Great Deal on the new Nikon D5200

If you are considering getting the new Nikon D5200, B&H Photo has put together a nice D5200 bundle with a free battery and free battery grip.

The third-party battery grip will allow you to use two batteries, thus extending your shooting time.  It also makes the camera larger, which many photographers prefer.  The D5200 is a relatively small dSLR, and many users find that the extended grip makes shooting in portrait orientation easier.  But in addition to that, it may keep your pinky from “falling off” the bottom when shooting with the camera in “standard” orientation, as well as help the feel and balance of the camera when using larger / heavier lenses.

I am busy working on my Full Stop camera guide to the Nikon D5200, Nikon D5200 Experience, which I hope to have finished by late February.  As with all my guides, it is an e-book user’s guide that goes beyond the manual to help you learn the features, settings, and controls of this versatile camera.  Most importantly, it explains not only how but also when and why to use the various features, controls, and custom settings in your photography.

The D5200 is a bit more advanced than its D5100 predecessor due primarily to the upgraded autofocus system.  The D5200 now has the 39 point AF system of the D7000, which proved to have a steep learning curve for many users. Nikon D5200 Experience fully explains how to take control of this powerful autofocus system and its Autofocus Modes and Autofocus Area Modes.

Nikon d5200 autofocus system 39 af point use learn book ebook guide manual
Simulated view of the Nikon D5200 viewfinder, showing the 39 autofocus points. Background image shown at 75% opacity to better view the AF points.

If you wish to purchase your D5200 from Amazon, it is now also available there in a variety of colors and kits:

Nikon D5200 dSLR on Amazon, body only / with 18-105mm kit lens / with 18-55mm kit lens

Top Ten Accessories for the Canon T5i / EOS 700D

Now that you’ve decided on the Canon Rebel T5i / EOS 700D (or Canon Rebel T4i / EOS 650DCanon Rebel T3i / EOS 600D) you’ll want to get the basic, essential accessories. Don’t get carried away yet with elaborate flash modifiers and color balance correction tools before you gain some experience and determine which advanced accessories you will really need and use. But you can’t go wrong with these initial 10 additions to your camera bag. Click on the links or the images to view and purchase them on Amazon.com or from the manufacturer (and help support my blog by doing so – thanks!)

1. SanDisk Extreme 8GB or 16GB Memory Card – You are going to need a high quality, high speed memory card to save all those images and capture those videos. Go with the best and don’t risk corruption and errors – a SanDisk Extreme. Perhaps a couple 8GB, 16GB, or even 32GB capacity Secure Digital (SD) cards to capture and store your photos – more if traveling. Use at least class 6 cards, or better yet class 10 if you will be shooting video.  Be sure to check the Sandisk site for current rebates.

2. Canon LP-E8 Battery – You will probably want a spare battery, especially if you are traveling, or just for those times you forgot to charge the battery before going to an important event. Go with the official Canon brand and avoid battery communication and charging issues. If you are a fan of the optional battery back / vertical grip, the one for the T3i and T4i is the Canon BG-E8. The battery grip allows you to use 2 LP-E8 batteries for extended shooting, or six AA batteries, and also increases the size of the camera body, which some users find more ergonomically comfortable, especially when shooting in the portrait orientation.

3. Canon T5i/700D Experience e-book (or Canon T4i Experience E Book or Canon T3i Experience E Book) – You will want to go beyond Auto and learn to use the advanced functions and settings of your sophisticated camera, so be sure to check out my e books, Canon T5i/700D Experience, Canon T4i Experience and Canon T3i Experience. They will help you to take control of your camera so that you can consistently take better images – the images you wish to capture. You’ve invested the money in an advanced camera, now invest the time to learn how to use it to its full potential! (There is also a Canon T2i Experience book available.)

Canon Rebel T5i 700D EOS book manual guide dummies how to tutorial tips tricks learn use setup     Canon T4i EOS 650D book ebook how to manual dummies field guide    

4. Black Rapid RS7 Strap – This sling-style camera strap provides a more comfortable and practical – and somewhat more discreet – way to carry around your camera, especially if you have a larger lens on it. They also make a couple of slightly different versions of the sling-strap, such as one designed for women, and a active “sport” version.

5. Manfrotto 055XPROB Tripod Legs and Manfrotto 496RC2 Ball Head:  This is an excellent “starter” combination of tripod legs and head for the enthusiast.  They are sturdy and durable yet affordable.  If you know you will be doing a lot of tripod work, such as for studio, landscape, or travel photography, it is best to invest in more advanced (expensive) versions, including lighter carbon fiber legs, four section legs that close to a shorter length, and a head with additional or specialized features.

    

6. Giottos Large Rocket Blower – Blow the dust off your lens, camera body, interior, and sensor safely with the Rocket Blower. Get the large size for maximum “whoosh!” Use with the LensPEN Lens Cleaning System to clean those fingerprints, smudges, and mysterious spots off your camera lens (filter) safely and quickly with the LensPEN. Brush off the loose spots with the brush end, “charge” the tip with a twist of the cap, then clean by “drawing” in a circular motion. Read the manufacturer’s instruction for complete details.

 

7. Canon 430EX II Speedlite Flash – Upgrade to the Canon Speedlite Flash to obtain more flash power and control for your low light pictures. Take advantage of the T3i’s wireless remote flash capabilities. Rotate and bounce your flash for more flattering indirect light, diffuse it and scatter it for less harsh shadows. Consider the Canon 580EX II Speedlite for more advanced needs.

7a. Stofen Omni Bounce Diffuser – Diffuse and scatter the light from your Speedlite flash with the Omni Bounce Diffuser to eliminate harsh shadows. Use it with your flash head at a 45 degree angle up, or to the side or behind you, as it is designed to be used. Don’t aim it straight on, and don’t use it outside. I don’t care if you see others doing that, even if they have a 5D and a big lens – they don’t know that all they are doing is wasting flash power and not affecting the results.

8. B+W Brand UV Filter – Protect your lens from scratches, dust, and impact damage with a high-quality, multi-coated B+W brand UV filter. It generally shouldn’t affect your image quality due to its high quality glass and coatings, and it just may save you from a $200 repair. Leave one on each of your lenses at all times, unless you are using another filter like the circular polarizer. Be sure to get the right size filter for your lens.

8a. B+W Brand Circular Polarizer Filter – Use this high-quality, multi-coated filter to dramatically darken skies, increase contrast, and cut through reflections. Turn the rotating lens to adjust the amount of darkening or reflection.

9. Canon EF-S 18-200mm f/3.5-5.6 IS Lens – After you’ve realized the limitations of the kit lens in both quality and focal range, pair your T3i with this high quality all-purpose “walk-around” lens, great for everyday and travel use. It provides the full focal range from wide angle to telephoto, and delivers excellent image quality, color, and contrast, as well as Image Stabilization to prevent blur from camera movement.

9a. EW 78D Lens Hood – And you will want the lens hood for the 18-200mm lens, to shade the lens from unwanted glare and flare and protect it from bumps and bangs.

10. M Rock Holster Bag – Carry and protect your camera and walk-around lens in a holster style bag from M Rock. I used the Yellowstone style extensively in my travels throughout South America, and I love its durability and extra little features like a built-in rain cover, micro-fiber cleaning cloth, zippered interior pocket, adjustable interior, and extra strap. Be sure to get the model that fits your camera body and lens-length.

Bonus. Understanding Exposure by Bryan Peterson – If you don’t yet understand the relationship between aperture, shutter speed, and ISO, read this book immediately. This knowledge is essential to understanding and using your powerful dSLR to its full potential.

For additional photography gear, accessories, and books, be sure to check out my dSLR Photography Gear, Accessories, and Books post!

Ten Top Accessories for the Nikon D5100

Now that you’ve finally decided on a dSLR and chosen the Nikon D5100 you will want to get some basic, essential accessories. While there are countless accessories available that may look appealing or seem necessary, I suggest you first gain some experience with your basic equipment, and then discover through use which additional items you truly want or really need.  No add-on, whether an elaborate flash modifier or color balance correction tool, will instantly improve your images so concentrate instead on your image making!

nikon d5100 dslr camera unbox unboxing kit lens choose decide vs
photo by author – copyright 2011 – please do not use without permission!

But you can’t go wrong with these initial 10 additions to your camera bag. Click on the links or the images to view and purchase them on Amazon.com (and help support my blog by doing so – thanks!)

1. SanDisk Extreme 8GB Memory Card – You are going to need a high quality, high speed memory card to save all those images and capture those videos. Go with the best and don’t risk corruption and errors – a SanDisk Extreme. Perhaps a couple 8GB cards or 16GB cards.

2. Nikon EN-EL14 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing an event all day.  Go with the official Nikon brand and avoid battery communication and charging issues. If you are a fan of the optional battery back / vertical grip, there is a third-party offering for the D5100, the Neewer Pro Battery Grip for Nikon D5100.  Though Nikon did not design their own D5100 battery grip, this third-party option fills the gap, and accepts 2 EN-EL 14 batteries. The grip may make the camera easier to handle for those with larger hands, when working with a large lens, or if often working in portrait orientation.

Nikon d5100 battery en-el14

3. Nikon D5100 Experience e-book – You will want to begin to learn to use your camera, go beyond Auto, and start to use the advanced functions and settings of your sophisticated D5100, so be sure to check out my e book, Nikon D5100 Experience.  This guide will help you to take control of your camera so that you can consistently take better images – the images you wish to capture. You’ve invested in an advanced camera, now invest the time to learn how to use it to its full potential! There are also Kindle, Nook, and iPad versions of the e-book available here.

4. Black Rapid RS7 Strap – This sling-style camera strap provides a more comfortable and practical – and somewhat more discreet – way to carry around your camera, especially if you have a larger lens on it.  The RS-7 version has a nice curved shoulder strap, the RS-4 is not curved at the shoulder but does have a handy little pocket for memory cards, and the RS-W1 R-Strap is designed for women.

5. Giottos Large Rocket Blower – Blow the dust off your lens, camera body, interior, and sensor safely with the Rocket Blower. Get the large size for maximum “whoosh!”

6. LensPEN Lens Cleaning System – Clean those fingerprints, smudges, and mysterious spots off your camera lens (filter) safely and quickly with the LensPEN. Brush off the loose spots with the brush end, “charge” the tip with a twist of the cap, then clean by “drawing” in a circular motion. Read the manufacturer’s instruction for complete details.

7.  Nikon SB-900, SB-800, SB-700, or SB-600 Speedlight Flashes: Use one of these external flashes for greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash, and all of them can be used as remote flashes controlled by the built-in flash.  With the exception of the SB-600 all can be used as commanders to trigger remote flashes. The SB-900 Speedlight or the new SB-910 Speedlight is recommended if you need maximum flash power for events and weddings, etc. Otherwise the smaller SB-700 Speedlight is best for general use.

8. B+W Brand UV Filter – Protect your lenses from dust, scratches, and impact damage with a high-quality, multi-coated B+W brand UV filter. It typically shouldn’t affect your image quality due to its high quality glass and coatings, and it just might save you from a $200 repair. Leave one on each of your lenses at all times, unless you are using another filter like the circular polarizer. Be sure to get the right size filter for your lens.

8a. B+W Brand Circular Polarizer Filter – Use this high-quality, multi-coated filter to dramatically darken skies, increase contrast, and cut through reflections. Turn the rotating lens to adjust the amount of darkening or reflection as you place the sun to your left or right.

9. Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Lens – After you’ve realized the limitations of the kit lens, especially in that area of focal range, pair your D5100 with this high quality all-purpose “walk-around” lens, great for everyday and travel use. It provides the full focal range from wide angle (for capturing the entire scene) to telephoto (for zooming in on details and faces), and delivers excellent image quality, color, and contrast, as well as Vibration Reduction (image stabilization) to prevent blur from camera movement.

9a. HB-35 Lens Hood – And you will want the optional bayonet lens hood for the 18-200mm lens, to shade the lens from unwanted glare and flare and protect it from bumps and bangs.

10. M Rock Holster Bag – Carry and protect your camera and walk-around lens in a holster style bag from M Rock. I used the Yellowstone style extensively in my travels throughout South America, and I love its durability and extra little features like a built-in rain cover, micro-fiber cleaning cloth, zippered interior pocket, adjustable interior, and extra strap. Be sure to get the model that fits your body and lens.

 

Bonus items:

Understanding Exposure by Bryan Peterson – If you don’t yet understand the relationship between aperture, shutter speed, and ISO, read this book immediately. This knowledge is essential to understanding and using your powerful dSLR to its full potential.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter-Release Button thus preventing possible camera shake.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

For additional photography gear, accessories, and books, be sure to check out my dSLR Photography Gear, Accessories, and Books post!

Gloves for Photography

As winter is rapidly approaching in New England, I decided it was time to solve a perpetual annual problem: photographing in the cold. I went to EMS and had a look at the various gloves available that would allow me to wear them and photograph at the same time.

The obvious choice first appeared to be the North Face Etip glove.  They fit snugly on the hand and fingers, potentially allowing good control of the lens and the camera dials and buttons.  In preparation I had brought my camera along to test them out.  The silicone grippies of the palm and finger help hold the camera in place, but I soon discovered that these weren’t going to be the best choice.  Although they are designed to use with a smart phone, tablet, mouse touchpad, or similar device, the smooth silver material on the index finger and thumb proved to be too slippery for turning the camera dials, particularly the rear dial on a Canon 50D, 60D, 7D, or 5D type of camera.

 


North Face Etip Gloves

The next pair was the North Face Powerstretch glove.  The four-way stretch material allows the gloves to fit closely and comfortably around the fingers.  I decided that since the size of neither the L or M wasn’t quite perfect for my hands, the smaller of these two sizes would be best since it would stretch a bit to fit and wouldn’t leave extra material at the fingertips that would impede camera control.


North Face Powerstretch Gloves

This choice, the Powerstretch, worked very well and was a strong contender.

EMS also offers their own thin, stretchy gloves called EMS Axial Glove Liners.  They are thin, allowing good camera control, but intended as liners they possibly aren’t as warm as the North Face Powerstretch.


EMS Axial Glove Liners

The gloves that I finally settled on, after trying on all these options in a variety of sizes, was the EMS Altitude 3-in-1 Gloves.  For myself, this pair solved two problems:  I wanted the thin gloves for working with the camera, plus I needed heavier gloves for the upcoming New England winter.  The 3-in-1 gloves provide removable thinner gloves, appearing similar to the liners above, inside a heavier and bulkier insulated shell.


EMS Altitude 3-in-1 Gloves

However, the inner gloves aren’t just thin and stretchy liners as above but are fleece lined inside and around the wrist – a very thin but hopefully effective fleece layer.  So hopefully they will prove to be warmer than simple liners, and I can slip on the heavier shells when not shooting.

I am sure that there are many other options to choose from when it comes to gloves for cold weather photography.  I know there are fingerless gloves, with or without removable mittens or fingers for full protection.  Perhaps one of the liners combined with a knit fingerless glove will work well.  You can also have a look at gloves intended for cold weather running or exercise, which may prove to work well.

Top 10 Accessories for Your Canon Rebel T3i / EOS 600D

I have updated this post for the Canon Rebel T5i / EOS 700D and the Rebel T4i / EOS 650D, which you can now view on this blog here:

Top Ten Accessories for the Canon T5i / EOS 700D

All of the accessories still apply to the T3i and the T2i (EOS 600D, 550D).

 

dSLR Photography Gear, Accessories, and Books

In my e-book user’s guide for digital SLRs I include a list of accessories and books, complete with links to purchase these products on Amazon or from the manufacturer. However, the links don’t always work with some e-book formats, so I am posting the list here too. Some accessories may have been updated since this list was last modified, such as the Nikon SB-5000 Speedlight replacing the SB-910, or the Canon 600 EX II-RT Speedlite replacing the 600 EX-RT, so be sure to check for the latest versions of the various accessories.

Below are some accessories that are handy for general and travel photography use with any dSLR camera, plus some of my favorite photography books, and camera-specific accessories mentioned in the texts of my Full Stop camera guides. Click on the links to go to the product or category pages on Amazon.com or the manufacturer’s website. Please note that these are my referral links, and I will receive a small referral fee if you use these links to make your purchases, which helps to support my blog and my work. Thanks!

Contents:

dSLR Photography Accessories
Digital Photography Books

Nikon D780 Accessories
Nikon Z8 / Z7 / Nikon Z6 / Nikon Z 7II / Nikon Z 6II Accessories
Nikon D850 Accessories
Nikon D500 Accessories
Nikon D750 Accessories
Nikon D810 Accessories
Nikon D7500 / D7200 / D7100 Accessories
Nikon D7000 Accessories
Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories
Nikon D610 / D600 Accessories
Nikon Df Accessories
Nikon D3300 Accessories

Canon EOS R, EOS R7, EOS R6II,EOS R8 Accessories
Canon 5D Mark IV Accessories and 5DS / 5DS R Accessories
Canon 7D Mark II Accessories
Canon 80D / 77D / 70D Accessories
Canon 7D Accessories
Canon 60D Accessories
Canon T5i, T4i, T3i and T2i (EOS 700D, 650D, 600D and 550D) Accessories
Canon 5D Mark III Accessories
Canon 6D Accessories


dSLR Photography Accessories

UV Filters – Clear, protective filters for the lenses.  You should have these on at all times to protect your lenses.  Get high quality coated ones, such as B+W, especially for higher quality lenses.   Consider the MRC multi-coated versions for highest quality lenses.  While some argue that any filter may degrade image quality, a high-quality filter will show little effect, and most know that it is cheaper to replace a $100 filter than to repair a $1500 lens.  Use the slim filters for wide angle lenses to avoid vignetting.

Circular Polarizing Filter: Use this outdoors in sunlight to darken the sky, cut through haze and reflections, and increase contrast. Do not use on a wide angle lens as it will cause the sky to change from light to dark and back again across the frame. You have to turn the second ring of the filter to create the amount of lightness or darkness in the sky that you desire, or to reduce or eliminate reflections. It works best when the sun is to your left or right, but does not have any polarizing effect if the sun is directly in front or behind you. Do not use an older linear polarizing filter with a digital camera, as it will interfere with the metering and autofocus systems.

Neutral Density (ND) Filter: If shooting video in bright lighting, you will need to use a dark neutral density (ND) filter on the lens to block light in order to be able to use dramatic wide aperture settings (such as f/ 2.8 or f/4.0). These are also useful with still photography for allowing slow shutter speeds in bright light, such as for photographing waterfalls. They are available in a variety of densities to block out the amount of light to enable you to increase your exposure settings by a certain number of stops, such as 3 stops (0.9), 6 stops (1.8), 10 stops (3.0), etc. For example, when working in M or S mode and the exposure meter reads 1/30s, f/8, ISO 100, but you wish to use and aperture setting of f/2.8 while “holding” the other settings – you can use a 3-stop ND filter and the exposure meter will now read 1/30s, f/2.8, ISO 100, allowing you to obtain the wide aperture setting and resulting shallow depth of field. There are also variable ND filters, where you can adjust one of the filter’s rings to vary the amount of density, as well as the Cokin filter system that makes use of a filter holder that attaches to the front of the lens, which then holds square filters. These are useful to landscape photographers using graduated or split neutral density filters that either gradually or sharply transition from dark to light. Using the square filter in front of the lens, you can then vary the angle and location of the transition to align with the horizon.

Nikon Lens Hoods or Canon Lens Hoods: Use a lens hood on your lens to both prevent flare and to protect the front of the lens when it inevitable bangs against something or drops. Some nicer lenses typically come with a lens hood. With other lenses, buy the corresponding optional hood.

BlackRapid R-Straps: A different, more comfortable style of strap for carrying and using your camera, especially with a larger or heavier lens. There are a variety of current models, including the Curve, Metro, Kick, Sport, and Cross Shot.

Manfrotto 055XPROB Tripod Legs and Manfrotto 496RC2 Ball Head:  This is an excellent “starter” combination of tripod legs and head for the beginner or enthusiast.  They are sturdy, durable, and well built.  If you know you will be doing a lot of tripod work, such as for studio, landscape, or travel photography, it is best to invest in more advanced (expensive) versions, including lighter carbon fiber legs and a head with additional features.

Insurance: Make sure your equipment is covered by insurance. When I worked in a camera store, people came in on a weekly basis to replace the equipment that was stolen from their car, trunk, luggage, while traveling, or was in a fire. You may need special insurance or a rider if your homeowner or renter’s insurance does not cover it. I use the policy available through NANPA, though you have to join NANPA to get it. This insurance is primarily for the equipment only, so you are not paying for liability coverage geared toward a business as you are with many other photo equipment insurance plans. Please note that the NANPA membership fee covers you annually from July – they don’t pro-rate, so you will not get a full year if you join at any other time. (If you happen to join NANPA to get their insurance, mention my name as a referrer, and I save on my next membership renewal!)

Silica Packs: Keep these in your camera bags to absorb moisture. Consider using real ones that you buy in solid cases instead of the little packs that you found in your new pants pocket that may break open over time.

Sto-Fen Omni Bounce Diffuser: Works great on the optional external flash units (note some Nikon flashes come with a diffuser like this). Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder. I know you see lots of people doing it. They didn’t bother reading how to use it. Don’t imitate them. Use a direct bare or gelled flash outdoors. These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so. Not straight on, and not bouncing off the sky.

Giottos Rocket Air Blaster: Always have this manual air blower handy for getting dust off lenses in a hurry, because blowing on them with your mouth – no matter how careful – inevitably leads to spittle on the lenses. Also use for manually cleaning the sensor, carefully following sensor cleaning instructions.

Dust-Aid Platinum dSLR Sensor Filter Cleaner: If the Air Blaster does not remove all the dust during sensor cleaning, you can move to a “silicon stamp,” such as this one. This is slightly more invasive, as you will be touching the sensor with the cleaning device. Be sure to carefully read and follow the Dust-Aid instructions, as well as the manual’s sensor cleaning instructions, particularly the correct way to raise the mirror and access the sensor.

Lens Pen Cleaning System: Works great for cleaning off mysterious spots and smudges that appear on the lens. Blow dust off the lens first with the Rocket Air Blaster, brush it with the Lens Pen brush, and then follow the instructions for using the Lens Pen.

Digital Grey Card: Used to measure and set accurate custom white balance.

Rosco Strobist Collection Flash Gels: Use these to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene. Tape them in place or use the LumiQuest Gel Holder which attaches to your flash with the Honl Speed Strap, an overpriced strip of Velcro.

Sandisk Extreme CF Memory Cards (CompactFlash for Canon 7D, Canon 5D Mk II, 5D Mk III):  I suggest getting a couple 16 GB or 32 GB CF cards to store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III (or the 7D) to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst (7D rates are 130 JPEG / 25 RAW).

SanDisk Extreme Pro SDXC UHS-I SD Memory Cards: I suggest getting a couple 64GB or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling. The current version of this card is rated at up to 170 MB/s (read) and 90 MB/s (write) speed. The older version of the card, SanDisk Extreme Pro SDXC UHS-I SD, is rated at 95 MB/s (read) and 90 MB/s (write) speed, and is available in the smaller 32GB size.

SanDisk Extreme Pro SDXC UHS-II SD Memory Cards: These high speed SD cards, with 300/260 MB/s read/write speeds, will enable you to take advantage of the camera’s maximum burst rate.

Eye-Fi Wireless Flash Memory Card: This SD memory card can be used to automatically upload photos wirelessly via Wi-Fi to your computer during shooting or afterwards.

Card Reader: Use this to transfer image files from the memory cards to your computer if your computer does not have a card reader built in. They may be faster than the camera’s USB cable and will save camera batteries.

Stereo Microphones: The Rode VideoMic or the Rode VideoMic Pro are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

Camera’s USB Cable: Always have the included camera USB cable when traveling, as a back-up method of transferring image files to your computer.

Lens and Body Caps: Don’t forget to have these in your camera bag, to protect lenses and camera body when switching and storing them.

Camera Wrap: For protecting your camera while carrying it around in dusty, misty, or sandy situations, or for protection when storing it.

Rainhood or Rainsleeve: For protecting your camera while using it in dusty, misty, rainy, or sandy situations.

Adobe Creative Cloud (with Photoshop and Lightroom): These software programs are essential for editing, processing, retouching, and manipulating your photographs, especially if you are shooting in RAW. Lightroom is designed specifically for photographers and is the processing program of choice for many of them, but it does not have the manipulation capabilities of Photoshop. Take advantage of Adobe’s significant student and teacher discounts if applicable.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

Camera Bags and Travel Gear: For additional gear that is helpful for travel situations, including various camera bags for different situations, have a look at my travel gear blog post:

http://blog.dojoklo.com/2009/12/01/assignment-guatemala-gear/


Digital Photography Books

Understanding Exposure: How to Shoot Great Photos with Any Camera by Bryan Peterson

Learning to See Creatively: Design, Color & Composition in Photography by Bryan Peterson

The Photographer’s Eye: Composition and Design for Better Digital Photos by Michael Freeman

The Photographer’s Mind: Creative Thinking for Better Digital Photos by Michael Freeman

Available Light: Photographic Techniques for Using Existing Light Sources by Don Marr

On-Camera Flash Techniques for Digital Wedding and Portrait Photography by Neil van Niekerk

Speedliter’s Handbook: Learning to Craft Light with Canon Speedlites by Syl Arena

Digital Photographer’s Complete Guide to HD Video by Rob Sheppard and Michael Gunchen.

Canon Speedlite System Digital Field Guide by Michael Corsentino

Nikon Speedlight Handbook: Flash Techniques for Digital Photographers by Stephanie Zettl

The New Complete Guide to Digital Photography by Michael Freeman – a comprehensive general reference guide with brief explanations of nearly every aspect of digital photography.

New Epson Complete Guide to Digital Printing by Rob Sheppard.

More Essential Digital Photography Books are listed in this post.


Nikon D780 Accessories

Nikon EN-EL15b Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling, or when photographing all day, or for an event.

EH-7P Charging AC Adapter: This charging adapter allows you to directly charge the battery while in the camera, via a USB cable. Note that the camera needs to be turned off in order for it to charge, and it will not charge older EN-EL15or EN-EL15a batteries.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button, thus preventing possible camera shake.

WR-T10 Remote Transmitter and WR-R10 Remote Controller or WR-R10 Wireless Remote Adapter Set: These wireless remote accessories will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button, thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with the WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power. The less sophisticated SB-500 is also compatible.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-7 Wireless Transmitter: This can be used to wirelessly transmit your images and videos to an FTP server, computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. It also offers a wired Ethernet port for a wired (tethered) connection. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection, which allows you to remotely change numerous camera settings.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as a BeachTek dSLR audio adapter, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: https://nikonimglib.com/ncnxd/

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera.


Nikon z8 / Z7 / Nikon Z6 / Nikon Z 7II / Nikon Z 6II Accessories

Nikon EN-EL15b Rechargeable Battery or updated  EN-EL15cIt is always good to have an extra battery or two, especially when traveling, or when photographing all day, or for an event. The MB-N10 Multi-Power Battery Pack will be offered in the future, and will hold two EN-EL15bbatteries.

EH-7P Charging AC AdapterThe Z 7 includes this charging adapter, which allows you to directly charge the battery while in the camera, via a USB cable. This adapter is also compatible with the Z 6, but is not typically included. Note that the camera needs to be turned off in order for it to charge, and it will not charge older EN-EL15or EN-EL15abatteries. This adapter is compatible with the Z 6, but is not typically included.

Nikon MB-N11 Power Battery Pack with Vertical Grip: This battery grip for the Z 7II and Z 6II accepts two EN-EL15 type batteries, while also providing a vertical grip and duplicated, customizable controls including the shutter release, AF-ON Button, Fn Buttons, and Multi Selector. Note that the thumb-joystick on the grip corresponds to the Multi Selector thumbpad on the camera body, and not to the Sub-Selector joystick on the camera.

Nikon MB-N12 Power Battery Pack with Vertical Grip: This battery grip for the Z 8 accepts two EN-EL15 type batteries, while also providing a vertical grip and duplicated, customizable controls including the shutter release, AF-ON Button, Fn Buttons, and Multi Selector.

MB-N10 Multi-Power Battery Pack: This battery grip for the Z 7 and Z 6 will hold two EN-EL15b batteries. However, it does not have any camera controls.

Nikon FTZ Adapter or newer FTZ II Mount AdapterThese lens adapters will enable you to use a large number of compatible Nikon F-mount lenses and teleconverters with the Z 7 and Z 6.

MC-DC2 Remote Release CordThis corded remote will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button, thus preventing possible camera shake.

WR-T10 Remote Transmitter and WR-R10 Remote ControllerThese wireless remote accessories will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button, thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10receivers on multiple cameras and trigger them simultaneously with one WR-T10remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-5000 Speedlight FlashIn addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with the WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power. The less sophisticated SB-500is also compatible with the Z 7 and Z 6.

SU-800 Wireless Speedlight CommanderThis unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-7 Wireless Transmitter: This can be used to wirelessly transmit your images and videos to an FTP server, computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. It also offers a wired Ethernet port for a wired (tethered) connection. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection, which allows you to remotely change numerous camera settings.

Nikon GP-1A GPS UnitUse this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Remember that you can also make use of the camera’s wireless capabilities via the SnapBridge app, to add time and location data from your smart phone to the images on the camera, and thus perform similar capabilities as a GPS device. Here is an alternate Micnova GPS receiver if the Nikon model is no longer available.

ME-1 Stereo MicrophoneAn external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as a BeachTek dSLR audio adapter, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-DIf you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: https://nikonimglib.com/ncnxd/

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera.


Nikon D850 Accessories

Nikon D850 User’s Manuals – For PDF downloads of the Nikon D850 User’s Manual and D850 Menu Guide, see the webpage and below:

http://downloadcenter.nikonimglib.com/en/products/359/D850.html

Nikon EN-EL15a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D18 Battery Pack/ Grip: This accessory will enable you to use an additional EN-EL15a battery, or eight alkaline, lithium, or Ni-MH AA batteries, or an EN-EL18 battery with the use of the optional BL-5 Battery Chamber Cover. This allows you to shoot longer without having to change batteries, and can allow you to share EN-EL18 batteries with the Nikon D5 body. It also increases the size of the D850 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation. There is also an MB-D18 Battery Pack kit that comes with the battery pack, plus the BL-5 Cover and an EN-EL18b battery.

MC-30 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-T10/ WR-R10 /WR-A10 Wireless Remote Controller, Transceiver, and Adapter: This wireless remote set will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-7 Wireless Transmitter: This can be used to wirelessly transmit your images and videos to an FTP server, computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. It also offers a wired Ethernet port for a wired (tethered) connection. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection, which allows you to remotely change numerous camera settings. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission of full sized images.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Remember that you can also make use of the camera’s wireless capabilities to add time and location data from your smart phone to the images on the camera, and thus perform similar capabilities as a GPS device.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as a BeachTek dSLR audio adapter, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon ES-2 Film Digitizing Adapter Set: This accessory for digitizing negatives using your camera includes holders for 35mm film strips and slides, and attaches to the AF-S Micro 60mm f/2.8G ED lens. This can be used with the Negative Digitizer feature of the D850 (accessed via the Live View i Button Menu), to more easily “scan” your negatives.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website. (http://nikonimglib.com/ncnxd/)

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D500 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event. Be sure to use the newer Li-Ion20 type of EN-EL15 battery for best results. Nikon will replace your older EN-EL15 Li-ion01 batteries with the newer version, for free. See this link for further information:

https://support.nikonusa.com/app/answers/detail/a_id/19541

Nikon MB-D17 Battery Pack/ Grip: This accessory will enable you to use an additional EN-EL15 battery, or eight alkaline, lithium, or Ni-MH AA batteries, or an EN-EL18 battery with the use of the optional BL-5 Battery Chamber Cover. This allows you to shoot longer without having to change batteries, and can allow you to share EN-EL18 batteries with the Nikon D5 body. It also increases the size of the D500 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-30 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-T10/ WR-R10 /WR-A10 Wireless Remote Controller, Transceiver, and Adapter: This wireless remote set will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-7A Wireless Transmitter: This can be used to wirelessly transmit your images and videos to an FTP server, computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. It also offers a wired Ethernet port for a wired (tethered) connection. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection, which allows you to remotely change numerous camera settings. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission of full sized images.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Remember that you can also make use of the camera’s wireless capabilities to add time and location data from your smart phone to the images on the camera, and thus perform similar capabilities as a GPS device.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as one of the BeachTek Audio Adapters, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Lexar 64GB Professional 2933x XQD card: The maximum continuous burst capacity specifications given by Nikon for the D500 are based on the use of this card. When set for RAW L image files and DX Image Area, this XQD card can capture up to the maximum 200 14-bit lossless compressed or 12-bit uncompressed images, without filling the buffer and having to pause. Sony also offers numerous XQD cards that are compatible with the D500, as listed on page 385 of the Nikon D500 User’s Manual.

SanDisk Extreme Pro UHS-II 280MBs SD: This is a very fast SD type card that appears to be working well with the D500. There have been issues reported with SD cards from Lexar and Transcend, which are caused by the card and not the camera. Nikon has released a firmware update that creates a workaround for errors when using a problematic UHS-II card, though it reverts to using it as a slower UHS-I card. The memory card manufacturers are working to resolve this issue.


Nikon D750 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D16 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use six AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D750 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP server via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be a more convenient and less expensive solution for wireless transmission.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV (or other external HDMI device), and then view images, slideshows, or video from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D810 Accessories

Nikon EN-EL15 Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D12 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use eight AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D810 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation. And its use with AA batteries will enable the maximum 7 frames per second continuous shooting speed when using DX Image Area. If you wish to use the larger EN-EL18 battery (used with the D4 body) with this MB-D12 battery grip, you can purchase the optional BL-5 Battery Chamber Cover which accepts the EN-EL18 battery.

MC-DC2 Remote Release Cord: This corded remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

MC-30A Remote Release Cord: Another basic corded remote release, with a larger thumb button that enables you to hold it down to keep the shutter open for Bulb shooting.

MC-36a Remote Shutter Release Cord: A multi-function corded remote for shutter release with an intervalometer, which attaches via the ten-pin connector.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WT-5A Wireless Transmitter with the Nikon UT-1 Communication Unit: These can be used together to wirelessly transmit your images to a computer, tablet, or smart-phone as you shoot, or even use the computer or smart device to remotely and wirelessly release the camera’s shutter. The two units can also be purchased together: WT-5A and UT-1. You will also need Nikon’s Camera Control Pro 2 software for the tethered or wireless computer connection. The Nikon UT-1 Communication Unit when used alone will allow you to connect the camera to a computer or FTP sever via an Ethernet cable, rather than wirelessly. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient and less expensive.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera. More advanced (expensive) models and lavalier mics are recommended for professional use, along with an audio mixer such as the BeachTek DXA-SLR Pro Audio Adapter, or Mini Pro version, or an external audio recorder such as the Zoom H6 Portable Recorder.

Nikon Capture NX-D: If you are not using Photoshop, this software will enable you to process and retouch your JPEG, TIFF, or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the camera to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.

Nikon D810 dSLR Filmmaker’s Kit: This package, costing about $5,000, includes the D810 camera plus everything one needs to get started with dSLR HD filmmaking. In addition to the body, the kit includes three prime lenses which are all f/1.8 (35mm, 50mm, 85mm), a video recorder with HDMI cable, the ME-1 Stereo microphone, variable ND filters so that you can take advantage of wide apertures even in brighter lighting, and two EN-EL15 batteries.

Sandisk Extreme CF Memory Cards: I suggest getting a couple 32 GB or higher CompactFlash (CF) cards to store your photos – more if traveling. Be sure to check the Sandisk site for current rebates. This card’s speed is 120 MB/s, so to achieve the buffer rates of the D810 listed in the manual you will need to use the CF card listed just below.

SanDisk Extreme Pro UMDA 7 CF Memory Card: For an even faster CF memory card, look at the Extreme Pro version, which is rated at 160 MB/s, higher than the 120 MB/s speed of the Extreme CF cards. This is the minimum card needed to achieve the buffer capacity rates listed in the D810 manual on page 489.

SanDisk Extreme Pro SDHC UHS-I SD Memory Cards: If you plan to use the camera’s SD card slot, I suggest getting a couple 32GB or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling. Review the various ways that the camera’s two memory card slots can be used with the Primary slot selection and Secondary slot function items of the Shooting Menu. Again, be sure to check the SanDisk site for current rebates. This card is rated at 95 MB/s speed, so you may need the above CF card to achieve the maximum the buffer capacity of the D810.


Nikon D7500 / D7200 / D7100 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D15 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7100 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. Other options include the Rode VideoMic or the Rode VideoMic Pro, which are good-quality affordable external stereo microphones for recording audio while shooting video. They mount to the camera’s Hot Shoe.

UT-1 Communication Unit: This unit is used with an Ethernet cable or wirelessly with the WT-5a Wireless Transmitter to connect to a network and transfer images to a computer or server, or to control the camera remotely from your computer. You can also purchase these two units, the UT-1 and WT-5a as a bundle.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D7000 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D11 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7000 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910, SB-900, SB-800, SB-700, or SB-600 Speedlight Flashes: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon WT-4A Wireless Transmitter: This can be used to wirelessly transmit your images to a computer as you shoot. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon D5600 / D5500 / D5300 / D5200 / D5100 Accessories

Nikon EN-EL14a Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D5600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

Nikon GP-1 or GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as commanders to control and trigger multiple remote flashes.

Nikon WU-1a Wireless Mobile Adapter: (Nikon D5200, D7100, D3200 and later cameras only) This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app:

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) (Not needed for D5300) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time. Using this accessory, you images will also be automatically located on a map, such as when uploaded to the Flickr photo website.

ME-1 Stereo Microphone or ME-W1 Wireless Microphone: External, stereo mics to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX-D: If you are not using Photoshop or Lightroom, this software will enable you to process and retouch your JPEG or RAW files, and make image adjustments such as color, contrast, sharpening, and noise. This free software is available for download from the Nikon website: http://nikonimglib.com/ncnxd/#

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D5600 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.


Nikon D610 / D600 Accessories

Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Nikon MB-D14 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D600 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Nikon SB-910 (or SB-900, SB-800, SB-700, SB-600, SB-500) Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.

Nikon SB-5000 Speedlight Flash: In addition to offering all the functions of the above flash units, this top of the line Nikon Speedlight offers optical wireless control, as well as wireless radio control (when used with using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller). The radio control can be triggered nearly 100 feet away and does not require line-of-sight. The flash also contains a cooling system that will allow 100 or more consecutive shots at full power.

Nikon WU-1b Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, or even use the smart device to remotely release the shutter. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.

Nikon GP-1 GPS Unit: / GP-1A GPS Unit (check compatibly with your camera here.) Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.


Nikon Df Accessories

Nikon Df User’s Manual – For a PDF download of the Nikon Df manual, see the webpage below:

https://support.nikonusa.com/app/answers/detail/a_id/18767

AF-S NIKKOR 50mm f/1.8G Special Edition Lens: This lens, with its silver ring, is specifically designed to match the retro-style of the Df – though it contains the same optics of the non-special AF-S 50mm f/1.8 lens.

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: This wireless remote will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 units.

AR-3 Cable Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless. In keeping with the styling of the Df, it is a “retro” cable-release with a plunger.

MC-DC2 Remote Release Cord: This is also a straightforward corded remote used to trigger the shutter of the camera, and is plugged into the Accessory Terminal of the Df.

Nikon SB-910 or Nikon SB-700 Speedlight Flash: These external flashes will give you significant flash power and control over output and direction. They have adjustable and rotating heads so that you can use indirect and bounce flash. They can also be used as commanders to trigger remote Speedlight flashes.

Nikon SB-400 Speedlight: This is a much smaller and less powerful flash than the versatile SB-910, and is closer to the strength of a typical built-in flash. However you can angle it for bounce-flash purposes.

SU-800 Wireless Speedlight Commander: This unit is mounted on the camera’s hot shoe, and will allow you to wirelessly control and trigger one or multiple remote Speedlights.

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, share your images, or even use your smart phone or tablet to remotely autofocus and release the camera’s shutter.

Wireless Mobile Utility: To get started with Wi-Fi, you will also need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

Nikon GP-1A GPS Unit: Use this GPS receiver for automatic geotagging of your images including location, altitude data, and UTC time.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, sharpening, and noise. This version is in the process of being replaced with Capture NX-D.

CF-DC6 Semi-Soft Case or CF-DC5 Semi-Soft Case: The CF-DC6 is a retro-styled leatherette case specially designed for the Df, and is available in Black or in light Brown. The CF-DC5 is of a more contemporary style and materials.

Leather Strap in Black or in Brown: You can pair the retro-styled CF-DC6 case with a leather strap, available in similar colors.

Gariz Leather Half-Case: There is also a very nice looking leather half-case by a third-party named Gariz. It is available in black and brown, and covers the grip area and lower part of the Df body, but also allows you to open and access the battery/ memory card compartment and the side terminal covers, without removing the case. It lengthens the body of the camera in order to provide a replacement tripod socket (since the camera’s is used for attaching the case), and perhaps to enlarge the camera to offer a better grip.

Screen Protectors: This pair of screen protectors is specifically sized for the LCD screens of the Df. While I have not personally used them, and thus cannot vouch for their quality or usefulness, previous versions of this brand have gained good reviews.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the Df to an HDMI CEC compatible TV, and then view images and slideshows from the camera. By accessing the Setup Menu item HDMI > Device control > On, you will also be able to then control the image playback using the TV remote.


Nikon D3300 Accessories

Nikon D3300 Manuals: The D3300 Reference Manual can be obtained as a PDF file from the Nikon website at this link:

https://support.nikonusa.com/app/answers/detail/a_id/18824

Nikon WU-1a Wireless Mobile Adapter: This can be used to wirelessly transmit your images to a tablet or smart-phone as you shoot, to share your images, or even to use your smart phone or tablet to remotely release the camera’s shutter – all with Nikon’s Wireless Mobile Adapter Utility app.

Wireless Mobile Utility:To get started with Wi-Fi, you will first need to download Nikon’s Wireless Mobile Utility app, which is available for both iOS and Android. Note that the iPad app is available as an “iPhone Only” app in the Apple App Store, though it can still be used on the iPad. You can find links to both versions of the app below, along with links to both versions of the Wireless Mobile Utility User’s Manuals:

Nikon EN-EL14a Rechargeable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Battery Pack/ Grip: This third-party accessory will enable you to use two EN-EL14a batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D3300 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Nikon ML-L3 Wireless Remote Controller or WR-R10/ WR-T10 Wireless Remote Controller and Transceiver: These wireless remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. The WR set communicates via radio frequencies, and thus does not require direct line-of-sight between the camera and the remote. You can even use multiple WR-R10 receivers on multiple cameras and trigger them simultaneously with one WR-T10 remote transmitter. The new WR-1 Wireless Remote Controller will allow even greater wireless control over one or multiple cameras with their own WR-1 or WR-R10 unit.

MC-DC2 Remote Release Cord: This remote will allow you to trigger the shutter of the camera remotely, but is attached to the camera via a cable, rather than being wireless.

DK-5 Eyepiece Cap:When using any of the Release Modes such as Self-Timer or Remote, where your eye is not at the Viewfinder, be sure to cover the Viewfinder with a piece of tape or this optional eyepiece cap in order to prevent stray light from entering the camera and modifying the exposure settings.

Nikon SB-910 or SB-700 Speedlight Flash: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. And they can be used as remote flashes triggered by the built-in flash, and as commanders to control and trigger multiple remote flashes.

ME-1 Stereo Microphone: An external, stereo mic to record much better sound during movie shooting that the built-in mic. The Rode VideoMic or the Rode VideoMic Pro are also good-quality affordable external stereo microphones for recording audio while shooting video. They each mount to the camera’s Hot Shoe and connect via the External Microphone connector terminal on the side of the camera.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

High-Speed A to C Type, HDMI to Mini-HDMI Cable: Use this HDMI cable to connect the D3300 to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By accessing the Playback Menu item HDMI > Device control > On, you will also be able to then control the image or video playback using the TV remote. Note that movies may not display properly, depending on the Frame size / Frame rate settings at which they were recorded.



Canon EOS R / EOS R7 / EOS R6II/ EOS R8 Accessories

Canon LP-E6N Battery or the current Canon LP-E6NH Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon LP-E17 Battery for the EOS R8

Canon BG-E22 Battery Grip: This optional battery pack and grip for the EOS R will enable you to use two LP-E6N batteries, thus allowing you to shoot longer without having to change batteries. (No official Canon grip is available for the EOS R7.) The grip replicates the controls of the body and also increases the size of the EOS R body which may be more comfortable for some shooters, especially when using the camera in the vertical position. Note that there is a firmware update for the BG-E22 Battery Grip:

https://www.usa.canon.com/internet/portal/us/home/support/details/supplies-accessories/batteries-grips/battery-grip-bg-e22?tab=drivers_downloads

Canon EF-EOS R Mount Adapters: Canon offers three EF to EOS R mount adapters, which enable you to use EF and EF-S lenses with the EOS R mirrorless models, as well as extenders. The adapters are dust and weather sealed. One is a basic EF-EOS R adapter, the Canon Mount Adapter EF-EOS R. One includes a Control Ring similar to the one on the RF lenses, the Canon Control Ring Mount Adapter EF-EOS R. And the Canon Drop-In Filter Mount Adapter EF-EOS R allows for the use of a drop-in filter, including a variable ND filter or a circular polarizing filter. This adapter can be purchased with the Circular Polarizing Filter, with the Variable ND Filter, and you can separately purchase just the Variable ND Filter or just the Circular Polarizing Filter.

Canon Remote Switch RS-60E3Canon Wireless Remote Control RC-6or the Bluetooth Canon BR-E1 Wireless Remote Controller: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. Note that you must pair the BR-E1 remote with the camera, by first setting the Setup 5 Menu > Wireless Communication Settings > Bluetooth Function > Remoteoption. Then select the Pairing item in the Bluetooth Function menu, and simultaneously press and hold the W and Tbuttons on the remote, for 3 seconds. Infrared remote controllers such at the RC-6 are not compatible with the EOS R.

Canon Speedlite EL-1: This is the newest flagship flash, which replaces the 600EX-II-RT. This external flash will give you the most flash power and control of the Canon Speedlites, as well as continuous shooting support. It has an adjustable and rotating head so that you can use indirect and bounce flash, and includes a diffuser plus color filters for white balance. It also allows optical wireless functionality plus is compatible with the radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Canon Speedlite EL-5: This is a non-professional version of the EL-1 external flash. The EL-5 will provide less flash power and control, and fewer features than the top-of-the-line EL-1, however it may meet your needs if you don’t make extensive use of a flash. It also has an adjustable and rotating head so that you can use indirect and bounce flash. It allows optical wireless functionality plus is compatible with Canon’s radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Canon Speedlite 600EX II-RT: This external flash will give you the most flash power and control of the Canon Speedlites, as well as continuous shooting support. It has an adjustable and rotating head so that you can use indirect and bounce flash, and includes a diffuser plus color filters for white balance. The 600EX II-RT also allows optical wireless functionality plus is compatible with the radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Compatible with the Canon 600EX II-RT Speedlite.

Note that either the 600EX II-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the EOS R. If either one of these units is in the Hot Shoe of the EOS R, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Speedlite 430EX III-RT external flash will provide less flash power and control, and fewer features than the top of the line 600EX II-RT, however it may meet your needs if you don’t make extensive use of a flash. It also has an adjustable and rotating head so that you can use indirect and bounce flash. The 430EX III-RT allows optical wireless functionality plus is compatible with Canon’s radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT or a 600EX II-RT. And the 430EX III-RT offers an optional bounce adapter and color filter.

Speedlite 470EX-AI external flash has an auto-intelligent bounce function, meaning that the flash head will rotate and swivel automatically, to be positioned at the best angle for bounce flash, based on the subject distance and ceiling height. The 470EX-AI also allows optical wireless functionality.

Canon HTC-100 HDMI cable or a similar HDMI cable Use this HDMI cable to connect the EOS R to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function.

Canon GPS Receiver GP-E2: This optional device can be used to automatically geotag your images with location data. If you are using the GP-E2, be sure to update its firmware to the latest version (Version 2.0.0 or later).



Canon 5D Mark IV Accessories and Canon 5DS / 5DS R Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E20 Battery Grip: This optional battery pack and grip for the 5DIV will enable you to use two LP-E6N batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 5D Mark IV body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX II-RT: This external flash will give you the most flash power and control of the Canon Speedlites, as well as continuous shooting support. It has an adjustable and rotating head so that you can use indirect and bounce flash, and includes a diffuser plus color filters for white balance. The 600EX II-RT also allows optical wireless functionality plus is compatible with the radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Compatible with the Canon 600EX II-RT Speedlite.

Note that either the 600EX II-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mark IV. If either one of these units is in the Hot Shoe of the 5D Mark IV, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Speedlite 430EX III-RT or Speedlite 320EX: These external flashes will provide less flash power and control, and fewer features than the top of the line 600EX II-RT, however they may meet your needs if you don’t make extensive use of a flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 430EX III-RT allows optical wireless functionality plus is compatible with Canon’s radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT or a 600EX II-RT. The 430EX III-RT offers an optional bounce adapter and color filter. The 320EX has a built in LED light for lighting video.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 5D Mark IV to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function.


Canon 7D Mark II Accessories

Canon LP-E6N Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E16 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6N batteries or six AA/ LR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 7D Mark II body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 7D Mark II. If either one of these units is in the Hot Shoe of the 7D Mark II, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section below.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 7D Mark II to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 Menu), you will also be able to then control the image or video playback using the TV remote.

WFT-E7A Wireless File Transmitter Version 2: This optional device enables fast wireless or wired Ethernet transfer of images from the camera to a computer or smart device such as an iPad or tablet. It also offers remote control and linked shooting capabilities, and offers built-in Bluetooth function. The device attaches to the base of the 7D Mark II, and is a similar size and shape as the optional battery grip.

Eh-S Super Precision Matte Focusing Screen: The 7D Mark II is able to accept this optional focusing screen, which is designed for manual focusing. However, you will need to be using a lens with a maximum aperture of f/2.8 or larger, or else it will make the Viewfinder appear darker than the standard focusing screen. This screen will display the out-of-focus areas of the scene more dramatically out-of-focus, thus helping you to better view what is in-focus. Be sure to change the C.Fn 3 Custom Function item of the Focusing Screen for Eh-S, if you make use of this screen.


Canon 80D / 77D / 70D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E14 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 70D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 70D. If either one of these units is in the hotshoe of the 70D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Canon HTC-100 HDMI cable: Use this HDMI cable to connect the 70D to an HDMI CEC compatible TV, and then view movies, images, and slideshows from the camera. By setting the Control over HDMI menu item to Enable (Playback 3 menu), you will also be able to then control the image or video playback using the TV remote. Use the Canon AVC-DC400ST Stereo AV cable for non-HD TV sets.


Canon 7D Accessories (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E7 Battery Grip:   This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries.  It also increases the size of the 7D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.  (see also the Canon 5D Mark III Accessories section for the new Canon 600EX-RT flash and its accessories).

Canon WFT-E5A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.


Canon 60D Accessories (see also the 5D Mark III section for the new Canon 600EX-RT flash and its accessories)

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E9 Battery Grip: This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the 60D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the 60D and your right hand slips between it and the camera.

Canon EF-D Focusing Screen: This is the grid focusing screen to help you keep your compositions and horizons straight and level.


Canon Rebel T5i/700D, T4i/650D, T3i/600D, and T2i/550D Accessories

Canon LP-E8 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E8 Battery Grip: This accessory will enable you to use two LP-E8 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the camera’s body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the T4i. If either one of these units is in the hotshoe of the T4i, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.

Canon Hand Strap E2: This hand strap, used with or without the battery grip, provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the camera and your right hand slips between it and the camera.


Canon EOS 5D Mark III Accessories

Sandisk Extreme CF Memory Cards:  I suggest getting a couple 16GB, 32GB, or higher capacity CompactFlash (CF) cards to capture and store your photos – more if traveling.  Be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro CF Memory Cards:  For an even faster CF memory card, look at the Extreme Pro version, which saves at 90MB/s over 60 MB/s of the Extreme CF cards.

Sandisk Extreme SD Memory Cards:  If you plan to use the camera’s second card slot, I suggest getting a couple 16GB, 32GB, or higher capacity Secure Digital (SD) cards to capture and store your photos – more if traveling.  Review the various ways that the camera’s second card slot can be used.  Again, be sure to check the Sandisk site for current rebates.

Sandisk Extreme Pro SD Memory Cards:  For an even faster SD memory card, look at the Extreme Pro version, which saves at 95MB/s over 30 MB/s of the Extreme SD cards.

SanDisk Extreme Pro UDMA 7 CF Memory Card:  This CF memory card will allow you to take full advantage of the high speed continuous shooting of the 5D Mk III to capture up to the maximum 16,270 continuous JPEG images or 18 RAW images in a single burst.

Canon LP-E6 Battery:  It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E11 Battery Grip:   This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries.  The grip replicates the controls of the body and also increases the size of the 5D Mk III body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon WFT-E7A Wireless File Transmitter:  Use this accessory to wirelessly transmit your images from the camera to a computer over a Wi-Fi or Gigabit Ethernet connection.  It can also be used to wirelessly control the camera via a web-enabled mobile device.

Canon GP-E2 GPS Receiver:  Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6:  These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.  There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT:  This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites.  It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below).  The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.  The AF assist beam of the Canon 600EX-RT is the only current Speedlite designed to be compatible with the 61 point autofocus system of the 5D Mk III.

Speedlite Transmitter ST-E3-RT:  Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required.  Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 5D Mk III.  If either one of these units is in the hotshoe of the 5D Mk III, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder:  This plastic holder attaches to the front of the 600EX-RT Speedlight and holds the gels of the Canon Color Filter Set.  Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX:  These external flashes will give you varying levels of flash power and control, with the 580EXII being the most powerful of the group.  They also have adjustable and rotating heads so that you can use indirect and bounce flash.  The 320EX also has a built in LED light for lighting video.  To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Sto-Fen Omni Bounce Diffuser for the Canon 580EXII or for the Canon 600EX-RT:  Works great on the optional external flash units like the Canon 580EX II Speedlite or the newer 600EX-RT Speedlite.  Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder.  I know you see lots of people doing it.  They didn’t bother reading how to use it – don’t imitate them!  Use a direct bare or gelled flash outdoors.  These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so, not straight on, and not bouncing off the sky.


Canon EOS 6D Accessories

Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.

Canon BG-E13 Battery Grip: This optional battery pack and grip will enable you to use two LP-E6 batteries or six AA/ CR6 batteries, thus allowing you to shoot longer without having to change batteries. The grip replicates the controls of the body and also increases the size of the 6D body which may be more comfortable for some shooters, especially when using the camera in the vertical position.

Canon GP-E2 GPS Receiver: Use this GPS receiver for automatic geotagging of your images including location and altitude data, a digital compass, and UTC time. However the EOS 6D (WG) has built-in GPS, so this accessory is generally not necessary. Ironically, the GP-E2 is not compatible with the EOS 6D (N), the model that is sold in certain regions without built-in Wi-Fi and GPS.

Canon Remote Switch RS-80N3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake. There is also the Timer Remote Controller TC-80N3 for time-lapse or long exposure photography.

Canon Speedlite 600EX-RT: This most recently introduced external flash will give you the most flash power and control of the Canon Speedlites. It has an adjustable and rotating head so that you can use indirect and bounce flash, and is compatible with a specially designed color filter holder and gels (see below). The 600EX-RT also allows infrared wireless functionality plus is compatible with the new radio wave wireless flash system when controlled and triggered by the Speedlite Transmitter ST-E3-RT.

Speedlite Transmitter ST-E3-RT: Use this radio wave wireless transmitter to control and trigger up to 5 groups of 15 flashes, up to 30 meters, with no line-of-site required. Currently only compatible with the Canon 600EX-RT Speedlite.

Note that either the 600EX-RT Speedlite or the ST-E3-RT Transmitter can also act as a remote camera trigger for the 6D. If either one of these units is in the hotshoe of the 6D, another one of these units can fire the camera remotely, for a single frame, with the press of a button.

Canon SCH-E1 Color Filter Holder: This plastic holder attaches to the front of the 600EX-RT Speedlite and holds the gels of the Canon Color Filter Set. Use these filters (gels) to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single White Balance setting that neutralizes the color cast of the entire scene.

Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you varying levels of flash power and control, with the 580EX II being the most powerful of the group. They also have adjustable and rotating heads so that you can use indirect and bounce flash. The 320EX also has a built in LED light for lighting video. To attach color filters to these models see the Rosco Strobist Collection Flash Gels section just above.

Viewfinder Focusing Screens: The optional Canon Eg-S Super Precision Matte focusing screen is designed to assist with manual focusing, and the optional Canon Eg-D Precision Matte focusing screen provides a grid in the Viewfinder to help keep your compositions straight and level.

Holiday Gift Ideas for Yourself or your Favorite Photographer

I suppose I should join the photo blogger holiday tradition of putting together a holiday and Christmas gift guide for photographers or those who are shopping for the photographer in their life! If you plan to purchase any of these items through Amazon.com, I you can use the product links I set up throughout this post, which will bring you right to that product’s page on Amazon. (Amazon will then reward me with a small referral reward for my effort, which will help support my blog. Thanks! If you are in the UK or wish to purchase from B+H, see the end of this post for link information.) And now on to the shopping:

The first thing you are going to need is the Canon 24-105mm f/4 lens Mug or Nikon 24-70mm f/2.8 lens Mug to drink your hot cocoa or hazelnut coffee as you are unwrapping the rest of your gifts. These extremely popular and awesomely realistic mugs, complete with rubber ring grips, have a wide f/4 or f/2.8 opening which enables them to take in copious amounts of liquid just as your lens takes in all that light. The lens caps protects your beverage when not in use – no UV filter needed.
Canon lens mug 24-105mm f/4 Nikon Lens 24-70mm f/2.8 mug

The best gift of the season for most photographers would most likely be a brand new digital dSLR camera to upgrade what they are currently shooting with – one with a few more megapixes, improved autofocus system, faster continuous shooting speeds, and some new bells and whistles.

For many photographers this will be the new Canon EOS 60D body only or the Canon 60D with 18-135mm kit lens. The EOS 60D has continued Canon’s tradition of ease of use, great ergonomics and controls, fantastic image quality and low light performance, plus added a swiveling real LCD screen. And full HD video with more frame rate options than the competitors.
canon eos 60d
For Nikon shooters the best choice is the brand new, highly sought-after Nikon D7000. The Nikon D7000 body only or D7000 with 18-105mm lens cost a bit more than the 60D, but they provide the additional features to justify the higher cost: faster continuous shooting rate, partial magnesium body, more advanced and customizable autofocus system, and two SD memory card slots to save all those shots and HD movies. Either one makes a excellent camera that is capable of producing high quality images.
Nikon D7000
Of course you are going to want some new lenses to go with these cameras. Why not step up to the professional quality lenses to see that immediate improvement in image quality, color, contrast, as well as lens and autofocus performance? For Canon this means the L series of lenses. Expand your focal range or fill in some gaps with a high quality wide angle zoom, standard zoom, or telephoto zoom.

For wide angle zooms, look at either the Canon EF 16-35mm f/2.8L II USM or the EF 17-40mm f/4L USM

For standard zooms, which make for a great “walk-around” lens, consider the Canon EF 24-70 f/2.8L USM or EF 24-105 f/4L IS USM


And in the telephoto zoom range, look at the EF 70-200, f/2.8L II IS USM or the much less expensive and lighter EF 70-200, f/4L IS USM

One of these lenses in each pair will be both more expensive AND heavier, so be sure and handle them first before you decide on one.

This may also be a good time to start experimenting with prime lenses. Their extra wide maximum apertures will allow you to use them in much lower light, and will create great, smooth background blurring for awesome portraits. Depending on how closely you like to work to your subject, a few to consider are the Canon 35mm f/2, Canon 50mm f/1.8 II for about $100, Canon 50mm f/1.4 (a little more costly 50mm), or the Canon 85mm f/1.8.

An extremely fun lens to work with is the Canon EF 100mm f.2.8 Macro USM. It is incredibly sharp, has dramatically narrow depth of field at f/2.8, and works as a great portrait lens too. If you have never used a macro, go try one out and experience what makes them so cool. The 60D and D7000 images just above were taken with this lens, as well as the cool close up shots of the following post comparing the Nikon D7000 vs D90 vs D300s.

If you need just one versatile lens for everyday use or for travel, the three lenses to consider are the EF 24-105 f/4L IS USM in the L series lenses, or else the EF-S 18-135mm f/3.5-5.6 IS or EF-S 18-200mm f/3.5-5.6 IS.

Of course with any of these lenses, be sure to protect them with a clear or UV filter, preferably a high quality, coated B+W brand UV filter. You can read a lot more about these lenses and how to choose between them in my earlier post, Best Lenses for Everyday and Travel Photography.

Possibly the most comfortable way to carry your camera around all day, especially when using a larger, heavier lens, is the BlackRapid RS-7 Camera Strap. I highly recommended this strap, and I use the older RS-4 version daily. They have made some steady, welcomed improvements on them, including the curved shoulder pad of the RS-7, the quick release strap, and the improved connecting hardware. The base that screws into your camera is a lower profile, stronger single piece, and the securing screw surface on the clasp ring is smooth rather than knurled so that it will no longer scratch up your camera bottom. The strap is comfortable, easy to use, quick, strong, and rugged. I often use it in conjunction with wearing a backpack, and although the straps fight for space against each other on my shoulder, it still works fine. There is also now a version designed for women, the RS-W1 plus a new woman’s version in just black. They are also introducing 2 different pieces of hardware which will allow you to attach your camera to a tripod without removing the R-Strap’s base that is already attached to your camera.

You are going to need something to carry all this equipment around in. My current favorite is the Lowepro Compu Trekker AW backpack, which is now called the Lowepro ProRunner 350 AW. I use this as both my airline carry-on and my working bag during the day. The size works perfectly for both needs. It easily fits the airline carry-on size, including smaller international requirements in some regions, yet fits more that it would first appear. With careful configuration of the interior dividers, I can fit 2 Canon bodies, three lenses, a 580EX II flash, its diffuser, 2 external hard drives in cases, a couple memory card cases, and some filters. In the outside pocket, I have a couple battery chargers, extra batteries, medium Rocket Blower, miscellaneous cords, caps, and accessories. In the rear pocket designed for a laptop, I easily fit a 32″ 5 in 1 reflector. The pack is extremely comfortable, has tons of padding on the straps and the back so that its weight never bothers me and I don’t feel the reflector in my back. I often wear it for hours a day while working, and it is never a problem. The Pro Runner 450 AW might be a better carry on size so that you could carry more gear on the plane with you (if it fits the airline’s requirements) but it would be too big for daily use. There are also rolling versions of these, with an “x” in the name, thought the retractable handles and wheels add weight and size to the bags.


For adventure videographers, the item of the year is the GoPro HD HERO Cam, which you attach to your helmet, head, mountain bike, snowboard, skateboard, motorcycle, or whatever to shoot professional quality, point of view video. It comes in a variety of packages with different mounts. Film and share your adventures in full HD video! Click the image to see it on Amazon or click here to learn more and but direct at the GoPro website.


And to save all those images you are taking, memory cards will make great stocking stuffers. I like Sandisk Extreme 16 GB SD cards. If you still use CF cards, be sure to get the SanDisk Extreme 16GB CF cards. Use a Sandisk card reader to upload the images to your computer, rather than from the camera directly, in order to save the camera batteries. This Sandisk Card Reader is for the CF cards, and the 5 in 1 reads SD cards.

And for some basic stocking stuffers, here are a few simple but essential items for keeping your camera and lenses clean:

Giottos Medium Rocket Blower in the medium or large size. Always have it handy for getting dust off lenses in a hurry, because blowing on them – no matter how careful – leads to spittle on the lenses 5% of the time when it doesn’t matter and 95% of the time when you are in the most critical situations.

Pearstone LP-1 Lens Pen – Works great for cleaning off mysterious spots, smudges, and fingerprints that always appear on the lens (this is why I always use UV filters) as well as that a-fore-mentioned spittle. There is a retractable brush on one end and a cleaning head on the other end. Twist the cap to load the cleaning tip with the carbon based cleaning material, then remove the cap and use. Please read the instructions and visit the LensPen website to fully learn how to use it properly.

For more photography equipment and accessories like those above, be sure to see this previous post Equipment for Travel (and Everyday) Photography.

To edit and save all your photos, you are going to need some hard drive space and some software:

External Hard Drives – The Iomega Ego 1TB and a Lacie Rugged USB 1TB work great both at home and when traveling. There is a FireWire version of the Lacie Rugged 500GB also. Both are built solid and sturdy, and each fit perfectly in the Case Logic Portable Hard Drive Case made for these types of drives. Get the cases in different colors so you can quickly differentiate your different drives. For storage at home, consider a couple Western Digital My Book 1TB External Hard Drives.

Post-Production – After taking all these wonderful images with your new equipment, you are going to need to organize, edit, and work on all your photos. And for that, of course you are going to needAdobe Photoshop and/ or Adobe Lightroom 3. You can start off with the trial versions that you can download from the Adobe site, but sooner or later you are going to have to get the real versions. Use that student discount if you can!

Also be sure to consider all the great photo books to help you learn to use your equipment, improve you images and compositions, and be inspired. I’ve put together a post of several of my favorites that you can read here. The most recent addition to the bookshelf is:

The Photographer’s Mind: How to See and Shoot Better Digital Photos by Michael Freeman
Every time I read Freeman’s The Photographer’s Eye, I lament, usually aloud, “why doesn’t he have more books like this?” Well, my wishes appear to have been answered. His next book The Photographer’s Mind has just come out.

And don’t forget the eBooks I put together for setting up and learning to use you Canon dSLR:

Your World 60D – The Still Photographer’s Guide to Operation and Image Creation with the Canon 60D – an eBook user’s guide and tutorial I wrote to help get you up and running with the 60D, quickly and competently. You can learn more about it at this post here. In addition to the PDF version, which also looks great on the iPad, it is also available in a Kindle edition on Amazon.com here and a Nook verion on BarnesandNoble.com Plus, for the Rebel T2i / EOS 550D, I have written T2i Experience – a similar guide for Canon T2i / 550D users.

Purchasing: If you plan to purchase cameras, photo equipment, books, or anything else from Amazon.com I encourage you to do so through any of the Amazon referral links I’ve set up. Just click on the equipment name or book title within this post and you will be taken to that Amazon page. Or click here to go directly to Amazon or click on the Amazon.com logo below, and start shopping. Thanks, I appreciate your support!

If you are in the UK, you can click here for the UK Amazon referral link.

For those interested in purchasing through B&H Photo, Adorama, or directly from Canon, I have set up affiliate links with them as well – find them on the left side of this page.

Happy Holidays, and I hope you get everything on your list!

What Works for You

When one is getting more and more into photography, learning about different techniques and equipment, they may start to think – or get the impression from reading various books and blogs – that there is the “right way” or the right piece of equipment to use to achieve the best images.   For example there are dozens of flash modifiers and diffusers available, and you might start to think that one of them works the best, one of them is the one that the pros use, if you could only find the right information and figure out which one it is.  But the truth is, when it comes to photography, there is sometimes no one right way to do something.  You just have to look at all the options, experiment, analyze how you work and your resulting images, and then figure out what is going to work best for you.

Delilah and the spring

I recently got sucked into a discussion on a forum about whether or not to use a UV protective filter on your lenses.  I contend that it is always a good idea to use one.  But that is because I feel it is a wise thing to do for the way I work and photograph.  It may not be necessary for others who work differently.  I work out in the field traveling, or out-and-about in a city.  I take off my lens cap when I start working for the day and put it aside until the end of the day.  My camera is slung over my shoulder and is exposed to being banged around, touched by kid’s fingers, and to dust and mystery spots that need to be quickly cleaned off.  I don’t mind quickly wiping some dust off the front of my filter with my shirt, a blast of air with the Rocket Blower, or a quick brush and clean with the LensPen, but I would not want to do that so quickly and often with the actual lens and risk scratching it.  I feel that replacing a $100 filter is a better idea than risking a several hundred dollar repair with 4 weeks down time on a lens.

Other people walk around, carefully carrying their camera in a case between shots, or replacing the lens cap after each shot or between situations.  Or perhaps they take out their camera, put it on a tripod, and take landscape shots.  They may not need a protective filter in those uses, and may not wish to risk any minor degradation in image quality.  (If you get a coated or multi-coated UV filter like a B+W brand one, your loss of image quality will be less-than-negligible.  If you use a cheaper Tiffen filter, you risk having some issues.)  If the risk of damage to their lens is small, then it works for them not to use a filter.  However, I was in a camera store yesterday, and a woman was replacing her UV filter because her camera dropped and the filter was shattered.  The filter’s ring was dented, but there was no damage to the lens at all.  She did not intend to drop her camera – that was not part of the way she worked – but it happened.  A few dollars for a new filter saved her hundreds of dollars in repairs and the loss of her lens over the holidays.

Before you invest in various accessories that sound like they might improve your images or assist you in how you work, put some thought into it first.  If they are a hassle to use or don’t fit into your process, you may end up putting them aside and never really using them.  Analyze your needs first and then find a product that matches them.  You may read about someone touting a white balance device that seems like it almost magically improves all their photos.  You want better photos, so why not give it a try?  But have you really come across the need for it?  Are you prepared to custom set your white balance every time you enter a new lighting situation?  Or do you typically work outside in daylight or inside in standard incandescent light and really don’t need to set a custom white balance at all?

So, all that being said, there are several accessories I find helpful, or even essential – at least for the way I work!  I talk about them in this previous post, Equipment for Travel (and Everyday) Photography.

Equipment for Travel (and Everyday) Photography

My recent trip to Guatemala to photograph for an NGO gave me an opportunity to field test a bunch of new gear under real working conditions – jumping on and off chicken buses, crammed into the seat of a van for hours with all of it on my lap, roaming around the streets of Antigua trying to be discreet as possible carrying a 70-200mm lens and a backpack full of equipment, and photographing for long hours at a time. I had done a bunch of Internet research to choose the best and the most appropriate gear, made a couple trips to B+H to look at it all, and it all worked out as good, or often better than expected. I’m not sponsored or compensated by any of these companies (but wouldn’t be opposed to it if they happen to be reading…), but I do recommend all of this gear without reservation. (Update: I’ve now been using all of this equipment constantly for the past 11 months, and still recommend it all!) I discuss the camera I used on the trip, the Canon 7D, in this previous post.

Most all of this equipment will be equally essential for day-to-day photography, culture and travel photography, humanitarian photography, and photojournalism. And the equipment will be useful with any dSLR, Canon or Nikon.

If you plan to purchase any of this equipment, I encourage you to do so through the links I’ve created below which will take you directly to Amazon.com. Your price will be the same as always, and I will get a small referral fee. Or you can go directly to Amazon.com here. I appreciate your support! If you are in the UK, or wish to purchase from B+H Photo, see the end of this post for information on those links.


Antigua, Guatemala

Camera Backpack: I use the Lowepro Compu Trekker AW as both my carry-on and my working bag during the day. The current version of this is the Lowepro Pro Runner 350 AW. The size works perfectly for both needs. It easily fits the airline carry-on size, including smaller international requirements in some regions, yet fits more that it would first appear. With careful configuration of the interior dividers, I can fit 2 Canon bodies (a Rebel XT and a Canon 7D or 50D), a 70-200mm f/4L IS, a 16-35mm f/2.8L II wide angle zoom, a 28-105mm standard zoom (an older lens, here is a link to the better 24-105mm f/4L), all lenses stored with their hoods turned backwards, a 580EX II flash, its diffuser, 2 external hard drives in cases, a couple memory card cases, and some filters. In the outside pocket, I have a couple battery chargers, extra batteries, medium Rocket Blower, miscellaneous cords, caps, and accessories. In the rear pocket designed for a laptop, I easily fit a 32″ 5 in 1 reflector. Once I am in the field, I play around with the dividers until I have a set-up that best fits my flexible daily needs, and allows quick preparations or lens changes. The pack is extremely comfortable, has tons of padding on the straps and the back so that its weight never bothers me and I don’t feel the reflector in my back. I often wear it for hours a day while working, and it is never a problem. In fact, on my final night in Guatemala when I went out to dinner in Antigua without it on my back for the first time in 2 weeks, I commented that I felt a bit naked. The top handle is strong enough to grab and carry with, as is often necessary while jumping in and out of cars or putting it down and picking it up. There is also a waist belt that I use when I have it fully loaded, like going to the airport, to relieve my shoulders of some of the weight. And it comes with a built in rain cover that stows away at the base of the bag that has done its job on a couple occasions. The Compu Trekker Plus (now the Pro Runner 450 AW) might be a better carry on size so that you could carry more gear on the plane with you (if it fits the airline’s requirements) but it would be too big for daily use. There are also rolling versions of these, with an “x” in the name, thought the retractable handles and wheels add weight and size to the bags. The Compu Trekker has a tripod strap system that I don’t use, and another outside pocket that is, conveniently, exactly the size of a Lonely Planet guidebook. Here are some photos of the backpack in action at the Chichicastenango Market, taken by my travel companion Elizabeth Jimenez:

If you just need a holster style bag to carry one body and one lens, I highly recommend the M Rock Holster Bags.  I used the Yellowstone model for months while traveling in South America, and I love its durability, pockets, and built-in rain cover, plus it comes with extra back-up straps.  Make sure you get the right bag for your body/ lens combination – you will need a longer bag for a telephoto zoom lens.  As far as a satchel bag to carry a body or two plus two or three lenses and/ or a flash as you set out for the day but don’t want a backpack type bag, have a look at the Think Tank Retrospective line (there are a few sizes, the 10, 20 and 30, etc.) or the Crumpler Million Dollar Homes. Again, there are several sizes to choose from, called the 5 Million, 6 Million, etc. The 7 Million Dollar Home is my satchel of choice for carrying my gear about town while working.  It holds a large dSLR (5D line, 6D, 60D, etc.) with a mid-range telephoto attached (24-105mm), plus a 70-200mm, and another lens or a flash, all in the inside compartments. There is then some extra space and a couple front/ flap pockets to hold chargers, memory cards, batteries, etc. To keep moisture from accumulating in your equipment and bag, throw in a durable desiccant pack like this one.  Just be sure that it isn’t loose in your bag and scratching against your equipment.

Security: A couple great additions to the bag are Eagle Creek combo locks and Eagle Creek Pack It Sacs in the small size to hold batteries, memory cards in cases, LensPen, camera and lens body caps, and various wires and cables. The medium size Pack It Sacs are great for medicines bottles and other loose stuff in your luggage. The backpack’s zippers are rugged enough to handle constant abuse from the combo locks, which although they are weighty, are far better than keyed locks in the field so that you don’t need to go digging for the key when you are in a hurry. You just have to be a little careful when opening and closing the bag – the locks dangle and flip around, and could easily bang into something fragile in the backpack. With the Pack It Sacs, I clipped some rubber bands to the key clip within the outside pocket of the backpack and then attached them to the clips on the Sacs, so that way the Sacs won’t accidentally fall out if I flip the bag open and close while the outer pocket is open. There’s enough play to access them and then shove them back into the bag.

Another great accessory for this backpack is the PacSafe 55 wire mesh security system. It fits perfectly around this size bag, and secures your bag and your gear in a hotel room or wherever. It has a long cable that you loop around something secure and lock in place. It also comes with a small, compact storage case for when not in use.


Chichicastenango, Guatemala

SanDisk Extreme 16GB CF Memory Cards – I talked about these in the previous post. Once again, no particular reason why I use these rather than Lexar or Delkin…maybe a sponsorship would help seal my loyalties… :). Be sure to get the Sandisk Extreme 16 GB SD version if you are using the 60D or Rebel T2i. I use a Sandisk card reader to upload the images to my laptop, rather than from the camera directly, in order to save the camera batteries. This Sandisk Card Reader is for the CF cards, and the 5 in 1 reads SD cards.

Spare Batteries – I always have 3 batteries for each camera body. The Canon 60D, 7D and 5D use the Canon LP-E6 Battery. Stick with the Canon brand batteries rather than the unpredictable third-party brands.

BlackRapid RS-4 Camera Strap – The R-Strap is wonderful, and I highly recommend it. I was hesitant and suspicious at first, but I quickly adored it and will always use it. I had even emailed BlackRapid before purchasing to ask about shortcomings of earlier models, and they addressed my concerns thoroughly and completely. I was very impressed with the time and personal attention they paid to my questions. The strap is comfortable, easy to use, quick, strong, and rugged. I often use it in conjunction with wearing the backpack, and although the straps fight for space against each other on my shoulder, it still works fine. I’m a bit envious of the RS-7 that just came out, since it has a curved, ergonomic shoulder pad that will work better by itself on your shoulder and next to a backpack strap. There is also now a version designed for women, the RS-W1. Watch some of the videos out there as to how to use it, and be sure to moisten the rubber gasket before attaching it to your camera – this will make a firm seal that will never budge. The big pain is that the part attached to your camera body is best left in place, yet that makes it less easy to place the camera down on a table or in your bag, and will have to be removed to use a tripod. Also, the textured tightening screw part of the connector may rub up against your camera body in various situations, so I put some black duct tape on the bottom edges of the camera to protect it.

B+W brand UV Filters – clear, protective filters for the lenses, slim for the wide angle. The slim is probably not needed with a crop sensor camera, but is recommended for a full frame camera. The slim comes with a lens cap that does not stay on well after a little bit of use, as there are no front threads for the Canon cap to fit on. If I had to do it over, I would probably get the regular filter so that I could use the Canon lens cap.

B+W brand Circular Polarizer Filter – a polarizer serves to darken skies, boost contrast, cut through haze and reflections in water and glass, and block out a stop or two of light in bright situations. I keep it on my lens much of the time when doing outside work. Polarizing filters work to their maximum degree when the sun is to your right or left, but not when it is directly in front or behind you. Be sure to turn the moving part of the filter to dial in the degree of polarizing that you desire. They are typically not used on wide angle lenses because the darkening effect would vary across a wide swath of sky, and usually look strange.

Sto-Fen Omni Bounce Diffuser – works great on the Canon 580EX II flash, although very snug and is always difficult to get on and off in a hurry. Squeeze it and stretch it first to help it go on easier. Please don’t use the diffuser outside! Even if you see “pros” doing it. It doesn’t do anything outside but make your flash work harder. You can’t bounce light off the clouds.

Honl Color Correction Filters and Speed Strap – These are essential for using with flash to balance the white balance of the scene – to make the color of the flash the same as the color of the ambient light. This way when you correct the WB of your subject your backgrounds won’t be vivid orange (incandescent ambient lighting) or sickly green (fluorescent). You can’t use them in conjunction with the diffuser – the Omni-Bounce can’t fit over the Speed Strap, but that had not occurred to me when I bought them – so I’m going to have to figure out a solution to that. And I’m going to continue experimenting with the full or 1/2 CTO to add warmth to outside fill flash, as recommended by Nevada Wier (actually she uses a Kodak Wratten 81A gel, but I think they are similar). The kit is very slim and fits perfectly in one of the inside pockets of the backpack.


Antigua, Guatemala

Giottos Medium Rocket Blower – I initially used the small size in order to save a bit of space, but it didn’t have the power I wanted, so I sprung for the medium. Always have it handy for getting dust off lenses in a hurry, because blowing on them – no matter how careful – leads to spittle on the lenses 5% of the time when it doesn’t matter and 95% of the time when you are in the most critical situations. The large size may be a good choice as well.

Pearstone LP-1 Lens Pen – Works great for cleaning off mysterious spots, smudges, and fingerprints that always appear on the lens (this is why I always use UV filters) as well as that a-fore-mentioned spittle. There is a retractable brush on one end and a cleaning head on the other end. Twist the cap to load the cleaning tip with the carbon based cleaning material, then remove the cap and use. Please read the instructions and visit the LensPen website to fully learn how to use it properly.

32″ 5 in 1 Reflector – This size is perfect for travel and fits in the backpack, however I never actually used it during the trip so I don’t know if the size is useful in the field. It is best suited for set-up situations and portraits, which I didn’t have the opportunity to do on this assignment. I could have used it once to block some stray sunlight falling into a very dark room and potentially messing up the exposure, but I didn’t think about it until later. I did, however, carry it around a lot and never noticed because it is lightweight and very durable.

External Hard Drives – I use a Iomega Ego 500GB and a Lacie Rugged USB 500GB when traveling. I’ve used the Iomega on extended trips before, and love it. I’ve never had any problems with it, and it is solid and sturdy. I also decided to try out the Lacie Rugged USB for this trip. It is lighter than the Iomega, and doesn’t feel as solid and sturdy, but it worked just fine. They both fit perfectly in the Case Logic Portable Hard Drive Case made for these types of drives, which I recommend getting in different colors so you can quickly differentiate your different drives. I leave them in the cases at all times, but you have to pull the Ego slightly out to plug in the cord, and place the Lacie upside down in the case for the cord to fit without removing the drive each time. For storage at home, I use the Western Digital My Book 1TB External Hard Drives.

Hakuba Digital Media Storage Wallet – These are great, soft sided, thin memory card cases that hold 6 CF memory cards each. I picked up this recommendation from Karl Grobl’s website. There are a lot of bulky, hard-sided cases out there, which make you feel like your memory cards need excessive protection. I’m sure there has been a situation where an elephant stepped on a memory card case and all photos were miraculously saved by a hard sided case, but as far as my needs, the soft ones work just fine. Get into the habit of inserting blank cards face up and used cards face down into the cases’ pockets. Since this is the size for CF cards, have a look at this one if you use SD cards.

‘da Products Screen Protector – (product no longer available) – This is the second camera I have used this product with, and I am once again very happy with it. It is a very inexpensive yet high quality screen protector for your LCD, made with acrylic. Get ‘da40D Protector for the 7D – it is the perfect size. It is a slow, careful, time consuming process to attach the adhesive strips, get it clean, dust and fingerprint free, and perfectly centered, but once it’s on, its there to stay (unless you want to remove it – in that case, to remove the ‘da screen protector use dental floss to break the seal at the bottom corners, then slowly peel off.) I know that today’s LCD screens are durable, but I feel more comfortable and carefree about constantly wiping off my protector with my fingers or shirt than I would directly on the built in screen. This is also why I use B+W UV filters on the lenses.  However, if you have a camera with a rotating screen such as a 60D, T3i, or D5100, this type of screen protector won’t work.  You will need to use a thin adhesive film protector like this one.

Calumet micro fiber lens cloth – Stores perfectly in another slim inside pocket of the backpack, and always handy to have.


Chichicastenango, Guatemala

Insurance – Although I am a member of NPPA – National Press Photographers Association, I also joined NANPA – North American Nature Photography Association, in order to get their equipment insurance, which is much cheaper and has a much lower deductible than NPPA’s, even including the extra $100 to join NANPA. The insurance is primarily for the equipment only, so you are not paying for liability coverage geared toward a business as you are with every other photo equipment insurance plan I researched. Please note that the NANPA membership fee covers you from June to June or something like that – they don’t pro-rate, so you will not get a full year if you join at any other time. The insurance covers photo and computer equipment at home and while traveling. (If you happen to join NANPA to get their insurance, be sure to mention my name as a referrer, and I get $20 NANPA Bucks and save on my next renewal!)

Skooba Satchel 2.0 Laptop Bag – This is typically my second carry on, in which I carry my laptop, some books, misc. charging cords, some toiletries. This is a wonderful laptop bag, and you won’t believe how much will fit in it! As they say themselves, it is deceptively slim looking and incredibly light. It has these great little air squares for cushion everywhere – like bubble wrap made from durable rubber, and has an extremely comfortable and ergonomic strap.

Lowa Tempest Lo Hiking Shoes – I’ve worn these shoes, this same pair, nearly everyday, for almost 4 years straight now, and they still have a little life left in them. I wore them every single day for a total of 7 months in Peru, walking the cobbled streets of Cusco, and traveling the country. And I wore them nearly every day for 3 years walking the streets of Brooklyn and Manhattan, and now Cambridge. (I don’t have a car, so I actually walk, a lot.) They are so comfortable I never notice them. They are light, durable, and somewhat waterproof if treated regularly. I recently bought a backup pair for the inevitable day that I have to give them up. After 3.5 years one one them developed a tear at the front-side where they crease when crouching to take photos, but they are still fine except in the rain.

Post-Production – Once you get back you are going to need to organize, edit, and work on all your photos. And for that, of course you are going to need
Adobe Photoshop and/ or Adobe Lightroom 3. You can start off with the trial versions that you can download from the Adobe site, but sooner or later you are going to have to get the real versions. Use that student discount while you still can!

Purchasing: If you plan to purchase any of this equipment, accessories, or anything else from Amazon.com I encourage you to do so through the links I set up throughout this post. Just click on the equipment above and you will be taken directly to that Amazon page. Your purchasing price will be the same, and they will give me a little something for referring you, which will help support my blog. Thanks! Or click on the Amazon.com logo below to enter Amazon and start shopping. I appreciate your support!

If you are in the UK or Canada, please use these Amazon links:

UK: my Amazon.co.uk link

Canada: my Amazon.ca link

For those interested in purchasing through B&H Photo I have set up affiliate links with them as well – find it on the left side of this page.