D, and thus sits firmly in the enthusiast range rather than the professional range. Again, some compromises were made in order to offer a well-featured full-frame camera at an enthusiast photographer price point. But its full frame coupled with its smaller, lighter body (more like an APS-C camera body) will make it a great option for everyday and travel use.

Brief Commercial Interruption: I have written an e-book camera guide to the Canon 6D, Canon 6D Experience, now available. Click the link or book cover to learn more, preview, or purchase this guide (as well as all my other e-book camera guides for Nikon and Canon dSLR cameras).

Canon EOS 6D

Here are some of the specs of the Canon 6D, and more importantly what they mean. After reading about what the camera offers, be sure to also read my Canon 6D Hands On Reveiw:

Sensor: The 6D sits between the 7D and the 5DIII in terms of resolution, with 20.2MP compared to the 18MP of the 7D, 21MP of the 5DII, and 22.3MP of the 5DIII. As mentioned above, a full-frame size sensor promises not only improved image quality but also increased dynamic range and improved low light / high ISO performance (100-25,600 max. ISO expandable up to 102,400). Have a look just below and at my images here to see some example images of the performance of the 5DIII at various ISO settings. The 6D may not be quite as excellent, but it should be very close (edit: my informal ISO tests of the 6D can now be seen below and here. And as noted above, the full-frame sensor will also affect the field of view of your lenses. Your wide angle lenses will now act as true wide angle lenses, but your telephoto lenses will no longer have quite as much reach as you may be used to.

Example image of the Canon 6D ISO performance and digital noise. Image by the Author – click on the image to view larger.

A full frame sensor also affects your depth of field…indirectly. This is because depth of field is affected by not only your aperture setting but also the camera-to-subject distance. So say that you were to use the full frame 6D to frame a shot with a 50mm focal length and f/2.0 aperture, from 10 feet away. To “recreate” this same shot with the APS-C sensor-sized 7D and a 50mm focal length, you would have to back up several feet (6 more feet I believe?) to have the same field of view. (The full frame sensor will capture a wider field of view, while the APS-C “crops” the scene due to its smaller size.) Even though you use the same f/2.0 aperture setting, the depth of field is not as dramatically shallow because the camera-to-subject distance has increased. The depth of field in this case changes from less than a foot to over 2 feet. (I may be wrong about backing up from 10 feet to 16 feet for this example, which means my final numbers are off, but none-the-less, the dof increases as you move back.) So…indirectly…a full frame camera can contribute to more dramatic depth of field.

Processor: The 6D incorporates a single speedy Digic 5+ processor – the latest processor that is also included in the 5DIII (there as one of two processors). This allows you to take more continuous photos at the maximum frame rate, as well as to keep up a fast rate as the camera applies optional in-camera processing to the images, such as lens aberration corrections. The speedy processor also allows for the in-camera HDR and Multiple Exposure features.

Viewfinder: The 6D also has a nice big and bright 97% view viewfinder, not as awesome as a 100% viewfinder would have been to be able to frame the entire scene to be captured, but excellent none-the-less. Unfortunately, there is not an electronic grid included in the viewfinder view as there is with the 7D. In order to get a grid, you will have to make use of the optional Eg-D matte focusing screen. You can see a simulated view of the viewfinder below the Autofocus section.

Autofocus (AF) System / FPS: The Canon 6D has a new 11 point autofocus system with only the center point as a more accurate cross-type point. Not quite the 19 AF point system of the 7D as one might have expected, and also significantly lower than the 61 AF point system of the 5DIII. In terms of number of focus points, it is a minor improvement to the 5DII. However, I am sure that it is a system that will react and perform significantly faster (even despite only one cross-type point) as well as offer numerous customization options. This AF system, along with its 4.5 frame per second (fps) continuous shooting speed, indicates that the 6D is not intended to be a sports and action camera, but rather a camera geared towards standard photography, weddings, portraits, travel, etc.

Simulated view of the Canon 6D viewfinder, showing the Spot Metering circle and the 11 autofocus AF Points

Body, Size, Battery, Memory Cards: Regarding size and weight, the 6D is nearly the same size and weight as the 7D – in fact it is not quite as wide and as deep as the 7D, stands at the same height, and weights a little less. Overall it is 145 x 111 x 71 mm, weighing 770g (with the battery) compared to the 860g of the 7D. The 6D accepts the same excellent LP-E6 battery as the 7D and 5DIII, as well as SD memory cards (single card slot). The body is constructed primarily of magnesium alloy, is weather sealed against dust and moisture, and should prove to be quite durable for any everyday-type use plus more rugged situations. It boasts a 3″ LCD screen – fixed not articulating – with 102,400 pixels, making it large, clear, and sharp – but not a touch screen as originally speculated.

Interface and Controls: The controls on the body of the 6D closely resemble those of the EOS 60D, with a few changes. The Multi-Controller pad is used for autofocus AF point control rather than the thumb joystick of the 5D cameras, the top row of buttons control one function only, and the Mode Dial has the handy center locking button. The power switch has been moved to the typical current location for Canon dSLRs – at the Mode Dial. The row of buttons on the rear left side, common on most Canon dSLRs without a rotating screen, has been pared down and moved to the right of the screen. Rather than the zoom-in and zoom-out buttons, there is a single Magnify button that was first found on the 5DIII and initially drove users crazy due to the muscle memory of their thumbs that had to be retrained. The exposure lock and focus lock buttons remain, thus allowing for back-button focusing and easily separating focus and exposure functions.

Canon EOS 6D

New Features: The 6D is the first Canon camera to offer built-in wireless and built-in GPS capability. The Wi-Fi feature will allow photographers to do some great wireless stuff, including cable-free “tethered” shooting and camera control using EOS Utility and a computer, easily sharing images on Facebook and other social networks straight from the camera, controlling the camera (in Live View) from a smartphone or tablet – including focusing and changing some settings, using the smart device to view and transfer images that are on the camera’s memory card, and Wi-Fi connection to a TV or printer. And the GPS will allow geotagging of images with the coordinates, altitude, and orientation, and mapping the route of the camera.

Accessories: Of course there will be a battery grip for the 6D, the BG-E13, for the use of two LP-E6 batteries for longer shooting. The larger body size created by the grip is also more comfortable for some, especially when shooting often in the portrait orientation and/ or when using larger, heavier lenses. There are also a couple optional focusing screens that are compatible, the Eg-D and Eg-S matte focusing screens which make manual focusing eaiser. The Eg-D offers a grid as well for assistance with compositions and keeping the framing straight. This means that there is no electronic grid built into the viewfinder, as with the 7D.

The typical remote shutter releases are certain to be compatible, such as the Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-1 or RC-5 or RC-6. These remotes will allow either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Flash: Similar to the 5D line of cameras, the 6D does not include a built-in flash, though it is fully compatible with all the Canon Speedlite flashes such as the new Canon 600EX-RT as well as the older but still highly capable 580EX II. It will certainly be compatible with the Speedlite Transmitter ST-E3-RT radio wave wireless transmitter, which can control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. (Currently only compatible with the Canon 600EX-RT Speedlite.)

HD Video: And of course the 6D offers full HD video with manual control and all the usual frame rates (1080p at 30/25/24 fps and 720p at 60/50 fps plus 480p at 25/30 fps. The new sensor is not capable of full time autofocus, though most dedicated videographers still prefer manually focusing anyway. The camera records mono audio but is compatible with optional stereo mics, and unfortunately lacks a headphone jack for audio monitoring.

Bracketing: The offers 3, 2, 5, or 7 frame Auto Exposure Bracketing, which will please HDR shooter. There is also a built-in “HDR mode” which combines and processes three automatically bracketed images in-camera, and a Multiple Exposure mode that can “overlay” and process up to 9 images in-camera. And there are a couple more multi-shop options where the camera takes a few shots in a row and then combines them for a better final result, such as the multi-shot noise reduction option, and the hand-held night scene.

Of course the 6D offers the usual 63-Zone dual layer exposure metering system for consistent, accurate exposures in all types of situations including challenging scenes like back-lit ones. It has the usual Canon Metering Modes and Drive Modes as well as the familiar Picture Style settings and in-camera image processing and filter/ art effects as found in the 7D, 60D, and 5D Mk III.

Conclusions: Just as with the new Nikon D600 full frame camera, I expect the Canon EOS 6D to be an extremely popular camera, offering an affordable full-frame dSLR for dedicated enthusiasts, aspiring pros/ semi-pros, or a highly competent second body for semi-pros and pros on a budget. There is nothing lacking in this camera that would prevent any photographer from capturing the highest quality, professional level images in most every shooting situation, be it general photography, portraits, street photography, studio work, wedding photography or travel use. Its pairing with the professional 24-105mm f/4L lens is an indication of its exceptional image quality capabilities. Plus it offers the ability, although somewhat limited by its autofocus system and maximum continuous frame rate, to capture sports, wildlife, and other action type situations.

The 6D may not be the “fully featured budget pro-sumer full frame dSLR” that many had hoped for, however. Its 11 point AF system with only one cross-type point is clearly on the consumer/ enthusiast level, as are its external controls such as the thumb pad Multi-Controller and the single function top buttons. Its inclusion of the Scene Modes on the Mode Dial also indicates that it is targeted to enthusiasts, as well as its single SD memory card slot. But these are the types of compromises that had to be made to keep the price within reach of more enthusiast photographers while still offering full frame image quality. As Canon says in their 6D press release, “the EOS 6D bridges the gap for budget-minded photographers, videographers and cinematographers who are eager to step up into the world of full-frame imaging.”

Be sure to also read my subsequent Canon 6D Hands On Reveiw, written after the camera became available.

As I work on a comparison post of the current Canon dSLR line-up, have a look at these other Canon related posts, including how to take full advantage of your autofocus system.

The camera will be offered as a body-only or with the 24-105mm f/4L IS (image stabilized) lens, and is expected to be available in December 2012.

And as I mentioned, I have written the first guide to the Canon 6D, my Full Stop e-book user’s guide for the Canon 6D – Canon 6D Experience, now available.

Order your 6D today on Amazon or B and H:

Canon 6D on Amazon (body only or 24-105mm f/4L kit)

Canon 6D at B and H Photo – body only

Canon 6D at B and H Photo – with the 24-105mm f/4L IS kit lens

Anticipating the Canon EOS M Mirrorless Camera

Canon EOS M Mirrorless Interchangable Lens Camera

Several weeks ago Canon announced their long anticipated entry into the mirrorless camera segment, the Canon EOS M. While Olympus and Panasonic were early pioneers in this market, Sony soon joined them and raised the bar with their NEX line, including the current NEX-5 and NEX-7 (and upcoming NEX-6). Nikon then came along with their Nikon 1 series, the J1 and V1, leaving Canon as the last of the major players to bring out a mirrorless offering.

Canon EOS M – Image courtesy of Canon USA

Mirrorless interchangeable lens cameras are a sort-of hybrid of a high-end compact camera and a dSLR system – with various advantages and disadvantages born of this mix. Then are much smaller and lighter than a dSLR, while still allowing one to change lenses. Thus rather than a lower-quality all-purpose built-in zoom of a compact, one can use a variety of lenses to fit their needs (wide angle, telephoto zoom, etc.) and allow them greater control over aperture settings and depth of field. However, many of the cameras require the use of smaller (and lighter) lenses specifically designed for the mirrorless body, and most manufacturers offer a very limited set of lenses at this time. Many brands offer adapters to allow the use of dSLR lenses, but adding a larger and heavier lens may defeat the purpose of a small, light, portable mirrorless body!

Mirrorless cameras don’t have an optical viewfinder but instead use a rear LCD screen like a compact camera – plus some models offer a standard or optional electronic viewfinder (a teeny tiny LCD screen in a viewfinder). One of the important advantages is that the mirrorless cameras contain a much larger image sensor than most compact cameras, with some of them (such as the Sony NEX models) even boasting an APS-C size sensor. (APS-C is the same size as found in most entry level, intermediate, and pro-sumer dSLR cameras from the Canon T4i or Nikon D3200 to the Canon 7D or Nikon D7000 and D300S. Professional dSLR cameras such as the Canon 5D line and the Nikon D700/D800 have a larger, full frame sized sensor). These larger sensors provide much better image quality and better low light / high ISO performance than most every compact camera.

Mirrorless cameras don’t share the same phase detection autofocus system as a dSLR with a dedicated AF sensor, but instead have a contrast-detection AF system that uses the image sensor to focus, just as if using a dSLR in Live View mode. This contrast AF system is typically slower than the dSLR system, which contributes to a bit more shutter lag than the near-instantaneous response of a dSLR shutter. However great improvements have been made in the AF systems and shutter lag of the mirrorless cameras.

While the new Canon EOS M is not yet out there for real world use and review, many including myself are very pleasantly surprised with all that it offers, based on its specs. The EOS M take nearly all of the great features and capabilities of the extremely competent Canon T4i dSLR, and packages it in a small, light, and portable body. The major difference of course is of the phase detection AF system of the T4i which is not able to be fit and used inside the EOS M. The EOS M is thus very comparable to using the T4i in Live View.

Canon EOS M – Image courtesy of Canon USA

Top Ten Accessories for the Canon T5i / EOS 700D

Now that you’ve decided on the Canon Rebel T5i / EOS 700D (or Canon Rebel T4i / EOS 650D, Canon Rebel T3i / EOS 600D) you’ll want to get the basic, essential accessories. Don’t get carried away yet with elaborate flash modifiers and color balance correction tools before you gain some experience and determine which advanced accessories you will really need and use. But you can’t go wrong with these initial 10 additions to your camera bag. Click on the links or the images to view and purchase them on Amazon.com or from the manufacturer (and help support my blog by doing so – thanks!)

1. SanDisk Extreme 8GB or 16GB Memory Card – You are going to need a high quality, high speed memory card to save all those images and capture those videos. Go with the best and don’t risk corruption and errors – a SanDisk Extreme. Perhaps a couple 8GB, 16GB, or even 32GB capacity Secure Digital (SD) cards to capture and store your photos – more if traveling. Use at least class 6 cards, or better yet class 10 if you will be shooting video. Be sure to check the Sandisk site for current rebates.

2. Canon LP-E8 Battery – You will probably want a spare battery, especially if you are traveling, or just for those times you forgot to charge the battery before going to an important event. Go with the official Canon brand and avoid battery communication and charging issues. If you are a fan of the optional battery back / vertical grip, the one for the T3i and T4i is the Canon BG-E8. The battery grip allows you to use 2 LP-E8 batteries for extended shooting, or six AA batteries, and also increases the size of the camera body, which some users find more ergonomically comfortable, especially when shooting in the portrait orientation.

3. Canon T5i/700D Experience e-book (or Canon T4i Experience E Book or Canon T3i Experience E Book) – You will want to go beyond Auto and learn to use the advanced functions and settings of your sophisticated camera, so be sure to check out my e books, Canon T5i/700D Experience, Canon T4i Experience and Canon T3i Experience. They will help you to take control of your camera so that you can consistently take better images – the images you wish to capture. You’ve invested the money in an advanced camera, now invest the time to learn how to use it to its full potential! (There is also a Canon T2i Experience book available.)

4. Black Rapid RS7 Strap – This sling-style camera strap provides a more comfortable and practical – and somewhat more discreet – way to carry around your camera, especially if you have a larger lens on it. They also make a couple of slightly different versions of the sling-strap, such as one designed for women, and a active “sport” version.

5. Manfrotto 055XPROB Tripod Legs and Manfrotto 496RC2 Ball Head: This is an excellent “starter” combination of tripod legs and head for the enthusiast. They are sturdy and durable yet affordable. If you know you will be doing a lot of tripod work, such as for studio, landscape, or travel photography, it is best to invest in more advanced (expensive) versions, including lighter carbon fiber legs, four section legs that close to a shorter length, and a head with additional or specialized features.

6. Giottos Large Rocket Blower – Blow the dust off your lens, camera body, interior, and sensor safely with the Rocket Blower. Get the large size for maximum “whoosh!” Use with the LensPEN Lens Cleaning System to clean those fingerprints, smudges, and mysterious spots off your camera lens (filter) safely and quickly with the LensPEN. Brush off the loose spots with the brush end, “charge” the tip with a twist of the cap, then clean by “drawing” in a circular motion. Read the manufacturer’s instruction for complete details.

7. Canon 430EX II Speedlite Flash – Upgrade to the Canon Speedlite Flash to obtain more flash power and control for your low light pictures. Take advantage of the T3i’s wireless remote flash capabilities. Rotate and bounce your flash for more flattering indirect light, diffuse it and scatter it for less harsh shadows. Consider the Canon 580EX II Speedlite for more advanced needs.

7a. Stofen Omni Bounce Diffuser – Diffuse and scatter the light from your Speedlite flash with the Omni Bounce Diffuser to eliminate harsh shadows. Use it with your flash head at a 45 degree angle up, or to the side or behind you, as it is designed to be used. Don’t aim it straight on, and don’t use it outside. I don’t care if you see others doing that, even if they have a 5D and a big lens – they don’t know that all they are doing is wasting flash power and not affecting the results.

8. B+W Brand UV Filter – Protect your lens from scratches, dust, and impact damage with a high-quality, multi-coated B+W brand UV filter. It generally shouldn’t affect your image quality due to its high quality glass and coatings, and it just may save you from a $200 repair. Leave one on each of your lenses at all times, unless you are using another filter like the circular polarizer. Be sure to get the right size filter for your lens.

8a. B+W Brand Circular Polarizer Filter – Use this high-quality, multi-coated filter to dramatically darken skies, increase contrast, and cut through reflections. Turn the rotating lens to adjust the amount of darkening or reflection.

9. Canon EF-S 18-200mm f/3.5-5.6 IS Lens – After you’ve realized the limitations of the kit lens in both quality and focal range, pair your T3i with this high quality all-purpose “walk-around” lens, great for everyday and travel use. It provides the full focal range from wide angle to telephoto, and delivers excellent image quality, color, and contrast, as well as Image Stabilization to prevent blur from camera movement.

9a. EW 78D Lens Hood – And you will want the lens hood for the 18-200mm lens, to shade the lens from unwanted glare and flare and protect it from bumps and bangs.

10. M Rock Holster Bag – Carry and protect your camera and walk-around lens in a holster style bag from M Rock. I used the Yellowstone style extensively in my travels throughout South America, and I love its durability and extra little features like a built-in rain cover, micro-fiber cleaning cloth, zippered interior pocket, adjustable interior, and extra strap. Be sure to get the model that fits your camera body and lens-length.

Bonus. Understanding Exposure by Bryan Peterson – If you don’t yet understand the relationship between aperture, shutter speed, and ISO, read this book immediately. This knowledge is essential to understanding and using your powerful dSLR to its full potential.

For additional photography gear, accessories, and books, be sure to check out my dSLR Photography Gear, Accessories, and Books post!

What the Canon 7D Firmware 2 Upgrade Will Do For You

Soon after the release of the long awaited 5D Mark III professional full-frame dSLR, Canon announced that it would update the firmware of the EOS 7D to expand its functions and to add several new menu items that had been introduced on the 5D Mk III (as well as some additional features). And now, this Canon 7D Firmware 2 update is here! You can download it from Canon on the 7D product page:

Canon 7D Firmware 2 2.0 EOS upgrade update

With this update, Canon has increased the versatility and boosted the capabilities of the popular and powerful 7D. These improvements now give you more control over Auto ISO settings and over audio recording during Movie shooting, quick access to new and existing editing features during playback, and in-camera RAW processing. The 7D is also now compatible with the optional Canon GP-E2 GPS Receiver. Perhaps most dramatically, the maximum continuous burst capability has been increased so that the 7D is now able to shoot more continuous frames before pausing: up to 25 RAW or 130 JPEG images when using a 128GB UDMA card, or 23 RAW and 110 JPEG images when using a standard (8GB minimum) CompactFlash card. When saving both RAW+JPEG image files, the camera has improved from 6 consecutive shots to 17.

Here are all of the Canon EOS 7D Firmware 2 improvements:

Option to set the time zone and daylight saving time along with the date. Now when you travel, you merely have to adjust the time zone setting for your destination and not reset the time.
Increased maximum burst during continuous shooting. This is a fantastic update for those shooting long continuous bursts, allowing you to shoot 23 RAW or 110 consecutive JPEG images when using a typical memory card, or even 17 RAW+JPEG images over the previous 6. Invest in a 128GB UDMA card and shoot 25 RAW or 130 JPEG consecutively.
Ability to set the desired maximum ISO Auto setting. Now when using Auto ISO you can select the maximum ISO setting, between 400 and 6400, that the camera will choose – to avoid creeping into unwanted noisy ISO settings.
Registering or changing the file name prefix of JPEG and RAW files. If you have the need to customize the file name prefix of your images, due to using more than one camera or any other reason, the camera now offers you a few different ways to do this.
Manual adjustment of audio recording levels for Movie shooting (64 levels). Like the 5DIII, you can now adjust the audio level while shooting video. While the in-camera microphone is mono, an optional external mic can record in stereo.

Canon 7D eos firmware 2 2.0 update video movie sound audio recording level manual adjust

Option to rate images (1 to 5 stars). You can now rate your images in-camera, which can help you to get a head start on editing.
Added option to Jump through images by Rating. The rating can also be used in conjunction with Image Jump or when putting together a slide show.
Quicker scrolling of magnified image view during playback. This is an unexpected but welcomed update to help make in-camera image review a bit easier.
Quick Control screen during playback to easily access various image options. The various Quick Control screens can often be the quickest and easiest way to access and change a variety of settings and features. The camera has now added a convenient Quick Control Screen for image playback. When reviewing an image, or when in Live View or Movie Shooting Modes, pressing the [Q] Button will bring up Quick Control screens specific to those operations. The Playback Quick Control Screen allows you to easily access image functions including Protect, Rotate, Rating, RAW image processing, Resize JPEG, Highlight Alert, AF Point Display, and Image Jump. During Live View shooting, you can quickly access Auto Lighting Optimizer and the image recording quality by pressing the [Q] Button. During Movie shooting, pressing the [Q] Button will allow you to quickly access similar functions as with Live View plus the movie recording size setting.

Canon 7D eos firmware 2 2.0 update quick control rating q screen

RAW image processing in-camera. Now you can process RAW images in-camera and then save them as JPEG images. This is useful if you need to quickly output a processed file, and you can apply a White Balance, Picture Style (and adjust its variables), Auto Lighting Optimizer, High ISO Speed Noise Reduction, choose the JPEG Image Quality output, select the Color Space (sRGB, AdobeRGB), and utilize Peripheral Illumination, Distortion, and Lens Aberration corrections.

Canon 7D eos firmware 2 2.0 update raw processing in camera

Ability to resize JPEG images in-camera. This new menu item can be used to resize (reduce only) a JPEG image in-camera, which could be useful if you need to quickly output a smaller JPEG file (with lower pixel count). You can also use the [Q] Button during image playback to quickly access Resize.
GPS settings menu and added compatibility with optional Canon GPS device. The 7D is now compatible with the optional Canon GPS Receiver GP-E2, which will allow you to record location information as part of the EXIF data of your image including elevation, direction, longitude, and latitude.

My e-book camera guide Canon 7D Experience is being updated to incorporate all the EOS 7D Firmware 2 updates. If you have already bought the guide from my Full Stop website or from Amazon you will be contacted about how to obtain the revised guide. This updated guide, perhaps the only Canon 7D guide incorporating Firmware 2 additions, should be available by mid-August.

The First User’s Guide to the Canon Rebel T4i / EOS 650D Now Available!

Canon T4i / 650D Experience, my most recent Full Stop dSLR e-book and the first available user’s guide to the T4i / 650D, goes beyond the manual to help you learn the features, settings, and controls of the advanced and versatile T4i / 650D, plus most importantly how, when, and why to use the functions, settings, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon T4i / 650D Experience will help you learn to use your Canon T4i / 650D quickly and competently, to consistently create the types of images you want to capture. The e-book is available in PDF format for reading on your computer, e-reader, or tablet.

Learn more about it, preview it, and purchase it here:
http://www.dojoklo.com/Full_Stop/Canon_T4i_Experience.htm

As one reader has said about the previous Canon T3i Experience e-book: “A Must-Have Accessory – What a great addition to my bag. This is a well written, full body of work that explains, in plain English, how to get the most out of my new camera. Doug provides the knowledge and experience to bring you to the next level. I look forward to learning more every time I open the book.”

Take control of your Rebel T4i / EOS 650D, the image taking process, and the photos you create!

For beginner, intermediate and enthusiast photographers: This Canon T4i / 650D e-book is for those who wish to get more out of their camera and to go beyond Auto+ and Program modes and shoot in Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) modes. To get your camera set up, it begins with explanations and recommended settings for all Menu settings, Custom Function options, and Movie Mode Menu settings of the T4i / 650D. It covers basic dSLR camera functions and exposure concepts for those new to digital SLR photography, and explains more advanced camera controls and operation, such as using the various metering modes and exposure compensation for correct exposure of every image, controlling autofocus modes and focus points for sharp focus of still or moving subjects, and making use of the camera’s new multi-shot exposure modes.

Canon T4i / 650D Experience focuses on still-photography with an introduction to the movie menus and settings to get you up and running with video. Sections include:

Setting Up Your Camera – All of the Menu settings and Custom Function settings for the T4i / 650D, including movie mode menus, with brief descriptions and recommended settings for practical, everyday use. Set up and customize the advanced features of this dSLR to work best for the way you photograph.

Camera Controls – Description of all of the camera’s controls, plus when and why to use them, including how to take advantage of the new Touch Screen and Quick Control settings screens.

Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.

Auto Focusing Modes and Drive Modes – How they differ, how and when to use them to capture sharp images of both still and moving subjects. Also how and when to use focus lock and back-button focusing.

Exposure Metering Modes of the Canon T4i / 650D – How they differ, how and when to use them for correct exposures in every situation. Also how to make use of exposure lock.

Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations.

Lenses – Explanation of Canon lenses and choosing your next lens.

Composition – Brief tips, techniques, and explanations, including the creative use of depth of field.

The Image Taking Process – A descriptive tutorial for using the settings and controls you just learned to take still and action photos.

Photography Accessories – The most useful accessories for day-to-day and travel photography including those specific to this camera, plus recommended photography books.

Introduction to Video Settings – Some basic settings to get you started.

This digital guide to the Canon Rebel T4i / EOS 650D is a 165 page illustrated e-book that goes beyond the manual to explain how, when, and why to use the features, settings, and controls of the T4i / 650D to help you get the most from your camera.

Learn more about Canon T4i / 650D Experience e book manual for the Rebel T4i / EOS 650D on my Full Stop website here:

http://www.dojoklo.com/Full_Stop/Canon_T4i_Experience.htm

Canon Rebel T4i / 650D vs. EOS 60D

Canon Rebel T4i vs. EOS 60D

I first introduced and discussed the new Canon Rebel T4i in this recent post, Introduction the the Canon Rebel T4i. I encourage you to read that first to learn about all the features of the T4i. Then you may be wondering about how to choose between the T4i vs. the Canon EOS 60D, so I go into more detail about that here:

The predecessor to the T4i, the T3i, shared several important features with the 60D including the same 18 MP image sensor and the 63 zone exposure metering mode, both allowing you to get great, high-quality, well exposed images even in challenging lighting situations. However, the T3i lacked a couple critical features that dedicated enthusiast photographers might eventually find that they would need, even if they weren’t ready or knowledgeable enough to use them right away. They might have found that the less accurate autofocus system was eventually not up to their needs and that the slower continuous shooting speed limited the moments they could capture.

As I discussed above, the new Canon Rebel T4i / 600D demonstrates a significant leap in the “trickle-down” trend by borrowing several additional important features from the 60D, including the more accurate all-cross-type 9 point autofocus system and 5 frames per second, faster continuous shooting speed. The fact that both of these cameras, the T4i and 60D, now share numerous key features, it is obviously a challenge to decide between them.

There are still a few features, however, that may help you decide one way or the other. The T4i has added continuous autofocusing while shooting video and a couple new Movie autofocus modes to best make use of this. If you intend to shoot lots of video with your camera, this could be an important deciding factor. The T4i also adds a Touch Screen, allowing you to change settings, navigate menus, and browse through images with iPhone-like multi-touch gestures. This isn’t a vital feature for taking better images, but it may be a convenience issue that makes a difference.

But the 60D still holds some important advantages for those who intend to be serious and dedicated to their photography, and who wish to use their camera as a versatile tool to fit with how they shoot. The 60D still offers a bigger and brighter viewfinder, additional external buttons and controls which makes changing camera settings on the fly much quicker and easier. For example it has the metering mode, autofocus mode, etc. buttons right on top for easy access, plus the large Quick Control Dial on the rear of the camera to quickly change exposure compensation or to help with changing settings and rapidly moving through menus, and the all-important AF-ON button allowing more control over autofocus operation.

The 60D also has a slightly more rugged build than the T4i and some amount of weatherproofing seals, where the T4i basically has none. Even more importantly, the 60D boasts additional Custom Function options, which will allow you to customize the camera and its functions to operate exactly how you want them to: Safety Shift, Bracketing Sequence, ISO increments at 1/2 or 1/3 rather than full stops, dial direction reversal. While some of these options may not seem important to the casual user, the heavy-duty user will find them indispensable in increasing their efficiency and deceasing their aggravation. And due to some of the additional features/ controls and stronger build, the body of the 60D is larger, feels sturdier, and is better balanced with the larger heavier lenses that a more dedicated photographer will likely be using sooner or later.

Important Firmware Update to the Canon 7D

It has been reported that Canon will soon be releasing an important firmware update for the Canon EOS 7D. Unlike most firmware updates that correct a little bug and a typo in one of the foreign language menus, this update will add a considerable amount of features that were recently included in the Canon 5D Mark III. These include:

IMPROVED RAW MAXIMUM BURST
Increasing the maximum burst when shooting RAW images from 15 fps to 26 RAW frames in a singlecontinuous burst.

IN-CAMERA RAW CONVERSION
Post-processing of RAW images in-camera, including adjusting or setting the white balance, Picture Style, High ISO Noise Reduction, Color Space (AdobeRGB/sRGB) and lens corrections (Peripheral Illumination Correction, Chromatic Aberration Correction, and distortion correction).

The file can then be saved as a JPEG for immediate output and use.

IMAGE RATING CAPABILITIES
Rate your images in-camera, from 1 to 5 stars. This feature speeds up the process of sorting and organizing images when you return to your computer and begin to work in Adobe Bridge, Apple Aperture, etc.

AUTO ISO MAXIMUM SETTING
Set the maximum ISO that the camera will use while working in Auto ISO, between 400-6400 (inclusive).

MANUAL ADJUSTMENT FOR AUDIO RECORDING LEVELS
Manually adjust the audio recording level while shooting video, as well as the volume during playback.

JPEG RESIZING
Resize (downsize) a JPEG image in-camera and save it as a separate image, for easy immediate output and use.

SUPPORT FOR THE GP-E2 GPS UNIT
Use the new Canon GP-E2 GPS unit to geo-tag your images.

QUICK CONTROL DURING PLAYBACK
Press the Q Button during image playback to quickly access several options including Protect Image, Rotate, Rate, Resize, Highlight Alert, AF Point Display, and Image Jump.

FILE NAME SETTING
This adds the ability to change the naming convention of file name prefixes, so that instead of an image file being named IMG_xxxx, it can now be anything you wish such as DJK1xxxx or 7D12xxxx. The second option of this feature allows you to change just the first three letters of the name, and the third letter will reflect the file size setting, such as IMGL0025.JPG for Large JPEG files or IMGL0025.CR2 for large RAW files.

TIME ZONE SETTING
Set your time zone with the option to adjust for daylight savings time.

FASTER SCROLLING OF MAGNIFIED IMAGES
When reviewing an image during playback, this will allow you to scan around a magnified image quicker.

~ ~ ~

Be sure to check the Canon 7D page under Drivers and Software to see when this update has been released.

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Canon 7D Experience e-book guide to the 7D – If you are looking to take full control of your Canon EOS 7D and the images you create, be sure to have a looks at my e-book guide Canon 7D Experience. Since I publish only in e-book form, this may be the only book that will be able to quickly incorporate these major changes to the menus and features of the camera! I will send out an update supplement to all those who have purchased the PDF version of Canon 7D Experience, and I will incorporate all the changes in an updated version of the guide, so that all new readers will obtain the latest information.

Taking Advantage of the Canon 5D Mark III / IV Autofocus System

The autofocus systems of the Canon 5D Mark III and Canon 5D Mark IV are incredibly powerful and versatile, with their 61 AF Points, various pre-set AF “Cases,” and its Custom Function settings and redesigned menus to help photographers take advantage of its features. The AF systems are designed to better enable you to lock onto and track moving subjects, so that when you take the shot the subject is ideally in focus, even when using Continuous Shooting to capture multiple shots.

For the basics of the Canon AF system, including the AF Modes, please see this other post first: Taking Control of Your Canon Autofocus System. This post here will then address the additional features and options of the 5D3 and 5D4 AF system. Most of the text below is excerpted from my e-book guides Canon 5D Mark III Experience and Canon 5D Mark IV Experience, where I write extensively about the 5D3 and 5D4 autofocus systems, including the numerous and important Auto Area Selection Modes.

Please note that some of the menu numbers, names, and options may vary slightly between the two cameras.

Antigua, Guatemala – simulated view of Canon 5D Mark III viewfinder and AF Points

All of these settings will apply when working in AI Servo Autofocus Mode.

First you will need to set the Autofocus (AF) Menu AF2: AI Servo settings to match your priorities:

AI Servo 1st Image Priority and AI Servo 1st Image Priority:

Setting for Release priority will prioritize shutter release, or immediately capturing the initial shot and subsequent shots at the possible expense of exact focus. Generally when taking a photo, you are supposed to half-press the Shutter Button, allow the camera to focus, then continue the full-press of the Shutter Button to take the image. If you simply “mash” down the Shutter Button, this setting will cause the camera to take the photo without bothering to focus first. Sometimes when photographing sports, news, or events, capturing the “decisive moment” may take priority over exact focus.

Setting for Focus priority will prioritize focus for the first shot and subsequent shots, ensuring that the subject is in focus before the picture is taken. So when you fully press (or hold) the Shutter Button, this setting may cause a brief, perhaps micro-seconds delay while the camera confirms focus before actually releasing the shutter.

Equal priority is a slight compromise between Release and Focus priorities. It allows a brief (perhaps micro-seconds) pause for the camera to possibly find focus before releasing the shutter. It does not guarantee that the image will be in focus, but merely gives it more of a chance to find focus. It generally seems to make more sense to choose Release or Focus based on your priority.

Then choose the AF Area Selection Mode that will best enable you to keep track of your subject. Choose the some that is most accurate yet allows for the proper amount of lee-way if you are unable to keep the subject under your selected initial point at all times. These settings include Single Point AF, AF Point Expansion 4 or 8 surrounding points, etc. I will not go into detail about them here, but they are fully discussed in my guide.

Then find a “Case” setting which closely matches your needs

Case 1 – Versatile multi purpose setting

Tracking sensitivity: 0
Acceleration/deceleration tracking: 0
AF point auto switching: 0

Case 2 – Continue to track subjects, ignoring possible obstacles

Tracking sensitivity: -1
Acceleration/deceleration tracking: 0
AF point auto switching: 0

Case 3 – Instantly focus on subjects suddenly entering AF points

Tracking sensitivity: +1
Acceleration/deceleration tracking: 1
AF point auto switching: 0

Case 4 – For subjects that accelerate or decelerate quickly

Tracking sensitivity: 0
Acceleration/deceleration tracking: 1
AF point auto switching: 0

Case 5 – For erratic subjects moving quickly in any direction

Tracking sensitivity: 0
Acceleration/deceleration tracking: 0
AF point auto switching: 1

Case 6 – For subjects that change speed and move erratically

Tracking sensitivity: 0
Acceleration/deceleration tracking: 1
AF point auto switching: 1

These are the various options of these Cases which you can tweak for your specific needs:

Tracking sensitivity – This is the speed at which the AF system will switch from the initial subject to another subject when a new subject enters the focusing field of view or passes in front of the initial subject, or if you momentarily lose the subject that you are trying to keep positioned under a selected AF point. If you wish for it to quickly lock onto a new subject that enters the area you are focusing on, or rapidly switch intentionally between subjects at various distances, set for +2. If you wish to retain focus tracking on the same subject and ignore new or obstructing subjects set for -2. If your objective is somewhere in between, set accordingly at +1, 0, or -1.

Acceleration/deceleration tracking – AI Servo Autofocus Mode works in part by predicting the potential location of a subject based on the subject’s current speed and direction. In order to make these predictions more accurate, use this setting to tell the camera if the subject is accelerating/ decelerating at a steady pace, or if it is changing its speed more erratically. For subjects that move smoothly set for 0. If the subject moves erratically and may very suddenly speed up, slow down, start, or stop set for 2. Or set for 1 if the subject’s movements are somewhere in between these other options.

AF point auto switching – When you are using Auto Selection – 61 AF Point, Zone AF, or AF Point Expansion Autofocus Area Selection Modes this setting will adjust the speed at which the AF Points change to track a moving subject as it travels across the frame. Setting 0 is for a slow, gradual speed at which the surrounding AF Points will pick up and start tracking the subject if it moves away from the initially selected AF Point. Setting 1 will somewhat rapidly switch to a different AF Point, and setting 2 will most rapidly switch to a different AF Point. So for example, if you began tracking a subject with a selected point and the subject was quickly moving between it and the surrounding eight points, setting 0 would retain focus at the initial point expecting the subject to soon return to that primary point. Setting 2 would mean the surrounding points would immediately activate, pick up the moving subject as it entered their area of focus, and be used to focus on it.

Again, there is much more to the AF System and its Autofocus Modes, Autofocus Area Selection Modes, and Menu and Custom Function settings. Please have a look at my e-book guides Canon 5D Mark III Experience and Canon 5D Mark IV Experience to learn more!

A Response to Ken Rockwell’s Review of the Canon 5D Mark III

I just came across a certain review of the new Canon 5D Mark III and am compelled to respond. It is one thing to write a critical review, but a whole other thing to list various perceived shortcomings and deficiencies that simply don’t actually exist in the camera. After having spent several intimate weeks with the 5D Mk III (as I wrote the Canon 5D Mark III Experience camera guide), it is disappointing to then read about alleged issues and faults which actually don’t exist but were merely assumed by a reviewer because effort wasn’t put into reading the manual and properly learning the camera.

Canon 5D Mark III mk 3 eos manual book ebook instruction how to guide dummies
Detail of the Canon 5D Mark III by dojoklo

I have put together a list of some of my responses. KR quotes are in italics and blue, and my replies below them.

Slower Autofocus – With so much more to set, learn and get in the way, the new AF system will slow you down until you master it. The 5D Mark III’s AF system is that is about ten times more complicated than earlier cameras. Now it will take you forever to learn how to use it, and if you do, you’ll discover that the Auto AF Area Select mode takes much longer to select which of the 61 points it feels like using, while the original 5D and the 5D Mark II instantly selected among their 9 points..

Yes, the sophisticated and highly customizable autofocus system of this professional camera needs to be fully learned and understood in order to take full advantage of it and to gain proficiency at using it. But the AF system and menus are designed to be powerful yet easy to get the most from, and this proves to be true once the user puts some effort into learning and setting it up. Then you will find that there are numerous solutions to quickly accessing it, changing it, and making full use of the Canon 5D Mk 3 autofocus system, including:

Limiting the number of selectable AF points in the AF4 menu to just 15, 9, or 41 cross-type (while all of the 61 AF Points will still be available for use by the camera to find, track, and capture subjects).

Setting up all the AF menu and Custom Function items initially to best suit your style of shooting and then not dealing with them anymore.

Or better yet, tweaking any of the Autofocus Case presets to your liking, then quickly choosing among the Cases based on your shooting situation.

Setting up your favorite combination of AF settings, modes, tracking settings, etc, which can then all be registered and called up with the press of the DOF button.

Adding any of the AF menu items to My Menu, setting My Menu to come up with one button push, then quickly accessing the AF menu items you need to change.

A different response to the Canon 5D Mk III autofocus system would be to marvel at the incredible, never-before-possible opportunities to customize and use a state-of-the-art AF system to track, retain focus, and capture shots that could not have previously been captured, through pre-setting the camera to be aware of the rates of speed and amount of erratic movement to expect from the subject, as well as take into account the user’s desire to either retain focus on a subject/ distance or to quickly be able to change to another subject/ distance. Not to mention the various configurations of AF points and Zones which can be chosen to most accurately focus on and track a variety of subjects and situations.

AF is much more complicated, not necessary better than the original 5D and 5D Mark II.

Anyone who has used the 5D and 5DII autofocus system for more than 6 minutes and then used the 5DIII AF system will tell you that:

1. there were some major shortcomings with the 5D and 5DII autofocus, particularly in lower light, and

2. the AF speed, accuracy, and low light focusing abilities of the 5DIII are on a whole new performance level than those previous models.

It’s not any different from other AF cameras as far as low-light is concerned.

As indicated above, I found quite the opposite to be the case as, for example, I quickly and easily grabbed focus on a black furry face in incredibly dim lighting, which could never have been accomplished so easily with the 5D II or 50D:

Canon 5D Mark III mk 3 low light high iso 25600
Canon 5D Mark III – 25,600 ISO, JPEG straight from camera. 25,600 ISO plus 1/640 plus f/1.4 will help indicate the light level.

The finder’s AF display is inferior. Instead of discrete LEDs that only blinked as needed, the Mark III’s new screen uses solid black LCD boxes that get in the way of seeing your subject’s subtleties — like when they smile.

The big, bright, glorious viewfinder of the 5D3 offers several options for how and when to display and/ or illuminate the AF points as they are seen in the viewfinder, including different options to have them visible and/ or blink just when used or needed, as listed below. See the AF5 Menu, AF Point Display During Focus item as well as other menu items to set up exactly how and when they illuminate such as VF Display Illumination.

Selected (constant) – The selected AF Point (or points) is always visible, but not all of the other 61 AF Points.

All (constant) – All of the 61 AF Points are always visible. Recommended: this will make it easier to always know where the other points are for when you quickly need to select a different point. These AF Points are typically too important to hide!

Selected (pre-AF, Focused) – The selected AF Point(s) is visible when the camera is ready to shoot even before you have started any AF operations, when you are selecting an AF Point or zone, and when focused is achieved by the camera (except when working in AI Servo AF mode).

Selected (focused) – The selected AF Point(s) is visible only when you are selecting an AF Point or zone, and when focus is achieved (except when working in AI Servo AF mode).

Disable display – The selected AF point(s) will only be displayed when selecting an AF Point or zone.

Plus you can turn the grid display off or on. I myself find seeing all the AF points as well as the grid indispensable to taking full advantage of the AF system while keeping my framing straight and level.

The AF points are now poorly lit. An LED lights up the entire screen and sort of helps you see the dark LCD AF point boxes in the dark. The older cameras were much better.

Again, I did not find this to be the case, and had no problem making use of the AF points in the dark as I took these images. In fact I rather enjoyed using the AF system in the dark as I shot these images, and marveled at how pleasant it made night shooting. However, other 5D3 users have shared KR’s complaint regarding the black AF Points in dark situations, and it sounds like Canon is going to address this with a future firmware update.

Canon 5D Mark III mk 3 multiple exposure low light high iso
Canon 5D Mark III – In-Camera Multiple Exposure feature

Canon 5D Mark III mk 3 in camera HDR shooting mode low light
Canon 5D Mark III – In-camera HDR Shooting Mode – Art Embossed setting, +/-3 EV

No Highlight AND Shadow optimization – While all Nikons and the 5D Mark II can optimize both highlights and shadows at the same time, the 5D Mark III no longer can do this.

Auto Lighting Optimizer is designed to automatically adjust contrast and brightness and helps to maintain detail in both the shadow and highlight areas. The new HDR shooting mode, when set to Natural, can also capture a wider range of shadows to highlights. ALO and Highlight Tone Priority were never designed to be used simultaneously.

A huge defect in the 5D Mark III’s AF system is that no longer can I switch among the AF modes I use with one click, without stopping or taking my eye from my subject.

The DOF Button can be set to instantly switch between One-Shot and AI-Servo AF Modes on the 5D Mk III. I’m not sure how one did this “one-click switch” with the Mk II in a way that can’t also be done with the Mk III.

No Zoomed-in Histogram – When you zoom, the histogram goes away.

With the new side-by-side Comparative Playback, you can view the entire image with histogram on one side of the screen, and a zoomed in detail from that image in the other window.

Not to mention that the incredibly versatile side-by-side image playback feature offers numerous other review and comparison opportunities never before available.

Impossible-to-set custom manual white balances – It still takes about ten steps to set a custom manual white balance.

Add Custom White Balance to My Menu and access it much faster. Then take your WB photo, access Custom WB through My Menu, select that photo you just took, and set the camera WB setting to Custom with the quick press of a button and turn of a dial. I count 4 steps to access an advanced feature that very few photographers employ on a regular basis. Not really that hard.

No Custom White Balance Memories

True, but you could register the custom WB as part of one of the C1, C2, or C3 Custom Shooting Modes.

The Ratings button is a waste of a button, unless you really like to edit in-camera.

That may be true if you find you don’t use it. I have unexpectedly grown fond of the Rating feature, and use it to save much time later when back at my computer. In addition, the 5D Mk III offers an incredible amount of options for customizing the buttons and controls of the camera, as demonstrated by the grid of choices on pages 322-323 of the manual, plus several additional options discussed with the functions they control.

As I’m learning to use the AF system, I’ve realized that it will never make sense because the AF-Area settings were removed from the Quick Control screen. Now we always will have to look in two different places to set the AF Mode (AI SERVO, AI FOCUS or ONE SHOT), and someplace else to select the manner in which the various AF areas are used.

If you first press the INFO Button and access the Shooting Settings screen and then press any of the three setting-selection buttons on the top of camera (including AF Mode), you can view and change their settings on the rear LCD Monitor, also using either the Main Dial or the Quick Control Dial as you would when changing the function while viewing the top LCD Panel. In other words, an amazingly awesome and handy Quick Control Screen specifically for each of the top button’s paired functions. This will also work with the AF Point Selection Button after pressing the INFO Button and accessing the Shooting Settings screen, and then you can view and select an AF Area Selection Mode on its very own Quick Control Screen. BUT, the reason that the 5D Mark III has buttons that the T3i does not have is so that a knowledgeable user can quickly and easily access these functions on the fly (such as AF Mode and AF Area Mode) without using a Quick Control Screen. Sigh.

To learn much more about how to use and take advantage of all of the features, controls, and capabilities of the Canon 5D Mark III, have a look at my guide Canon 5D Mark III Experience.

Canon 5D Mark III Experience – The Still Photography Guide to Operation and Image Creation is an e-book user’s guide that goes beyond the manual to help you learn the features, settings, and controls of this sophisticated, powerful, and highly customizable camera. Most importantly, it explains not only how but also when and why to use the features, settings, and controls in your photography.

Written in the clear, concise, and comprehensive manner of all Full Stop guides, Canon 5D Mark III Experience will help you learn to use your EOS 5D Mk III quickly and competently, to consistently create the types of images you want to capture.

As one Canon user has said about Full Stop guides:
“I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Take control of your Canon 5D Mk III, and the images you create!

Take Control of your Canon 5D Mark III with my e-book guide!

I have completed my e-book guide for the new Canon EOS 5D Mark III, called Canon 5D Mark III Experience. This Still Photography Guide to the EOS 5D Mark III goes beyond the EOS 5D Mk III manual to help you learn when and why to use the various controls, features, and custom settings of this powerful camera, including the advanced and sophisticated 61 point autofocus system, the numerous Menu and Custom Function options, and the new controls and features. Written in the clear and concise manner of all Full Stop guides, Canon 5D Mark III Experience can help you learn to use your Canon 5DIII quickly and competently, to consistently create the types of images you want to capture.

Take control of your Canon 5D Mk III and the images you create!

As one Canon user has said about on of my previous guides:

This book is now available! To learn more about it, please click on the cover or the link below to have a look at my Full Stop e-book website:

http://www.dojoklo.com/Full_Stop/Canon_5DMkIII_Experience.htm

What Readers Had to Say about Doug’s Previous dSLR Camera Guides:

Brilliant – just what I was looking for! A manual that was exciting, clear to follow, had examples and was used by a professional who gave just the right amount of technical info with explanations of why you use those settings, when to use those settings and so on…all properly explained. Doug’s book is a joy to follow, well thought through and well written. The camera company should be employing Doug to write their cameras manuals!
-Robert D.

A Must-Have Accessory – What a great addition to my bag. This is a well written, full body of work that explains, in plain English, how to get the most out my new camera. Doug provides the knowledge and experience to bring you to the next level. I look forward to learning more every time I open the book.
-Steven

Definitely reduces the slope of the learning curve to an easy gradient – I found that it was easy to read and understand, full of important hints and suggestions and allowed me to get to grips with the tools available in the camera in a very short time indeed. Excellent value!
-O.B.

It’s the first guide I’ve read which has taken me through all the settings in an understandable way. I now feel that I have control over the camera.
-Peter S.

Canon 5D Mark III is Here!

Here are my first quick shots of the Canon EOS 5D Mark III, during the ceremonial unboxing at Newtonville Camera, Newton Mass. (Thanks guys!)

Images copyright by author, taken at Newtonville Camera, Newton, Mass. Please do not use without permission.

I am in the process of working on the first and best (hopefully on both counts) e-book guide for the Canon 5D Mk III called Canon 5D Mark III Experience – The Still Photography Guide to Operation and Image Creation with the Canon EOS 5D Mk III. You can learn more about it by clicking on the title or here:

http://www.dojoklo.com/Full_Stop/Canon_5DMkIII_Experience.htm

I wrote an initial post about the 5D Mk III Specs and What They Mean for real world use, so you can begin to learn about its new and/ or improved features. I’ve also spent a lot of time with the manual, and a little bit of time with the camera itself, and I am thoroughly impressed! I love the new autofocus system and the new menu systems that are far better organized than ever before. The new menus include the new AF Autofocus Menu tab and sub-menus with the pre-set autofocus Cases to make it far easier to configure your camera for your specific subject tracking needs than was previously possible with the Canon 7D menus and Custom Functions. The side-by-side Comparative Image Review is great for comparing two images at once on the nice, wide rear LCD Monitor, or for comparing a full image with a detailed view of part of it.

Canon 5D Mark III Mk 3 111 eos detail image quality
Quick shot with the 5D MkIII, with a detail of the dew drop I noticed during post-processing. Captured in JPEG – looks even better full size!. Images copyright by author, taken at Newtonville Camera, Newton, Mass. Please do not use without permission.

The feel of the body is great too, more 7D than 5D Mk II, and the sound of the shutter is much more appealing than the “ka-chunk” of the 5D Mk II. The silent Touch Pad control for movie shooting works great, and the in-camera HDR and Multiple Exposures are fun to play with. I will write more about the camera and its features as I get a chance.

Images copyright by author, taken at Newtonville Camera, Newton, Mass. Please do not use without permission. (Sorry for the copyright watermarks, but I had my previous unboxing image widely stolen by unsavory websites.)

Here are some in-camera HDR Mode and in-camera Multiple Exposure Mode experiments:

Canon 5D Mark III mk 3 111 sample image photo in camera HDR mode art embossed lowell house harvard square cambridge ma mass
Lowell House, Harvard Square, Cambridge, Mass. Canon 5D Mark III – in-camera HDR Mode, Art Embossed

Canon 5D mark III mk 3 111 in camera hdr mode sample image art vivid
Lowell House, Harvard Square, Cambridge, Mass. Canon 5D Mark III – in-camera HDR Mode, Art Vivid

Example images of all of the other HDR processing options can be seen here.

Canon 5D Mark III mk 3 111 multiple exposure mode test shot image sample
Neon Sign, Cambridge, Mass. – Canon 5D Mark III Multiple Exposure Mode. Multiple-exposure control: Bright, 3 exposures