Nikon Z8 Experience User Guide Now Updated for Firmware 2!

My latest Full Stop e-book, Nikon Z 8 Experience  user guide to the Nikon Z8 mirrorless camera has been fully updated for the changes and additions of camera Firmware 2.00! This e-book goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable Nikon Z 8. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start Firmware 2 2.0 2.00

You can learn more about this Nikon Z8 guide, view a preview, and purchase it here:

www.fullstopbooks.com/nikon-z-8-experience/

Here is a summary of the Firmware 2.00 updates, which have all been incorporated into the Nikon Z 8 Experience book:

In February of 2024, Nikon released a Firmware 2.00 update for the Z 8. This firmware includes significant additions and changes to the camera, and borrows features from the flagship Z 9 and the Z f models. These include bird subject detection, Auto Capture to set up the camera to automatically capture images based on specific parameters, and new Picture Controls for stills and video. The update also adds Pixel Shift Shooting to create up to a 180 MP image from several exposures, new shutter sound options, and more options for customizing the camera controls. The performance of 3D-Tracking AF-Area Mode has been improved for certain situations including small, fast-moving subjects. Additional video options include new Slow-Motion Video, Low ISO settings for N-Log video, and changes to Hi-Res Zoom speeds.

Nikon has created a Supplementary Firmware Update Manual that includes all these Firmware 2.00 changes. This document and the file with the latest firmware can be downloaded here:

https://downloadcenter.nikonimglib.com/en/products/616/Z_8.html

The firmware changes have been incorporated into the text of this book in the appropriate sections.

Left: The new Birds option in the AF Subject Detection Options. Right: The camera detected a bird, and placed the autofocusing frame at its eye.

Still Photography: Subject Detection now includes the Birds option. The camera has added new Bracketing increments such as 1.3 and 1.7, three new Picture Controls including Flat Monochrome,  Deep Tone Monochrome, and Rich Tone Portrait, and the Large size option for the JPEG (HEIF) Primary – JPEG (HEIF) Secondary recording. Additions also include Pixel Shift Shooting for creating high resolution images, and Auto Capture where you can set up the camera to automatically capture an image based on subject type, motion, and distance. Pre-Release Capture will now buffer for up to 300 seconds when the shutter button is half-pressed, and new shutter sound options have been added.

Left: The new Auto Capture feature and its various options. Right: Selecting the desired subject Direction for Auto Capture.

Video Recording: Subject Detection now includes the Birds option, and the camera has added three new Picture Controls, Auto Capture, Slow-Motion Videos, and a change in color for the Hi-Res Zoom in-focus display. Low ISO sensitivity settings for N-Log video have been added (down to 200 ISO equivalent), as well as changes to the Hi-Res Zoom speed options.

Playback: In the Playback i Menu the behavior of the Select for Upload option has changed. Select for upload will now mark an image for transfer and place it in the upload queue, and Select for Priority Upload will mark an image for immediate upload to a computer or FTP. Playback Speed has been added to the Video Playback i Menu. In the Playback Menu, Series Playback now includes Auto Series Playback Options such as loop, delay, and speed, and the Auto Image Rotation item has been added for playback.

Controls: Support for Power Zoom has been added for PZ lenses, including the ability to customize controls such as the Zoom-in and Zoom-out Buttons or the Fn1 and Fn2 Buttons to operate Power Zoom. The size of the Focus Point Border Width can be changed for the Focus Point Display, so that it can be more easily seen. Exposure Delay Mode has been added to delay shutter release up to 3 seconds after pressing the shutter. A Half-Press to Cancel Zoom (MF) option has been added so that a zoomed-in view of the displays will be cancelled by half-pressing the Shutter Button, and the full view of the frame can be seen before capturing an image when manually focusing. If a button has be assigned to the Recall Shooting Functions (Hold) option, exposure compensation and white balance can now be changed while shooting, and the new setting will be retained by the recall function.

Left: Additional buttons can now be customized, including the Focus Mode Button, Playback Button, and BKT Button. Right: The new Cycle AF-Area Mode option, which can be assigned to the Focus Mode Button or various other buttons.

The Playback Button, BKT Button, WB Button, and Focus Mode Button can now be customized for shooting, and a few new options are available for the customizable controls including Switch Eyes, Cycle AF-Area Mode, Pixel Shift Shooting, Power Zoom, and Exposure Delay Mode. The Cycle AF-Area Mode option can be used to select, for example, three of your most commonly used AF-Area Modes, and then quickly cycle through them with the press of a button. For image playback, several controls can now be customized including the Playback Button, ISO Button, Exposure Compensation Button, BKT Button, WB Button, and Lens Fn and Fn2 Buttons. Some new roles are available for playback controls, including Frame Advance Zoom Position and Playback Zoom Face Selection. If a button has been customized for shooting, video, or playback, you can now reset it back to the default setting by pressing the delete button.

When formatting a CFexpress memory card using the Format Memory Card item of the Setup Menu, the procedure has changed for selecting a Quick Format or Full Format, with the Delete Button now used for a full format. The Non-CPU Lens Data menu item now allows you to add a name to a registered lens, as well as manually enter in a specific focal length and maximum aperture. When entering IPTC information, the character limit for the Category entry is increased to 256 characters, and new options have been added to the Setup Menu > Camera Sounds item, including 5 types of shutter sounds.

Displays: Previously the shooting display could be magnified up to 200%, and that has been increased to 400%. The Finder Display Size (Photo LV) menu item has been changed to Viewfinder Display Size, and applies to photo and video shooting. A Distance Units item has been added to the Setup Menu, to select Meters or Feet for the manual focus distance display.

Left: The new Keep Connection option for the Connect to FTP Server function. Right: The new Overwrite Copyright Info option for the Connect to Other Cameras function.

Networks: Changes have been made to the Connect to FTP Server item of the Network Menu, including the number of available network profiles and an auto reconnect Keep Connection option. Changes have also been made to the Connect to Other Cameras item of the Network Menu, used for synchronized release of multiple Z 8 cameras, including the procedure to set up synchronized release and the ability to group cameras. Up to 16 other Z 8 cameras can be remotely controlled using the Nikon NX Field remote capture software. When connecting to other cameras, the Overwrite Copyright Info option has been added, so that the copyright info from the master camera can be applied to the images from the remote cameras. And when using an MC-N10 remote grip and AirGlu accessories, Bluetooth will no longer be disabled.

In addition, various issues have been corrected and performance improvements have been made to the Z 8, as listed on the firmware update page. The firmware update page on the Nikon website includes instructions for updating the firmware. You will download the new firmware file, and copy it to the root folder of a memory card that has been formatted in the camera. Insert the memory card with the new firmware into Slot 1, turn on the camera, and make sure the Photo Shooting Menu > Primary Slot Selection menu item is assigned to Slot 1, and that the other memory card slot is empty. Access Setup Menu > Firmware Version, and follow the instructions on the screen.

Learn more about Nikon Z 8 Experience, view a preview, and purchase it on my Full Stop website here:

www.fullstopbooks.com/nikon-z-8-experience

Take control of your camera and the images you create!

Hidden Features of the Nikon Z8

Camera users are often curious about “hidden” features that their camera may have, though typically most advanced models really don’t have many, as long as one carefully goes through all of the Menu and Custom Settings items, and reads through the manual or a guide.

However, with so many options and functions, there are a few items that are actually a bit hidden away on the Nikon Z8. It’s not that the Z 8 manual doesn’t mention them, or that they can’t be found with careful investigation of the camera, but you may need to have them called to your attention to learn how to locate them and how to take advantage of them. And there are a few button shortcuts to access features and settings that you simply need to learn if you wish to take advantage of, because once you are using your camera, they are not indicated in any menus or button icons.

These article is adapted from a section in my comprehensive Nikon Z 8 Experience user guide to the Nikon Z8. All of these “hidden” features, as well as all of the other features, functions, settings, and controls of the Z 8 are discussed in detail, in the guide. Many of these features were included in previous Nikon Z models, but they may still be new for those coming from older dSLR models.

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Figure 1 – Detail of the controls of the Nikon Z8

Several of these features are accessed with the i Button when working in the appropriate mode, or by assigning the function to a button. Others are accessible in the menus but may require an understanding of the options as they are listed, or might require additional steps of sub-menu navigation to locate them.

Displays and Button Settings – When the Information Display or the Live View scene is active on the rear Monitor, you can press some of the camera buttons to change the corresponding settings as you view them on the rear Monitor, including the top buttons, Fn Buttons, and the Focus Mode Button. Or you can also view and change them in the electronic Viewfinder, while shooting. For example, by default, the Fn1 Button is assigned to Shooting Menu Banks and the Fn2 Button is assigned to Choose Image Area. When you press the buttons, you can view and change those settings, and the screen will even indicate which Command Dial to use for each setting (see Figure 2 – left). If you customize buttons for another setting such as Multiple Exposure or HDR Overlay, you will be able to view and change those settings on the displays, as you press the assigned button and turn the Command Dials. If you would like to view the scene that you are shooting on the rear display without any shooting information or icons, you will need to assign one of the buttons to the Live view info display off setting. By default the Video Record Button is set to this option.

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Figure 2 – Left: Using the WB Button and the Command Dials to change the White Balance setting on the rear Monitor. Right: Changing the AF Area Mode and Subject Detection Options via the Photo Shooting i Menu.

i Button Features – As noted above, you can press the i Button to access different contextual i Menus during photo shooting, video shooting, and image playback. The Z 8 also adds the ability to change additional sub-options of various settings, via the i Menu, without having to dig into the menus to set those options. For example, when using the WB item on the Photo-Mode i Menu to select Auto White Balance, you will also be able to select which of the three AutoWhite Balance sub-options you would like. And you will be able to directly fine-tune a White Balance setting using the adjustment grid. If you replace some of the default i Menu items with options such as HDR, Auto Bracketing, or Multiple Exposure, you will be able to directly access and change the various settings for those features (see Figure 2 – right).

In some situations, the i Menu it is the only way to access and change certain of these “hidden” features. For example, the Photo Shooting i Menu will allow you to access the Split-screen display zoom feature. You will first need to use Custom Setting f1 – Customize i Menu and assign Split-screen display zoom to the Photo Shooting i Menu. Then when you are composing an image, you can access this feature which allows you to simultaneously zoom-in at two different areas of the scene, to help verify focus and to ensure that the composition is level across the scene (see Figure 3). This can come in handy for landscape and architectural photographers.

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Figure 3 – Left: Press the i Button to access the i Menu screen with various shooting settings. You can use Custom Setting f1 to customize this menu, and add items such as Split-Screen Display Zoom. Right: Split-Screen Display Zoom shown in use, to compare two areas of the same scene to help determine if the framing is level.

The Playback i Menu will allow you to access the Quick Crop feature. When you zoom-in on an image during playback, you can press the i Button to access the Playback i Menu, and select the Quick Crop option. This option will automatically crop the image and save a new image with the crop and framing that is currently seen on the display (see Figure 4).

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start controls sttings

Figure 4 – Quick Crop feature – Zoom in on an image during playback and frame as desired (left), then press the i Button to view the Playback i Menu and access the Quick Crop feature (right).

The Setup Menu contains a new Auto Rotate Info Display item. When the camera is rotated, the shooting and playback displays on the rear screen and in the Viewfinder can also rotate. This was not a feature of most previous Nikon models. It means that the text and icons on the display will rotate, so that they are in the same orientation of the camera, making them easier to read.

There is no longer a Retouch Menu tab, though Retouch can be accessed via the image playback i Menu. And as mentioned above, when a Multiple Exposure series is in progress, you can press the Playback Button to view the last image. If you then press the i Button, you will access a menu that allows you to view the Multiple Exposure progress, as well as edit the series by retaking or discarding the last exposure if desired. 

Live View Exposure Preview – An important function to make note of is that you need to set Custom Setting d8 – View mode (Photo LV) to Show effects of settings in order to view the scene, in the Viewfinder and on the rear Monitor, with the current camera and exposure settings applied. This will allow you to better preview the resulting image and make exposure adjustments, and will also enable you to access the Live View Histogram of the scene by pressing the DISP Button.

Custom Control Assignments – A few other “hidden” features of the Nikon Z 8 can only be accessed by customizing one of the camera buttons to assign it to that function, using Custom Setting f2. As mentioned above, you can assign a button to the Live view info display off option, for the uncluttered view of your scene on the rear Monitor display. The Recall shooting functions customization will allow you to press a hold one of the Fn Buttons to temporarily switch to different shooting settings, such as a different Metering Mode, AF Area Mode, and exposure settings (see Figure 5 – left). If you will be using non-CPU, F-mount lenses with the Z 8, you can register the lens to the camera in the Non-CPU lens data menu, and thus gain additional functions such as in-camera Vibration Reduction. You will need to use f2 to assign the Choose non-CPU lens number option to one of the buttons, so that you can tell the camera which registered lens is in use.

If you are making use of an optional wireless remote to trigger multiple cameras, there is also a “hidden” setting for this in the Custom Setting f2 button assignments. You can choose to assign a button such as the Fn1 Button, Fn2 Button, or Sub-Selector Center press to the Sync. Release selection option, which is used in conjunction with Custom Setting d4 – Sync. Release Mode Options. You can set up the camera so that, for example, when using the Z 8 as a master camera to remotely trigger other cameras, you can press the Fn1 (or Fn2) Button while taking the shot, and then just the master camera will shoot, or just the remote cameras and not the master, based on your settings.

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Figure 5 – Custom Control Assignments – Left: Assigning the Fn1 Button to the Recall Shooting Functions option, to temporarily switch to different shooting settings with the press of the button. Right: The Customize Command Dials, Sub-Dial Frame Advance options, to use a dial to jump ahead 10 images during image playback.

Sub-Dial Frame Advance during Playback – If you wish to quickly scroll through your images as you view them on the rear Monitor during playback, you can use the rear Main Dial to advance one image at a time, and use the front Sub-Command Dial to advance 10 or 50 images. To set this up, access Custom Setting f3 – Custom Controls (Playback) > Sub-Command Dial. The Sub-Command Dial can be used to jump 10 or 50 images at a time, based on the Frame advance setting, or you can also choose to jump to protected images, rated images, still images or movies only, or to a different folder (see Figure 5 – right).

One Button Playback Zoom / Histogram – Using Custom Setting f3 – Custom Controls (Playback) > OK Button, you can assign the OK Button so that during image playback it will immediately zoom-in, at the magnification level of your choice, centered at the area of the active focus point so that you can closely inspect your image. Or you can instead assign the button press to display a large histogram with the image, so that you can evaluate your exposure (see Figure 6 – left).

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start controls sttings

Figure 6 – Left: Use Custom Setting f3 – Custom Controls (Playback) > OK Button to set the OK Button to show a magnified view or to show a large histogram. Right: Touch the bottom of the screen during full-image playback to access the “Frame Advance Bar” touch screen feature.

Frame Advance Bar – This image playback feature enables you to use the touch screen to quickly scroll through images without having to swipe one-by-one (see Figure 6 – right). And when viewing a magnified detail of an image, use the touch screen arrows to view the same magnified area of other images, so that you can compare details of similar images.

Flash Information Screen – You can use Custom Setting f1 to customize the i Menu and add the Flash info item. With a compatible optional Speedlight flash attached and turned on, such as the SB-5000, use the i Button to access this menu and view the current flash settings such as the Group Flash setting (see Figure 7).

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start controls sttings

Figure 7 – Left: Customize the i Menu for Flash Info (left), then access it to view the current flash settings such as the Group Flash setting (right).

Voice Memo – You can add a voice memo to an image. In order to do this, you will first need to use Custom Setting f2 to assign a button such as the Video Record Button to the Voice Memo option. Then during image playback, select the desired image, and press and hold the assigned button to record the voice memo. The voice memo can be played back when viewing the image by accessing the Voice Memo item of the Playback i Menu (see Figure 8 – left). When deleting an image, you can delete just the voice memo (see Figure 8 – right). Voice Memos will be saved as a WAV files to the memory card.

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start controls sttings

Figure 8 – Left: Access the Playback i Menu to Play Voice Memo. Right: When deleting an image with a Voice Memo, choose what to delete.

Nikon Z8 Menu Setup Guide

In addition to my comprehensive Nikon Z 8 Experience user guide, I also offer a Z8 Menu Setup Spreadsheet, with suggested settings and starting points for most all of the camera menu settings and Custom Settings. The Excel spreadsheet includes separate listings for different shooting situations including Landscape, Studio, Action, etc. You can download the spreadsheet here:

http://www.fullstopbooks.com/setup-guides/

Again, all of these hidden features and settings, and other unique features, as well as all of the other features, functions, settings, and controls of the Z8 are discussed in detail, in my comprehensive Nikon Z 8 Experience user guide.

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Be sure to share your portraits and other photos on my Nikon Z Experience Facebook page, covering all the Nikon Z models:

https://www.facebook.com/groups/nikonz7z6z5

Nikon Z8 Experience User Guide Now Available!

My latest Full Stop e-book, Nikon Z 8 Experience  user guide to the Nikon Z8 mirrorless camera is now available! This e-book goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable Nikon Z 8. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Nikon Z 8 Experience will help you learn to use your Nikon Z8 quickly and competently, to consistently make the types of images you desire. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start

Learn more about this Nikon Z8 guide, view a preview, and purchase it here:

www.fullstopbooks.com/nikon-z-8-experience/

As one reader has said about Full Stop guides:

I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start controls sttings

Nikon Z 8 Experience is designed for users ranging from enthusiasts to experienced:

For Intermediate and Enthusiast Photographers: This instant download Nikon Z8 e-book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

-Go beyond Program mode and shoot competently in A, S, and M modes.

-Take full control of the powerful autofocus system to capture sharp images of still and moving subjects. Learn to take advantage of the face, eye, and subject detection, plus subject tracking features.

-Set up your camera with clear explanations and recommended settings for the numerous Menu options and Custom Settings of the Nikon Z8. Includes a free download of my comprehensive Nikon Z8 Menu Setup Spreadsheet.

-Learn how, when, and why to use and customize the various controls, buttons, and features of the Z8.

-Understand the various metering modes, exposure compensation, and exposure lock for correct exposure of every image, even in challenging lighting situations.

Nikon Z8 Experience book manual guide how to tips tricks field guide quick start controls sttings

For Experienced Photographers coming to the Z8 from previous models, this guide explains the new and advanced features in order to quickly have you taking advantage of these capabilities, including the AF System and its Focus Modes, AF-Area Modes, eye detection, subject detection / tracking, and Custom Settings. Attention is given to the new features including the customizable controls, Focus Shift Shooting, in-camera image stabilization, new menu items and options, 8K and 4K video, Time-Lapse and Interval Timer, plus using F-mount lenses with the FTZ II Adapter. And it covers using the Wi-Fi and Bluetooth capabilities with SnapBridge.

This 480 page digital guide to the Nikon Z8 is an illustrated e-book that goes beyond the Z8 manual to explain how, when, and why to use the features, settings, and controls of the Z8 to help you take control of your camera and the images you create.

Learn more about Nikon Z 8 Experience, view a preview, and purchase it on my Full Stop website here:

www.fullstopbooks.com/nikon-z-8-experience

Take control of your camera and the images you create!

Setting Up the Nikon Z8 Menus

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The powerful mirrorless Nikon Z8 offers far more menu items and customization options than most previous cameras in the Z line-up. In fact, most of the menu items and options are the same as the professional Z9 model. In order to take full advantage of this sophisticated camera, you are going to need to dig into the Menus and Custom Settings, and set up the camera to work best for how you shoot and for the type of situations you are shooting.

To assist you with this, I have created a detailed and comprehensive Nikon Z8 Menu Setup Spreadsheet, which lists suggested settings and starting points for the Photo Shooting Menu and the Custom Settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Detail of the Nikon Z8 Menu Setup Spreadsheet

The Nikon Z8 Setup Spreadsheet can be downloaded from my website here. Printing instructions are also included on that page.

http://www.fullstopbooks.com/setup-guides/

For explanations of all the menu items, controls, features, functions, and autofocus system of the Z8, have a look at my clear and comprehensive Nikon Z8 Experience e-book guide. This user-friendly guide will help you to take control of your camera, and the images you create. Learn more about it and purchase it at my website here:

http://www.fullstopbooks.com/nikon-z-8-experience/

Canon EOS R6 Mark II Experience User Guide Now Available!

My latest Full Stop e-book, Canon EOS R6 Mark II Experience  user guide to the Canon EOS R6 II is now available! This e-book goes beyond the manual to help you learn the features, settings, and controls of the powerful and customizable Canon EOS R6 Mk II. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon EOS R6 Mark II Experience will help you learn to use your EOS R6II quickly and competently, to consistently create the types of images you desire. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

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Learn more about this EOS R6 Mark II guide, view a preview, and purchase it here:

www.fullstopbooks.com/canon-eos-r6ii-experience/

As one Canon user has said about Full Stop guides:

I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Canon EOS R6 II Mark II Mk II book manual guide tips tricks quick start dummies master use learn control autofocus AFCanon EOS R6 II Mark II Mk II book manual guide tips tricks quick start dummies master use learn control autofocus AF

For Intermediate and Enthusiast Photographers: This instant download Canon EOS R6 Mark II e-book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

-Go beyond Auto+ and Program modes and shoot competently in Av, Tv, Fv, and M modes.

-Take full control of the powerful autofocus system to capture sharp images of still and moving subjects. Learn to take advantage of the face, eye, and subject detection, plus powerful subject tracking features.

-Set up your camera with clear explanations and recommended settings for all Menu options and Custom Settings of the EOS R6II. Includes a free download of my comprehensive EOS R6II Menu Setup Spreadsheet.

-Learn how, when, and why to use and customize the various controls, buttons, and features of the EOS R6 Mk II, including the touchscreen and M-Fn Button.

-Understand the various metering modes, exposure compensation, and exposure lock for correct exposure of every image, even in challenging lighting situations.

Canon EOS R6 II Mark II Mk II book manual guide tips tricks quick start dummies master use learn control autofocus AFCanon EOS R6 II Mark II Mk II book manual guide tips tricks quick start dummies master use learn control autofocus AF

For Experienced Photographers coming to the EOS R6II from previous models, this guide explains the new and advanced features and settings in order to quickly help you take advantage of these capabilities. Plus it explains the camera controls and how to customize them. You will learn how to take advantage of the new features including the autofocus system with face, eye, and subject detection and tracking, Fv shooting mode, Silent Shutter, in-camera image processing and editing, HDR, Multiple Exposure, cRAW file format, and manual focusing aids. It introduces the 4k, HD, High Frame Rate, and Time-Lapse video capabilities, and guides you through all the EOS R6 MkII Menu and Custom Function items in order to help you best set up your camera for your specific shooting needs.

This 518 page digital guide to the Canon EOS R6 Mark II is an illustrated e-book that goes beyond the EOS R6II manual to explain how, when, and why to use the features, settings, and controls of the EOS R6II to help you take control of your camera and the images you create.

Learn more about Canon EOS R6 Mark II Experience, view a preview, and purchase it on my Full Stop website here:

www.fullstopbooks.com/canon-eos-r6ii-experience/

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Take control of your camera and the images you create!

Canon EOS R7 Experience User Guide Now Available!

My latest Full Stop e-book, Canon EOS R7 Experience  user guide to the Canon EOS R7 is now available! This e-book goes beyond the manual to help you learn the features, settings, and controls of the powerful and customizable Canon EOS R7. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon EOS R7 Experience will help you learn to use your EOS R7 quickly and competently, to consistently create the types of images you desire. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

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Learn more about this EOS R7 guide, view a preview, and purchase it here:

www.fullstopbooks.com/canon-eos-r7-experience/

As one Canon user has said about Full Stop guides:

I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Canon EOS R7 book manual guide tips tricks quick start dummies master use learn control autofocus AFCanon EOS R7 book manual guide tips tricks quick start dummies master use learn control autofocus AF

For Intermediate and Enthusiast Photographers: This instant download Canon EOS R7 e-book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

-Go beyond Auto+ and Program modes and shoot competently in Av, Tv, Fv, and M modes.

-Take full control of the powerful autofocus system to capture sharp images of still and moving subjects. Learn to take advantage of the face, eye, and subject detection, plus subject tracking features.

-Set up your camera with clear explanations and recommended settings for all Menu options and Custom Settings of the EOS R7. Includes a free download of my comprehensive EOS R7 Menu Setup Spreadsheet.

-Learn how, when, and why to use and customize the various controls, buttons, and features of the EOS R7, including the touchscreen and M-Fn Button.

-Understand the various metering modes, exposure compensation, and exposure lock for correct exposure of every image, even in challenging lighting situations.

Canon EOS R7 book manual guide tips tricks quick start dummies master use learn control autofocus AFCanon EOS R7 book manual guide tips tricks quick start dummies master use learn control autofocus AF

For Experienced Photographers coming to the EOS R7 from previous models, this guide explains the new and advanced features and settings in order to quickly help you take advantage of these capabilities. Plus it explains the camera controls and how to customize them. You will learn how to take advantage of the new features including the autofocus system with face, eye, and subject detection and tracking, Fv shooting mode, Silent Shutter, in-camera image processing and editing, HDR, Multiple Exposure, cRAW file format, and manual focusing aids. It introduces the 4k, HD, High Frame Rate, and Time-Lapse video capabilities, and guides you through all the EOS R7 Menu and Custom Function items in order to help you best set up your camera for your specific shooting needs.

This 490 page digital guide to the Canon EOS R7 is an illustrated e-book that goes beyond the EOS R7 manual to explain how, when, and why to use the features, settings, and controls of the EOS R7 to help you take control of your camera and the images you create.

Learn more about Canon EOS R7 Experience, view a preview, and purchase it on my Full Stop website here:

www.fullstopbooks.com/canon-EOS-R7-experience

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Take control of your camera and the images you create!

Hidden Features of the Nikon Z7II and Nikon Z6II

Camera users are often curious about “hidden” features that their camera may have, though typically most advanced models really don’t have many, as long as one carefully goes through all of the Menu and Custom Settings items, and reads through the manual or a guide. However, with so many options and functions, there are a few items that are actually a bit hidden away on the Nikon Z7II and the Nikon Z6II. It’s not that the Z 7II and Z 6II manuals don’t mention them, or that they can’t be found with careful investigation of the camera, but you may need to have them called to your attention to learn how to locate them and how to take advantage of them. And there are a few button shortcuts to access features and settings that you simply need to learn if you wish to take advantage of, because once you are using your camera, they are not indicated in any menus or button icons.

These article is adapted from a section in my in my comprehensive Nikon Z 7II / Z 6II Experience user guide to the Nikon Z7II and Nikon Z6II. All of these “hidden” features, as well as all of the other features, functions, settings, and controls of the Z 7II and Z 6II are discussed in detail, in the guide. Many of these features were included on the original Z 7 and Z 6 models, but they may still be new for those coming from older dSLR models.

Nikon Z7II Nikon Z6II manual guide how to tips tricks

Figure 1 – Detail of the controls of the Nikon Z7II

Displays and Button Settings – When the Information Display or the Live View scene is active on the rear Monitor, you can press some of the camera buttons to change the corresponding settings as you view them on the rear Monitor. Or you can also view and change them in the electronic Viewfinder, while shooting. For example, by default, the Fn1 Button is assigned to White Balance and the Fn2 Button is assigned to Focus Mode/AF-Area Mode. When you press these buttons, you can view and change those settings, and the screen will even indicate which Command Dial to use for each setting (see Figure 2 – left). If you customize those buttons for another setting such as Auto Bracketing or HDR, you will be able to view and change those settings on the displays, as you press the assigned button and turn the Command Dials. 

Nikon Z7 Nikon Z6 tips and tricks

Figure 2 – Left: Using a Fn Button and the Command Dials to change the White Balance setting on the rear Monitor. Right: Changing the HDR options via the Photo-Mode i Menu.

The Z 7II and Z 6II also have a new display option, where you can view the scene on the rear Monitor without any of the shooting information or icons cluttering up the display. But setting up or making use of this feature is a bit hidden. You will need to assign one of the buttons to the Live view info display off setting. By default the Movie Record Button is set to this option.

i Button Features – You can press the i Button to access different contextual i Menus during photo shooting, video, and image playback. The Z7II and Z6II also add the ability to change additional sub-options of various settings, via the i Menu, without having to dig into the menus to set those options. For example, when using the WB item on the Photo-Mode i Menu to select Auto White Balance, you will also be able to select which of the three Auto White Balance sub-options you would like. And you will be able to directly fine-tune a White Balance setting using the adjustment grid. If you replace some of the default i Menu items with options such as HDR, Auto Bracketing, or Multiple Exposure, you will be able to directly access and change the various settings for those features (see Figure 2 – right).

In some situations, the i Menu it is the only way to access and change certain of these hidden features. For example, the Photo-Mode i Menu will allow you to access the Split-screen display zoom feature. You will first need to use Custom Setting f1 – Customize i Menu and assign Split-screen display zoom to the Photo-Mode i Menu. Then when you are composing an image, you can access this feature which allows you to simultaneously zoom-in at two different areas of the scene, to help verify focus and to ensure that the composition is level across the scene (see Figure 3). This can come in handy for landscape and architectural photographers.

Nikon Z7 Nikon Z6 tips and tricks

Figure 3 – Left: Press the i Button to access the i Menu screen with various shooting settings. You can use f1 to customize this menu, and add items such as Split-Screen Display Zoom. Right: Split-Screen Display Zoom shown in use, to compare two areas of the same scene to help determine if the framing is level.

The Playback i Menu will allow you to access a hidden feature, the Quick Crop option. During image playback, you can magnify an image and adjust the framing as desired. If you then press the i Button to access the Playback i Menu, and select the Quick Crop option, you can automatically crop the image and save a new image with the crop that is currently seen on the display (see Figure 4 – left). 

Nikon Z7 Nikon Z6 tips and tricks

Figure 4 – Left: Accessing the Quick Crop feature via the image Playback i Menu. Right: The Peaking Stack Image preview was available on the original Z7 and Z6, but not on the Z7II or Z6II.

And when a Multiple Exposure series is in progress, you can press the Playback Button to view the last image. If you then press the i Button, you will access a menu that allows you to view the Multiple Exposure progress, as well as edit the series by retaking or discarding the last exposure if desired.

There are a couple different ways to change the settings on the i Menu. You can highlight the desired icon (see Figure 5 – left) then press the OK Button and view all the options. This method will even allow you to access and change various applicable sub-options. Or you can highlight the desired icon, and turn the rear Main Command Dial to directly change the setting on that screen. If a setting option includes sub-options, such as the three available Auto White Balance options, or the Continuous Low frame rates (see Figure 5- right), you will use the front Sub-Command Dial to change the sub-options.

Nikon Z7 Nikon Z6 tips and tricks

Figure 5 – Left: Photo-Mode i Menu, accessed by pressing the i Button. After highlighting the desired setting, either press the OK Button, or use the Command Dials to change the settings. Right: The rear Main Command Dial will select the setting, and the front Sub-Command Dial can be used for any available sub-options, such as the Continuous Low frame rate.

Monitor Mode Button – This button isn’t hidden, but it is causing some users a bit of confusion when they are not able to see any menus or playback images on their rear Monitor screen. In order to select if the Monitor or the Viewfinder will be in use, you will need to press the Monitor Mode Button, which is located on the side of the Viewfinder “bump.” Press it repeatedly until you see the Prioritize viewfinder option, as you look on the rear Monitor or in the Viewfinder. Set it for this option for now, so that you can make use of both the Viewfinder and the rear Monitor. If you are pressing the Playback Button or the Menu Button and not seeing anything appear on the rear Monitor, be sure to look in the Viewfinder and set the Monitor Mode to Prioritize viewfinder.

Live View Exposure Preview – An important function to make note of is that you need to enable Custom Setting d9 – Apply Settings to Live View in order to view the scene, in the Viewfinder and on the rear Monitor, with the current camera and exposure settings applied. This will allow you to better preview the resulting image and make exposure adjustments, and will also enable you to access the Live View Histogram of the scene by pressing the DISP Button.

Custom Control Assignments – A few other hidden features of the Nikon Z7II and Z6II can only be accessed by customizing one of the camera buttons to assign it to that function, using Custom Setting f2. As mentioned above, you can assign a button to the Live view info display off option, for the uncluttered view of your scene on the rear Monitor display. A customization will allow you to press a hold one of the Fn Buttons to temporarily switch to a different Metering Mode, such as Spot Metering (see Figure 6 – left). If you will be using non-CPU, F-mount lenses with the Z7II or Z6II, you can register the lens to the camera, and thus gain additional functions such as in-camera Vibration Reduction. You will need to use f2 to assign the Choose non-CPU lens number option to one of the buttons, so that you can tell the camera which lens number is in use.

If you are making use of an optional wireless remote to trigger multiple cameras, there is also a “hidden” setting for this in the Custom Setting f2 button assignments. You can choose to assign the Fn1 Button, Fn2 Button, or Sub-Selector Center press to the Sync. Release selection option, which is used in conjunction with Custom Setting d3 – Sync. Release Mode Options. You can set up the camera so that, for example, when using the Z7II or Z6II as a master camera to remotely trigger other cameras, you can press the Fn1 (or Fn2) Button while taking the shot, and then just the master camera will shoot, or just the remote cameras and not the master, based on your settings.

Nikon Z7 Nikon Z6 tips and tricks

Figure 6 – Custom Control Assignments – Left: Assigning the Fn1 Button to the Spot Metering function, to temporarily switch to a different Metering Mode with the press of the button. Right: The Customize Command Dials, Sub-Dial Frame Advance options, to use a dial to jump ahead 10 images during image playback.

Sub-Dial Frame Advance during Playback – If you wish to quickly scroll through your images as you view them on the rear Monitor during playback, you can use the rear Main Dial to advance one image at a time, and use the front Sub-Command Dial to advance 10 or 50 images. To set this up, access Custom Setting f5 – Customize Command Dials, and set the Menus and playback option for On. The Sub-Command Dial will then be used to jump 10 or 50 images at a time, based on the Sub-dial frame advance setting. Set the Sub-dial frame advance item for 10 images or 50 images, or you can also choose to jump to protected images, still images or movies only, or to a different folder (see Figure 6 – right).

One Button Playback Zoom / Histogram – Using Custom Setting f3 – OK Button, you can assign the OK Button so that during image playback it will immediately zoom-in, at the magnification level of your choice, centered at the area of the active focus point so that you can closely inspect your image. Or you can instead assign the button press to display a large histogram with the image, so that you can evaluate your exposure (see Figure 7 – left).

Nikon Z7 Nikon Z6 tips and tricks

Figure 7 – Left: Use Custom Setting f3 – OK Button, Playback Mode to set the OK Button to show a magnified view or to show a large histogram. Right: Touch the bottom of the screen during full-image playback in order to access the “Frame Advance Bar” touch screen feature.

Frame Advance Bar – This image playback feature enables you to use the touch screen to quickly scroll through images without having to swipe one-by-one (see Figure 7 – right). And when viewing a magnified detail of an image, use the touch screen arrows to view the same magnified area of previous or following images.

Interval Timer Shooting vs. Time-Lapse Movie – The Nikon Z7II and Z6II include both the Interval Timer Shooting and the Time-Lapse Movie functions. In general, Interval Timer Shooting is used to create a series of images, taken at a specific time interval, which can later be combined into a time-lapse movie using software. Interval Timer also allows you to take a burst of multiple images at each interval, if desired. Time-Lapse Movie is used to take a series of individual images at a specified interval, that are automatically combined into a movie, by the camera, and saved to the desired memory card.

Due to a new addition to these cameras, these two functions now overlap a bit more. With the Z7II and Z6II, the the Interval Timer Shooting menu now has an Options item which will enable you to shoot a series of bracketed images, or to automatically create a time-lapse movie from the interval timer images. The advantage of doing this is that the camera will save all of the individual interval timer images, as well as create and save the time-lapse movie.

Flash Information Screen – With a compatible optional Speedlight flash attached and turned on, such as the SB-5000 or SB-500, press the DISP Button repeatedly to access the Flash Information Screen showing the current flash settings, and then press the i Button to view and change the various settings and options, including Wireless Flash Options (see Figure 8).

Nikon Z7 Nikon Z6 tips and tricks

Figure 8 – Left: When using an optional Speedlight flash, press the DISP Button to access the Flash Information Screen showing the current flash settings. Right: Then press the i Button to view and change the various settings and options.

Voice Memo (Z 6II only) – With the firmware 1.30 upgrade to the Z 6II, you can add a voice memo to an image. In order to do this, you will first need to use Custom Setting f2 to assign the Movie Record Button to the Voice Memo option. Then during image playback, select the desired image, and press and hold the Movie Record Button to record the voice memo, which can be played back when viewing the image, and will be saved as a WAV file to the memory card.

Nikon Z7II / Nikon Z6II Menu Setup Guide

In addition to my Nikon Z 7II / Z 6II Experience user guide., I also offer a Z7II / Z6II Menu Setup Spreadsheet, with suggested settings and starting points for most all of the camera menu settings and Custom Settings. The Excel spreadsheet includes separate listings for different shooting situations including Landscape, Studio, Action, etc. You can download the spreadsheet here:

http://www.fullstopbooks.com/setup-guides/

Again, all of these hidden features and settings, and other unique features, as well as all of the other features, functions, settings, and controls of the Z7II and Z6II are discussed in detail, in my comprehensive Nikon Z 7II / Z 6II Experience user guide.

Nikon Z7II Nikon Z6II manual guide how to tips tricks

Be sure to share your portraits and other photos on my Nikon Z Experience Facebook page, covering all the Nikon Z models:

https://www.facebook.com/groups/nikonz7z6z5

Setting Up the Nikon Z9 Menus

Nikon Z9 Menu Setup Settings

The pro-level mirrorless Nikon Z9 offers far more menu items and customization options than the previous cameras in the Z line-up. In order to take full advantage of this powerful camera, you are going to need to dig into the Menus and Custom Settings, and set up the camera to work best for how you shoot and for the type of situations you are shooting. To assist you with this, I have created a detailed and comprehensive Nikon Z9 Menu Setup Spreadsheet, which lists suggested settings and starting points for the Photo Shooting Menu and the Custom Settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Detail of the Nikon Z9 Menu Setup Spreadsheet

The Nikon Z9 Setup Spreadsheet can be downloaded from my website here. Printing instructions are also included on that page.

http://www.fullstopbooks.com/setup-guides/

Canon EOS R Experience user-guide Now Available!

My latest Full Stop e-book, Canon EOS R Experience  user-guide to the Canon EOS R is now available! This e-book goes beyond the manual to help you learn the features, settings, and controls of the powerful and customizable Canon EOS R. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon EOS R Experience will help you learn to use your EOS R quickly and competently, to consistently create the types of images you desire. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Canon EOS R Experience book manual guide how to learn master quick start tips tricks

Learn more about this EOS R guide, view a preview, and purchase it here:

www.fullstopbooks.com/canon-eos-r-experience/

As one Canon user has said about Full Stop guides:

I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

For Intermediate and Enthusiast Photographers: This instant download Canon EOS R e-book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

-Go beyond Auto+ and Program modes and shoot competently in Av, Tv, Fv, and M modes.

-Take full control of the powerful autofocus system to capture sharp images of still and moving subjects.

-Set up your camera with clear explanations and recommended settings for all Menu options and Custom Settings of the EOS R.

-Learn how, when, and why to use and customize the various controls, buttons, and features of the EOS R, including the touchscreen, new M-Fn Bar, and M-Fn Button.

-Understand the various metering modes, exposure compensation, and exposure lock for correct exposure of every image, even in challenging lighting situations.

 

For Experienced Photographers coming to the EOS R from previous models, this guide explains the new and advanced features and settings in order to quickly help you take advantage of these capabilities. Plus it explains the camera controls and how to customize them including the new M-Fn Bar and M-Fn Button. You will learn how to take advantage of the new features including the autofocus system with face and eye-detection, Fv shooting mode, Silent Shutter, in-camera image processing and editing, HDR, Multiple Exposure, cRAW file format, and manual focusing aids. It introduces the 4k, HD, High Frame Rate, and Time-Lapse video capabilities, and guides you through all the EOS R Menu and Custom Function items in order to help you best set up your camera for your specific shooting needs.

This 458 page digital guide to the Canon EOS R is an illustrated e-book that goes beyond the EOS R manual to explain how, when, and why to use the features, settings, and controls of the EOS R to help you take control of your camera and the images you create.

Learn more about Canon EOS R Experience, view a preview, and purchase it on my Full Stop website here:

www.fullstopbooks.com/canon-EOS-R-experience

Take control of your camera and the images you create!

Hidden Features of the Nikon Z7 and Nikon Z6

Camera users are often curious about “hidden” features that their camera may have, though typically most advanced models really don’t have many, as long as one carefully goes through all of the Menu and Custom Settings items, and reads through the manual or a guide. However, with so many options and functions, there are a few items that are actually a bit hidden away on the Nikon Z7 and the Nikon Z6. It’s not that the Z7 and Z6 manuals doesn’t mention them, or that they can’t be found with careful investigation of the camera, but you may need to have them called to your attention to learn how to locate them and how to take advantage of them. And there are a few button shortcuts to access features and settings that you simply need to learn if you wish to take advantage of, because once you are using your camera, they are not indicated in any menus or button icons.

These article is adapted from a section in my in my comprehensive Nikon Z 7 / Z 6 Experience user guide to the Nikon Z7 and Nikon Z6. All of these “hidden” features, as well as all of the other features, functions, settings, and controls of the Z7 and Z6 are discussed in detail, in the guide.

Nikon Z7 Nikon Z6 body controls detail tips tricks

Figure 1 – Detail of the controls of the Nikon Z7

Displays and Button Settings – When the Information Display or the Live View scene is active on the rear Monitor, you can press some of the camera buttons to change the corresponding settings as you view them on the rear Monitor. Or you can also view and change them in the electronic Viewfinder, while shooting. For example, by default, the Fn1 Button is assigned to White Balance and the Fn2 Button is assigned to Focus Mode/AF-Area Mode. When you press these buttons, you can view and change those settings, and the screen will even indicate which Command Dial to use for each setting (see Figure 2 – left). If you customize those buttons for another setting such as Auto Bracketing or HDR, you will be able to view and change those settings on the displays, as you press the assigned button and turn the Command Dials.

Nikon Z7 Nikon Z6 tips and tricks

Figure 2 – Left: Using a Fn Button and the Command Dials to change the White Balance setting on the rear Monitor. Right: Changing the HDR options via the Photo-Mode i Menu.

i Button Features – You can press the i Button to access different contextual i Menus during photo shooting, video, and image playback. The Z7 and Z6 also add the ability to change additional sub-options of various settings, via the i Menu, without having to dig into the menus to set those options. For example, when using the WB item on the Photo-Mode i Menu to select Auto White Balance, you will also be able to select which of the three Auto White Balance sub-options you would like. And you will be able to directly fine-tune a White Balance setting using the adjustment grid. If you replace some of the default i Menu items with options such as HDR, Auto Bracketing, or Multiple Exposure, you will be able to directly access and change the various settings for those features (see Figure 2 – right).

In some situations, the i Menu it is the only way to access and change certain of these hidden features. For example, the Photo-Mode i Menu will allow you to access the Split-screen display zoom feature. You will first need to use Custom Setting f1 – Customize i Menu and assign Split-screen display zoom to the Photo-Mode i Menu. Then when you are composing an image, you can access this feature which allows you to simultaneously zoom-in at two different areas of the scene, to help verify focus and to ensure that the composition is level across the scene (see Figure 3). This can come in handy for landscape and architectural photographers.

Nikon Z7 Nikon Z6 tips and tricks

Figure 3 – Left: Press the i Button to access the i Menu screen with various shooting settings. You can use f1 to customize this menu, and add items such as Split-Screen Display Zoom. Right: Split-Screen Display Zoom shown in use, to compare two areas of the same scene to help determine if the framing is level.

The Playback i Menu will allow you to access two hidden features, the Quick Crop option and the Peaking Stack Image preview. During image playback, you can magnify an image and adjust the framing as desired. If you then press the i Button to access the Playback i Menu, and select the Quick Crop option, you can automatically crop the image and save a new image with the crop that is currently seen on the display (see Figure 4 – left). If you have used the Focus Shift Shooting feature to create a series of images that will later be combined into a focus-stacked image, you can view a monochrome preview of the final, stacked image. To view this preview, first use image playback to view any of the images from the Focus Shift Shooting series. Then press the i Button and select the Display peaking stack image option to view the preview image. Note that this preview image is only available when using certain lenses (see Figure 4 – right).

Nikon Z7 Nikon Z6 tips and tricks

Figure 4 – Left: Accessing the Quick Crop feature via the image Playback i Menu. Right: The Peaking Stack Image preview, accessed with the Playback i Menu when viewing one of the images from a Focus Shift Shooting series.

And when a Multiple Exposure series is in progress, you can press the Playback Button to view the last image. If you then press the i Button, you will access a menu that allows you to view the Multiple Exposure progress, as well as edit the series by retaking or discarding the last exposure if desired.

There are a couple different ways to change the settings on the i Menu. You can highlight the desired icon (see Figure 5 – left) then press the OK Button and view all the options. This method will even allow you to access and change various applicable sub-options. Or you can highlight the desired icon, and turn the rear Main Command Dial to directly change the setting on that screen. If a setting option includes sub-options, such as the three available Auto White Balance options, or the Continuous Low frame rates (see Figure 5- right), you will use the front Sub-Command Dial to change the sub-options.

Nikon Z7 Nikon Z6 tips and tricks

Figure 5 – Left: Photo-Mode i Menu, accessed by pressing the i Button. After highlighting the desired setting, either press the OK Button, or use the Command Dials to change the settings. Right: The rear Main Command Dial will select the setting, and the front Sub-Command Dial can be used for any available sub-options, such as the Continuous Low frame rate.

Monitor Mode Button – This button isn’t hidden, but it is causing some users a bit of confusion when they are not able to see any menus or playback images on their rear Monitor screen. In order to select if the Monitor or the Viewfinder will be in use, you will need to press the Monitor Mode Button, which is located on the side of the Viewfinder “bump.” Press it repeatedly until you see the Prioritize viewfinder option, as you look on the rear Monitor or in the Viewfinder. Set it for this option for now, so that you can make use of both the Viewfinder and the rear Monitor. If you are pressing the Playback Button or the Menu Button and not seeing anything appear on the rear Monitor, be sure to look in the Viewfinder and set the Monitor Mode to Prioritize viewfinder.

Live View Exposure Preview – An important function to make note of is that you need to enable Custom Setting d8 – Apply Settings to Live View in order to view the scene, in the Viewfinder and on the rear Monitor, with the current camera and exposure settings applied. This will allow you to better preview the resulting image and make exposure adjustments, and will also enable you to access the Live View Histogram of the scene by pressing the DISP Button.

Custom Control Assignments – A few other hidden features of the Nikon Z7 and Z6 can only be accessed by customizing one of the camera buttons to assign it to that function, using Custom Setting f2. For example, a customization will allow you to press a hold one of the Fn Buttons to temporarily switch to a different Metering Mode, such as Spot Metering (see Figure 6 – left). If you will be using non-CPU, F-mount lenses with the Z7 or Z6, you can register the lens to the camera, and thus gain additional functions such as in-camera Vibration Reduction. You will need to use f2 to assign the Choose non-CPU lens number option to one of the buttons, so that you can tell the camera which lens number is in use.

If you are making use of an optional wireless remote to trigger multiple cameras, there is also a “hidden” setting for this in the Custom Setting f2 button assignments. You can choose to assign the Fn1 Button, Fn2 Button, or Sub-Selector Center press to the Sync. Release selection option, which is used in conjunction with Custom Setting d3 – Sync. Release Mode Options. You can set up the camera so that, for example, when using the Z7 or Z6 as a master camera to remotely trigger other cameras, you can press the Fn1 (or Fn2) Button while taking the shot, and then just the master camera will shoot, or just the remote cameras and not the master, based on your settings.

Nikon Z7 Nikon Z6 tips and tricks

Figure 6 – Custom Control Assignments – Left: Assigning the Fn1 Button to the Spot Metering function, to temporarily switch to a different Metering Mode with the press of the button. Right: The Customize Command Dials, Sub-Dial Frame Advance options, to use a dial to jump ahead 10 images during image playback.

Sub-Dial Frame Advance during Playback – If you wish to quickly scroll through your images as you view them on the rear Monitor during playback, you can use the rear Main Dial to advance one image at a time, and use the front Sub-Command Dial to advance 10 or 50 images. To set this up, access Custom Setting f5 – Customize Command Dials, and set the Menus and playback option for On. The Sub-Command Dial will then be used to jump 10 or 50 images at a time, based on the Sub-dial frame advance setting. Set the Sub-dial frame advance item for 10 images or 50 images, or you can also choose to jump to protected images, still images or movies only, or to a different folder (see Figure 6 – right).

One Button Playback Zoom / Histogram – Using Custom Setting f3 – OK Button, you can assign the OK Button so that during image playback it will immediately zoom-in, at the magnification level of your choice, centered at the area of the active focus point so that you can closely inspect your image. Or you can instead assign the button press to display a large histogram with the image, so that you can evaluate your exposure (see Figure 7 – left).

Nikon Z7 Nikon Z6 tips and tricks

Figure 7 – Left: Use Custom Setting f3 – OK Button, Playback Mode to set the OK Button to show a magnified view or to show a large histogram. Right: Touch the bottom of the screen during full-image playback in order to access the “Frame Advance Bar” touch screen feature.

Frame Advance Bar – This image playback feature enables you to use the touch screen to quickly scroll through images without having to swipe one-by-one (see Figure 7 – right). And when viewing a magnified detail of an image, use the touch screen arrows to view the same magnified area of previous or following images.

Flash Information Screen – With a compatible optional Speedlight flash attached and turned on, such as the SB-5000 or SB-500, press the DISP Button repeatedly to access the Flash Information Screen showing the current flash settings, and then press the i Button to view and change the various settings and options, including Wireless Flash Options (see Figure 8).

Nikon Z7 Nikon Z6 tips and tricks

Figure 8 – Left: When using an optional Speedlight flash, press the DISP Button to access the Flash Information Screen showing the current flash settings. Right: Then press the i Button to view and change the various settings and options.

Nikon Z7 / Nikon Z6 Menu Setup Guide

In addition to my Nikon Z 7 / Z 6 Experience user guide, I also offer a Z7 / Z6 Menu Setup Guide, with suggested settings and starting points for most all of the camera menu settings and Custom Settings. The Excel spreadsheet includes separate listings for different shooting situations including Landscape, Studio, Action, etc. You can download the spreadsheet here:

http://www.fullstopbooks.com/setup-guides/

Again, all of these hidden features and settings, and other unique features, as well as all of the other features, functions, settings, and controls of the Z7 and Z6 are discussed in detail, in my comprehensive Nikon Z 7 / Z 6 Experience user guide.

Nikon, Nikon Z7, Nikon Z6, Z7, Z6, book, menu, guide, tips, tricks, how to

And for any portrait photographers using the Nikon Z7 / Z6, here is an interesting article I recently came across at the Pixpa.com blog, which discusses all the numerous aspects to consider when creating a portrait, including lighting, background, angles, and making the subject relaxed and natural. It is a helpful tutorial for new portrait photographers, and a nice refresher for those already making portraits.

https://www.pixpa.com/blog/master-portrait-photography

Be sure to share your portraits and other photos on my Nikon Z7 / Z6 Setup and User Tips Facebook page:

https://www.facebook.com/groups/285030165630126

Recommended Nikon D850 Settings

I’ve put together a comprehensive Nikon D850 Menu Setup Spreadsheet, with suggested settings for various types of shooting situations, such as Landscape, Action/Sports, Portrait, Concert, etc. The Excel spreadsheet covers all of the Photo Shooting Menu items, all of the Custom Settings, and various other camera and exposure settings. A free link to the spreadsheet is included inside my Nikon D850 Experience guide if you purchase that, otherwise you can purchase and download the spreadsheet here, where you will also find instructions for printing it out:

http://www.fullstopbooks.com/setup-guides/

Here is an image of just a small portion of the comprehensive spreadsheet:

Nikon D850 setup guide menu custom setting spreadsheet quick start tips tricks

The setup guide spreadsheet is a great companion to my full D850 guide, Nikon D850 Experience, which is a clear and comprehensive guide to the camera. The full guide explains all the Menu and Custom Settings items, as well as all of the other camera features, functions, and controls.

Nikon D850 Experience book manual how how to use tips tricks

Canon 5DS / 5DS R Setup Guide with Recommended Settings

In conjunction with my camera guide for the new Canon EOS 5DS and 5DS R,
Canon 5DS / 5DS R Experience, I have created a Canon 5DS / 5DS R Setup Guide – a comprehensive spreadsheet with recommended settings for the applicable Menus, all of the Custom Functions, plus some shooting and exposure settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Here is a detail of just a small part of the Setup Guide spreadsheet:

Canon 5DS 5DSR Setup Guide Spreadsheet Experience Full Stop

The direct link to download the Excel spreadsheet is:

http://docs.fullstopbooks.com/forms/Canon-5DS-5DSR-Experience-Setup-Guide.xls

To print the spreadsheet guide, you may wish to print it across several pages and then tape them together, so that the data is legible:

-First, be sure to set the print area, to avoid all the blank pages. Do this by manually selecting all the cells with data in them (drag the cursor from cell A1 to G188 and they will all appear blue.) Then access the menu for File > Print Area > Set Print Area.

-Then go to File > Print Preview and select the Setup button.

-Then set the page for “Landscape” and “Fit To” 2 pages wide by 3 pages tall. Alternately, you can set for “Adjust to 58% Normal Size.”

Either of those options should result in 6 pages to be printed (as long as you have set the print area first).

Be sure to check the Print Preview to see that the data will print at a reasonable size, and that there are only 6 or so pages that will print.

Canon 5DS 5DSR setup book manual guide how to menu Custom Function quick start recommend

In the past I have resisted requests for these types of quick-start “cheat sheets,” because I prefer that readers of my Full Stop camera guides read through all of the Menu and Custom Function options, and determine which settings suit their shooting situations and preferences. This is one of the best ways to really learn the ins-and-outs of one’s new camera, so I still encourage you to do so. But I can appreciate the value and the handy reference features of this type of recommendation guide.

Canon 5DS 5DSR setup book manual guide how to menu Custom Function quick start recommend

Please know that I am in no way an experienced expert in all of the different photography categories I have included, so take the advice of dedicated Wildlife or Concert photographers, for example, above mine if it differs! And for further information, explanations, justifications, and caveats for the settings I specify, please have a look at my clear and comprehensive guide Canon 5DS / 5DS R Experience.

Canon 5DS 5DSR book manual guide master how to use learn quick start tips tricks setup setting menu custom function recommend

 

Version History of Spreadsheet

2015-06-18 – v1.0 – First version released

Nikon D810 Setup Guide with Recommended Settings

In conjunction with my camera guide for the new Nikon D810, Nikon D810 Experience, I have created a Nikon D810 Setup Guide – a comprehensive spreadsheet (cheat sheet!) with recommended settings for the applicable Menus, all of the Custom Settings, plus some shooting and exposure settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Here is a detail of just a small part of the Setup Guide spreadsheet:

Nikon D810 Setup guide menu custom setting cheat sheet quick start tips tricks recommend setting, book manual guide how to

The direct link to the Excel spreadsheet is:

http://docs.fullstopbooks.com/forms/Nikon_D810_Experience-Setup_Guide.xls

alternate link:

http://www.dojoklo.com/Full_Stop/forms/Nikon_D810_Experience-Setup_Guide.xls

Please note that the guide will also apply to the D800 and D800E, but new D810 menu items and features will obviously not be on the D800, and the names/ terms of some of the items has changed slightly.

To print the guide, you may wish to print it across several pages and then tape them together, so that the data is legible:

First, be sure to set the print area, to avoid all the blank pages. Do this by manually selecting all the cells with data in them (drag the cursor from cell A1 to G168 and they will all appear blue.) Then access the menu for File > Print Area > Set Print Area.

Then go to File > Print Preview and select the Setup button,

Then set the page for “Landscape” and “Fit To” 2 pages wide by 3 pages tall. Alternately, you can set for “Adjust to 60% Normal Size.”

Either of those options should result in 6 pages to be printed (as long as you have set the print area first).

Be sure to check the preview to see that the data will print at a reasonable size, and that there are only 6 or so pages that will print.

In the past I have resisted requests for these types of quick-start “cheat sheets,” because I prefer that readers of my Full Stop camera guides read through all of the Menu and Custom Settings options, and determine which settings suit their shooting situations and preferences. This is one of the best ways to really learn the ins-and-outs of one’s new camera, so I still encourage you to do so. But I can appreciate the value and the handy reference features of this type of recommendation guide.

Please know that I am in no way an experienced expert in all of the different photography categories I have included, so take the advice of dedicated Bird or Concert photographers, for example, above mine if it differs! And for further information, explanations, justifications, and caveats for the settings I specify, please have a look at my clear and comprehensive guide Nikon D810 Experience.

Version History
v1.2 – First version released
v1.3 – Formatting/ appearance changes
v1.4 – Formatting/ appearance changes
v1.5 – Formatting/ appearance changes
v1.6 – Footnote number corrections, some minor settings changes based on further findings and the final text of the guide

 Nikon D810 setup guide menus custom setting quick start cheat sheet how to manual tutorial tips tricks recommend
Nikon D810 – 1965 Ford Mustang GT – 2014 Annual Antique Auto Show – Codman Estate, Lincoln, Mass.

If you have purchased my Nikon D810 Experience e-book guide, be sure to sign up on the updates page, so that I can inform you of any updates made to the guide or to this spreadsheet, and well be able to provide you with a free updated guide, should there be any major updates or corrections.

Nikon D810 manual guide setup tips tricks how to use quick start recommend setting
Nikon D810, shown with 50mm f/1.4 AI-S lens. Camera courtesy of LensProToGo. Lens courtesy of Newtonville Camera.

If you have found this blog helpful and plan to purchase a Nikon D810 or some lenses or accessories for it, please consider using my affiliate links for Amazon or for B and H, found at the left side of this page. Your price will be the same, but they will give me a small referral fee – thanks! And please feel free to spread the word if this blog has been helpful.

Canon 70D – Hands-on Review and Field Test

I’ve been waiting until I got my hands on the latest new dSLR, so that I could coordinate a camera “field test” with a visit to an exhibit I’ve been wanting to see. The Heritage Museum and Gardens is currently showing an exhibit of concept cars, called Driving Our Dreams, which will be there until October 27, 2013. They have gathered together one of the coolest collections of American concept cars from the 1950’s to the present, ranging from the “space-age” 1956 GM Firebird II turbine powered highway rocket to the solar powered 2009 Infinium – and what better place to try out a new camera?! So thanks to LensProToGo for putting a new Canon EOS 70D into my hands, just as it was hitting the stores at the end of August!

Canon 70D EOS hands on review field test book manual guide how to settings set up 1956 Buick Centurion concept
All images in this post taken with the Canon 70D at the Heritage Museum, Sandwich, Massachusetts. 1956 Buick Centurion concept car. (Learn about the over-saturated red channel below.)

I headed out to Sandwich, Mass., the oldest town on Cape Cod, to visit the museum. I’ve been researching and writing about the 70D since it was announced a few months ago, as I work on my latest camera guide Canon 70D Experience, so I was already extremely familiar with its features and controls.

You can read all about the camera’s new features, and some tips for customizing the settings and controls of your 70D, in some of my previous Canon 70D articles. And if you wish to learn not only the features, functions, and controls of the 70D, but more importantly when and why to use them, be sure to look at my guide Canon 70D Experience. It will help you to take control of your camera, and the images you create!

Canon 70D EOS book manual guide tutorial how to tips tricks recommended settings set up dummies use quick start

Controls and Touch Screen: If you have worked with a Canon 60D, 7D, or even a 50D (or earlier), you should find that the 70D feels very familiar. It has about the same weight and feel, and while some of the controls move around from model to model, most of them are similar. I found that I quickly learned which button to instinctively press for my needs, whether the Image Playback Button, Info Button, or Q Button, etc. Even more convenient is the new Touch Screen, first seen on the Canon Rebel T4i/ EOS 650D. For those who may be skeptical about using a touch screen because of either responsiveness concerns or due to the “purity” of using a camera’s controls, the Canon 70D Touch Screen may very well change your mind. As with the screen on the T4i/650D and T5i/700D, it is as responsive as you have come to expect with an iPhone, and even uses many of the same Multi-Touch gestures – particularly when reviewing images during Image Playback (swipe for the next image, spread and pinch for zooming in and out, etc.). Even though many of the menu tabs, menu items, and function icons of the 70D are tiny, I rarely ever have any problem immediately selecting the right one. And regarding the desire to use the actual camera buttons and controls to change settings, I have quickly gotten into the habit of just pressing the Q Button to access the Quick Control Screen, then using the Touch Screen to change my settings with a few taps. After I have reviewed an image and wish to change settings, I find that it is quicker and easier to do it this way and simply leave the camera in the same position in your hands as you look at the rear screen, than it is to tilt the camera up, locate your desired settings button, press it and look at the small top LCD screen. You can change all the shooting settings on the Quick Control Screen, jump around the menus for various other settings, review all your settings on the Shooting Function Settings screen, and go back into image review all with your right thumb and left index finger, while holding the camera in the same position. Though I still use the dials and controls to change the aperture / shutter speed settings and control the autofocus points as I work through the viewfinder.

Canon 70D EOS hands on review field test book manual guide how to settings set up 1954 Buick Wildcat II concept
1954 Buick Wildcat II concept car

The top Main Dial of the 70D, while solid, has that great “soft” rubber feel to it rather than the harder plastic feel of entry-level models.  And this softer material is much easier on your fingertip after a long day of shooting. I always gripe about the inclusion of the thumb-pad Multi-Controller on the 60D and 70D, rather than the joystick version of the 7D, 50D, and 5D Mark III. I prefer the joystick because of its location, which is much closer to the other buttons on the top rear of the camera that your thumb will also be using. However, I found that after some time with the 70D I eventually got used to the thumb-pad.  While I still dislike the location, it does make it a bit easier to select an autofocus point the diagonal directions. One of the Custom Controls that I found I like is to customize the SET Button for ISO selection. While there is a dedicated ISO Button on the top of the camera, or you can easily select it on the Quick Control Screen, I find that it is also quick and easy to press the SET Button as you turn the top Main Dial to make this adjustment. As described above, it helps you to make this adjustment while keeping the camera in the same “image review” position. Plus you can quickly use this method to change the setting while your eye stays in the Viewfinder. And while you can always use the top ISO button in the same manner, it is much more difficult to determine which top button is the ISO Button without looking at it. (While it has a little bump on it to help locate it by feel, it is not a big enough difference from the other buttons for me to locate it with confidence.)

Canon 70D EOS hands on review field test book manual guide how to settings set up Corvette 1962
1962 Corvette – production model

I decided with this photo shoot to use the 70D just as I would during any normal shoot, and thus concentrate on the controls, exposure issues, and autofocus system (rather than, say, playing with the Multiple Exposure or HDR features). I had earlier experimented with some of the other functions of the camera such as Auto Lighting Optimizer, in-camera HDR, Multi-Shot Noise Reduction, Multiple Exposures, Creative Filters, etc., and those can all be learned about in Canon 70D Experience. There will also be example images of all these features in my Canon 70D Flickr set.

Lighting, Exposure, White Balance, and Noise: One of the first things I discovered is that lighting at an indoor automobile exhibit is very challenging! While they allowed the use of flash, it would not have worked out well due to all the reflections and bright spots it would cause in the car body, glass, and chrome (which of course is well represented in the 50’s cars). Perhaps indirect flash would work well, but as I was going to be taking hundreds of shots, I didn’t wish to disrupt the other visitors with constant flashes. In addition, getting the right exposure was challenging because I was often taking close-up shots of a large area of a light tone or dark tone, which would fool the exposure meter and cause it to want to under- or over-expose the image. Plus some of the cars were bare metal, which is prone to very bright reflective areas and dark non-reflective areas depending on how the lights are hitting it and the angle of view. So the exposure level reading could change dramatically from the initial framing where I locked focus to the final framing when I took the shot. I had to carefully keep an eye on how the light changed based on what area of the car I was photographing, as well as how it changed based on my angle of view as I moved slightly side to side, or crouched down low. I needed to sometimes lock the exposure settings for my final framing or for an important area (using the AE Lock * Button on the rear of the camera), and I had to check the results and the histogram, and adjust the Exposure Compensation to lighten or darken the subsequent shots (while then remembering to set EC back to 0 when I moved on to the next shot!). (If you don’t yet fully understand what this all means, I discuss locking exposure settings, the Histogram, and Exposure Compensation in detail in my Canon 70D Experience guide.)

Canon 70D EOS hands on review field test book manual guide how to settings set up Corvette 1962
1962 Corvette – production model

There was relatively low lighting in the exhibition space, but I was able to make use of ISO 1600. I primarily worked in Aperture-Priority AE Shooting Mode (Av) so that I had control of the depth of field. Sometimes the shutter speed that the camera chose dropped below a desirable 1/100 or 1/125, so I often took a quick burst of images knowing that at least one would come out sharp. In truth, I just looked over my previous ISO tests of the 70D, and there is very little loss of quality between 1600 ISO and 3200 ISO, in the JPEG images straight from the camera.  Some excessive graininess definitely appear by 6400 ISO. So I could have safely increased the ISO well above 1600, perhaps even up to 3200. But it was simply an old habit of never going above 1600, drilled into me with older cameras such as the 50D – and I should have left that prejudice aside when working with the 70D. You can view JPEG test results at the various ISO settings, in my Canon 70D ISO Flickr set.

The images shown here and on Flickr were originally shot in RAW image quality, and converted to DNG using the Adobe DNG converter. They were then processed, sharpened, and saved as JPEG. Unfortunately, I did not apply any noise reduction during processing, and the results are excessively noisy. I am going to have to go back and apply noise reduction to these images, either using Photoshop or Canon Digital Photo Professional (DPP). Below are some details of the above image, showing the difference between:

  • the original JPEG
  • the original RAW converted with Adobe DNG and processed in Photoshop and output as a JEPG, no noise reduction
  • the original RAW processed in Canon DPP with noise reduction applied and output as a JPEG.

For any pixel peepers, please note that all of the processing was done relatively quickly, so as to illustrate the overall differences. This is not intended to show definitive lab-quality results that one could achieve with much more careful, patient processing and noise reduction application. Please view the results at DPReview to see their lab-quality tests of JPEG, RAW, image quality, and noise.

Click on these image details to see larger versions:

Canon 70D EOS hands on review field test noise high ISO JPEG vs RAW book manual guide how to settings set up
Detail of original JPEG straight from camera, 1600 ISO with “High ISO Speed NR” set for Standard – very little noise seen.

Canon 70D EOS hands on review field test noise high ISO JPEG vs RAW book manual guide how to settings set up
Detail of processed RAW>DNG (processed with Photoshop)>JPEG, with no noise reduction applied, and thus excessively noisy.

Canon 70D EOS hands on review field test noise high ISO JPEG vs RAW book manual guide how to settings set up
Detail of processed RAW (processed with Canon DPP)>JPEG with noise reduction applied, very little noise seen.

So the lesson of the above examples is that you can confidently shoot in JPEG, up to 1600 and even higher, and achieve clean, low-noise results. You can make use of the 70D in-camera High ISO Speed NR option to assist with this, setting it for Standard or High. View the tests on DPReview to see how high you are willing to raise the ISO before the noise is too much for your tastes or image-output needs. And, if you shoot in RAW, you are going to need to apply noise reduction (and contrast, sharpening, etc. as always) as you process the images, especially when you are shooting in high ISO settings (800, 1600, and higher). Apply noise reduction in Adobe Camera Raw, Photoshop, Lightroom, Aperture, Canon DPP, etc.

Regarding White Balance, I learned that I should not have forgotten to bring my digital grey card for creating some benchmark images or even for setting a Custom White Balance. Though my post-processing experiments, I discovered that the White Balance color temperature of the exhibit space was very close to the Incandescent setting, but it would have been helpful, and would have saved time, if I had simply taken a couple images with the grey card in the scene. The lighting also varied throughout the space, as some areas had a bit of daylight from large windows. With images like these, I feel it is very important to closely match the actual colors of the cars, as they are documentary images of sorts. While the artificial lighting of an exhibition space vs. natural lighting outside would make these cars, (and images of these cars) appear differently, I wanted to match as closely as possible what I saw. If you wish to create a Custom White Balance with the 70D, you can take an image of a white object or grey card, filling a large central area of the Viewfinder with the card (about the size of the AF Points diamond), then go into the Shooting 3 menu and select the Custom White Balance menu item. It will ask you to select the image of the grey card you just took. When that is set, simply set your White Balance setting to the Custom WB icon, by pressing the Q Button and using the Quick Control Screen.

Canon 70D EOS hands on review field test book manual guide how to settings set up 1956 Buick Centurion concept
1956 Buick Centurion concept car

As is common with many dSLR sensors, the red channel can have a tendency to be sensitive to over-saturation. I experienced this as well with the 70D, though as you can see in the above image there was a large expanse of brightly lit red. In this and other images of the red and white Buick Centurion, some of the brightest areas of red become over-saturated and lose all detail, variation, or shadow, and are simply “pure” red. This is most easily seen in the first image at the top of this post, where there is a large area of lighter red on the top of the rear fender, where all subtle detail of varying color tones and shadow gradation is lost. If you are only watching the Brightness Histogram you may not pick this up, as the overall image – according to the camera – is not over-exposed. In order to keep your eye on this as you work, you can make use of the RGB Histogram. As shown below, the red channel is cut off at the right edge of the graph, and thus all detail will be lost in those areas of the image where this occurs. The sensor has simply reached its limits of what it can capture. If you experience this, you can adjust the lighting and perhaps make use of reflectors or diffusers, or move the subject, or alter your angle of view. In a situation where you can’t control these elements, you will need to adjust the exposure (under expose) before retaking the image, then check the RGB Histogram to make sure the color channels are not cut off at the right side of the graph.  Then carefully work with the image in post-processing to “bring back” or raise the overall exposure while trying to keep the problematic color channel from becoming over-saturated.

Canon 70D RGB Histogram learn use how to book guide manual dummies
Canon 70D RGB and Brightness Histogram, showing that areas of red have been over-saturated.

Aperture-Priority, Lenses, Autofocusing: As I mentioned above, I primarily worked in Aperture-Priority AE Shooting Mode, where I controlled the aperture setting while the camera chose the appropriate shutter speed. This allowed me to control the depth of field of the images, since I was primarily aiming to achieve very shallow, dramatic depth of field in the detail images, as shown in the tail-fin image below:

Canon 70D EOS hands on review field test book manual guide how to settings set up aperture depth of field 1954 Buick Wildcat II concept car
1954 Buick Wildcat II concept car

By working with a Canon 70-200mm F/4L IS lens, I set the lens at or near the 200mm focal length, backed up several yards, and then focused on my area of interest while setting the aperture at f/4. This results in very shallow depth of field and calls attention to the area of detail.  For the images showing a larger area of the cars, I used either the 16-35mm f/2.8L wide angle lens or the Canon 24-70mm f/2.8L, with the aperture set around f/2.8 or f/4.

I primarily autofocused using One-Shot AF Focus Mode and Single-Point AF Autofocus Area Selection Mode. One-Shot AF is used for still (or relatively still) subjects. As with the Canon 7D, the 70D has an Autofocus Area Selection Button on the top of the camera near the Shutter Button, which allows you to choose between these modes as you look through the Viewfinder (Single-Point AF, Zone AF, or 19-Point Automatic Selection AF), and these modes determine how many AF Points are being used to try to find the subject to focus on. With Single Point AF, I am able to manually select my desired AF Point using the Multi-Controller as I look through the Viewfinder, place it over the exact area where I wish to focus, and then lock focus with a half-press of the Shutter Button or by pressing the rear AF-ON Button. I can then recompose the shot to get the framing I desire, and press the Shutter Button to take the shot. While the 70D has 19 AF Points to choose from, it is relatively quick and easy to select the one you wish. You can even customize the camera so that if you are selecting one of the edge points, you can choose to stop at the edge or “wrap-around” to the AF Point on the other side if you continue to click the Multi-Controller.  I always choose to have it stop at the edge.  That way if I am choosing an “edge” point, I can simply quickly “click, click, click” on the left Multi-Controller, and I know it will stop at the far left AF Point and not “wrap-around” to an AF Point on the other side of the frame.

As you may be aware, the Canon 70D has a brand new, potentially revolutionary Live View / Movie autofocus system. It is a phase-detection AF system called Dual Pixel CMOS AF, which can quickly and smoothly grab focus, and can also be used to very effectively track a moving subject.  Based on my tests and on many test videos found on the Internet, the system is living up to the hype and performs as well as promised. Previously, Live View focus was slow, and the camera often hunted for the subject.  With this new system, it achieves focus on the subject extremely quickly an accurately. I made use of both the rotating rear LCD screen of the 70D and the Live View AF system to take some shots looking down from the first level onto the lower level, as seen in this image:

Canon 70D EOS hands on review field test book manual guide how to settings set up 1956 GM Firebird II concept
1956 GM Firebird II concept car

I held the camera out at arms length, rotated the rear screen so that I could see it, and pressed the AF-ON Button to lock focus. Even in the low lighting, the camera immediately focused. With the Live View autofocusing system you can also select from different autofocusing methods that determine how large an area the camera looks at to find a subject. Again I used the smallest, most precise area, called FlexiZone-Single AF, which provides a small focus square that you can move around the screen and locate where you wish, either using the Multi-Controller or the Touch Screen.

Creative Filters:  In spite of what I said earlier, I did play around with the in-camera Creative Filters and applied them to some of these images. I used the the Art Bold Effect, which affects contrast and saturation, on an image of the Buick Centurion.  By setting it on the High setting, I totally blew out the red (over-exposed), but is also made the interior glow nicely and has a cool effect on the chrome. And I used the Fish-eye Effect on the Buick Wildcat II, which works well if you get in close while having receding lines, as I found at the corner of this bumper.

Canon 70D in camera creative filter art bold
Canon 70D In-camera Creative Filter – Art Bold Effect – High.

Canon 70D eos Creative Filter Fish-eye fisheye effect
Canon 70D In-camera Creative Filter – Fish-eye Effect – Low.

Conclusion: After spending a dedicated week with the Canon 70D, exploring every menu item and experimenting with every function and feature, I have grown tremendously fond of this camera. Part of this is the familiarity I feel from working so long with the 50D and the 7D. But it is also due to some of its new features, which would make going back to either of those cameras extremely difficult. The first is the Touch Screen, which is an extremely quick, easy, and convenient way to change settings on the fly, access menus, and review images. Second is the new Live View autofocus system, which works as well as promised. It mot only makes Live View shooting much less frustrating and much more viable for all kinds of shooting situations, but it also makes autofocusing during movie shooting a reality. In addition, you can now use the Touch Screen to immediately change the area of focus, while movie shooting, simply by touching the screen. And finally, there are some of the smaller features, but these little additions can make a big difference. For example, during image playback you can access the Playback Quick Control screen and quickly set an image Rating. When this first appeared on the 5DIII and Rebels, I thought it might be a bit frivolous. But I have come to make very effective use of it, and will miss it on other dSLRs that don’t have this feature.  It allows you to go through your images and the camera and quickly mark (rate) the best ones, as well as mark the bad ones (with one star) that you will likely be able to quickly delete after viewing them on your computer. It is a simple feature that can provide significant time savings in a busy workflow.

Another simple feature that I discovered I made use of more than expected is the electronic level in the viewfinder. Unlike previous cameras where you can use the AF Points, as seen in the Viewfinder, as a level, the 70D includes a small “level” icon at the bottom of the Viewfinder screen.  (You can also make use of the AF Points as a level, which is sort of a hidden feature I will explain in a moment.) This level icon is simply a camera icon surrounded by either straight or diagonal lines, which indicate if you are on or off level. Or if both the straight and diagonal lines are displayed, you are almost level. I have long had a tendency to hold the camera slightly off-level, so I always appreciate the Viewfinder grid, which can be enabled in the 70D. But this level icon helped even more to keep my images straight. I found that I could compose the image, take care of locking focus and exposure if necessary, and then take a peek at the level icon before pressing the Shutter Button to take the shot.  More often than not, it indicated I was slightly off, so I carefully leveled the camera and took the shot. Again, such a simple feature helped a great deal – by keeping my images straight and level, which eliminated the need to straighten (and thus slightly crop) numerous photos later in Photoshop.

Regarding the “hidden” Viewfinder level that uses the AF Points, you can use the Custom Controls to set the Depth of Field Preview Button to the Electronic Level option. You can then press this DOF Preview Button during shooting and activate a level that uses the AF Points in the Viewfinder to indicate if the camera is level or not. Press the Shutter Button to turn it off and return to shooting.  You can learn about several other Custom Controls and Custom Function settings in my post on the 70D Custom Controls.

Canon 70D EOS hands on review field test book manual guide how to settings set up 1956 Buick Centurion concept
1956 Buick Centurion concept car

Regarding image quality, while I failed to properly apply noise reduction to the RAW images used here as I processed them, my subsequent tests and inspections have confirmed that you can work in high ISO settings (approaching 3200) and achieve a low, acceptable amount of noise with JPEG images straight out of the camera, and with RAW images with noise reduction applied in post processing. This has been confirmed with test images on DPReview and other sites.

Additional concept cars and more images from this visit to the Heritage Museum can be seen on Flickr here.

Remember to check out my other Canon 70D blog posts to find out more about the camera. And if you wish to take control of your Canon 70D, and learn how, when, and why to use its controls, features, and settings, be sure to check out my e-book guide, Canon 70D Experience.

If you are planning to purchase your Canon 70D online, please consider using my affiliate links and help support this blog – thanks!

Order your Canon EOS 70D from Amazon or B and H Photo:

Amazon:

Canon 70D – Body or with choice of kit lenses – $1,199 to $1,549

B and H Photo:

Canon 70D – Body only – $1,199

Canon 70D – with 18-135mm STM lens – $1,549

Canon 70D – with 18-55mm STM lens – $1,349

~ ~ ~

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Canon 70D Tips and Tricks – Custom Controls

One of the most powerful features of the Canon EOS 70D is the ability to customize the functions of various buttons and controls on the camera body. Taking advantage of this will allow you to set up the camera specifically for you and your shooting style and needs, and thus enable you to work more smoothly, quickly, and efficiently. Having the ability to easily and intuitively change the camera settings on the fly will also allow you to focus on the more important aspects of capturing the framing, moment, or composition you are after.

These settings are found in the  III-4: Custom Controls menu (see Figure 1). At first you may wish to leave many of these on the default settings or set them to match your previous camera settings. Then after working with the camera awhile, you will begin to know how you work and how you wish to work faster or more conveniently through customizing some controls. Pages 384-385 of the Canon 70D manual show all the possible options, and you might consider printing these manual pages to carefully study and consider your potential configurations.

These explanations are excerpted from my e-book guide to the EOS 70D called Canon 70D Experience. As with all my dSLR guides, Canon 70D Experience will help you to learn not only how but more importantly when and why to use the features, functions, and controls of the 70D. Learn more about the guide on my Full Stop website here.

Canon 70D set up quick start tips tricks recommended setting guide cool tricks menu custom function
Figure 1 – Custom Controls menu to customize the buttons and controls of the camera to function exactly how you need, to fit your working methods and shooting style.

Some custom controls that you may consider experimenting with are the assigned settings of the Shutter Button (when it is pressed halfway), the AF Start Button (AF-ON), and the AE Lock Button (the one with the [*] symbol). You can customize them so that they initiate and/ or lock focus and exposure separately or in a variety of different button combinations. When working in Evaluative Metering Mode and One-Shot AF, the default setting is that exposure metering is locked and focus is locked at your active AF Point when you press the Shutter Button halfway. You then recompose if necessary and fully press the Shutter Button to take your photo. But the exposure settings were locked on a different framing than your final framing! So you may wish to lock focus with a different button than you lock exposure, or else re-determine the exposure metering settings for the final framing before taking the shot (which is typically done with the AE Lock  [*] Button).

Canon, 70D, Canon 70D, book, manual, guide, how to, dummies, tips, tricks, quick start
Figure 2 – Custom Controls options – Selecting the Shutter Button (left), and choosing which function(s) it will perform when pressed half-way (right).

When working in One-Shot AF with one of the Metering Modes other than Evaluative Metering (Spot, Partial, or Center-Weighted), the default setting is that exposure metering is begun (not locked) and focus is locked when you press the Shutter Button halfway. You then recompose if necessary and fully press the Shutter Button to take your photo, and exposure is determined at that moment. But with these other Metering Modes it is likely that you will want to lock exposure on a certain area before framing for the final shot and taking the photo.

Either of these above default settings may cause you to meter for a scene or area that is different from what you intend, and thus result in a slight or profound under- or over-exposed shot. With the default button settings and the above scenarios, you can always use the AE Lock Button (exposure lock button with the [*] symbol) to lock in the exposure of your desired framing. But you may find that after working awhile, you would like to start or stop exposure metering and/ or focusing in a different manner than the default settings, and then you can reconfigure the functions of these buttons (See Figure 2).

To test how your camera functions before or after changing these settings, set it on One-Shot AF Mode, Tv or Av Shooting Mode, and Evaluative Metering Mode, hold the camera to your eye, aim it at a bright area, and half-press the Shutter Button. While keeping the Shutter Button half-pressed, move the camera and aim it at a dark area. Keep your eye on the aperture and shutter speed settings in the viewfinder and watch if they change or if they remain locked. Change the metering mode (Spot, Partial, or Center-Weighted) and do this again. Then repeat the process by first pressing the Shutter Button half-way and then pressing (and releasing) the AE Lock [*] Button. You can repeat a similar process to see focus lock in action or to test your custom focus lock button settings.

Note that there are multiple Auto Exposure Lock (AE Lock) options, such as when setting the function of the AE Lock [*] Button (see Figure 3). The AE Lock option will lock the exposure for the current scene when you press and release it. If you reframe the shot and want the camera to re-evaluate and re-lock the exposure, just press the [*] Button again. The AE Lock (while button pressed) option only applies to the Shutter Button, and will lock the exposure as long as the Shutter Button remains half-pressed, similar to how the camera works with the One-Shot / Evaluative Metering default settings, as described above. This differs from assigning the Shutter Button to Metering start because with Metering start, the camera will start evaluating for exposure, but the exposure values will not be locked but will continue to change until you take the photo or press the AE Lock [*] button (when you are working in Partial, Spot, or Center-Weighted Metering Modes). Again, you can see this in action by half-pressing the Shutter Button to start metering, look in the viewfinder (or on the LCD Panel) at the exposure settings, move the camera around, and see the settings change. The AE Lock (hold) option (indicated with “*H”) will lock the exposure and maintain that lock with those exposure settings for all subsequent shots, until you press the AE Lock [*] Button again. The AE Lock option without the (hold) option (indicated in the menu options with “*”) will only lock the exposure settings until the metering timer ends (the exposure numbers disappear in the viewfinder and on the top LCD Panel).

The AE Lock/FE Lock option will lock both the exposure settings as well as the flash output setting when using a flash. If a button is set for this option, pressing the button will fire a pre-flash from the built-in flash or a Speedlite to determine and then lock the proper flash output.

Canon 70D how to manual guide book how to
Figure 3 – Custom Controls options for customizing the functions of the AE Lock Button.

Some options will allow you to perform what is called “back button focusing,” which is further explained in the Back Button Focusing section of Canon 70D Experience. This technique allows you to start and/ or stop (lock) the autofocusing using the AF-ON button, in conjunction with or instead of the Shutter Button. Taking advantage of these options can help you to fully utilize the autofocus system of the 70D as well as modify it for your personal shooting style.

While you may wish to work with your camera before considering changing most of these settings, I strongly encourage you to immediately change the function of the thumb-pad Multi-Controller to AF Point direct selection so that you don’t have to press the AF Point Selection Button first every time before you select your autofocus point (see Figure 4). Instead you can just press the thumb-pad Multi-Controller to choose your desired AF Point (once you have tapped the Shutter Button to wake up the camera and begin metering).

Canon 70D set up quick start tips tricks recommended setting guide cool tricks
Figure 4 – Left: Custom Controls options for the Multi-Controller (thumb pad) to set for AF Point Direct Selection so that your desired AF Point can be quickly selected with the Multi-Controller alone. Right: Custom Controls options for customizing the functions of the Depth-of-Field Preview Button, including the Electronic Level.

You may also want to consider assigning the Depth of Field Preview Button to one of the other available functions if you don’t typically use it for its depth of field preview function (see Figure 5). For example, you can use it for FE Lock (flash exposure lock) or to quickly switch between One-Shot focus mode and AI Servo focus mode. The switch only occurs as you hold the button, so for example if you are shooting a still subject using One-Shot focus mode but suddenly wish to start tracking a moving subject, press and hold this button to temporarily work in AI Servo mode. Or if the camera is set for AI Servo mode, holding this button will temporarily switch the camera to One-Shot mode.

70D “Hidden” Feature: You can also set the Depth of Field Button as the Viewfinder’s VF Electronic Level, which is sort of a “hidden” feature of the 70D. This is different than the Viewfinder Level icon of the Shooting 1 menu, and instead uses the AF Points displayed in the Viewfinder as a one-axis level. This level will function in either camera orientation (see Figure 4). If this option is selected, when you are shooting simply press the Depth of Field Preview button for this Viewfinder Level to appear, then tap the Shutter Button to resume shooting.

And you may want to assign the SET Button to the function of your choice for quick access, such as perhaps Flash Exposure Compensation since there is not a dedicated button for this. Or you might set it for Image Quality. This can be a helpful setting because certain camera functions such as HDR Mode are only accessible when capturing JPEG images, so you may need to quickly change from RAW or RAW+JPEG image quality to JPEG only. Another interesting setting for the SET Button is Set ISO speed (hold button, turn Main Dial). What this customization does is allow you to change the ISO setting by pressing and holding the SET Button and turning the top Main Dial (see Figure 5). While this may seem unnecessary as there is a dedicated ISO Button on the top of the camera that allows you to quickly change the ISO, it can come in handy during shooting. For example if your camera is on a tripod and you are positioned behind it using the Live View screen, it may easier to use this SET Button and Main Dial arrangement to change the ISO than it is for you to look or feel around the top of the camera to determine which button is the ISO Button. Or you may find that this method is just a really quick way to change the ISO during Viewfinder shooting. Of course you can always use the [Q] Button or icon and Touch Screen to change the ISO setting as well. So, as with many other settings, determine which camera set-up and method works best for you and your shooting situation.

Unfortunately, if you set the Multi-Controller to AF Point direct selection, the SET Button will not directly select the center AF Point, as you may be used to. You will still have to press the AF Point Selection Button first and then press the SET Button to directly choose the center AF Point. This issue may cause you a bit of trouble if you have assigned the SET Button to another function, as that function screen will suddenly appear on the rear LCD Monitor if you press the SET Button while you are shooting, and you may accidentally change that setting. If this becomes an issue, assign the SET Button to OFF.

Canon 70D set up quick start tips tricks recommended setting guide
Figure 5 – Custom Controls options for customizing the functions of the SET Button.

Finally, if you often work in Aperture Priority (Av) mode but then sometimes work in Manual (M) shooting mode I suggest you swap the functions of the Main Dial and the Quick Control Dial in Manual Mode (see Figure 6). Access the Main Dial option (the half-circle icon) and assign it to the Av option (Aperture setting in M mode). Then access the Quick Control Dial (the full-circle icon) and assign it to the Tv option (Shutter speed setting in M mode). By doing this the Main Dial controls the aperture setting in M mode just as it does in Aperture Priority Mode, and the Quick Control Dial controls the shutter speed setting when working in Manual (M) mode. If you typically work in Av Mode and then switch over to M mode, the muscle memory of your index finger will thank you as it will instinctively turn the Main Dial to adjust the aperture setting, and this was not the default setting of the camera. If you typically work in Tv Mode and sometimes switch to M Mode, leave these buttons on the default settings.

Canon 70D set up quick start tips tricks recommended setting guide cool tricks
Figure 6 – Custom Controls options for customizing the functions of the Main Dial (left) and Quick Control Dial (right) when working in Manual (M) Shooting Mode.

To learn more about using your Canon 70D and how to take full advantage of all its features, functions and controls – including back-button focusing, plus taking control of the autofocus system, making use of the various metering modes, and understanding the elements of exposure – have a look at my e-book guide called Canon 70D Experience. As with all my dSLR guides, Canon 70D Experience will help you to learn not only how but more importantly when and why to use the features, functions, and controls of the 70D. Learn more about the guide on my Full Stop website here.

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Read my hands-on preview of the 70D with some sample images at my Canon 70D Unboxing and Hands-On Preview post.

Live View – White Balance: I ran across a question online about setting a Kelvin white balance in Live View, so I will add this info here with some screen shots below. To change the WB in Live View, press the Q Button to access the Quick Control Screen, then select the White Balance icon, either by navigating to it by pressing up or down on the Multi-Controller, or simply using the Touch Screen. If you have navigated to it, you can then press left and right on the Multi-Controller to make your selection at the bottom of the screen. If you select the K option, press the INFO Button to select your desired temperature.

Canon 70D white balance live view kelvin k setting custom touch screen EOS

 

And if you are planning to purchase your Canon 70D online, please consider using my affiliate links and help support this blog – thanks!

Order your Canon EOS 70D from Amazon or B and H Photo:

Amazon:

Canon 70D – Body or with choice of kit lenses – $1,199 to $1,549

B and H Photo:

Canon 70D – Body only – $1,199

Canon 70D – with 18-135mm STM lens – $1,549

Canon 70D – with 18-55mm STM lens – $1,349

The Secrets to an Interesting Photo – Unlocked!

A few days ago Reuters published a collection of the Best Photos of the Year 2012. This collection, similar to the Atlantic’s 2012: The Year in Photos, is a sometimes inspiring, often depressing look back at the events of the past year. The content and subjects of the images aside, they are both excellent presentations of some of the best in photojournalism and image making for the year, and I encourage you to not only look through the images, but to analyze the ones that you like or that move you, and determine what it is about the images that makes them so powerful. Look at the position and point of view of the camera, the aperture settings used (shallow depth of field vs. deep dof), the composition including wide vs. tight and what was put in the frame and what may have been left out, how the elements, forms, and colors in the image relate, the moment captured, etc.


Reuters photographer Joseba Etxaburu is knocked down by a wild cow during festivities in the bullring following the sixth running of the bulls of the San Fermin festival in Pamplona July 12, 2012. Etxaburu suffered some scratches on his right elbow but was able to continue shooting afterwards. Canon EOS-1D Mark IV, lens 70-200mm, f3.5, 1/640, ISO 500. http://blogs.reuters.com/fullfocus/2012/11/30/best-photos-of-the-year-2012/#a=1

In an interesting exercise, someone has compiled the type of cameras and lenses used for the photos, and the exposure settings, and then put it all into easy to read pie charts. To turn this information on its head, it seems that to have the best chance of make an interesting image, what you need is a Canon 1D Mark IV with a 16-35mm lens (likely the EF 16-35mm f/2.8L), set your aperture at f/2.8, shutter speed at 1/320, and use 200 ISO.

But to look seriously and more in-depth at the information compiled and presented in the charts, one can learn a lot about how photojournalists in the field operate:

They seem to prefer Canon dSLR cameras, with Canons used in about 90% of the images* – or it perhaps merely shows that Reuters provides, supports, and/ or encourages Canon equipment. (For example, they likely have a collection of Canon bodies and lenses at their offices for the photojournalists to use or to supplement their equipment when they need a specialized lens.) The top camera used, the Canon 1D Mark IV is a very rugged and reliable professional camera, which is interesting to note has “only” 16 megapixels (though it has a much higher quality image sensor than consumer cameras). It has recently been replaced with the more current Canon 1D X.

Prime lenses were used (rather than zooms) in about 55%* of the images, and the most common favorites were nearly equally divided over the 24mm, 50mm, and 16mm (each used about 8% of the time overall when including all lenses*).

With zoom lenses, the wide angle 16-35mm (EF 16-35mm f/2.8L) was used most often (about 19% of the time overall with all lenses*), followed by the 70-200mm (likely the EF 70-200mm f/2.8L IS version I or II). (The lens links here are for Canon lenses – I’ll try to get back to this and add similar Nikon lens links.)

(*these numbers may be off, as the numbers on Reddit seem to be inconsistent/ incomplete)

What this tells us is that wide angle lenses really are the “bread and butter” lens of the photojournalist, used to capture a wide scene or to place the subject or the action into a larger context – which is often important in telling a full and accurate story in a single image. It also means that the photographer was typically very close to the subject, right in the middle of the action. Sometimes however, a close-up portrait or detail best tells the story, or a photographer can’t get as close as desired, and that is where the 70-200mm comes in.  It is interesting to note that when I did extensive research into choosing lenses at the start of my professional career, I followed many working photographers’ advice and settled first upon these exact lenses – the 16-35mm and 70-200mm. You can do a lot of great travel and photojournalism work with those two lenses alone. One problem you will run into if you are only using one body, however, is that you sometimes have to quickly switch to the other, and that is where the more versatile 24-105mm f/4L or 24-70mm f/2.8L lenses can be more practical.  And you can see that these mid-range zooms were two of the other, lesser used zooms in the chart.

After some time with the zooms, most people want to try their hand at a prime lens – to increase image quality, help them work a bit more at composing and framing, and to provide even shallower depth of field. And as you can see, the wide primes are the most popular among photojournalists. The 50mm f/1.2L or the more affordable 50mm f/1.4 will give you a field of view approximating your normal vision (hence they are called “normal” lenses. The 24mm f/1.4L and 16mm focal lengths are much wider. These also show that the photographers were right up in the action.

The photojournalist’s expression used to be “f/8 and be there” but based on this data, it will obviously have to be modified to “f/2.8 and be there.” The most common aperture setting in these images was f/2.8, used in about 29% of the photos, followed by f/4, f/1.4 (which is possible with some of the prime lenses), and f/3.2. What this means is that they are most often using a very shallow depth of field, usually in an attempt to visually separate the subject of the image from the background, and to call attention to exactly where in the image they want the viewer’s eye to fall. Plus the wide aperture lets in lots of light, which may help them be able to use the fast shutter speeds and low ISO settings they desire.

The “f/8 and be there” expression has been interpreted in a few different ways, but what it seems to say is have your camera ready, and then just be at the scene. The camera settings aren’t nearly as important in photojournalism as simply being there to capture the action.  It also shows that with f/2.8 (and other wide apertures) being used as the most common aperture setting today, photography has likely made a shift over the past few decades where shallower depth of field is much more common.  This would be interesting to investigate, but it could be the result of autofocus systems, allowing a photojournalist to be much more sure of their focus and able to use shallow dof – where as before they had to quickly manually focus and a slightly deeper dof allowed some focusing lee-way. It could also have to do with lenses now being sharper at wider apertures.

The most often used shutter speeds were 1/320, 1/250, 1/800, and 1/640. A photojournalist is often capturing action or precise moments, and thus a fast shutter speed is desired. The best thing to do in these types of situations – especially if working in Aperture Priority Mode so that you have full control over your depth of field – is to set an ISO speed (based on the lighting of the scene) that will allow the camera to select appropriately fast shutter speeds. The best shutter speed depends on the situation and how fast/ what direction the subject might be moving, but from these results it shows that anywhere from 1/250 to 1/800 can work for many scenes – although 1/1000, 1/2000, or faster will be needed for sports and fast action. So set an ISO speed that will result in this shutter speed range when your aperture is set around f/2.8 or f/5.6 (or whatever aperture range you plan to use). The results show that the photojournalists seem to choose the lowest ISO possible for the situation (based on the lighting), as this will result in the least amount of digital noise – interestingly the most used ISO settings actually went in order from 200, 400, 800, to 1600. The fact that ISO 100 came in next, but at a much smaller percentage seems to say: don’t risk it with 100 ISO – just use 200 ISO so that you don’t inadvertently use too slow of a shutter speed when the lighting level decreases but you aren’t paying attention to the exposure settings. The noise and sharpness difference between 100 and 200 is pretty negligible for most current cameras.

Don’t quite understand all these settings and the terminology?  Have a look at my Full Stop dSLR camera guides, such as Canon 5D Mark III Experience and Nikon D600 Experience, which cover not explain the functions, features, and controls of Nikon and Canon dSLR cameras, but more importantly how, when and why to make use of them in your photography.

full stop dslr photo photography camera manual guide for dummies canon nikon

 

A Brief Intro to Interval Timer Photography vs. Time-Lapse Photography

As I am working on my guide to the Nikon D600, Nikon D600 Experience, I realize that it may be very helpful to Nikon users to briefly explain the difference between Interval Timer Photography and Time-Lapse Photography. In the Nikon D600, these features are found in the Shooting Menu.

Interval Timer Shooting

This is used to take a continuous series of photographs at each specified time interval, for a set number of intervals, with the intervals to begin either immediately or at a set time (see Figure 1). It can be used to take these multiple series of shots over several minutes or hours. This is a bit different than the Time-Lapse Photography option (just below) in that Interval Timer Shooting can be used to capture not just one but rather a series of photos at each interval – for example, 4 photos in a row every 10 minutes, for 2 intervals. This will result in a total of 8 photos, as the camera will calculate and show you.

Nikon d600 interval timer vs time lapse photography shooting difference
Figure 1 – Interval Timer Shooting menu, showing 4 shots to be taken each interval, for 2 intervals, for a total of 8 shots. The intervals are to start immediately, with the time between intervals as 10 minutes. The current time is 22:50.

First choose to begin the Interval Timer Shooting immediately (Now), or at a set Start Time. Press left and right on the Multi Selector to navigate through these menus and up and down to set the desired times and numbers.

Next set the Interval, or time period between when each series of shots is taken. Then set the number of intervals (Select no. of times) and the number of shots to be taken at the start of each interval (no. of shots). Press right again when done with the settings, and select On to begin the Interval Timer shooting.

Ideally, set up your camera on a tripod for the duration of Interval Timer Shooting. Note that you cannot use Live View, and that each series of shots will be taken at the frames-per-second rate of the current Release Mode (or the Continuous Low rate if set for Single Frame), although this rate may be limited by a slower shutter speed setting. You can combine Bracketing with this function. Press the OK Button between intervals to pause or stop the process. The camera will need to focus before taking the shots, so it may be best to pre-focus the camera and then set the camera and lens to manual focus.

Time-Lapse Photography

This differs from the above Interval Timer Shooting in that it is used to take a series of individual photos over an extended period of minutes or hours that are then combined into a time-lapse movie (see Figure 2). Thus only one photo is taken at each interval – for example, one photo every 10 seconds, for 8 hours. The resulting movie will use the frame rate setting from the Movie Settings (also in the Shooting Menu), and thus that setting (24fps, 30fps, etc.) will determine to total length of the movie. If 24fps was used in the above example, the resulting movie would be 2 minutes, as the camera will thankfully calculate for you in this menu.

Nikon d600 interval timer vs time lapse photography shooting difference
Figure 2 – Time-Lapse Photography menu – here the camera is set up to take an image every 5 seconds (the Interval), over a period of 25 minutes (the Shooting time). Since the movie frame rate is set at 24fps, the final movie will be 12.6 seconds long (Length recorded). The maximum possible length of a movie here is shown to be 38 minutes and 15 seconds based on the space left on the memory card as shown at the bottom, though note that the actual maximum length of any movie is 20 minutes.

To set up this function, access Time-Lapse Photography in the Shooting Menu.

Press right on the Multi Selector to access the settings, then press right or left to navigate to the various settings, and up and down to change the numbers and times. First set the Interval or time period between each shot. Then set the total Shooting time. You need to set short Intervals and a long Shooting Time to create a lengthy final time-lapse movie.

When done with the settings, press right on the Multi Selector and choose On. The time-lapse shooting will begin after 3 seconds. Again, be sure to set up the camera on a tripod for the duration of the shooting. When the shooting is complete, the resulting movie will be saved to the memory card selected in the Shooting Menu under Movie Settings in the Destination option.

If you wish to calculate the total length of a resulting time-lapse movie without entering the numbers into the camera, you can use the formula below, or use a time-lapse calculator available online or as an app.

Time-Lapse Formula:

trt = H * 3600 / I *FR

trt= Total Running Time in seconds.

H= Total Hours taken for time lapse in real time.

I= Interval in Seconds between photographs.

FR= Frame Rate in which pictures will be displayed (24, 25, 30, 60 etc.).

So for the settings in Figure 202:

trt = 7.5 * 3600 / 30 * 24

trt = 37.5 seconds (shown on the camera as 37.6”)

As you can see, it is easier to just get an app for this! Note that the total maximum length for a movie is limited to 20 minutes. Be sure to replace the Viewfinder eyecup with the Eyepiece Cap provided with your camera to block stray light from entering the camera during this process. Press the OK Button or turn the camera off to stop the time-lapse process. As with Interval Timer Photography, the camera will need to focus before taking each shot, so it may be best to pre-focus the camera and then set the camera and lens to manual focus.

Both Interval Timer Photography and Time-Lapse Photography and their various settings and options are explained in more detail in the Interval and Time-Lapse Shooting section of the Nikon D600 Experience e-book user’s guide.

New E-Book Camera Guide for the Canon 7D

I have completed an e-book camera user’s guide for the Canon EOS 7D called Canon 7D Experience.

Like all my previous Full Stop camera guides, Canon 7D Experience explains not only the features, functions, settings, and controls of the camera, but also – and more importantly – when and why to use them in your photography.  This includes metering modes, aperture and shutter priority modes (Av and Tv), advanced autofocus use, and more.  It also describes all the Menu settings and Custom Function settings – with recommended settings.  The guide also thoroughly explains the versatile and sophisticated autofocus system, which helps to make this such a unique and powerful camera.

Take control of your camera and the images you create!

Click on the cover image below or click here to learn more, preview, and purchase Canon 7D Experience.

Canon 7D EOS firmware 2 v 2.0 book ebook e-book manual how to instruction learn tutorial use tips tricks for dummies

How Pros Photograph

or What Pros are Doing When it Looks Like
They are Just Pointing and Clicking

You’ve probably had the experience where you locate the right spot and attempt to take the same photo as one you admire, yet the outcome is never quite the same. Or maybe you’ve stood next to a photo tour leader, and think you are taking the same photos, yet your images don’t seem to look like theirs do. Why is this? What is an experienced or professional photographer doing differently? What’s the big secret, the trick to getting those images?

It’s not impossible, it’s not luck, and it is not dependent on tricks. It’s not necessarily equipment or Photoshop skill. But rather it is a number of decisions and accumulated experience, all happening in those brief moments when a photographer sees a scene, raises their camera to their eye, frames the shot, adjusts the settings, and clicks the shutter. Here’s what the pros are doing in those moments when all you think you see them doing is pointing and clicking:

Festival de Tinajani - Smiling Woman Dancer
Festival de Tinajani – Ayaviri, Peru

The Right Light: A photographer is always chasing the best light. Their eye is always looking for good lighting, interesting lighting, the interplay of light and shadows, silhouettes. They are always aware of the quality of light – the color, the warmth or coolness of the light. Ideally they shoot only at the best times: in the morning and evening. But that isn’t always possible, so they must seek out interesting lighting, make the best of the available light, use a flash or off-camera lighting, or work in shaded areas. If the great light is there, but the subject isn’t, they wait for a subject to come into the scene. They consider not only the lighting on the main subject but also the lighting on the background and how it might enhance or distract from the subject. They place themselves in the best position in relation to the light and the subject to ensure their subject is illuminated as they desire, they remain aware of the light/ subject relationship, and move around as necessary as it changes.

Pre-Visualizing: The photographer begins to see the composition of the image before they raise their camera to their eye. They look at the elements and decide how they want them to relate to each other in the final image. They consider how near and distant elements will relate when compressed into two dimensions. As with the lighting, they look at not only their main subject but also the background that will appear behind it. They look for strong lines, color, weight and balance of elements, symmetry or asymmetry of the elements. They consider their main subject and the environment around it and determine how much they want to include – if they want a wide shot or wish to zoom in or move in for a closer shot. They consider which point of view will best express their subject – high, low, eye-level? They determine if the image and relationships will work best in landscape or portrait orientation, and hold the camera accordingly. They scroll through their mental file of similar images they’ve taken, and consider what was and wasn’t successful and how to improve this shot.

Festival de Tinajani - Woman Dancers Practicing
Festival de Tinajani – Ayaviri, Peru

Metering: When they see that interesting or challenging light they know how to meter for it. They don’t count on their camera to know how they want the scene exposed and they don’t want to blow out their highlights, so they may use partial metering or spot metering directed at the right part of the scene to determine their exposure settings. They do this quickly and instinctively because they’ve practiced and experimented with numerous types of difficult lighting scenes, and…

Camera Settings: …they know their camera inside and out. They know which settings to change and how to change those settings. They’ve customized their buttons and menus to quickly get to the settings they use most frequently. Their eye is on the aperture, shutter speed and ISO numbers in the viewfinder, and their fingers know which dials to move to adjust them without taking the camera from their eye. They know how their camera tends to under-expose or over-expose in certain situations, and they change the exposure compensation accordingly. And they (hopefully) remember to reset these settings when they move into a different lighting or subject situation.

Aperture Priority Mode: The pros often work in aperture priority mode so that they can control their aperture and depth of field and thus establish relationships of near and distant elements, foreground and background. They blur the background to call more attention to the subject, or dramatically place just a narrow plane of the subject in focus. Or perhaps they bring everything from near to far into sharp focus. They select their depth of field based on the relationships they desire to create. They know how the lens they are using renders images at its various apertures, and perhaps use the depth of field preview button to verify.

Festival de Tinajani - Twirling Skirt
Festival de Tinajani – Ayaviri, Peru

Shutter Priority Mode: They turn their mode dial to shutter priority mode when freezing or blurring motion is key to the image. They use a high shutter speed to freeze action, or a slow one to blur or pan. They know the proper shutter speed is critical to this type of shot, and don’t let the camera choose it for them.

ISO: They check the setting that they are not controlling (the shutter speed in Aperture priority mode/ the aperture in Shutter priority mode) and adjust their ISO to bring that setting into the range they want or need. They know from experience which ISO range is appropriate for the amount of lighting they are shooting in, and change it in advance as they move between situations.

Manual Mode: They turn the mode dial to M when they have consistent lighting and a setting that they know is not going to change, or in challenging situations where both aperture and shutter speed are critical. They’ve determined their exposure by metering, and set the camera accordingly.

Auto or Program Modes: They never use these, as their lack of control scares them as much as Aperture Priority mode scares the new dSLR user.

Festival de Tinajani - Flag Dancers Posing
Festival de Tinajani – Ayaviri, Peru

Framing: As they look through the viewfinder, they frame the image based on their pre-visualization and composition decisions. They scan all parts of the frame and not just the subject, from edge to edge and each corner, from near to far, to determine if there are any unwanted elements, elements not essential to their image, or undesired relationships (i.e. the tree growing out of someone’s head.) They move slightly to the left or right, or slightly up or down to bring all the elements in the frame into the desired or most dramatic relationship.

Focusing: They manually choose their auto-focus point to ensure that the camera focuses on what they want it to focus on, not on what the camera chooses to focus on. They lock the focus setting if they need to slightly reframe or wish to hold that focus for a sequence of images. If there is going to be a dramatic shift between the framing seen while focusing and the final framing of the image, they lock the exposure setting on the final intended framing before or after locking in the focusing. They use the other auto-focus modes to capture action that moves across the scene or which is too fast for manually choosing a single point.

Waiting: They wait for the right facial expression and pose, or for the subject to relax, or the moving elements to fall into place, or the peak of action and then…

Clicking the Shutter: Finally! They press the shutter, slowly and smoothly. They have their camera set for single exposure or multiple exposure based on the situation. They fire off several quick shots, or slowly take a couple to ensure they got the shot or to take variations of the image.

Festival de Tinajani - Dancer with Rope
Festival de Tinajani – Ayaviri, Peru

Reviewing: “Chimping” is the somewhat derogatory term for looking at the rear LCD screen right after taking a photo to check out the image. When pros do it, they are not looking at the picture to see what they got. They know what they got. They know what the image looks like because they studied it when they framed and took the photo. They are looking at the histogram and looking for blinking highlights to ensure they did not blow out the highlights or in any way over- or under-expose the shot. If they did, they adjust the exposure compensation, or the aperture and shutter settings, and take it again.

Working the Scene: A pro continues to work the scene, looking for different perspectives, compositions, and points of view.  They look at how relationships of subjects and objects in the scene change, even with just a slight adjustment of the camera’s position or angle.  Even if they think they may have nailed the shot, they know from experience that there may be an even better image to be found or made if they continue to study and photograph the scene.  And they don’t accept “good enough” and continue on to the next scene or shot.  They strive to capture the best image they know they are capable of, sometimes even if it involves returning to the location at a different time of day or even a different season when the light might be better.

These are some of the things an experienced photographer is thinking and doing in those brief moments between the time they pause from scanning the scene around them, raise the camera to their eye, and take the shot. It’s not because they have a pro camera with pro lenses that they got a great image. It’s not some pro secret that was passed onto them when they read the right book and gained entry the right forum. It is the sum of an alert eye, numerous conscious decisions while visualizing and framing, knowing how to adjust their equipment and use its controls, as well as sub-conscious decisions based on taking countless images, experimenting, and learning from the results both good and bad.

To read about an actual example of this process in action in the creation of a photograph, see my post Deconstructing the Shot.