Gear | Picturing Change

Why Nikon Isn’t Concerned about the Z 7 vs. a7R III

After years of speculation and anticipation, Nikon has finally introduced the new Nikon Z 7 and Nikon Z 6 full-frame mirrorless cameras. Initial reactions have been heated and emotional, as people debate whether or not the single XQD memory card slot will be its downfall, or whether the autofocusing system will be up to the needs and expectations of Nikon dSLR users. And of course there are endless comparisons of whether they live up to the offerings of the comparable Sony a7R III and a7 III full-frame mirrorless models.

Comparing the specifications, the two sets of cameras are similar on many points. The Z 7 and the a7R III are the high resolution models, while the Z 6 and the a7 III are the little brothers, with most all of the same features as their big brothers, but with a lower mega-pixel count. With some features, such as eye-detection autofocus, burst rates, and buffer rates, the Sonys appear to come out ahead, and with many other features the Nikons seem equal or better.

Detail of an official Nikon Press Photo of the Nikon Z7 body.

But I contend that, while Nikon certainly considered the Sony models when designing the new Z series, this Nikon vs. Sony comparison is not their primary concern. Nikon put that aside, and concentrated on Nikon. They designed a “future-proof” lens system with the new Z-mount, which will begin to make a large difference with the introduction of future wide-angle and fast lenses. There is already an f/0.95 lens that has been announced, the 58mm f/ 0.95 S Noct Lens. Most importantly, they designed a mirrorless camera that looks like a Nikon, feels like a Nikon, and functions like a Nikon. The camera buttons will all be familiar to a Nikon dSLR user, and just as important, the camera menus and navigation will be the same.

As anyone who has used a Sony a7 model will tell you, navigating the menus, finding the setting you are seeking, then interpreting a setting and its options can be painful. I can attest to that, I wrote the book on it! (Sony a7R III Menu Setup Guide and Sony a7 III Menu Setup Guide). It is a very different experience from using a Nikon or Canon menu, and it takes a bit of getting used to. Some of the Sony buttons, controls, and functions offer the same issue, and are not necessarily intuitive to either a new user or to a user coming from Nikon. And that is where Nikon wins… with existing Nikon users.

The Z cameras are not necessarily designed for camera users trying to decide between the Sony a7 and the Nikon Z. If a dedicated Nikon user wanted to try out or to jump to a mirrorless system, a Nikon user would have already bought a Sony a7 camera (or a Fuji or one of the other offerings). Instead, the Z cameras are designed for Nikon users trying to decide between buying a mirrorless camera or not buying a mirrorless camera. If they are going to buy a mirrorless camera, there is a high likelihood they will now be buying a Z 7 or Z 6. Nikon has greatly reduced the friction of converting to mirrorless, by offering a familiar camera. And in addition to the camera body, buttons, menus, options, functions, and features being similar to their current Nikon dSLR, Nikon users can painlessly bring along all their F-mount lenses, with the simple addition of the FTZ Lens Adapter. And Nikon users can expect that the image quality is going to be there.

Beyond the hype and chatter, the pre-orders for the Z cameras appear to be happening, and I believe that these cameras are going to be a success. Nikon has finally entered the full-frame mirrorless camera market, and they are here to stay.

If you want help setting up the Menus and Custom Settings of the Nikon Z 7, Nikon Z 6, Sony a7R III, or Sony a7 III, have a look at my comprehensive Menu Setup Spreadsheets, which are all free for a limited time after the introduction of each of the cameras. Or they are always free with a link included within the text guides for each of the cameras, which can be found at my FullStopBooks website, including the new Nikon Z 7 / Z 6 Experience comprehensive user guide to the Nikon Z 7 and Nikon Z 6.

And if you want to continue to learn, discuss, and ask questions about the settings, features, and functions of the Z 7 and Z 6 from a user-standpoint, please join the Nikon Z 7 / Z 6 Setup and User Tips Facebook group!

If you want to learn more about some of the features and specifications of the Nikon Z 7 and Nikon Z 6, have a look at my blog post Nikon Z 7 and Z 6 – Beyond the Specifications.

If you want to pre-order or order the Nikon Z 7 or Nikon Z 6, please consider using my affiliate links below. Your price will be the same, but they will give me a small commission – thanks!

Nikon Z 7 at Amazon: https://amzn.to/2MPaiU5 – $3396.95

Nikon Z 7 at B and H:
https://www.bhphotovideo.com/c/buy/Mirrorless_System_Cameras/ci/16158/N/4288586281/BI/7364/KBID/7886/kwid/000/DFF/d10-v1-t3-z4288586281

Nikon Z 6 at Amazon: https://amzn.to/2MKHSe0 – $1996.95

Nikon Z 6 at B and H:
https://www.bhphotovideo.com/c/buy/Mirrorless_System_Cameras/ci/16158/N/4288586281/BI/7364/KBID/7886/kwid/000/DFF/d10-v1-t3-z4288586281

Nikon FTZ Lens Adapter

Nikon Z 7 and Z 6 – Beyond the Specifications

After several years of speculation and anticipation, Nikon has just introduced their first full-frame mirrorless cameras, the Nikon Z 7 and the Nikon Z 6. The Z 7 is a high-resolution model boasting 45.7 MP, and the Z 6 is nearly the same camera, but has 24.5 MP, and costs $1996 vs. $3396 for the Z 7. There are some additional differences such as the number of autofocus points, and the ISO ranges.

Nikon Z 7 body detail

Detail of the Nikon Z 7 full-frame mirrorless camera, including the 3.2″ tilting touch-screen monitor. Official Nikon image.

If you have been reading about these models, you have likely found numerous comparison posts between the two cameras, the Nikon D850 dSLR, plus the competing Sony a7R III and Sony a7 III mirrorless models. Simply comparing the specifications on the surface can be a helpful starting point, but we need to dig a little deeper in order to make true, user experience comparisons.

Continuous Frame Rate and Buffer

For example, the Nikon D850 dSLR lists a 9fps maximum burst rate, but users quickly discovered that this was based on the use of the optional MB-D18 battery grip and EN-EL18a/b battery. The maximum frame rate without the battery grip is 7 fps, and even then that rate is not achievable without the use of specific settings including AF-S, M or S shooting mode with a 1/250 or faster shutter speed, and various settings like VR and auto ISO turned off.

The Nikon Z 7 has a similar situation, with the maximum frame rate listed as 9 fps. However, this is rate can only be attained when capturing JPEG or 12-bit RAW files, and the exposure will be locked at the first frame of the burst. The camera will continue to update focus for each shot, when using AF-C focus mode, but not the exposure settings. When using Silent Mode, where shutter sound is completely eliminated, the maximum fps will be 8 fps. When capturing 14-bit RAW files, the maximum frame rate is reduced to 5.5 fps, however this will enable continuous focus, and exposure will be determined for each shot in the burst, and not just locked at the first shot. The maximum rate can be maintained for up to 18 continuous 14-bit compressed RAW images,or 23 12-bit lossless compressed images. Note that the Sony a7R III achieves up to 10 fps (with viewfinder blackout), or 8 fps without blackout, and exposure is not locked on the first exposure with either frame rate, unless desired. The Sony maximum rate can be attained for 40 RAW images, or 89 compressed RAW images. That is a significant difference, which Nikon will need to improve in future models.

Detail of the Nikon Z 7 full-frame mirrorless camera, including the new Z-mount lens mount. Official Nikon image.

Electronic Viewfinder and Touch Screen

Compared to a dSLR, mirrorless cameras such as the Z 7 and Z 6 make use of an electronic viewfinder (3690K dots) rather than an optical viewfinder. An electronic viewfinder can take a little bit to get accustomed to if you are used to working with the optical viewfinder of a dSLR, as there can be a little lag, the brightness changes with the scene and exposure, and it consumes battery life. However it has its advantages. An electronic viewfinder will reflect many of the actual camera settings, such as exposure, white balance, and Picture Control. This not only helps you envision the final image, but can save you in situations where you may have the wrong WB set. It also allows you to see and change certain camera settings, such as metering mode and autofocus modes, while looking through the viewfinder (by pressing the i Button to access a customizable settings screen). It also allows you to review images and movies in the viewfinder, without taking your eye away to view the rear screen.

The Z 7 and Z 6 provide a couple different ways to confirm focus, when manual focusing through the Viewfinder or on the rear Monitor. There is a Rangefinder feature, as found on many Nikon dSLR models, where you place the AF Point on your desired subject or detail, and as you manually focus, the AF Point will illuminate when that detail comes into focus. You can also enable Focus Peaking, where high-contrast edges of the actual subject or detail in the scene will illuminate when that distance is in focus. You can select which color is used to indicate focus. Focus Peaking is often used when manually focusing when shooting video, and still photographers have adapted the use of the feature as well.

The 3.2″ rear monitor has touch-screen capabilities for Live View, navigating menus, changing settings, and for locating your AF Point and autofocusing. This differs from the Sony a7R III, where the touch-screen is only used for Live View and for autofocusing.

Nikon Z 7 body

Detail of the Nikon Z 7 full-frame mirrorless camera, including the rear monitor and controls. Official Nikon image.

Autofocus System

The AF system of the Z 7 and Z 6 is going to be slightly different than you may be used to with a Nikon dSLR. The hybrid AF system (phase-detection and contrast-detection) of the Z 7 has 493 AF points, and the Z 6 has 273 points, both covering 90% of the frame. That means you will be able to focus on and track subjects throughout almost the entire frame, without necessarily having to lock focus and recompose. The on-sensor phase-detection AF system is similar to Live View autofocusing, and thus should be spot-on without having to calibrate lenses (except for lenses that can’t take full advantage of the hybrid AF system, and instead rely on the contrast-detection system).

You will be able to use AF-S Focus Mode for still subjects, and AF-C for tracking moving subjects. The AF Area Modes differ slightly from a Nikon dSLR. You will be able to choose from Pinpoint AF for very precise AF Point positioning (in AF-S mode only), Single-Point AF, 9-point Dynamic-Area AF (in AF-C mode), Wide-Area AF, and Auto-Area AF. If you wish to take advantage of face detection, you will have to set for Auto-Area AF, and enable the Auto-Area AF Face Detection item of the menu. Nikon says that the face-detection will also look at the upper body of the subject, and thus will continue to track it even if the face is momentarily out of view.

Tracking a subject throughout the frame, similar to Nikon’s 3D-Tracking on a dSLR, will be done in Auto-Area AF and AF-C. The implementation of it is a bit different, however, and DP Review goes into detail about the new process. It is a bit more cumbersome than how it is done on a dSLR:

https://www.dpreview.com/reviews/nikon-z7-first-impressions-review/5

Nikon Z 7 mirrorless autofocus AF 493 point

The 493 AF Points of the Nikon Z 7, covering 90% of the frame. Official Nikon image.

Other Features and Functions

The ISO range of the Z 7 is 64 – 25,600, expandable to 32 – 102,400. With its different sensor, the Z 6 has a wider ISO range on the high end, of 100 – 51,200, expandable to 50 – 204,800.

New Z-mount lens mount – Wider, which will allow for lenses such as the 52mm f/0.9 NOCT lens, coming from Nikon. Three lenses will be available at first, along with a Z to F ZTF Adapter to use Nikon F-mount lenses.

EXPEED 6 processor, new mid-range sharpening parameter, new Creative Picture Controls to create dramatically processed images, such as Dream, Bleached, and Graphite.

5-axis in-camera image stabilization, which will work with both lenses without VR, and lenses with VR.

~ ~ ~

To learn about all the features, functions, controls, and customizations of the Nikon Z 7 and Nikon Z 6, be sure to have a look at my Nikon Z 7 / Z 6 Experience. user guide, to be available in November or December 2018. It is a comprehensive 350+ page guide, to help you take control of your camera, and the images you create.

If you want to pre-order or order the Nikon Z 7 or Nikon Z 6, please consider using my affiliate links below. Your price will be the same, but they will give me a small commission – thanks!

Nikon Z 7 at Amazon: https://amzn.to/2MPaiU5 – $3396.95

Nikon Z 7 at B and H:
https://www.bhphotovideo.com/c/buy/Mirrorless_System_Cameras/ci/16158/N/4288586281/BI/7364/KBID/7886/kwid/000/DFF/d10-v1-t3-z4288586281

Nikon Z 6 at Amazon: https://amzn.to/2MKHSe0 – $1996.95

Nikon Z 6 at B and H:
https://www.bhphotovideo.com/c/buy/Mirrorless_System_Cameras/ci/16158/N/4288586281/BI/7364/KBID/7886/kwid/000/DFF/d10-v1-t3-z4288586281

Sony a7R III / a7 III Tips, Tricks, and Hidden Features

Both the Sony a7R III and the Sony a7 III mirrorless cameras have provided exciting upgrades to their predecessors. Important improvements and new features included improved hybrid autofocus systems with AF points positioned widely across the entire frame, faster continuous shooting frame rates, and the addition of the Multi Selector joystick to quickly select the desired AF Point while shooting.

Detail of the Sony a7R III Mirrorless Camera

However, they both make use of a complex menu system that can be a challenge to navigate. While the numerous menu options allow for a tremendous amount of control and customization of the cameras, they can also cause confusion with similarly named items, or with items whose functions are unclear at first. To help you better understand all of the menu items and functions of the camera, I have created quick-start Menu Setup Guides, which explain every menu item along with suggested starting points. There are the two separate books, Sony Alpha a7R III Menu Setup Guide and Sony Alpha a7 III Menu Setup Guide, both of which can be purchased at my FullStopBooks.com website. I have also created a Menu Setup Spreadsheet for these cameras, which list suggested settings for each menu item, with different listing for various shooting situations such as Landscape, Portrait, Action, Studio, Birds, etc. The spreadsheets can be downloaded from my website here: www.fullstopbooks.com/setup-guides/.

Information from these guides is excerpted here, to explain some of the tips, tricks, and “hidden” features of the cameras. While none of the camera features are actually hidden if you read through the manual or help guide, or explore the menu items, some of them can be a bit challenging to find or to make use of if you don’t know they exist, and so I will explain them here.

Attach the Spot Metering Point to the Active AF Point

When making use of Spot Metering Mode, the actual spot that is used to determine the exposure settings can either be located in the center of the frame, or it can surround the active AF Point. Often it is more useful to have this point surround the active AF Point, because for example, you may be focusing on a specific face, and you would also like that face to be used to determine the exposure settings. If the Spot Metering circle is located in the center of the frame, you would have to first meter on the face using the center of the frame, lock the exposure settings (AEL), and then recompose, focus, and capture the image. If the Spot Metering circle is located surrounding the active AF Point, then you simply need to autofocus and capture the image, and the camera will simultaneously use the area of the active AF Point to also determine the exposure.

If this is how you wish to work, I suggest setting the Spot Metering Point item of the Camera Settings 1 Menu to “Focus Point Link” in order to have the spot metering point surround the active AF Point.

Know that you can also select the size of the Spot Metering point. When selecting Spot Metering in the Metering Mode menu item of the Camera Settings 1 Menu, or via the Fn Button and Function Menu, be sure to press left or right to choose Spot Large, Medium, or Small.

You can also use the Custom Key settings of the Camera Settings 2 Menu to assign a button to temporarily make use of Spot Metering when that button is pressed, so that you can quickly meter for a precise or specific area without having to take your eye from the Viewfinder as you change the Metering Mode.

Take Advantage of Face Priority and Eye Priority Autofocus

The a7R III and the a7 III both have excellent autofocus systems, which are able to identify and lock onto faces and subject’s eyes found in the scene. In the Camera Settings 1 Menu, you will want to access the Set Face Priority in AF menu item, where you will enable the Face Priority in AF sub-option, in order to take advantage of the autofocusing face detection feature. If the camera detects a face at or near the area of the active AF Point or Zone, the camera will automatically detect, track, and focus on the face. You will still need to use the Multi-Selector to position the active AF Point or Zone at the desired face before focusing, so that the camera knows which part of the scene to look at and locate your desired subject. Then half-press the Shutter Button, and the active face detection frame will turn white.

When working in Single-shot AF (AF-S) Focus Mode, the camera will also automatically detect and focus on the subject’s eyes. When working in Continuous AF (AF-C) Focus Mode, the camera will only detect, focus, and track faces unless you press the center button of the Control Wheel, and then eye detection and tracking will become active as well.

This Face Priority and eye detection feature works extremely well, and thus you may wish to take advantage of it for various shooting situations that involve faces, whether for still subjects or moving subjects. You are even able to register and rank specific faces (in the Face Registration setting later in the Camera Settings 1 Menu), so that the camera will prioritize them in a scene with multiple faces.

Detail of the Sony a7R III Mirrorless Camera

Quickly Switch to a Different Group of Shooting Settings with the Press of a Button

The Register Custom Shooting Settings of the Camera Settings 1 Menu is a powerful option that will let you assign a group of exposure, shooting, and autofocus settings to one of the camera’s custom buttons (C1, C2, or C3 Button). You can then press and hold that button while shooting to temporarily switch to an entirely different group of camera settings.

To make use of this feature, access this menu item, then select which button you wish to register (such as Recall Custom hold 1), then go through the next menu screen and select and set all of the available settings, such as Shooting Mode, Aperture, Drive Mode, Metering Mode, Focus Mode, and Focus Area. Then select Register. Or if you wish, you can set your camera in advance to all of your desired settings, access this menu, and then select Import Current Setting.

In this menu, you can enable or disable the check-mark next to the settings to choose if they will be registered or not. For example, you may wish to register various autofocus and camera settings, but not register specific exposure settings. Then when you make use of this feature during shooting by pressing and holding the C1, C2, or C3 Button, the enabled settings will temporarily change, but the camera’s exposure settings will remain as you currently have them set.

This customization might be used if you are shooting a still situation that might suddenly change to an action situation, such as a standing bird suddenly taking flight. Or it can be used in an action type of situation where you immediately wish to switch to different shooting parameters for a completely different type of action, such as a baseball batting situation vs. a running situation. Or if you are shooting a subject that is actively moving between sun and shade, the various shooting settings (such as the ISO, Metering Mode, and White Balance) can be set up to instantly accommodate the shade situation.

Use the Focus Magnifier to Zoom in on the Live View Scene

The Sony a7 cameras don’t have the same zoom-in and zoom-out buttons for viewing the Live View scene that you may be used to with a Canon or Nikon camera. Instead you will need to make use of the Focus Magnifier of the Camera Settings 1 Menu. You can also assign the Focus Magnifier to a button of your choice, such as the down button on the Control Wheel. The menu items that come after Focus Magnifier are used to customize exactly how the feature will work.

Focus Magnifier – Access this menu item, then press the center of the Multi-Selector to zoom-in on the scene while viewing either the rear Monitor or the Viewfinder. Use the Multi-Selector to move the magnified area about the screen, or press the Delete Button to move it to the center of the screen. You can continue to press the Multi-Selector Center to zoom-in closer. If using manual focus, this can assist you in focusing more precisely on the desired detail. Turn the manual focus ring on the lens to focus. If Touch Operation is set for On, then you can double-tap on the rear Monitor to magnify the desired area. Note that you cannot access this function when using AF-C Focus Mode.

If set for autofocus, you will need to set the AF in Focus Magnification item, just below, to determine how autofocus works with focus magnification. If set for On, the camera will autofocus when half-pressing the Shutter Button. If set for Off, the Focus Magnifier is cancelled and the view returns to the full scene, when the Shutter Button is half-pressed. The next two menu items will determine the time that the Focus Magnifier remains active, and the amount of magnification of the focus magnifier.

Focus Magnifier Time – When making use of the Focus Magnifier, this setting will determine how long the magnification remains active, so that you can view and focus on the desired detail. You can select 2 seconds, 5 seconds, or No Limit. With the No Limit setting, magnification will end when you half-press or fully-press the Shutter Button (based on the AF in Focus Magnification setting below). I suggest you set this for No Limit, so that you can examine the area and make your manual focus or autofocus adjustments.

Initial Focus Magnification (still image) – When making use of the Focus Magnifier, this setting will specify the initial amount of magnification. The x1.0 setting will activate the Focus Magnifier, but you will still view the entire scene. Continue to press the Multi-Selector Center to zoom-in closer. The x6.2 (a7R III) or x5.9 (a7 III) setting will immediately enlarge the image by about 6 times, when Focus Magnifier is used. I suggest you set if for x1.0, then activate the Focus Magnifier, adjust the area of focus with the Multi-Selector, then continue to zoom, by pressing the Multi-Selector Center or the Control Wheel Center Button.

AF in Focus Magnification (still image) – This setting determines how autofocus works with the Focus Magnifier. If set for On, the camera will retain the magnification of the screen and autofocus when half-pressing the Shutter Button. The camera will focus at the “+” symbol seen in the center of the screen. The camera will return to the full view of the scene once the image is captured. If set for Off, the Focus Magnifier is cancelled and the view returns to the full scene, when the Shutter Button is half-pressed. I suggest setting this for On so that you can make use of the magnified view to precisely autofocus.

Know the Difference Between AEL Hold and AEL Toggle

When using the Custom Key options of the Camera Settings 2 Menu to customize the function of various camera buttons, you can choose to assign Auto Exposure Lock (AEL) to the button of your choice. Typically you will assign the AEL Button to be used to lock the current exposure settings. For example, if you are using Center Metering or Spot Metering, you would half-press the Shutter Button to begin metering, aim the camera to position the metering area over the desired part of the scene, then press the AEL Button to lock the exposure settings that the camera determined. You will see an asterisk icon (*) on the screen to indicate that exposure lock is active. You can then recompose and fully press the Shutter Button to capture the image.

There are a few different Auto Exposure Lock options. The AEL hold option means that exposure is locked only as you hold down the button. The AEL toggle options means that you can press and release the button to activate exposure lock. The options with the Spot Metering icon, [.] AEL hold and [.] AEL toggle means that Spot Metering will temporarily be activated to determine the exposure settings, and those settings will simultaneously be locked, with either the “hold” option or the “toggle” option that was just explained. This can be a very useful option if you are shooting in a situation where you are not using Spot Metering, but you may temporarily wish to use Spot Metering to determine the exposure settings such as for a portrait.

Choose the Best Refresh Rate for the Electronic Viewfinder

The a7R III offers the Finder Frame Rate option in the Camera Settings 2 Menu. This adjusts the frame rate of the electronic Viewfinder display. The High setting will display moving subjects more smoothly, however the Viewfinder resolution will be reduced. The Standard setting will make use of the normal frame rate, and will be used automatically when the camera’s internal temperature becomes high. However with its higher resolution, you will want to use the Standard setting for situations such as still subjects, studio use, macro, and landscapes. It is recommended that you set for High for general use and moving subjects, and Standard for still subjects.

Assign the C3 Button to Rating or Protect

The Custom C3 Button, located at the upper-left on the rear of the camera, is labeled for the Protect function. This will protect an image from accidental deletion. However, know that reformatting a memory card will delete all images, including protected images. You can also use the Custom Key options of the Camera Setting 2 Menu to assign this button to another function, such as Rating. This may be a more useful feature, as you can mark an image with 1 to 5 stars. This can be used to quickly locate specific images when you later view them on your computer.

The Rating Set item of the Playback Menu can be used in conjunction with this button assignment. If you assign a Custom Button to the Rating feature, then you can select which rating amounts are available to choose from, with each subsequent button press. For example, you may only wish to make use of the 1, 3, and 5 star ratings, and thus you can disable the other rating values so that you don’t have to click through them every time. Then you would press the button one time for 1-star, two times for 3-stars, and three times for 5-stars.

There are numerous other menu options, features, and functions that are discussed in my quick-start menu guides for these cameras, Sony Alpha a7R III Menu Setup Guide and Sony Alpha a7 III Menu Setup Guide, both of which can be purchased at my FullStopBooks.com website. I have also created a Menu Setup Spreadsheet for these cameras, which list suggested settings for each menu item, with different listing for various shooting situations such as Landscape, Portrait, Action, Studio, Birds, etc. The spreadsheets can be downloaded from my website here: www.fullstopbooks.com/setup-guides/.

Sony Alpha a7R III Menu Setup Guide – Updates Page

Updates and corrections for Sony Alpha a7R III Menu Setup Guide.

All guides available at my Full Stop website – http://www.fullstopbooks.com/

2018-05-24 – Version 1.0 published in PDF, EPUB, and MOBI formats – No updates

2018-06-01 – Version 1.1b published in PDF, EPUB, and MOBI (Amazon Kindle) formats, including FullStopBooks, Kobo, iTunes, Amazon, Apple, Barnes and Noble.

There were a few mentions of “dSLR” or “digital SLR” in the guide. As the a7R III is a mirrorless camera and not an SLR, there errors have been corrected to say “mirrorless” camera.

“Future Updates to the Text” chapter, information, and links added to the guide.

2018-06-04 – Version 1.2 published in PDF, EPUB, and MOBI (Amazon Kindle) formats, including FullStopBooks, Kobo, iTunes, Amazon, Apple, Barnes and Noble.

To my great embarrassment, there was a typo (extra word) on the very first page of the text. That has been corrected.

Firmware Update: A Firmware update was made available for the a7R III, Firmware Version 1.10. You can download the firmware at the Sony Support site, under the Drivers and Software tab:

https://esupport.sony.com/US/p/model-home.pl?mdl=ILCE7RM3&template_id=1&region_id=1&tab=download#/downloadTab

The firmware update provides the following benefits:

-Adds the menu option to select Pixel Shift Multi Shooting (On: Shooting Interval 0.5sec)

Notes:

When using an A-mount lens via an adaptor (LA-EA1/ LA-EA2/ LA-EA3/ LA-EA4), the interval might be slightly longer

When the camera is connected to PC, please use the latest version of the Imaging Edge software

-Adds support for bracketing during silent shooting with uncompressed RAW

-Adds support for tuning of the peaking display level for S-Log shooting

-Makes improvements for a condition where the Eye AF does not work with certain camera settings

-Makes improvements for a condition where Viewfinder Brightness is not reflected correctly in the Manualsetting

-Improves overall stability of camera

~ ~ ~

Sign up to receive notices of updates to the text of Sony Alpha a7R III Menu Setup Guide, as well as to be eligible to receive free copies of the updated e-book file (for major updates):

http://blog.dojoklo.com/ebooks/sign-up-for-full-stop-e-book-updates/

Quick Start Setup for the Sony a7R III

The Sony Alpha a7R III mirrorless camera offers numerous improved features and updates from previous versions of the camera, including an improved autofocus system with more effective eye-detection, faster continuous shooting at up to 10 frames per second, better in-camera stabilization, and a faster processor. Boasting 42.2 megapixels, the image resolution is excellent enough to meet most any photographer’s needs.

The a7R III offers numerous menu options, features, and customizations, and you may have found that the menus can be challenging to navigate, and some options are confusing or difficult to understand. In fact there are over 180 menu items, spread across 35 menu pages, and organized under 5 separate tabs. However, it is important to properly set up the options to match your shooting needs, and essential to understand what the features are doing and how the camera is operating, so that you can take full advantage of all that that a7R III offers.

I have put together a comprehensive Sony a7R III Menu Setup Guide Spreadsheet to help walk you through all the Camera Settings and Setup Menus. The spreadsheet contains separate listings of suggested settings and starting points for various types of shooting situations, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Below is a small detail of the setup guide. You can download the Sony a7R III Menu Setup Guide Spreadsheet at the link below, where you will also find instructions for printing the spreadsheet. This spreadsheet is available for free for a limited time!

http://www.fullstopbooks.com/setup-guides/

I also offer a companion text guide, which provides more detailed explanations of all the Sony a7R III menu items, recommendations for setting them up, and for making use of the various camera features and functions, along with some a7R III tips and tricks. This more detailed text guide, Sony a7R III Menu Setup Guide, will be available in May 2018. The text guide and the setup guide spreadsheet work hand-in-hand, to help you set up and get the most from your camera.

Take control of your a7R III and the images you create!

The First Nikon D850 guide, Now Available!

Nikon D850 Experience, my latest Full Stop e book and the first D850 user’s guide, is now available! This e book goes beyond the manual to help you learn the features, settings, and controls of the powerful, versatile, and highly customizable Nikon D850. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography – including the sophisticated autofocus system with its Group-Area AF mode, the Highlight-Weighted metering mode, the touch screen, customizable buttons and Sub-Selector control, plus UHD 4K video and several video improvements. It covers the new features of the camera such as Focus Shift Shooting for focus stacking, Negative Digitizer for creating positive images from film negatives, Bluetooth connection via Nikon’s SnapBridge app, and completely silent shooting modes.

Written in the clear, concise, and comprehensive style of all Full Stop dSLR guides, Nikon D850 Experience will help you learn to use your full-frame D850 quickly and competently, to consistently make the types of images you desire. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

As one reader has said about Full Stop guides,

“I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Take Control of your Nikon D850 with this Clear and Comprehensive User Guide!

E-Book Format: Available in two instant-download formats to choose from. (Learn more about the differences of these two formats, later on this page).

This guide is designed for both intermediate and experienced photographers:

For Intermediate / Enthusiast Photographers: This instant download Nikon D850 Experience user guide is designed to help you take fuller advantage of the capabilities of your camera. It covers standard dSLR camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operations for experienced enthusiasts.

-Go beyond Program mode and shoot competently in A, S, and M shooting modes.

-Take full advantage of the sophisticated 153 point autofocus system and its Focus modes, AF-area modes, and Custom Settings – for sharp focus of still or moving subjects.

-Set up your camera with clear explanations and recommended settings for all Menu options and Custom Settings of the D850.

-Learn how, when, and why to use and customize the controls, buttons, touch screen, and features of the D850 to best fit your shooting needs.

-Understand the various metering modes, exposure compensation, and exposure lock for correct exposure of every image, even in challenging lighting situations.

For Experienced Photographers coming to the D850 from previous Nikon models, this Nikon D850 Experience user guide explains the new and advanced features in order to quickly get you up and running and taking advantage of these capabilities, including the advanced 153-point Autofocus System and all its AF Modes, AF-Area Modes, and Custom Settings, for capturing both still and moving subjects. It also covers back-button focusing and trap focus techniques with the D850, the Group-Area AF mode, and newly added subject-tracking parameters. Plus it explains the camera controls and how to customize them for your shooting needs, features such as Highlight-Weighted Metering Mode, Focus Shift Shooting, Negative Digitizer, and the HDR, Multiple Exposure, and Time-Lapse Shooting features.

The guide also introduces the HD and 4K UHD video features and settings, and guides you through all the Playback, Shooting, and Setup Menus, Custom Settings, and Movie Mode Menu settings of the D850 in order to help you best set up the camera and its controls for your specific shooting needs, and includes the helpful, comprehensive Nikon D850 Menu Setup Spreadsheet created by the author.

You can preview Nikon D850 Experience user guide at the following link. The preview shows the complete Table of Contents and excerpts from the Introduction, Menu Settings section, Custom Settings section, and Autofocus section.

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Nikon D850 Experience book manual guide

Nikon D850 Experience not only covers the various settings, functions and controls of the Nikon D850, but most importantly it also explains when and why to use them for your photography. The guide focuses on still-photography with an introduction to the movie functions, settings, and menus to get you up and running with HD and 4K UHD video. Sections include:

-Setting Up Your D850 – All of the D850 Custom Settings and Playback, Shooting, and Setup Menus, including Movie Mode Menus, with explanations and recommended settings for practical, everyday use. Set up and customize the advanced features of your dSLR to work best for the way you photograph. Plus a free link to the D850 Menu Setup Spreadsheet for assistance and reference.

-Aperture Priority (A), Shutter Priority (S), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.

-Auto Focusing Modes and Area Modes and Release (Drive) Modes – The new 153-point D850 autofocus system is a powerful tool, and taking control of it will enable you to successfully capture more sharp images, in both still and action situations. Learn the AF Modes, AF Area Modes, and AF Custom Settings including the subject-tracking options, how they differ, how and when to take advantage of them to capture both still and moving subjects. Plus how and when to use focus lock and back-button focusing.

-Exposure Metering Modes of the Nikon D850 – How they differ, including the new Highlight-Weighted Metering Mode, how and when to use them for correct exposures in every situation, and how to customize them for your needs. Plus how to make use of exposure lock.

-Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations, and customizing the controls for easy access to these features. Plus making use of the new Auto White Balance options, and setting a custom white balance.

-The Image Taking Process – Descriptive tutorials for using the settings and controls you just learned to take photos of both still and moving subjects.

-Introduction to Video Settings – Settings and explanations to get you started shooting HD and 4K UHD video.

-Photography Accessories – The most useful accessories, including those specific to the D850.

-Lenses – Nikon (Nikkor) lenses compatibility with the D850, and explanations of Nikon lens notations.

-Composition – Tips, techniques, and explanations, including the creative use of depth of field.

This 465 page Nikon D850 Experience user guide is a digital e-book, illustrated with over 350 images, diagrams, and screen shots. It goes beyond the manual to clearly explain how, when, and why to use the features, settings, and controls of the Nikon D850 to help you get the most from your camera.

Title: Nikon D850 Experience
Author: Douglas Klostermann
Page Count: 465 pages, illustrated
Price: $14.99 – Now Available!
E-Book Format: Available in two instant-download formats to choose from:

PDF format for reading on your computer or printing on your printer using the latest version of Adobe Reader. Or transferring and reading on some e-readers and most tablet devices. PDF is the most versatile format. Instructions for transferring a PDF to an iPad or e-reader device are on the FAQ Page. (Please note that the PDF security settings may prevent transfer to a Kindle or Playbook. Please contact me for a MOBI or EPUB version if you encounter this issue with your PDF on your e-reader device/ tablet.)

EPUB format for reading on a Nook, Sony Reader, other e-reader device, or on the iPad using iBooks. Or on an Android tablet (Galaxy, Xoom, Playbook, etc.) using an ePub reader app such as the free OverDrive Media Console. Or viewing on your computer with free Adobe Digital Editions software. (EPUB not able to be printed on your printer.) If you are unable to transfer or read the EPUB on your Kindle, please contact me for a MOBI format version of the book.

MOBI format for Kindle – please contact me.

Over 95,000 readers in more than 75 countries are taking control of their cameras and improving their photography with Full Stop e book camera guides!

What Readers are Saying about Doug’s previous guides, including Nikon D750 Experience and Nikon D7100 Experience:

A well written, professional helpful guide – Brilliant, just what I was looking for! A manual that was exciting, clear to follow, had examples and was used by a professional who gave just the right amount of technical info with explanations of why you use those settings, when to use those settings and so on, all properly explained. The book is a revelation, a joy to follow, well thought through and well written. Nikon should be employing Doug to write every one of their cameras manuals.
-R.D.C.

All You Need – This book, together with the manual that came with your camera, is all you need to start discovering the full potential of the camera.
-Max M.

It is like I have a personal instructor on-call! I have learned so much about this dSLR and continue to learn more each time I review various sections.
-John C.

Excellent. I use this book the most! I bought several books, paperback and Kindle, after buying the D750 and have noticed I use this book by far the most. I recommend this book without reservation.
-D. Cardona

Really practical and tremendously helpful. Readers of this e-book can expect to benefit from a more rewarding photographic experience using this superb camera, and be better able to exploit its potential to match their personal objectives and photographic style. Highly recommended.
-M.M.

This manual is a clearly written, concise and useful explanation of the rationale for the seemingly infinite and often confusing settings options for the camera. Used in conjunction with the Nikon manual I feel more confident in understanding how to at last proceed in getting better photographs.
-W.L.S.

This is the most helpful manual I’ve ever used. There is no comparison to the book Nikon includes with the camera, this book outshines it completely. No serious user should be without this. I find myself referring back to this book quite often and find it very easy to find what I need and even easier to understand.
-S.B.

Better Than the Manual – Douglas Klostermann has done a great job of not only producing a very accessible guide but he also offers very useful and sensible suggestions for getting the best results from the camera. Reading the guide was like one photographer talking to another. Thanks Doug.
-Malcolm

I would recommend this to anyone who wants to get a quick start to using the camera. Manuals are nice, but this eBook highlights the important information and gives a quick, easy to understand explanation of most all of the functions and controls.
-Ray M.

It’s clear, concise and gets to the heart of the camera’s multiple and often confusing options. Very highly recommended – for experienced user and beginner alike.
-G.S.A.

Amazing – Mr. Klostermann has done an amazing job with this book. He’s outlined every detail, option, feature, and use of this camera possible, and actually surpasses the expectations of use of the camera. I moved from an old SLR to a modern full frame digital SLR, and found it to be more than I expected. This book really helped me come more to grips on what I was doing wrong. Not to mention the fact that this book, at the price you pay, is a steal. If you have a Nikon, I HIGHLY recommend you buy this book!!!
-Jacob King

Valuable Resource and Time Saver – If you’re contemplating purchasing this book I would recommend doing so without hesitation. Not only are the explanations behind the individual settings enlightening but the general theory on auto-focus and its associated uses is among some of the easiest to understand that I’ve come across. Definitely a good investment. As a result of his thoroughness, my confidence in being able to use a new piece of equipment soared. Additionally, the time required to figure out the differences between my previous camera and my new purchase was reduced sharply.
-Bryan L.

Really focuses on the WHY – I found the Nikon manual good for understanding how to set things up but not much on the why – this book really focuses on the WHY. The guide helped me understand why to use specific settings for specific needs. The Custom Settings sections helps to make firm decisions on how to apply settings by understanding the usage of each in addition to knowing how to set them up.
-Benoit A.

More than a Guide – I am a passionate photographer and cinematographer. Not only did I find Doug Klostermann’s guide well written and informative, but I really enjoyed the manner in which he shared his image-making philosophy. This is much more than a camera guide and I really appreciate the links to other authors found throughout the text as well as the chapter on suggested photography accessories.
–Simon Wilkie

A Very Easy to Read but Detailed Guide – I have just bought this camera, and whilst I have been using digital SLRs for years i realize that I am not really getting the full potential out of all those buttons. Now I understand and use them.
-G.F.

Great Source of Information! – I have been a Nikon user for decades and was of the view that I was very knowledgeable about these products. Still, once I started working with the camera I concluded that there was a good deal that was still to be learned. This book provided me with the information required, and has proven to be a very valuable resource: well set out, a comprehensive Table of Contents, and well written. The personal preferences and setting recommendations are most helpful. Job well done!
-T. E. Valentine

Recommended Nikon D850 Settings

I’ve put together a comprehensive Nikon D850 Menu Setup Spreadsheet, with suggested settings for various types of shooting situations, such as Landscape, Action/Sports, Portrait, Concert, etc. The Excel spreadsheet covers all of the Photo Shooting Menu items, all of the Custom Settings, and various other camera and exposure settings. A free link to the spreadsheet is included inside my Nikon D850 Experience guide if you purchase that, otherwise you can purchase and download the spreadsheet here, where you will also find instructions for printing it out:

http://www.fullstopbooks.com/setup-guides/

Here is an image of just a small portion of the comprehensive spreadsheet:

Nikon D850 setup guide menu custom setting spreadsheet quick start tips tricks

The setup guide spreadsheet is a great companion to my full D850 guide, Nikon D850 Experience, which is a clear and comprehensive guide to the camera. The full guide explains all the Menu and Custom Settings items, as well as all of the other camera features, functions, and controls.

Nikon D850 Tips and Tricks: New and Hidden Features of the D850

The introduction of the Nikon D850 has resulted in tremendous excitement for Nikon photographers, with features and improvements that have exceeded expectations. This full-frame (FX) dSLR offers both high-speed shooting and a high resolution 45.7 megapixel sensor, as well as great image quality at high ISO settings for low-light shooting. The camera boasts a responsive 153 point autofocus system, with 99 cross-type points and 55 selectable AF points spread widely across the central area of the viewfinder. Plus all of the AF points are capable of focusing in very dim lighting. This superb autofocus system, combined with a fast 7 frames per second (fps) continuous frame rate and extremely large buffer, will allow you to maintain this rapid frame rate for up to 200 RAW images in a continuous burst, making the D850 ideal for sports, action, bird, and wildlife photography. The frame rate can even be improved to 9 fps with the addition of the Nikon MB-D18 Battery Pack and an EN-EL18b battery.

For those coming to the D850 from a previous, advanced Nikon dSLR, and who are already familiar with the typical features, functions, and controls and wish to immediately learn about the new and upgraded features and buttons, below is a summary of what has been added or improved with the D850. I’ve described some of these features as “hidden” features, because they can only be accessed in very specific ways, sometimes outside of using the menus or Custom Settings, and may be challenging to find if you are not familiar with them.

Nikon D850 tips tricks book manual guide body controls how to set up

Detail of the Nikon D850 dSLR camera.

This article is based on the “New and Hidden Features” section of my Nikon D850 Experience guide to the camera. Be sure to have a look at this clear and comprehensive guide to learn about all the controls, features, Menus, and Custom Settings of the D850, as well as when and how to make use of them in your photography. You can learn more about the guide on my Full Stop Books website here: http://www.fullstopbooks.com/nikon-d850-experience/.

New Features of the D850

First, it is important to note that while the OK Button and the Multi Selector Center Button are often interchangeable for completing menu functions, there are some functions that require you to use the OK Button. The most notable example of this is when you are formatting a memory card. You need to press the OK Button to complete this process, not the Multi Selector Center Button as you may be used to!

-Large 3.2” High-Resolution (2,359K-dot), Tilting, Touch-screen LCD Monitor, which can be color customized with the Monitor Color Balance item of the Setup Menu. The touch screen capability allows you to view, zoom, and scroll through playback images, enter text with the on-screen keyboard, as well as select an autofocus area and Spot White Balance area when working in Live View, and to release the shutter in Live View. The “Frame Advance Bar” for image review enables you to use the touch screen to quickly scroll through images without having to swipe one-by-one. Simply touch the lower portion of the rear Monitor during image playback to access the frame advance scroll-bar.

-Modified and New Controls, and Illuminated Buttons – As with most current Nikon dSLR models, the D850 includes the AF Mode Button and Focus Mode Selector switch, located on the front of the camera near the base of the lens. If you are not yet used to this control, you will find that it allows you to quickly change the AF Mode and AF-Area Mode by pressing the button and turning the appropriate Command Dial. The D850 includes the Sub-Selector joystick control rather than the AE-L/AF-L Button. This control can be used to select AF Points as well as navigate menus, and the button press can be customized to your desired function, such as focus lock and/ or exposure lock. The Mode Button and ISO Button have been moved compared to previous models, and the D850 has a Metering Mode Button rather than a small dial of older models. The D850 also has two customizable Fn-Function Buttons, and the i Button which enables quick access to various functions during shooting, Live View, and playback. Many of the buttons and controls can be customized in the Custom Setting f1 menu so that you can quickly access various functions and settings while shooting. The buttons of the D850 are also now illuminated, to help locate them in low light (see Figure 1 – left).

Figure 1 – Left: Detail of the illuminated buttons of the D850. Right: Simulated view of the Viewfinder with Group AF Area Mode in use.

–Group-Area AF Area Mode – A group of five large AF Points (and adjacent assist points), configured in a cross-shaped pattern, can all be used together to help focus on a subject, in situations where using a single AF Point may not work as well (see Figure 1 – right).

–Highlight-Weighted Metering Mode – This mode helps to prevent the overexposure of highlights, such as a subject under bright stage lighting.

-No Built-In Flash – While the D810 has a built-in flash, the D850 requires an optional external Speedlight if you wish to make use of flash. The front Flash Button of the D810 is thus eliminated, and the Flash settings can be accessed as a secondary function of the Zoom-out Button.

–XQD High Speed Memory Card Slot, in addition to the SD memory card slot – Making use of an XQD card will allow you to take advantage of the maximum continuous burst capability of the D850, including 51 consecutive images when capturing 14-bit lossless compressed RAW L files. With the dual memory card slots, you can choose which slot is the primary one, and the function of the other card, including Overflow, simultaneous Backup, or recording NEF (RAW) to one card and JPEG to the other (see Figure 2 – left).

Figure 2 – Left: Secondary Slot Function menu item, to select the function of the second memory card. Right: ISO Sensitivity Settings, including the versatile Auto ISO options.

-Expanded Native ISO Sensitivity Range – The native ISO range is expanded to include ISO 64 to 25,600. This can assist photographers with decreased noise at higher ISO settings. You can also select the Lo settings (down to ISO 32), and the Hi settings (up to the very grainy ISO 102,400).

–Auto ISO Options – As with all the other current Nikon dSLR models, the D850 offers a powerful Auto ISO option, which will change the ISO setting if necessary in order to obtain a proper exposure, including when capturing images or recording video in Manual (M) Mode. You can set the parameters of Auto ISO, including the Maximum Sensitivity and Minimum Shutter Speed that the camera will use for Auto ISO (see Figure 2 – right). One useful option is that if you set the Minimum Shutter Speed to the Auto setting, the camera will select a shutter speed based on the focal length of the lens. For example, a longer telephoto lens requires a faster shutter speed to avoid blur from camera movement. But, if you are unhappy with the choice that the camera is making, you can continue to press right from the Minimum Shutter Speed > Auto setting, and you can fine-tune this setting so that the camera selects a faster or slower Auto shutter speed.

-RAW S and RAW M File Types – The smaller RAW S and RAW M formats will allow you to capture smaller RAW images, of reduced file size and resolution compared to full RAW images. However they lack the full quality of the RAW L files, have been shown to exhibit some softness compared to RAW L, and will be Lossless Compressed, 12-bit files.

Nikon D850 autofocus af points viewfinder grid

Figure 3 – Simulated view of the D850 Viewfinder, showing the location of all 153 AF Points, including the assist points. Note that only the active AF Point(s) will be visible in the Viewfinder. Background image shown at 75% opacity to better see Viewfinder elements.

-Improved Autofocus System – The D850 boasts 153 AF Points, 55 of which are selectable (see Figure 3). (The non-selectable points are assist points, typically located between the larger selectable points.) Of all these points, 99 are more accurate cross-type points (with 35 selectable cross-type). The large number of points, spread relatively widely across the frame, will allow you to more accurately track moving subjects when using AF-C AF Mode. When tracking moving subjects using 3D-Tracking AF-Area Mode, you can choose to make use of face detection (Custom Setting a4). And you can customize new focus tracking parameters to best match the motion of your subject (Custom Setting a3). The autofocus system can achieve focus in extremely low light, down to -4 EV for the center AF Point, and -3 EV for all of the other 152 other points.

–Auto AF Fine-Tune – You can make use of Live View focusing to automatically fine tune the autofocusing of individual lenses, to correct for back-focus or front-focus issues (see Figure 4 – left). The data acquired by the process is entered into the AF fine-tune item of the Setup Menu, and registered for the attached lens.

Figure 4 – Left: AF Fine-Tune menu, where Auto AF Fine-Tune data is saved and modified. Right: New Auto White Balance options.

-White Balance Improvements – You can now choose between three different Auto White Balance options, including Keep white (reduce warm colors), Normal, and Keep warm lighting colors, as well as a new Natural Light Auto setting, which obviously adjusts the colors for what is seen by the eye under natural light (see Figure 4 – right). And you can store up to 6 Preset (PRE) White Balance settings, as well as make use of the new Spot WB measurement feature when working in Live View. You can also select a separate white balance for movie shooting while retaining the current photo shooting white balance, or set the movie white balance to be Same as photo settings.

–Flicker Reduction – With this new anti-flicker option, the camera will detect the flickering of certain types of lighting often found in stadiums and areas, and will adjust the timing of the shutter release in order to maintain more consistent exposures.

–Electronic Front-Curtain Shutter – This can help to reduce camera vibrations and thus potential blur in controlled situations such as landscape and macro shots. It is used with the Mirror Up (Mup) Release Mode during either Viewfinder or Live View shooting. The D850 also adds the ability to use this feature with the Quiet (Q) and Quiet Continuous (Qc) Release Modes. With the high resolution 45.7 megapixel sensor of the D850, these slight movements can become more apparent in images.

–Picture Controls Options – The D850 offers the new Flat Picture Control, which is desired by videographers as it provides the greatest latitude for post-procesing by helping to retain details in both highlights and shadows. It can also be used for still images that are going to be heavily processed. Also, the Picture Controls now include a Clarity setting, the Brightness adjustment allows a wide range, and the settings allow finer (0.25 step) adjustment increments, and an Auto option (see Figure 5 – left). As with white balance, you can also select a separate Picture Control for movie shooting while retaining the current photo shooting Picture Control, or set the movie Picture Control to be Same as photo setting.

Figure 5 – Left: Picture Control options, including Clarity, and the ability to make adjustments in 0.25 increments. Right: The Focus Shift Shooting menu, used to set up and initiate this feature.

-Focus Shift Shooting – This new feature of the D850 enables you to take a series of images of the same scene, where the focus distance is automatically changed by the camera for each image. You will select the Focus step width to be used, which is a relative distance (see Figure 5 – right). The images can then be combined, using optional software, to make use of a technique called focus stacking. This is often used in close-up and macro photography, since it is difficult or impossible to capture the entire subject in focus in a single image, at such a close distance.

-Live View Pinpoint AF-Area Mode – Pinpoint AF is a new Live View AF-Area Mode added on the D850. It is similar to Normal-area AF, except that it makes use of an even smaller focus point, so that you can focus on a more precise area or detail (see Figure 6).

Figure 6 – Left: Setting the Live View Autofocus Area Mode for “Pinpoint AF” as indicated by the icon highlighted in yellow at the top-center of the screen. Right: A view of the rear monitor, zooming in on the scene, to show the size of the Pinpoint AF area.

-Silent Live View Photography – This option can be used to completely eliminate the sound of the shutter when working in Live View, as well as reduce internal camera movement which can lead to image blur when working on a tripod with still subjects. The On (Mode 2) option can be used for extremely high frame rates of up to 30 fps for 3 seconds, however you will only be able to capture cropped images of the DX Image Area size, and the Image Quality will be JPEG Normal, Optimal Quality.

-Negative Digitizer – This new Live View feature of the D850 will enable you to transform your color negatives or black and white negatives into positive images (see Figure 7). Nikon also offers the Nikon ES-2 Film Digitizing Adapter Set, which includes holders for 35mm film strips and slides, and attaches to the AF-S Micro 60mm f/2.8 lens. This can be used with the Negative Digitizer feature to more easily “scan” your negatives and capture them as high-resolution files.

Figure 7 – Press the i Button during Live View to access the Negative Digitizer option (left), which reverses a film negative to the positive image, and you can then capture a high resolution photo of it.

-Video improvements – The D850 now boasts 4K Ultra High Definition (UHD) video (3840 x 2160), in addition to Full HD video. And 4K video makes use of the entire width of the sensor, without the 1.5x crop of previous models. Plus the camera offers new Electronic Vibration Reduction to help stabilize the scene when hand-holding, the Active D-Lighting option for full HD recording, the Flat Picture Control, built-in stereo microphones, the Power Aperture feature when recording to a memory card or to an external device, simultaneous recording to an internal memory card and external recorder, selectable audio frequency range (the standard Wide range or the narrower Vocal range), and Auto ISO during Manual (M) Exposure Mode for smooth exposure transitions while retaining the desired aperture and shutter speed settings. The D850 includes “zebra stripes” Highlight Display for viewing highlights and potentially overexposed areas, with the ability to adjust the brightness sensitivity as well as the pattern of the stripes. The D850 also includes the new Peaking Highlights focus peaking feature for Live View and movie shooting, which enables you to verify on the rear Monitor exactly what areas or parts of the subject are in-focus, when manually focusing (see Figure 8). The in-focus areas will be indicated by colored outlines, and you can select the sensitivity as well as which color is used on the screen.

Nikon D850 focus peaking video manual focus

Figure 8 – Peaking Highlights enabled during Live View shooting. Here, the blue areas on the hood of the toy car and on the llama’s face indicate that those details are in-focus (see inset detail of llama’s head).

–Wi-Fi and Bluetooth – Used in conjunction with Nikon’s new SnapBridge app, the wireless connection between the camera and a smart device can be used to remotely control the camera and to transfer images, as well as to share GPS information from the phone to the camera. You will need to initiate a Bluetooth connection between the camera and the SnapBridge app, and the app will prompt you to switch to a Wi-Fi connection when required.

-New Multiple Exposure Options – These include new overlay options of Add, Average, Lighten and Darken, which will allow you to further process multiple exposure images. The camera also provides the option to Keep all exposures, so that the individual frames that make up the multiple exposure can be saved, and you can use the Select first exposure (NEF) option to choose a RAW image already on the memory card to be the first frame of the multiple exposure (see Figure 9 – left). When a multiple exposure series is in progress, you can press the Playback Button and then the i Button to access a menu which will allow you to view the progress, as well as edit the series by retaking or discarding the last exposure if desired.

Figure 9 – Left: Multiple Exposure options, including the new Overlay Mode option. Right: Time-Lapse Movie, including the new Silent Photography option.

-New Interval Timer and Time-Lapse Movie Options – The D850 offers Exposure Smoothing options for Interval Timer and Time-Lapse shooting to help maintain consistency among the individual exposures. You can create UHD 4K time-lapse movies, in-camera, or use the Interval Timer feature to capture full-quality still images that can be combined, with optional software, into an 8K time-lapse movie. The Interval Timer menu also offers the Silent Photography option, and enables you to automatically create a new folder to store the images. The Time-Lapse Movie menu offers new options such as Silent Photography, Image Area, and Frame Size / Frame Rate. (see Figure 9 – right). An Interval Priority option will become active in P and A Shooting Modes (if enabled), if the exposure time conflicts with the interval time.

-New Menu and Custom Settings Options – In addition to the above improvements, the D850 offers several new options in various menu items and Custom Settings, such as the option to batch process multiple images when using the NEF (RAW) Processing feature of the Retouch Menu. The After Burst, Show item of the Playback Menu will enable you to choose which image in a burst is initially shown during image playback, either the first or the last.

1960 Chevrolet Corvette – Great Bay Corvette Club Car Show, Newington, New Hampshire – Shutter speed 1/640, Aperture f/5.6, ISO 400, Exposure Compensation +1.

“Hidden” Features of the D850

Users are often curious about “hidden” features that their camera may have, though typically most dSLR models really don’t have many, as long as one carefully goes through all of the Menu and Custom Settings items, and reads through the manual or a guide. However, with so many options and functions, there are a few items that truly are actually a bit hidden away on the Nikon D850. It’s not that the D850 manual doesn’t mention them, or that they can’t be found with careful investigation of the camera, but you may need to have them called to your attention to learn how to locate them and how to take advantage of them. And there are a few button shortcuts to access features and settings that you simply need to learn if you wish to take advantage of, because once you are using your camera, they are not indicated in any menus or button icons.

Some of these features were just listed above in the new features, and several of them are accessed with the i Button when working in the appropriate mode. Others are accessible in the menus but may require an understanding of the options as they are listed, or might require additional steps of sub-menu navigation to locate them.

Information Display and Button Settings – If you first press the Info Button to display the Information Display on the rear Monitor, you can then press most of the camera buttons to change the corresponding settings as you view them on the larger rear screen, rather than on the smaller top Control Panel. For example, you can press the AF Mode Button, and turn the appropriate Command Dial to change the AF-Area Mode and the Focus Mode (see Figure 10 – left). The screen will even indicate which Command Dial to use for each setting. This can also be used for the buttons on the top of the camera such as White Balance and ISO, as well as the BKT (Bracketing) Button and Flash (Zoom-out) Button.

Figure 10 – Left: First press the Info Button to display the Information Display, then press most any of the camera buttons to view and change those settings as you view them on the rear Monitor, such as the AF Mode Button for the autofocus settings. Right: Press the i Button during shooting to access the Photo Shooting i Button menu.

i Button Features – The D850 includes the i Button, which is included on most other current Nikon dSLR models. Pressing the i Button when shooting will allow you to access and change several settings using the i Button menu on the rear LCD Monitor, such as Active D-Lighting, Image Area, Long Exposure Noise Reduction, and High ISO Noise Reduction (see Figure 10 – right). It will also allow you to access the Custom Control Assignment menu where you assign the function of various camera buttons including the Pv, Fn1, and BKT Buttons, and the Sub-Selector joystick. When working in Live View, Movie Live View, image playback, and movie playback, the i Button will access a contextual menu for each mode, and in some situations it is the only way to access and change certain of these “hidden” features.

i Button in Live View – For example, the Live View i Button menu will allow you to access the Photo Live View Display White Balance feature. This feature allows you to set the white balance of the Live View screen separately than the white balance that will be used when the image is captured. While this may sound odd, it can come in handy when setting up a shot that will actually be taken with different lighting, such as with a Speedlight or studio strobes. So using this feature, you can set the white balance of the LCD Monitor to better set up the scene in the current lighting. The i Button is also the only way to access the Negative Digitizer, and the Split-Screen Display Zoom during Live View, where you can simultaneously zoom in on two different areas of the frame to help determine if they are level (see Figure 11). This can come in handy for landscape and architectural photographers.

Figure 11 – Live View i Button Menu – Press the i Button when in Live View or in Movie Live View to access the applicable i Button Menu screen and items such as Split-Screen Display Zoom (left). Right: Split-Screen Display Zoom shown in use, to compare two areas of the same scene to help determine if the framing is level.

The Live View i Button Menu can also be used to quickly access Silent Live View Photography and the Peaking Level sensitivity setting for focus peaking. Although the Electronic Front-Curtain Shutter is accessible with Custom Setting d6, and thus isn’t “hidden,” I will mention it here because it can also be accessed with the i Button during Live View. What you need to know is that this feature must be used in conjunction with Mirror Up (Mup), Quiet (Q), or Quiet Continuous (Qc) Release Modes.

Live View Exposure Preview – An important function to make note of is that pressing the OK Button when in Live View will display the Exposure Indicator scale on the screen, and the brightness of the screen will reflect the current exposure settings rather than simply showing the scene at an optimal brightness level (see Figure 12 – left). This will allow you to better preview the resulting image and make exposure adjustments, and will also enable you to view the Live View Histogram, by pressing the Info Button.

Figure 12 – Left: Press the OK Button when in Live View to enable Exposure Preview, and then press the Info Button to view the Live View Histogram. Right: The movie Highlight Display “zebra stripes” option, which will alert you to overexposed areas of the scene.

i Button in Movie Live View – Just as with Live View, some “hidden” features can be accessed with the i Button when working in Movie Live View. The “zebra stripes” feature is accessed with the Highlight Display item of the i Button menu, and you can select which highlight pattern to use (see Figure 12 – right). This will display diagonal lines on the screen at potentially over-exposed areas of the scene, thus helping you to adjust to the proper exposure. As with Live View, you can also access the Peaking Level sensitivity setting for focus peaking, used with manual focusing. You will also need to press the i Button if you wish to adjust the Headphone Volume if monitoring the audio with optional headphones. And the i Button will access the Multi-selector power aperture feature, where you can press up or down on the Multi Selector to smoothly adjust the aperture setting while recording. Power aperture can also be assigned to the Pv and Fn1 Buttons using Custom Setting g1. The new Electronic Vibration Reduction can also be accessed via the i Button, or by using the Movie Shooting Menu.

Custom Control Assignments – A few other “hidden” features of the Nikon D850 can only be accessed by customizing one of the camera buttons to assign it to that function. For example, you can make use of the Viewfinder Virtual Horizon, which is a camera level that you can display in the Viewfinder. It will show an electronic level along the bottom of the screen as well as one on the right side, so that you can see both pitch and roll of the camera body. In order to use this feature, you need to use Custom Setting f1 to assign either the Fn1 Button, Pv Button, or Sub-Selector Center press to the Viewfinder Virtual Horizon option. You can also assign the Pv Button or Fn1 Button to the 1 Step Speed / Aperture setting, which will allow you to quickly change the shutter speed or the aperture setting in 1 EV (full stop) increments, rather than the typical 1/3 EV adjustments that are made when you turn Command Dials. This can come in handy for manually bracketing exposures, such as for a series of images that you will later combine into an HDR image.

Figure 13 – Custom Control Assignments Left: Assigning the Preview (Pv) Button to the Spot Metering function, to temporarily switch to a different Metering Mode. Right: Assigning the Function 1 (Fn1) Button to the AF-Area Mode option, to temporarily switch to a different AF-Area Mode.

Another handy customization will allow you to press and hold a button to temporarily switch to a different Metering Mode such as Spot Metering (see Figure 13 – left). Or you can press a button to temporarily switch to a different AF-Area Mode (see Figure 13 – right). For example, if you have set up the camera to capture a bird in flight using Dynamic-Area 25 Point AF-Area Mode, you can customize the camera to press the Pv Button, Fn1 Button, AF-ON Button, or Sub-Selector Center to temporarily switch to Single-Point AF to better capture a still subject.

Figure 13a – Left: Customize Command Dials, Menus and Playback options. Right: Customize Command Dials, Sub-Dial Frame Advance options.

Sub-Dial Frame Advance during Playback – If you wish to quickly scroll through your images as you view them on the rear Monitor during playback, you can use the rear Main Dial to advance one image at a time, and use the front Sub-Command Dial to advance 10 or 50 images. To set this up, access Custom Setting f4, and set the Menus and playback option for On (see Figure 13a – left). Setting for On (image review excluded) also allows you to use the Command Dials for menu navigation and image playback in the same manner as On, but they will have no effect during image review. (Image playback is when you press the Playback Button to view images, and image review is when the images are automatically displayed immediately after capture.)

The Sub-Command Dial will then be used to jump 10 or 50 images at a time (based on the next setting in this menu, Sub-dial frame advance), or to navigate up and down when reviewing thumbnails, or to access sub-menus when navigating menus. Set the Sub-dial frame advance item for 10 images or 50 images, or you can also choose to jump to protected images, still images or movies only, or to a different folder (see Figure 13a – right). Jumping 10 images is a handy setting when you are quickly scrolling through numerous images on a memory card.

OK Button and Multi Selector Shortcuts – During image playback, you can press the OK Button and simultaneously press the up arrow on the Multi Selector thumb pad to access the Choose slot and folder options. This allows you to quickly choose which memory card (SD or XQD) and folder is being accessed during image playback, so that you can quickly locate specific image files. You can also simply scroll through the images from one card to the next, or you can press the Zoom-out Button repeatedly to access this Choose slot and folder screen (rather than the calendar view screen of other Nikon models). You can also press the OK Button plus the right arrow of the Multi Selector to access the Retouch Menu. When using an optional Nikon WT-7 Wireless Transmitter, you can press the OK Button plus the Multi Selector Center Button to immediately upload a photo over a wireless or Ethernet network.

Figure 14 – Custom Setting f2 – Multi Selector Center Button, Playback Mode – Set the Center Button for Playback Mode to show a magnified view (left), or to show a large histogram (right).

One Button Playback Zoom / Histogram – Using Custom Setting f2, you can assign the Multi Selector Center Button so that during image playback it will immediately zoom-in, at the magnification level of your choice, centered at the area of the active focus point so that you can closely inspect your image (see Figure 14 – left). Or you can instead assign the button press to display a large histogram with the image, so that you can evaluate your exposure (see Figure 14 – right).

Autofocus Auto Fine-Tune – As mentioned above, the Autofocus Auto Fine-Tune feature will enable you to use Live View focusing to automatically fine tune the autofocusing of individual lenses. The procedure involves first simultaneously pressing the AF Mode Button and Movie Record Button (see Figure 15 – left).

Live View Spot White Balance – This feature enables you to take a white balance measurement of a precise area of the scene when working in Live View. This is accessed by setting the white balance to Preset Manual (PRE), then pressing the WB Button until the PRE icon flashes. You can then tap on the touch screen to select the area used for the Spot White Balance Measurement (see Figure 15 – right).

Figure 15 – Left: Simultaneously press the AF Mode Button and Movie Record Button to begin the Autofocus Auto Fine-Tune procedure. Right: Use the Live View Spot White Balance function to set the white balance off of a detail in the scene, such as the grey card here.

White Balance Color Temperature Selection – When making use of the K – Choose Color Temp White Balance Setting, you can select the desired color temperature in the White Balance menu item, or you can quickly adjust this setting during shooting by pressing the WB Button and turning the front Sub-Command Dial while viewing the setting on the top Control Panel or on the Live View Screen. If you wish to directly enter a value, you can press the WB Button and use the Multi-Controller to select and change the individual digits, again either on the top Control Panel or on the Live View screen.

Synchronized Release of Remote Cameras – If you are making use of an optional wireless remote to trigger multiple cameras, there is also a “hidden” setting for this in the Custom Setting f1 button assignments. You can choose to assign the Pv Button, Fn1 Button, or Sub-Selector Center press to the Sync. Release selection option, which is used in conjunction with Custom Setting d4 – Sync. Release Mode Options. You can set up the camera so that, for example, when using the D850 as a master camera to remotely trigger other cameras, you can press the Fn1 (or Pv) Button while taking the shot, and then just the master camera will shoot, or just the remote cameras and not the master, based on your settings.

Flash Information Screen – With an optional Speedlight flash attached and turned on, press the Info Button twice to access the Flash Information Screen showing the current flash settings, and then press the i Button to view and change the various settings and options, including Wireless Flash Options (see Figure 16).

Nikon D850 menu custom setting how to set up tips tricks quick start hints recommend

Figure 16 – When using an optional Speedlight flash, press the Info Button twice to access the Flash Information Screen showing the current flash settings (left), then press the i Button to view and change the various settings and options, and to access the Wireless Flash Options (right).

I hope that this information helps you to locate and take advantage of the various new and hidden features of the Nikon D850. This text is based on the “New and Hidden Features” section of my Nikon D850 Experience user guide to the camera. Be sure to have a look at this clear and comprehensive user guide to learn about all the controls, features, Menus, and Custom Settings of the D850, as well as when and how to make use of them in your photography. You can learn more about the guide on my Full Stop Books website here: http://www.fullstopbooks.com/nikon-d850-experience/

There is also a companion Nikon D850 Setup Guide Spreadsheet, which along with the book is designed to help you set up the Menus and Custom Settings of this powerful camera.

If you are purchasing a Nikon D850 (or any accessories), please consider using my Amazon Associates link to purchase it on Amazon – your cost will be the same, and they will give me a small referral fee – thanks!: http://amzn.to/2z7dh0H

New and Hidden Features of the Nikon D7500

Introduction to the New and Hidden Features of the Nikon D7500

If you are a user of a previous Nikon dSLR and upgraded to the Nikon D7500, and you are already familiar with the typical features, functions, and controls, you will want to become familiar with the various new and improved features of the camera. Here is a summary of what has been added, changed, or improved with the D7500 compared to the D7200 and other previous Nikon models. Some of these features were included on the D7200, but may be unfamiliar to those coming from an earlier or different Nikon model.

The D7500 also contains a few “hidden” features. It is not that they aren’t explained in the Nikon manual, however then can be difficult to locate when using the camera since they aren’t directly accessed with a button or with a menu item. Several of them are accessed via the i Button and i Button Menus, which vary with the current camera function (viewfinder shooting, Live View shooting, image playback, etc.). Or some of these items must be assigned to a specific button using the Custom Settings.

All of these new and hidden features and items are explained in more detail in my Nikon D7500 Experience user guide to the camera, from which this material is based on.

Figure 1 – The Nikon D7500 dSLR.

-Articulating Touch Screen Monitor – The large 3.2” high-resolution (922K-dot), tilting, touch-screen LCD Monitor can be color customized with the Monitor Color Balance item of the Setup Menu. The touch screen capability allows you to view, zoom, and scroll through playback images, enter text with the on-screen keyboard, as well as select an autofocus area and Spot White Balance area when working in Live View, and to release the shutter in Live View (Touch Shutter). The “Frame Advance Bar” for image review enables you to use the touch screen to quickly scroll through images without having to swipe one-by-one.

Figure 2 – Use the tilting rear monitor to help take photos from low or high vantage points.

-Expanded Native ISO Sensitivity Range – The ISO range is expanded to include ISO 100 to 51,200. This can assist photographers with decreased noise at higher ISO settings. Additional ISO settings down to 50 and up to the excessively noisy 1,640,000 can also be used.

Figure 3 – Left: The ISO Sensitivity Settings and Auto ISO options. Right: Selecting the Minimum Shutter Speed the camera will use with Auto ISO, including the “Auto” option which will be based on the lens focal length.

-Auto ISO – As with other current Nikon models, the D7500 offers a powerful Auto ISO option, which will change the ISO setting if necessary in order to obtain a proper exposure. You can set the parameters of Auto ISO, including the Maximum Sensitivity and Minimum Shutter Speed that the camera will use for Auto ISO, as well as the new Maximum sensitivity with flash option (see Figure 3 – left). One powerful option is that if you set the Minimum Shutter Speed to its Auto setting, the camera will select a minimum shutter speed based on the focal length of the lens (see Figure 3 – right). For example, a longer telephoto lens requires a faster shutter speed to avoid blur from camera movement. But, if you are unhappy with the settings that the camera is choosing, you can continue to press right in the Minimum Shutter Speed > Auto setting, and access the option to fine-tune this setting so that the camera selects a faster or slower Auto shutter speed. And in the new Movie Shooting Menu, you can also set the Auto ISO parameters separately for movie shooting.

-Group-Area AF Area Mode – A group of five AF Points, configured in a cross-shaped pattern, can all be used together to help focus on a subject, in situations where using a single AF Point may not work as well (see Figure 4).

Figure 4 – Group Area AF Area Mode, where five AF Points work together to focus on a subject. The central point of the group is also active, but not seen in the Viewfinder.

-Highlight-Weighted Metering Mode – This Metering Mode helps to prevent the overexposure of highlights, such as a subject under bright stage lighting, particularly in situations with moving subject where Spot Metering becomes impractical.

–Flicker Reduction – With this new anti-flicker option, the camera will detect the flickering of certain types of lighting often found in stadiums and arenas, and will adjust the timing of the shutter release in order to maintain more consistent exposures.

–Electronic Front-Curtain Shutter – This feature, found in Custom Setting d4, can help to reduce camera vibrations and thus potential blur in controlled situations such as landscape and macro shots (see Figure 5 – left). It is used with the Mirror Up (Mup) Release Mode during either Viewfinder or Live View shooting. With the high resolution 20.9 megapixel sensor of the D7500, these slight movements can become more apparent in images.

Figure 5 – Left: Custom Setting d4, to enable the Electronic Front Curtain Shutter feature used with Mirror-Up release mode. Right: Picture Controls menu, including the new Clarity setting as well as the ability to adjust the settings in 0.25 increments.

–Picture Controls – The D7500 offers the Auto Picture Control where the camera will determine the best settings, though the Auto setting can also be slightly adjusted by the user. The camera also includes the recent Flat Picture Control, which is desired by videographers as it provides the greatest latitude for post-processing, by helping to retain details in both highlights and shadows. It can also be used for still images that are going to be heavily processed. Also, the Picture Control options include a Clarity parameter, and the Brightness adjustment allows a wider range. The parameters allow finer (0.25 step) adjustment increments, as well as an Auto option for each parameter (see Figure 5 – right).

Figure 6 – Left: Simultaneously press the AF Mode Button and Movie Record Button to perform the Autofocus Auto Fine-Tune procedure when in Live View. Right: The Live View Spot White Balance feature, in use.

–Auto AF Fine-Tune – The Autofocus Auto Fine-Tune feature will enable you to use Live View focusing to automatically fine tune the autofocusing of individual lenses, to correct for back-focus or front-focus issues. The data acquired by the process is entered into the AF fine-tune item of the Setup Menu, and registered for the attached lens. The procedure involves autofocusing in Live View and then simultaneously pressing the AF Mode Button and Movie Record Button to perform the process (see Figure 6 – left).

–White Balance Improvements – The D7500 offers two Auto White Balance options, including Normal and Keep warm lighting colors which will preserve the warm glow created by incandescent bulbs and add a warmer touch to outdoor photos. You can now store up to six Preset (PRE) White Balance settings, as well as make use of the Live View Spot White Balance measurement feature (which was also available on the previous D7200), (see Figure 6 – right). The Live View Spot White Balance feature enables you to take a white balance measurement of a precise area of the scene when working in Live View.

White Balance Color Temperature Selection – When making use of the K – Choose Color Temp White Balance Setting, you can select the desired color temperature in the White Balance menu item, or you can quickly adjust this setting during shooting by pressing the WB Button and turning the front Sub-Command Dial while viewing the setting on the top Control Panel or on the Live View Screen. If you wish to directly enter a value, you can press the WB Button and use the Multi Selector to select and change the digits, again either on the top Control Panel or on the Live View screen.

–Auto Exposure Bracketing – Either 2, 3, 5, 7, or up to 9 shots can be automatically taken when bracketing, at increments of 0.3 EV, or up to 3 EV increments.

–Batch Processing for NEF (RAW) images – In-camera batch processing is now possible, using the new options in the NEF (RAW) Processing item of the Retouch Menu. These options give you the ability to select and simultaneously process multiple individual images, using the same processing settings. Or you can use the Select date option to process all images taken on a certain date, or Select all images to process all images on the memory card (see Figure 7 – left).

Figure 7 – Left: The NEF (RAW) Processing menu, including the options to batch process multiple images by selection, date, or all images. Right: Selecting images to be transferred to a smart device, as soon as a wireless connection is made between the camera and the device.

–Bluetooth and Wi-Fi – Used in conjunction with Nikon’s SnapBridge app, these wireless connections between the camera and a smart device can be used to remotely control the camera, share GPS information from the phone to the camera, and to transfer images to the device (see Figure 7 – right).

New Menu and Custom Settings Options – In addition to the above improvements, the D7500 offers several new options in various menu items and Custom Settings. These include new Multiple Exposure overlay options of Add, Average, Lighten and Darken, which will allow you to further process multiple exposure images, and Exposure Smoothing options for Interval Timer and Time-Lapse shooting to help maintain consistency among the individual exposures.

Figure 8 – Left: Selecting one of the Ultra High Definition, 4K video Frame Size / Frame Rate options. Right: Enabling the Electronic Vibration Reduction feature for movie shooting.

–Video – The D7500 now offers Ultra High Definition 4K video (3840 x 2160) at 30p, 25p, and 24p frame rates (see Figure 8 – left). Although note that when recording at 4K, the camera will make use of a smaller 1.5x cropped Image Area and not the entire width of the frame. The camera also offers Full HD video (1920 x 1080) at all the typical frame rates (60/50/30/25/24p). Plus the camera offers new Electronic Vibration Reduction to help stabilize the scene when hand-holding (see Figure 8 – right), and the Active D-Lighting option for full HD recording. The D7500 includes the Highlight Display “zebra stripes” feature for viewing highlights and potentially overexposed areas, a built-in stereo microphone, simultaneous recording to an internal memory card and external recorder, selectable audio frequency range (the standard Wide range or the narrower Voice range), and Auto ISO during Manual (M) Exposure Mode for smooth exposure transitions while retaining the desired aperture and shutter speed settings. The new Power Aperture feature will allow you to smoothly adjust the aperture setting while recording. There is also a new Movie Shooting Menu tab, where you can easily access most all of the movie settings, as well as set some of them independently from the similar settings used during still photography, such as the Picture Control and White Balance.

–i Button – The D7500 also includes the i Button, (also present on the previous D7200), which is used to quickly access context-appropriate settings that will differ for Viewfinder shooting, Live View, Movie, and image playback. Pressing the i Button when shooting will allow you to access and change several settings via the i Button menu, such as Choose image area, Active D-Lighting, and High ISO Noise Reduction (see Figure 9 – left). The Custom control assignment option will allow you to assign your desired function to various camera buttons including the Fn1 Button, Fn2 Button, and AE-L/AF-L Button. When working in Live View, you can press the i Button to access and adjust settings such as the Image Area, Image Quality, Picture Controls, Exposure Preview, and Live View Monitor Brightness (see Figure 9 – right).

Figure 9 – Press the i Button during Viewfinder shooting (left), or when in Live View (right), to access the applicable i Button Menu screen.

Live View Exposure Preview – When working in Live View, press the i Button to enable the Exposure preview item (see Figure 9 – right), which will display the Exposure Indicator scale on the screen, and the brightness of the screen will reflect the current exposure settings rather than simply showing the scene at an optimal brightness level. This will allow you to better preview the resulting image and make exposure adjustments.

i Button in Movie Live View – Some “hidden” features can be accessed with the i Button when working in Movie Live View. The “zebra stripes” feature is accessed with the Highlight Display item of the i Button menu (see Figure 10). This will display diagonal lines on the screen at potentially over-exposed areas of the scene, thus helping you to adjust to the proper exposure. You will also need to press the i Button if you wish to adjust the Movie Live View Monitor Brightness and the Headphone Volume if monitoring the audio with optional headphones. The i Button will also access the Multi-selector power aperture feature, where you can press up or down on the Multi Selector to smoothly adjust the aperture setting while recording. Power aperture can also be assigned to the Fn1 and Fn2 Buttons using Custom Setting g1. The new Electronic Vibration Reduction can also be accessed via the i Button, or by using the Movie Shooting Menu.

Figure 10 – The Highlight Display (zebra stripes) video feature, to check for overexposure, is accessed via the Movie Shooting i Button Menu.

Flash Information Screen – With the built-in flash, or with an optional Speedlight flash attached and turned on, press the Info Button twice to access the Flash Information Screen showing the current flash settings, and then press the i Button to view and change the various settings and options, including Wireless Flash Options (see Figure 11).

Figure 11 – When using the built-in flash or an optional Speedlight flash, press the Info Button twice to access the Flash Information Screen showing the current flash settings (left), then press the i Button to view and change the various settings and options (right).

Camera Controls Assignments – A few other “hidden” features of the Nikon D7500 can only be accessed by customizing one of the camera buttons to assign it to that function. For example, you can make use of the Viewfinder Virtual Horizon, which is a camera level that you can display in the Viewfinder. It will show an electronic level along the bottom of the screen as well as one on the right side, so that you can see both pitch and roll of the camera body. In order to use this feature, you need to use Custom Setting f1 to assign either the Fn1 Button or Fn2 Button to the Viewfinder Virtual Horizon option. You can also assign the Fn1 or Fn2 Button to the 1 Step Speed / Aperture setting, which will allow you to quickly change the shutter speed or the aperture setting in 1 EV (full stop) increments, rather than the typical 1/3 EV adjustments that are made when you turn Command Dials. Another handy customization will allow you to press and hold the Fn1 Button or Fn2 Button to temporarily switch to a different Metering Mode (see Figure 12 – left).

Figure 12 – Left: Assigning the Fn2 Button to temporarily switch to a different Metering Mode. Right: The OK Button has been customized to display a large histogram, when pressed during image playback.

One Button Playback Zoom / Histogram – Using Custom Setting f2, you can assign the OK Button so that during image playback it will immediately zoom-in, at the magnification level of your choice (including 100% zoom), centered at the area of the active focus point so that you can closely inspect your image. Or you can instead assign the button press to display a large histogram with the image, so that you can evaluate your exposure (see Figure 12 – right).

Figure 13 – Left: Frame Advance Bar – Touch the bottom of the Monitor touch screen during image playback, and use the Frame Advance Bar to quickly scroll through multiple images. Right: Quick Crop – Magnify an image during playback and adjust to the desired framing, then press the i Button and select the Quick Crop option to crop the image and create a new image that is cropped to the framing shown on the Monitor.

Playback Scroll and Playback Zoom Cropping – Other “hidden” playback features include the ability to quickly scroll through multiple images using the touch screen, and a Quick crop feature. When viewing an image during playback, touch the bottom of the Monitor and the Frame Advance Bar will appear. Move your finger left and right to quickly scroll trough multiple images (see Figure 20 – left). To make use of the Quick crop feature, zoom-in on an image during playback, use the Multi Selector or touch screen to adjust the framing of the image as desired, and then press the i Button (see Figure 13 – right). Choose the Quick crop option, which will crop the image and create a new image that will be cropped to the framing currently shown on the Monitor.

All of the other features, menu items, Custom Settings, and controls of the Nikon D7500 are explained in my clear and comprehensive guide to the camera, Nikon D7500 Experience. Also be sure to have a look at my free D7500 Setup Guide Spreadsheet, to help you set up the Photo Shooting Menu items and the Custom Settings of the camera.

Setting up the Menus and Custom Settings of the Nikon D7500

In conjunction with my camera guide for the new Nikon D7500, Nikon D7500 Experience, I have created a free Nikon D7500 Setup Guide – a comprehensive spreadsheet with suggested settings for the Shooting Menus, all of the Custom Settings, plus some shooting and exposure settings. It has separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Here is an example detail of just a small part of the Setup Guide spreadsheet:

The direct link to download the Excel spreadsheet is:

http://docs.fullstopbooks.com/forms/Nikon-D7500-Experience-Setup-Guide.xls

The setup guide spreadsheets can also be found here:

www.fullstopbooks.com/setup-guides/

To print the spreadsheet guide, you may wish to print it across several pages and then tape them together, so that the data is legible:

-First, be sure to set the print area, to avoid all the blank pages. Do this by manually selecting all the cells with data in them (drag the cursor from cell A1 to G171 and they will all appear blue.) Then access the menu for File > Print Area > Set Print Area.

-Then go to File > Print Preview and select the Setup button.

-Then set the page for “Landscape” and “Fit To” 2 pages wide by 3 pages tall.

This should result in 6 pages to be printed (as long as you have set the print area first).

Be sure to check the Print Preview to see that the data will print at a reasonable size, and that there are only 6 or so pages that will print.

Example image from Nikon D7500 Experience.

In the past I have resisted requests for these types of quick-start “cheat sheets,” because I prefer that readers of my Full Stop camera guides read through all of the Menu and Custom Settings options, and determine which settings suit their shooting situations and preferences. This is one of the best ways to really learn the ins-and-outs of one’s new camera, so I still encourage you to do so. But I can appreciate the value and the handy reference features of this type of recommendation guide.

Please feel free to take the advice of dedicated Wildlife or Concert photographers, for example, above mine if it differs! And for further information, explanations, justifications, and caveats for the settings I specify, please have a look at my clear and comprehensive guide Nikon D7500 Experience.

Version History of Spreadsheet

2017-06-30 – v1.0 – First version released

Canon 77D vs 80D Beyond the Specs – Hands On Differences

Since the introduction of the Canon EOS 77D, there have been numerous articles comparing the 77D to the Canon 80D. However, most of those articles merely compare the specifications of the two cameras, simply showing information that can be found on a spec sheet without ever having to actually touch the cameras. And most all of those articles completely fail to explain the actual, hands on differences between the 77D and 80D. In fact, based on the information they share (and fail to share), it becomes obvious that most of them have not actually used the new 77D!

Canon 77D body controls button dials

Detail of the Canon 77D body and controls.

While working on my guide for the 77D, Canon 77D Experience, I have found that the important differences between the two cameras lie in their Menus and the Custom Functions. These are the options which enable you to customize the camera for your needs and preferences, and for the different types of shooting situations in which you will be using the camera. (My guide for the 80D, Canon 80D Experience is available here.)

Canon 77D example sample image

Example image from Canon 77D Experience guide – non-cropped image of swan, taken with the 77D.

To review the more “superficial” comparisons, the Canon 77D and 80D share some important features such as the 45-point viewfinder autofocus system, which helps you to locate an AF point on your subject without necessarily having to first focus then recompose, as well as enables you to better track and retain focus on a moving subject. Then both have Canon’s revolutionary Dual Pixel live view autofocus system, which allows for fast autofocusing as well as much more accurate tracking of a moving subject in live view (for stills and video) than previous models. (What most of the comparison articles fail to point out is that the 77D includes a new Smooth Zone AF method in live view, which allows you to place the zone most anywhere on the screen, not just in 9 preset locations as with the 80D – a pretty significant upgrade to be overlooked.) They also both share a 24.3 megapixel sensor, 3″ articulating touch screen, and similar buttons and controls on the body of the camera including a top Main Dial as well as the rear Quick Control Dial. Being newer, the 77D has a faster Digic 7 processor (vs. the Digic 6 of the 80D), an expanded ISO range (up to the unusable 51,200) allowing for cleaner images in low light situations, a larger buffer for more shots during continuous shooting, and the addition of Bluetooth for connecting to a smart phone or tablet. (Interestingly, none of the comparison articles seem to have tried to use the Bluetooth connection with iOS, which will immediately ask you to switch to Wi-Fi in order to use any of the wireless functions. So it is a feature you can really only make use of with Android. Or else you can use it with the new Canon BR-E1 Bluetooth Wireless Remote Control.)

The 77D, however, lacks the weather-sealing and headphone jack of the 80D. The 80D also boasts a better pentaprism viewfinder, slightly faster maximum shooting speed of 7 fps vs 6 fps, faster maximum shutter speed of 1/8000 vs 1/4000, and a faster 1/250 flash sync speed vs. the 1/200 speed of the 77D. The larger battery of the 80D will allow for more shots or longer live view sessions. The 77D is also a few hundred dollars cheaper than the 80D.

These various pros and cons can make it difficult to choose between the two cameras, because they mainly present figures from a spec sheet, and for the most part these types of differences are not significant. They certainly don’t tell the full story.

Canon 77D example, sample image

Example image of great blue heron taken with the 77D, from Canon 77D Experience guide.

While the two cameras share the same 45-point viewfinder autofocus system, they do not have the autofocus capabilities because the 80D includes numerous autofocus customizations in the Custom Functions that are not on the 77D, particularly for how the camera responds to moving subjects as you are tracking them and trying to retain focus. The items on the 80D that are absent on the 77D include the options for adjusting Tracking Sensitivity, Acceleration/Deceleration Tracking, and AF Point Auto Switching. These options are adjusted in order to help the camera better retain focus on different types of moving subjects, such as one moving smoothly and consistently vs. one moving erratically and switching speed and direction. They allow you to adjust the camera differently to track the distinct types of movements of (for example) a runner, a race car, a tennis player, or a bird in flight. While the 77D is fully capable of capturing sharp images of moving subjects, as demonstrated in the image of the flying heron above, the 80D allows you the ability to adapt the camera to different types of subjects, to better ensure that you capture more in-focus shots of moving subjects when capturing a burst of images.

Some of the autofocus-related Custom Function options of the 80D that are not offered on the 77D.

The 80D also includes the 1st Image/2nd Image Priority options, which enable you to tell the camera to prioritize shutter release vs. focus. In other words, you can choose if you want the camera to capture all images in a burst in-focus, or if you just wish to maintain the rapid frame rate at the possible expense of missing focus on some of the images. And the 80D offers the option of Orientation Linked AF Point, where the camera can automatically switch AF Point / Zones as well as AF Area Modes (Single Point vs. Zone of multiple points) when you turn the camera to a different orientation. For example, if you are capturing a portrait subject and are using one of the upper-right AF Points, when you turn the camera to the vertical orientation, the camera can automatically select an upper-right AF Point so that you don’t have to move the active AF Point yourself. The 80D also has the AF Point Selection Movement option, which allows you to tell the camera how to address AF Point selection when you reach an outer point. The AF Point selection can stop at the edge, or it can “wrap around” to the other side. I believe that with the 77D, the AF Point selection will always just stop at the edge. Another autofocus-related Custom Function on the 80D that is missing from the 77D is AF Microadjustment, which allows you to adjust the focus of each lens in order to obtain (ideally) exact focus. With the 77D, you are going to have to accept any slight front-focus or back-focus issues with your various lenses.

AF Microadjustment options on the 80D that are not included on the 77D.

Example image from Canon 77D Experience guide – Cropped detail of great blue heron in-flight, with fish, taken with the 77D, showing the ability to capture a sharp, detailed image of a difficult moving subject. Cropped from a similar distance as the above heron image.

Some of these options you can live without and might never miss, but once you start taking advantage of them with a camera that offers them, you might never wish to do without them again! Other features of the 80D that are not included on the 77D are the Silent Shooting Drive Modes that allow for quieter shutter release. The 77D however, adds the Self-Timer Continuous option, which allows you to specify the number of continuous images to be taken with the self-timer. The 80D will only take one image with the self-timer. The 77D is also missing the in-camera HDR Mode, Multiple Exposure shooting, and in-camera RAW processing of images. During image playback, the 77D will display the blinking highlights only when you view the smaller thumbnail view of the image along with the histogram. With the 80D, you can choose to view the blinking highlights on the full-screen image playback. These “blinkies” allow you to see if you have over-exposed parts of an image. The 80D also offers a playback grid, which can help you to assess the composition.

Viewing the blinking highlights on the full-screen image on the 80D (left) or on the thumbnail (right). The 77D only offers the blinking highlights on the thumbnail / histogram view (right).

While both cameras offer Auto ISO, the 80D allows for additional Auto ISO options such as adjusting or specifying the minimum shutter speed that the camera can select when using Auto ISO. For example, if you are using Auto ISO and Aperture-Priority Shooting Mode, you may find that the camera is selecting a shutter speed that is slower than you may want, thus risking blur from camera movement. With the 80D, you can adjust this setting accordingly. The 80D will also allow you to select ISO speeds in 1/3 stop increments, rather than the full stops (100, 200, 400) of the 77D. The 80D also includes the Safety Shift option, where the camera will automatically adjust the exposure settings for you if the current settings are going to result in a poorly exposed image. For example, you may be taking images at a concert or performance using Aperture-Priority mode, and you have set your desired aperture setting. But if the lighting suddenly becomes much brighter, and your combination of exposure settings are going to result in a bad exposure, the camera will adjust that aperture setting to enable you to capture a proper exposure.

The additional Auto ISO adjustments of the 80D that are not included on the 77D.

Some additional features offered on the 80D but not on the 77D are the Custom C1 and C2 shooting modes on the Mode Dial, which allow you to register a pre-set selection of shooting settings and menu settings. For example, you might assign all your sports-related camera settings to the C1 mode, and all your landscape-related settings to the C2 mode, and thus be able to quickly switch to a different camera set-up. The 80D allows you to customize what is displayed on the various Live View display screens as you press the INFO Button (such as the shooting settings, grid, level, and histogram). The 77D offers these various information displays as you press the INFO Button, but you can’t customize what is shown with each click of the button. Both cameras offer Auto Exposure Bracketing, but the 80D allows you to customize the bracketing sequence as well as the number of bracketed shots up to 7 (only 3 shots with the 77D). And the 80D will allow you to set a precise Kelvin (K) White Balance temperature, while the 77D does not have this option. And while the 77D allows you to customize 4 major controls / buttons of the camera, the 80D provides the option of customizing several additional controls. These types of customizations enable you to set up the camera controls exactly how you want them, for quick access to various functions while shooting.

The Custom Controls of the 80D that can be customized. The 77D only enables you to customize the Shutter Button, AF-ON Button, AE-L (*) Button, and SET Button.

Regarding movie shooting, the 80D offers more format and compression options (MOV vs. MP4, ALL-I vs. IPB), while the 77D only records with MP4 and IPB. The 77D however offers the in-camera 5-axis electronic image stabilization for video.

Which Camera is Best for You?

While I’ve noted several of the functions and features of the of the 80D that are not included on the 77D, it is important to realize that you may never miss many of those features. Many shooters never really take advantage of some of these features, or they set them once and then forget they are there. And some of the features are the types of options you will start to realize you need only after using your camera for a while and then getting to the point where you say “I wish my camera would do ___.” At that point, you might be ready for an upgrade, and then choose a higher-end model.

As noted above, even without these added features of the 80D, the 77D is fully capable of capturing high-quality, sharp images, even of difficult moving subjects such as birds in flight. In fact, even without several of the AF customization options that the 80D offers, I was able to capture just as many bird in flight “keepers” with the 77D as I have with higher-end models! Some of this was due to luck and timing, but the 77D can obviously do it. As the 77D shares the same 24.3 MP sensor of the 80D, the 77D is a great camera for enthusiasts who desire great image quality, sharpness, clarity, and low-light performance, but don’t have the time or desire to dig into the menus, settings, and customizations to adjust the camera for different photo shoots. And the 77D has the necessary features and controls for those who wish to take more control of the camera and its settings. The 77D is also good for enthusiast or occasional videographers who don’t need all the movie file type options.

If you are interested in digging into the menus and Custom Functions of either camera, and learning to take full control, be sure to read my guides Canon 80D Experience and Canon 77D Experience!

But if your primary subjects are sports, action, wildlife, or birds, you will want to upgrade to the Canon 80D (or 7D Mark II), particularly for their additional autofocus settings and customizations for tracking different types of moving subjects. Plus those models offer faster continuous shooting rates. And for those who want to take full advantage of the camera controls in order to change and adjust settings on-the-fly, the 80D offers far more Custom Controls options.

If you are planning to purchase your Canon 77D or Canon 80D online, please consider using my affiliate links and help support this blog – thanks!

You can purchase the new Canon 77D from Amazon here. $899.00 body only.

And you can purchase the Canon 80D from Amazon here. $1099.00 body only.

My guides to the cameras, Canon 77D Experience and Canon 80D Experience are available at www.fullstopbooks.com

The First and Best Canon 77D User’s Guide now Available!

My latest Full Stop e-book, Canon 77D Experience user guide to the Canon EOS 77D (and the first Canon 77D user’s guide) is now available! This e-book goes beyond the manual to help you learn the features, settings, and controls of the powerful and customizable Canon 77D. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon 77D Experience will help you learn to use your 77D quickly and competently, to consistently create the types of images you want to capture. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Learn more about this 77D guide, view a preview, and purchase it here:

www.fullstopbooks.com/canon-77d-experience

As one Canon user has said about Full Stop guides:

For Intermediate and Enthusiast Photographers: This instant download Canon EOS 77D e-book is designed for enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera:

-Go beyond Auto+ and Program modes and shoot competently in Av, Tv, and M modes.

-Take full control of the powerful 45-point autofocus system to capture sharp images of still and moving subjects.

-Set up your camera with clear explanations and recommended settings for all Menu options and Custom Settings of the 77D.

-Learn how, when, and why to use and customize the various controls, buttons, and features of the 77D.

-Understand the various metering modes, exposure compensation, and exposure lock for correct exposure of every image, even in challenging lighting situations.

For Experienced Photographers coming to the EOS 77D from previous models, this guide explains the new and advanced features and settings in order to quickly get you up and running and taking advantage of these capabilities. Plus it explains the camera controls, the sophisticated 45-point autofocus system, the in-camera Time-Lapse Movie and Interval Timer features, in-camera image processing and Creative Filters, introduces the HD video capabilities, Wireless Flash, Wi-Fi/Bluetooth functions, and guides you through all of the 77D Menu and Custom Function items in order to help you best set up and customize the camera and its controls for your specific shooting needs.

This 375 page digital guide to the Canon 77D is an illustrated e-book that goes beyond the 77D manual to explain how, when, and why to use the features, settings, and controls of the 77D to help you take control of your camera and the images you create.

Learn more about Canon 77D Experience, view a preview, and purchase it on my Full Stop website here:

www.fullstopbooks.com/canon-77d-experience

Setting up the Menus and Custom Functions of the Canon 5D Mark IV

In conjunction with my camera guide for the new Canon 5D Mark IV, Canon 5D Mark IV Experience, I have created a free Canon 5D Mark IV Setup Guide – a comprehensive spreadsheet with suggested settings for the applicable Menus, all of the Custom Functions, plus some shooting and exposure settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Here is an example detail of just a small part of the Setup Guide spreadsheet:

The link to download the free Excel spreadsheet is:

https://www.e-junkie.com/ecom/gb.php?c=cart&ejc=2&cl=136239&i=1568892

To print the spreadsheet guide, you may wish to print it across several pages and then tape them together, so that the data is legible:

-First, be sure to set the print area, to avoid all the blank pages. Do this by manually selecting all the cells with data in them (drag the cursor from cell A1 to G200 and they will all appear blue.) Then access the menu for File > Print Area > Set Print Area.

-Then go to File > Print Preview and select the Setup button.

-Then set the page for “Landscape” and “Fit To” 2 pages wide by 3 pages tall.

This should result in 6 pages to be printed (as long as you have set the print area first).

Be sure to check the Print Preview to see that the data will print at a reasonable size, and that there are only 6 or so pages that will print.

Please feel free to take the advice of dedicated Wildlife or Concert photographers, for example, above mine if it differs. And for further information, explanations, justifications, and caveats for the settings I specify, please have a look at my clear and comprehensive guide Canon 5D Mark IV Experience.

Tips and Tricks, Hidden Features of the Nikon D500

Nikon D500 Tips and Tricks

Users are often curious about “hidden” features that their camera may have, though typically most dSLR models really don’t have many, as long as one carefully goes through all of the Menu and Custom Settings items, and reads through the manual or a user’s guide. However, with so many options and functions, there are a few items that truly are actually a bit hidden away on the Nikon D500. It’s not that the D500 manual doesn’t mention them, or that they can’t be found with careful investigation of the camera, but you may need to have them called to your attention to learn how to locate them and how to take advantage of them. And there are a few button shortcuts to access features and settings that you simply need to learn if you wish to take advantage of, because once you are using your camera, they are not indicated in any menus or with any button icons.

Several of these “hidden” features are accessed with the i Button when working in the appropriate mode (Shooting, Live View, Movie, or Playback). Others are accessible in the menus but may require an understanding of the options as they are listed, or might require extra steps of sub-menu navigation to locate them. All of these features are discussed in more detail in my 400 page comprehensive e-book guide Nikon D500 Experience, but here is an introduction to these “hidden” features of the Nikon D500.

Illuminated Buttons – Hopefully you are already aware that your D500 has the cool new feature of illuminated buttons, in order to help you change your settings when working in low light conditions. To make use of this, simply rotate the camera’s Power Switch to the light bulb icon.

Detail of the illuminated buttons of the Nikon D500.

Information Display and Button Settings – If you first press the Info Button to display the Information Display on the rear Monitor, you can then press most of the camera buttons to change the corresponding settings as you view them on the larger rear screen, rather than on the smaller top Control Panel. For example, you can press the AF Mode Button, and turn the appropriate Command Dial to change the AF-Area Mode and the Focus Mode. The screen will even indicate which Command Dial to use for each setting. This can also be used for the buttons on the top of the camera such as White Balance and ISO, as well at the BKT (Bracketing) Button.

Left: First press the Info Button to display the Information Display, then press most any of the camera buttons to view and change those settings as you view them on the rear Monitor, such as the AF Mode Button for the autofocus settings. Right: Press the i Button during shooting to access the Photo Shooting i Button menu.

i Button Features – The D500 includes the i Button, which is on most other current Nikon dSLR models. Pressing the i Button when shooting will allow you to access and change several settings using the Photo Shooting i Button Menu on the rear LCD Monitor, such as Active D-Lighting, Image Area, Long Exposure Noise Reduction, and High ISO Noise Reduction. It will also allow you to access the Custom Control Assignment menu where you assign the function of various camera buttons including the Pv, Fn1, and BKT Buttons, and the Sub-selector joystick. When working in Live View, Movie Live View, image playback, and movie playback, the i Button will access a contextual menu for each mode, and in some situations it is the only way to access and change certain of these “hidden” features.

i Button in Live View – For example, when working in Live View, you can press the i Button to adjust the Live View Monitor Brightness. This is a different adjustment from the Monitor Brightness adjustment of the Setup Menu which affects the brightness of the screen for menus and image playback. The Live View Monitor Brightness adjustment, obviously, adjusts the screen brightness for Live View, but will not affect the exposure of the actual image. The Live View i Button menu will also allow you to access the Photo Live View Display White Balance feature. This feature allows you to set the white balance of the Live View screen separately than the current white balance of the camera. While this may sound odd, it can come in handy when setting up a shot that will actually be taken with different lighting, such as with a Speedlight or studio strobes. So using this feature, you can set the white balance of the LCD Monitor to better set up the scene in the current lighting.

Left: Live View i Button Menu, where Split-Screen Display Zoom can be accessed. Right: Making use of this feature, to see if the left and right sides of the frame are level.

The i Button is also the only way to access the Split Screen Display Zoom during Live View, where you can simultaneously zoom in on two different areas of the frame to help determine if they are level. This can come in handy for landscape and architectural photographers. Although the Electronic Front-Curtain Shutter is accessible with Custom Setting d6, and thus isn’t hidden, I will mention it here because it can also be accessed with the i Button during Live View. What you need to know is that this feature must be used in conjunction with Mirror Up (Mup) Release Mode.

i Button in Movie Live View – Just as with Live View, some “hidden” features can be accessed with the i Button when working in Movie Live View. The “zebra stripes” feature is accessed with the Highlight Display item of the i Button menu. This will display diagonal lines on the screen at potentially over-exposed areas of the scene, thus helping you to adjust to the proper exposure. You will also need to press the i Button if you wish to adjust the Movie Live View Monitor Brightness and the Headphone Volume if monitoring the audio with optional headphones. The i Button will also access the Multi-selector power aperture feature, where you can press up or down on the Multi Selector to smoothly adjust the aperture setting while recording. Power aperture can also be assigned to the Pv and Fn1 Buttons using Custom Setting g1. The new Electronic Vibration Reduction can also be accessed via the i Button, or by using the Movie Shooting Menu.

Left: Press the i Button when in Live View or in Movie Live View to access the applicable i Button Menu screen. Right: The Highlight Display “zebra stripes” feature for movie shooting, to indicate overexposed areas of the scene.

Live View Exposure Preview – Pressing the OK Button when in Live View will display the Exposure Indicator scale on the screen, and the brightness of the screen will reflect the current exposure settings rather than simply showing the scene at an optimal brightness level. This will allow you to better preview the resulting image and make exposure adjustments.

Camera Controls Assignments – A few other “hidden” features of the Nikon D500 can only be accessed by customizing one of the camera buttons to assign it to that function. For example, you can make use of the Viewfinder Virtual Horizon, which is a camera level that you can display in the Viewfinder. It will show an electronic level along the bottom of the screen as well as one on the right side, so that you can see both pitch and roll of the camera body. In order to use this feature, you need to use Custom Setting f1 to assign either the Fn1 Button, Pv Button, or Sub Selector Center press to the Viewfinder Virtual Horizon option. You can also assign the Pv Button or Fn1 Button to the 1 Step Speed / Aperture setting, which will allow you to quickly change the shutter speed or the aperture setting in 1 EV (full stop) increments, rather than the typical 1/3 EV adjustments that are made when you turn Command Dials.

Another handy customization will allow you to press and hold a button to temporarily switch to a different AF-Area Mode. For example, if you have set up the camera to capture a bird in flight using Dynamic-Area 25 Point AF-Area Mode, you can customize the camera to press the Pv Button, Fn1 Button, AF-ON Button, or Sub-Selector Center to temporarily switch to Single-Point AF to better capture a still subject. You can set up the camera in a similar manner to temporarily switch to a different Metering Mode.

Left: Using Custom Setting f1 to customize one of the buttons (such as the Pv or Fn1 Button) so that it can be used to temporarily switch to a different AF-Area Mode. Press right on the Multi-Selector here to set the desired AF-Area Mode. Right: The Multi-Selector Center Button can be assigned to display a large histogram during image playback.

One Button Playback Zoom / Histogram – Using Custom Setting f2, you can assign the Multi Selector Center Button so that during image playback it will immediately zoom-in, at the magnification level of your choice (50%, 100%, 200%), centered at the area of the active focus point so that you can closely inspect your image. Or you can instead assign the button press to display a large histogram with the image, so that you can evaluate your exposure.

OK Button and Multi Selector Shortcuts – During image playback, you can press the OK Button and simultaneously press the up arrow on the Multi Selector to access the Playback slot and folder options. This allows you to quickly choose which memory card (SD or XQD) and folder is being accessed during image playback. You can also simply scroll through the images from one card to the next, or you can press the Zoom-out Button repeatedly to access this Playback slot and folder screen (rather than the calendar view screen of other Nikon models). You can also press the OK Button plus the right arrow of the Multi Selector to access the Retouch Menu, and press the OK plus down arrow to select an IPTC Preset, which is metadata attached to an image for publication purposes.

Autofocus Auto Fine-Tune – The Autofocus Auto Fine-Tune feature will enable you to use Live View focusing to automatically fine tune the autofocusing of individual lenses. The procedure for this is fully explained in the Nikon D500 Experience guide, and it involves simultaneously pressing the AF Mode Button and Movie Record Button. There is also an excellent description and tutorial for it on this site:

http://www.reikan.co.uk/focalweb/index.php/2016/04/nikon-d500-automatic-af-fine-tune/

I recommended that you read their instructions for the process, in order to achieve the best results with this feature.

Left: Simultaneously press the AF Mode Button and Movie Record Button to begin the Autofocus Auto Fine-Tune procedure. Right: You can directly enter a K-Color Temperature value by pressing the WB Button and using the Multi-Controller to select and change the digits, as displayed at the lower-left of the Live View display as highlighted here in yellow.

White Balance Color Temperature Selection – When making use of the K – Choose Color Temp White Balance Setting, you can select the desired color temperature in the White Balance menu item, or you can quickly adjust this setting by pressing the WB Button and turning the front Sub-Command Dial while viewing the setting on the top Control Panel or on the Live View Screen. If you wish to directly enter a value, you can press the WB Button and use the Multi-Controller to select and change the digits.

Live View Spot White Balance – This feature enables you to take a white balance measurement of a precise area of the scene when working in Live View. This is accessed by setting the white balance to Preset Manual (PRE), then pressing the WB Button until the PRE icon flashes. You can then tap on the Touch Screen to select the area used for the Spot White Balance Measurement.

Synchronized Release of Remote Cameras – If you are making use of an optional wireless remote to trigger multiple cameras, there is also a “hidden” setting for this in the Custom Setting f1 button assignments. You can choose to assign the Pv Button, Fn1 Button, or Sub-Selector Center press to the Sync. Release selection option, which is used in conjunction with the Custom Setting d4 Sync. Release Mode Options. You can set up the camera so that, for example, when using the D500 as a master camera to remotely trigger other cameras, you can press the Fn1 (or Pv) Button while taking the shot, and then just the master camera will shoot, or just the remote cameras and not the master, based on your settings.

When using a Speedlight flash, press the Info Button twice to access the Flash Information Screen showing the current flash settings (left), and then press the i Button to view and change the various settings and options (right).

To learn much more about the D500, including all the Menu options, Custom Settings, camera controls, features, and functions – plus how, when, and why to use them in your photography, have a look at my guide, Nikon D500 Experience.

~ ~ ~

If you haven’t yet purchased your Nikon D500, please consider using one of my affiliate links! You pay the usual price, and they will give me a small referral bonus – thanks!

Nikon D500 body only or with 16-80mm kit lens, on Amazon

Nikon D500 body only, at B and H Photo

Nikon D500 with 16-80mm kit lens, at B and H Photo

Nikon D500 Setup Guide Spreadsheet

In conjunction with my camera guide for the new Nikon D500, Nikon D500 Experience, I have created a free Nikon D500 Setup Guide – a comprehensive spreadsheet with suggested settings for the applicable Menus, all of the Custom Settings, plus some shooting and exposure settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Here is an example detail of just a small part of the Setup Guide spreadsheet:

The direct link to download the Excel spreadsheet is:

http://docs.fullstopbooks.com/forms/Nikon_D500_Experience-Setup_Guide.xls

To print the spreadsheet guide, you may wish to print it across several pages and then tape them together, so that the data is legible:

-First, be sure to set the print area, to avoid all the blank pages. Do this by manually selecting all the cells with data in them (drag the cursor from cell A1 to G190 and they will all appear blue.) Then access the menu for File > Print Area > Set Print Area.

-Then go to File > Print Preview and select the Setup button.

-Then set the page for “Landscape” and “Fit To” 2 pages wide by 3 pages tall.

This should result in 6 pages to be printed (as long as you have set the print area first).

Be sure to check the Print Preview to see that the data will print at a reasonable size, and that there are only 6 or so pages that will print.

Version History of Spreadsheet

2016-05-22 – v1.0 – First version released

2016-05-24 – v1.1 – Minor formatting corrections

Why the Nikon D7200 is not a DX Version of the D750

The Nikon D7200 starts shipping today (March 19, 2015), and like its predecessor the D7100, it should prove to be a highly capable camera. The D7200 offers a few incremental upgrades over the D7100, most importantly an increased buffer capacity, which will greatly benefit sports, wildlife, and other action shooters. (More on this in a little bit, in the Image Quality Settings section of this article.) The new model also boasts an updated version of the 51-point autofocus system, which will improve autofocusing in low light situations (down to -3EV, improved over the -2EV of the D7100). Battery life has been increased, Wi-Fi capabilities are built-in including NFC connection with Android smart devices, which allows you to touch the camera to the device to initiate a Wi-Fi connection. The D7200 also includes the new Hi BW1 and Hi BW2 ISO settings, extremely high ISO sensitivity settings which will allow very low-light shooting, but which only capture in black and white.

Simulated view of the D7200 Viewfinder – The 51 AF Points, including the 15 centrally located cross-type points indicated in red here.

Video improvements to the D7200 include the 1080/60p Frame Rate, and the “zebra stripes” (Highlight Display Indicator) to indicate areas of overexposure. Audio recording now offers a selectable audio frequency range (the standard Wide range or the narrower Voice range). The new Nikon Flat Picture Control is also included, which is desired by videographers as it provides the greatest latitude for post-processing, by helping to retain details in both highlights and shadows. It can also be used for still images that are going to be heavily processed. Also, the Picture Control options now include the Clarity setting, the Brightness adjustment allows a wider range, and the settings allow finer 0.25 increments or Auto adjustment.

As with the D750, the D7200 offers numerous advanced options, such as the ability to capture images with different Image Areas, customize the size of the Center-Weighted Metering circle, fine tune the different metering modes, set up the dual memory card slots in various capacities (simultaneous, overflow, RAW + JPEG), specify exactly how exposure compensation is changed (Easy Exposure Compensation), and customize the controls for quick access to numerous different functions. The Autofocus Modes and AF Area Modes will allow you to set and customize the camera to best capture still subjects, and to accurately track and capture moving subjects (as explained in this post).

You can learn about all the features, functions, settings, and controls of the D7200, plus most importantly when and why to use them, with my guide Nikon D7200 Experience.

Simulated view of the D7200 Viewfinder – Making use of the Viewfinder Grid to create a straight, level image.

Nikon D7200 vs. Nikon D750

As I teased you with the title of this post, although the D7200 is a highly capable camera, it unfortunately is not the DX version of the Nikon D750, as many had hoped. While the D7200 shares numerous features, controls, and menu options of the D750, a close look at the specs and the menus reveals that there are some important options missing, which were among the most notable advancements of the D750. This makes it easy to see what the future Nikon D7300 will include, but it is unfortunate in that the existing Nikon technology added to the D750 (and D810) will not be seen in a DX model for awhile.

The features of the D750 that were not included in the D7200 include the new Group-Area AF autofocus area mode, Highlight-Weighted Metering, Face Detection for Matrix Metering, and Power Aperture for video. With the D750, these features added the following capabilities, that photographers shooting certain types of scenes and situations are finding extremely useful:

–Group-Area AF Area Mode – A group of five AF points, in a cross-shaped pattern, can all be used together to help focus on a subject, in situations where using a single AF point may not work as well, such as capturing birds in flight.

–Highlight-Weighted Metering Mode – This new mode helps to prevent the overexposure of highlights in specific situations, such as a performer, singer, or dancer under bright stage lighting and against a dark background.

-Matrix Metering Face-Detection option – The Custom Setting called Matrix Metering allows you to decide if you wish for the camera to take faces into account when determining the best exposure, when working in Matrix Metering Mode. This can help you obtain proper and consistent exposures if your portrait subject or bride is moving in and out of shadows.

-The Power Aperture feature allows you to smoothly open or close the aperture during movie shooting, so that you can adjust the exposure on the fly or change the depth of field, without it being noticeable in the recording.

So while the D7200 is a highly capable and customizable camera, and the D7200 and the D750 are very different cameras due to one being a cropped-sensor DX model and one being a full-frame FX model, the D7200 could have been a truer “little brother” to the D750. But the absence of these key features with the D7200 has prevented this from being the case…until the D7300 eventually comes out.

You can learn about all the features, functions, settings, and controls of the D750, plus most importantly when and why to use them, with my guide Nikon D750 Experience.

Simulated view of the D7200 Viewfinder – The AF Points and Grid, plus the approximate size of the Spot Metering circle and the various Center-Weighted Metering Mode options. (Spot Metering will surround the active AF Point and not necessarily be in the center.)

Image Quality Settings

To further explain the various Image Quality settings that will affect the buffer capacity of the D7200, with the highest quality 14-bit, lossless compressed RAW image quality setting, the D7200 can capture up to 18 continuous images before the buffer fills and the camera needs to pause a moment to save the files. You can increase this rate by using the 12-bit lossless compressed RAW setting (27 images), the 14-bit compressed setting (26 images), or boost it significantly by using the 12-bit compressed setting (35). If capturing Large, Fine JPEG images, you will be able to capture up to 100 continuous images.

How will these settings affect your images? The Lossless compressed setting will reduce the NEF (RAW) file size anywhere from 20-40% using a reversible method that does not affect image quality. If you desire smaller file sizes, the Compressed setting will perform a non-reversible compression resulting in 35-55% file size reduction. This will provide smaller files than Lossless compressed but Nikon claims the image quality reduction will be negligible. You will also separately select an NEF (RAW) bit depth setting of either 12-bit or 14-bit. The 14-bit setting will capture more color information but will result in larger files. The difference may be slight for many images, but the 14-bit setting will be beneficial for images containing areas of shadow, low-light images taken at high ISO settings, or for underexposed images that you wish to repair in post-processing.

Again, be sure to have a look at my guide Nikon D7200 Experience to learn about all the features, functions, settings, and controls of the D7200, plus most importantly when and why to use them.

Canon 7D Mark II Setup Guide with Recommended Settings

In conjunction with my camera guide for the new Canon 7D Mark II, Canon 7D Mark II Experience, I have created a Canon 7D Mark II Setup Guide – a comprehensive spreadsheet with recommended settings for the applicable Menus, Custom Function settings, plus some shooting and exposure settings. It has complete and separate camera setup recommendations for different types of shooting, including:

General / Travel / Street
Landscape / Architecture
Action / Sports
Moving Wildlife / Birds
Studio / Portraits
Concert / Performance

Here is a detail of just a small part of the Setup Guide spreadsheet:

Canon 7D Mark II Experience, Setup Guide Spreadsheet – a detail of the spreadsheet

Excel Version – The direct link to the Excel spreadsheet is:

http://docs.fullstopbooks.com/forms/Canon_7D_Mark_II_Experience-Setup_Guide.xls

alternate link:

http://www.dojoklo.com/Full_Stop/forms/Canon_7D_Mark_II_Experience-Setup_Guide.xls

To print the guide, you may wish to print it across several pages and then tape them together, so that the data is legible:

First, be sure to set the print area, to avoid all the blank pages. Do this by manually selecting all the cells with data in them (drag the cursor from cell A1 to G185 and they will all appear blue.) Then access the menu for File > Print Area > Set Print Area.

Then go to File > Print Preview and select the Setup button,

Then set the page for “Landscape” and “Fit To” 2 pages wide by 3 pages tall. Alternately, you can set for “Adjust to 60% Normal Size.”

Either of those options should result in 6 pages to be printed (as long as you have set the print area first).

Be sure to check the preview to see that the data will print at a reasonable size, and that there are only 6 or so pages that will print.

PDF Version – You can download a PDF version below, which is divided into 2 pages, and can be perhaps more easily navigated on a tablet or phone with some panning and zooming. However for printing it may prove to be too tiny, and you may wish to print the XLS version instead.

http://www.dojoklo.com/Full_Stop/forms/Canon_7D_Mark_II_Experience-Setup_Guide.pdf

Please know that I am in no way an experienced expert in all of the different photography categories I have included, so take the advice of dedicated Bird or Concert photographers, for example, above mine if it differs! And for further information, explanations, justifications, and caveats for the settings I specify, please have a look at my clear and comprehensive guide Canon 7D Mark II Experience.

Version History
v1.0 – First version released – 2015-12-23

Use this Setup Guide in conjunction with Canon 7D Mark II Experience:

If you have purchased my Canon 7D Mark II Experience e-book guide, be sure to sign up on the updates page, so that I can inform you of any updates made to the guide or to this spreadsheet, and well be able to provide you with a free updated guide, should there be any major updates or corrections.

If you have found this blog helpful and plan to purchase a Canon 7D Mark II or some lenses or accessories for it, please consider using my affiliate links for Amazon or for B and H, found at the left side of this page. Your price will be the same, but they will give me a small referral fee – thanks! And please feel free to spread the word if this blog has been helpful.

Canon 7D Mark II – Tips and Tricks, part 1

By now you may have read several of the reviews and “hands-on” articles about the long-awaited Canon 7D Mark II. The camera’s 65-point autofocus system, combined with its customizable controls and blazingly fast 10 frames per second continuous shooting speed, make it an ideal camera for sports, action, and wildlife. At the same time its Its 20.2 megapixel sensor and high image quality enable it to work great for portraits, landscapes, and more static subjects.

Canon 7D Mark II Experience Mk II book manual guide how to learn tips tricks hands on
Figure 1. Detail of the body and controls of the Canon 7D Mark II.

However, what many reviews and hands-on articles and videos about the 7D Mark II seem to miss is the incredible level of customization one can apply to the controls and features of the camera, in order to have it perform exactly how a user needs or desires, to better accommodate a specific shooting situation or a personal shooting style. These are the kinds of features that really differentiate a pro-sumer camera from a mid-level camera, yet are often overlooked in reviews and comparisons.

And while the original 7D and the full-frame 5D Mark III both offer a high level of customization, the 7DII takes it to an even higher level, adding options and button-combinations not available on previous models. This can allow the user an even more seamless photography experience, enabling you to concentrate on the scene and the subject while quickly changing to the desired settings or making use of certain features, with just a few button taps or dial turns, and often without your eye leaving the Viewfinder.

Canon 7D Mark II example image learn use manual guide how to master dummies tips tricks set up setting recommend
Figure 2. Fall Foliage at Whipple Hill, Lexington, Mass. with the Canon 7D Mark II.

Complete explanation for all of these tips and tricks, and well as clear, comprehensive instruction for the camera, plus descriptions and recommendations for all of the Menu and Custom Function settings, will be found in my camera guide Canon 7D Mark II Experience, which you can learn about and purchase on my Full Stop website. Learn to take control of your 7DII and the images you create with this helpful guide! I have also put together a free, comprehensive Canon 7DII Setup Guide Spreadsheet, which gives recommended settings for all of the Custom Functions and shooting-related Menu items.

1. Make Use of the New AF Area Selection Lever: One of the notable additions to the 7DII is the new AF Area Selection Lever, which surrounds the Multi-Controller thumb-joystick. This lever can be used to quickly change the AF Area Selection mode, such as Single Point, AF Point Expansion, or Zone AF. Do this by first pressing the AF Point Selection Button (at the upper-right on the rear of the camera), then flipping the lever repeatedly as you view the different AF Area configurations in the Viewfinder. Or since you can easily change the AF Area by pressing the AF Point Selection Button then the M-Fn Button, you may wish to customize the new lever to quickly change the ISO setting or the Exposure Compensation amount. In that case, you would turn and hold the lever with your thumb, then turn the top Main Dial to change the assigned setting. Generally you may wish to set it for the ISO option, but when shooting in Manual (M) Mode, for either stills of video, while also making use of Auto ISO, you may wish to set this for the Exposure Compensation option. This configuration will enable you to easily access this new capability of the 7DII, which I will explain below.

2. Take Advantage of Various Autofocus-Related Custom Controls Options: Many of the customization options of the Canon 7D Mark II revolve around the Custom Controls, which can be accessed with the Custom Controls item of the C.Fn3 Menu.

Canon 7D Mark II menu custom setting setup recommend tips tricks
Figure 3. Custom Controls menu item of the Canon 7D Mark II

While previous Canon dSLR models allowed you to assign various exposure and focusing functions to some of the back buttons, or perhaps to quickly switch between One-Shot and AI Servo with the push of a button, the 7DII will allow you to use various buttons to temporarily change the current AF Mode, Area Mode, and AF Case. For example, if you are taking images of a motionless bird using One Shot AF Mode and Single Point AF Area Selection mode, but then the bird takes flight, you can press and hold a button (that you have pre-assigned) and temporarily make use of AI Servo, with 8-Point AF-Point Expansion, and Case 2 AF Configuration for tracking the subject.

Or making use of another option, you can assign a button to temporarily change many of the subject-tracking settings (as you press and hold the button), such as the Tracking sensitivity, the AF point auto-switching setting, and the AI-Servo 2nd image priority. These changes are made, for example, by accessing the AF-ON Button option in the Custom Controls menu, selecting Metering and AF Start, and then pressing the INFO Button to make these further customizations (see Figure 4 – left). Or you can access the DOF Preview Button, select the Switch to registered AF function option, and press the INFO Button to set the desired AF tracking parameters (see Figure 4 – right).

While many users may not generally have the need for a sudden switch of autofocusing parameters, it can be incredibly useful for dedicated wildlife or sports photographers who can encounter dramatic changes in a scene or in the subject movement.

Canon 7D Mark II AF autofocus case customize button control tips tricks setting set up
Figure 4. Two of the different Custom Controls options for assigning various AF settings and operations to one of the camera buttons. Left: Details for the “Metering and AF Start” option of the AF-ON Button. Right: Details of the “Switch to registered AF function” option of the DOF Preview Button.

There is also the option to use a button to immediately switch to a different set of shooting settings in addition to the AF settings, including the shutter speed, aperture, ISO, white balance, metering mode, exposure compensation. This is shown in Figure 5, where the AF-ON Button is set to the Register/recall shooting function option, and then the INFO Button is pressed to set the specific parameters. As you can see, you can select which shooting settings will be included by adding the check-mark, and then you can set the desired setting or amount for each item, such as 3200 for the ISO Speed. Then when shooting, you can press and hold the AF-ON Button to immediately recall all those settings.

Canon 7D MArk II af autofocus button control custom customize setup setting tips tricks how to recommend
Figure 5. Assigning the AF-ON Button to the Register/recall shooting function option, then pressing the INFO Button to set the desired parameters.

3. Make Use of the Q Button and INFO Button to Quickly Change Shooting Settings: These buttons will also allow you to quickly access and change various camera settings and functions, rather than having to dig into the menus to find what you are looking for. The Q Button will access the Quick Control Screen (Figure 6 – left), which you can navigate using the Multi-Controller, and then either change the settings directly on the screen by turning one of the dials, or press the SET Button to view all the options and to select your desired setting. One handy new addition to this screen is the memory card selection icons. While you can press the SET Button here (or use the menus) to specify how the two cards are used (for example overflow, JPEG/RAW, or backup), you can highlight these icons and then turn one of the dials to directly and immediately choose which card is the the current primary card being used for recording and playback. This is especially handy during playback when you are looking for a specific image on one of the inserted memory cards, but then realize it is on the other inserted card, yet the 7DII will only playback the images from one card at a time.

Canon 7D Mark II menu custom function setting setup recommend guide how to tips tricks
Figure 6. Left: The Quick Control Screen, accessed with the Q Button, for quickly changing settings. Right: If you press the INFO Button and access the Shooting Function screen, and then press any of the top camera buttons, you can quickly view and change those settings using the rear LCD monitor.

If you first press the INFO Button a couple times and and access the Shooting Function Settings screen (which resembles the Q screen of Figure 6 – left), you can press any of the top camera buttons and quickly view and change those settings on the rear LCD Monitor. This will allow you to more easily view the settings than the smaller top screen, while also allowing you to see all the available options. For example, Figure 6 – right shows the INFO screen for the AF/Drive button, which allows you to see all the available options in both word and icon format, and also indicates which dial to turn to change which setting (the top Main Dial indicated by the half-circle, or the rear Quick Control Dial).

4. Take Advantage of the Creative Photo, Rate, and M-Fn Buttons: The Creative Photo Button, located at the upper-left of the rear of the camera, will allow you to quickly access the Picture Style settings, Multiple Exposure, and HDR Shooting, rather than having to go into the menus to find those features. The Rate Button, also on the left side of the rear of the camera, will enable you to quickly rate an image during image playback. You can choose from one to five stars, or if you find that you typically only use 1 star, 3 star, and 5 star ratings, a menu item will allow you to limit the selection to just those options (Setup 3 > Rate Button Function, then press Q to limit the ratings). So, for example, you would only need to press the button 3 times to cycle from 1 star, to 3 star, to 5 star, without wasting those precious seconds and button pushes for the 2 star and 4 star ratings you never use! If you prefer the Rate Button to act as the Protect Button, you can use the Rate Button Function menu item to instead assign it to that function.

Canon 7D Mark II button customize custom setting setup recommend quick start control tips tricks
Figure 7. Customize the M-Fn Button to shoot simultaneous RAW plus JPEG, or to cycle through the top button settings.

The M-Fn (Multi-Function) Button, located on the top of the camera near the Shutter Button, is used in conjunction with first pressing the AF Point Selection Button in order to select the desired AF Area Selection Mode. However, when simply pressed by itself, if is used for Flash Exposure Lock. If you don’t need it for that function, you can perhaps change it to one of the RAW+JPEG settings, so that you can temporarily or permanently switch to capturing images in both file formats. Or a handy option is to set it for the Cycle option, which allows you to cycle through the various top button settings such as White Balance, ISO, and Drive Mode, as you view the settings on the top LCD screen (see Figure 7). This can perhaps be quicker and easier than slowing down to first look and see which tiny button is used to access which setting. Press it one time and the WB/ Metering Mode options will be active on the top screen and available for you to change, as if you pressed the WB/Meter Button. Press it again and the Drive Mode/ AF Modes will be active, etc.

Canon 7D Mark II body controls buttons tips tricks how to learn use manual guide tutorial recommend setting set up quick start
Figure 8. Detail of the top controls of the Canon 7D Mark II.

5. Use Manual (M) Shooting Mode with Auto ISO plus Exposure Compensation: The Canon 7D Mark II allows you to perform a function which, if I recall correctly, cannot be done with the original 7D, 5DIII, or 70D – which is to simultaneously use M shooting mode (for either still photography or movie shooting) along with Auto ISO, while also making use of Exposure Compensation. This is a very powerful option for those shooting in Manual. Using Auto ISO with Manual Mode allows you to set your desired shutter speed and aperture settings, and the camera will then select the appropriate ISO setting in order to obtain the proper exposure. If you suddenly move to a brighter or darker settings, you can retain the same exposure settings, and the camera will automatically adjust the ISO setting to maintain the proper exposure. This allows you to concentrate on your subject and composition without having to worry about or adjust the exposure settings. It can also be incredibly useful during movie shooting in order to maintain a consistent exposure even if the scene or lighting levels change. However, if you are unhappy with the exposure results that the camera has determined, the 7DII now allows you to also apply Exposure Compensation in this situation, in order to make the subsequent images darker or lighter, to better suit your intentions or desires.

Since the dials are being used for the shutter speed and aperture settings when working in M shooting mode, they cannot be used for Exposure Compensation (EC), so you will need to access the Quick Control Screen to change the EC setting. However, as mentioned above, you can assign the AF Area Selection Lever to the Exposure Compensation option, and then you will simply need to hold the lever and turn the top Main Dial to change the EC amount, while viewing the setting in the Viewfinder or top Control Panel.

Canon 7D Mark II Manual Mode exposure compensation Auto ISO tips tricks how to use set up setting
Figure 9. Making use of Manual (M) Mode with Auto ISO and Exposure Compensation.

These tips will be continued in Part 2, coming soon!

Don’t forget about my free, comprehensive Canon 7D Mark II Setup Guide Spreadsheet, which provides recommended settings for all of the Custom Functions and shooting-related Menu items of the 7DII!

To learn more about using and taking control of your Canon 7D Mark II, please have a look at Canon 7D Mark II Experience, which you can learn about and purchase on my Full Stop website here. It not only covers the buttons, controls, menus, features, and functions of the camera, but more importantly explains when, why, and how to make use of them in your photography!

And if you have enjoyed this post but have not yet purchased your 7DII, please use my affiliate links to make your purchase. Your price will be the same, and they will give me a small referral bonus – thanks! You can use the links below to go to Amazon, or the links at the side of the page for Amazon UK or Amazon Canada, or for B and H Photo.

Canon 7D Mark II body only – Amazon

Canon 7D Mark II with 18-135mm IS STM lens – Amazon

The First Nikon D810 guide, Now Available!

Nikon D810 Experience, my latest Full Stop e book and the first D810 user’s guide, is now available! This e book goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable Nikon D810. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography – including the sophisticated autofocus system with its new Group-Area AF mode, and the new Highlight-Weighted metering mode.

Written in the clear, concise, and comprehensive style of all Full Stop dSLR guides, Nikon D810 Experience will help you learn to use your full-frame D810 quickly and competently, to consistently make the types of images you desire. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.

Learn more about it, view a preview, and purchase it here:

http://www.dojoklo.com/Full_Stop/Nikon_D810_Experience.htm

As one reader has said about Full Stop guides, “I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Take control of your Nikon D810, the image taking process, and the photos you create!

For Intermediate and Enthusiast Photographers:
This instant download Nikon D810 e book is designed for intermediate and enthusiast dSLR photographers who wish to take fuller advantage of the capabilities of their camera and shoot competently in A, S, and M shooting modes; take control of the sophisticated 51 point autofocus system and its multiple AF-Area Modes including the new Group-Area AF mode; and learn how, when, and why to use and customize the various controls, buttons, and features of the D810.

To help you set up your camera, it includes explanations and recommended settings for all Menu options and Custom Settings of the D810. It explains camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operation, such using the various metering modes and exposure compensation for correct exposure of every image, and taking advantage of other features of the D810 such as working in Live View, and the in-camera HDR, Multiple Exposure Mode, and editing features.

For Experienced Photographers to get up and running with the D810:
For experienced photographers coming to the D810 from previous Nikon models, this guide explains the new and advanced features in order to quickly get you up and running and taking advantage of these capabilities, including the advanced Autofocus System and all its AF Modes, AF-Area Modes, and Custom Settings, for capturing both still and moving subjects. It also covers back-button focusing and trap focus techniques with the D810. Plus it explains the camera controls and how to customize them, new features such as Highlight-Weighted Metering, RAW S, the Electronic Front-Curtain Shutter feature, and the HDR, Multiple Exposure, and Time-Lapse Shooting features.

The guide also introduces the HD video features and settings, and guides you through all the Playback, Shooting, and Setup Menus, Custom Settings, and Movie Mode Menu settings of the D810 in order to help you best set up the camera and its controls for your specific shooting needs, including the helpful, comprehensive Nikon D810 Set-Up Guide spreadsheet created by the author.

Nikon D810 Experience not only covers the various settings, functions and controls of the Nikon D810, but most importantly it also explains when and why to use them for your photography. The guide focuses on still-photography with an introduction to the movie functions, settings, and menus to get you up and running with HD video. Sections include:

Setting Up Your D810 – All of the D810 Custom Settings and Playback, Shooting, and Setup Menus, including Movie Mode Menus, with explanations and recommended settings for practical, everyday use. Set up and customize the advanced features of your dSLR to work best for the way you photograph.

Aperture Priority (A), Shutter Priority (S), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.

Auto Focusing Modes and Area Modes and Release (Drive) Modes – The 51 point D810 autofocus system is a powerful tool, and taking control of it will enable you to successfully capture more sharp images, in both still and action situations. Learn the AF Modes, AF Area Modes, and AF Custom Settings, how they differ, how and when to take advantage of them to capture both still and moving subjects. Plus how and when to use focus lock and back-button focusing.

Exposure Metering Modes of the Nikon D810 – How they differ, including the new Highlight-Weighted Metering mode, how and when to use them for correct exposures in every situation, and how to customize them for your needs. Plus how to make use of exposure lock.

Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations, customizing the controls for easy access to these features, and setting custom white balance.

The Image Taking Process – Descriptive tutorials for using the settings and controls you just learned to take photos of both still and moving subjects.

Introduction to Video Settings – Settings and explanations to get you started shooting HD video.

Photography Accessories – The most useful accessories for day-to-day and travel photography including accessories specific to the D810.

Lenses – Nikon (Nikkor) lenses compatibility with the D810, and explanations of lens notations.

Composition – Tips, techniques, and explanations, including the creative use of depth of field.

This 375 page digital guide to the Nikon D810 is an illustrated e-book that goes beyond the manual to clearly explain how, when, and why to use the features, settings, and controls of the Nikon D810 to help you get the most from your camera.

Learn more about Nikon D810 Experience, view a preview, and purchase it on my Full Stop website here:

http://www.dojoklo.com/Full_Stop/Nikon_D810_Experience.htm

Nikon D810 Tips and Tricks – Part 2

Here is the second part of my Nikon D810 Tips and Tricks article. You can find the first part here:

http://blog.dojoklo.com/2014/07/28/nikon-d810-tips-and-tricks-part-1/

6. Extend Your Telephoto Reach with the DX, 1.2x, and 5:4 Image Area “Crop” Modes: The Image Area menu item of the D810 can be used to capture images of smaller dimensions and different image area ratios, such as having your full-frame FX format sensor act as an APS-C sized DX format sensor. You can choose full-frame FX (36×24), 1.2x (30×20), DX (1.5x, 24×16) or 5:4 (30×24). You can see which portion of the sensor each setting will use in the image below, and the Viewfinder of the D810 will also display the crop lines to show you the active area. By enabling the 1.2x, DX, or 5:4 image areas, it will change the aspect ratio (very slightly for 1.2x and DX) and angle of view (somewhat with 1.2x or 5:4, dramatically with DX) of your resulting images. The camera is basically cropping your photos from full-frame images to smaller sized images, so note that rather than capturing 36.3 MP full-frame FX images, you will be capturing 15.4 MP images with DX crop, and 25.1 MP images with 1.2x crop.

D810 Image Areas – Simulated view of the D810 Viewfinder, showing the full size FX image area, the location of all AF Points, the Grid, and superimposed sizes of the Image Area options. Note that the DX area approximately aligns with the Grid. The cropped Image Areas will, in effect, allow you to “virtually” extend the reach of your lens and get closer to the action, but you will not be using the full 36.3 MP resolution of your camera, so it is basically like cropping your full-frame images in Photoshop.

The first advantage of DX and 1.2x crop is that they will allow you to “get closer” to the action by virtually extending the reach of your lenses. This can be particularly helpful when using a telephoto lens to capture sports, wildlife, or bird images where the subject is at a significant distance from you. DX image area will allow, for example, your 200mm focal length lens to act as a 300mm focal length. (Since the DX frame provides a 1.5x crop factor in relation to a full-frame FX sized sensor)

The second advantage is that with the DX crop, the area of the autofocus points as seen in the Viewfinder reaches much closer to the sides of the effective frame. This will allow you to track and capture a moving subject throughout almost the entire width of the active frame (when using continuous AF-C Focus Mode), or enable you to focus on and capture a still subject most anywhere in the frame without having to lock focus and reframe (when using single-shot AF-S Focus Mode).

A third advantage of working in the DX and 1.2x crop modes is that the Continuous High shooting speed goes from 5 fps to 6 fps, allowing you to capture slightly more images in a quick burst.

Nikon D810 – 1957 Chevrolet Corvette – 2014 Annual Antique Auto Show – Codman Estate, Lincoln, Mass.

As mentioned above, the disadvantage of the smaller Image Area crops is that you will be using a smaller area of your sensor, and thus capturing images with reduced resolution and not the full 36.3 MP. The end result will be as if you cropped the image in post-processing. However, 15 MP and 25 MP are still very high resolutions, and for some shooting situations and image needs this may be more than sufficient.

You can set the Depth-of-Field Preview Button, Fn Button, or AE-L/AF-L Button to quickly change the Image Area. If any of these buttons are assigned this function, you can press the button and turn the Main Command Dial to change the Image Area while viewing the setting on the top Control Panel, in the Viewfinder, or on the rear Information Display.

7. Take Advantage of New Features for Videographers: While the predecessors to the D810, the D800/800E, are great cameras for HD video, this new model adds even more helpful features. The D810 can record full HD 1080 video at 60p/30p/24p, including simultaneous recording to a memory card and an external recorder, and outputting 60p video to an external recorder under certain conditions. The D810 has also added “zebra stripes” which enable you to preview potentially overexposed areas of the scene, and a Flat Picture Control which is a setting preferred by videographers because it helps to preserve details in the shadow and highlight areas of a scene, and allows one to capture videos (or images) with the widest tonal range. This can help to provide the greatest amount of flexibility for making adjustments in post-processing. Not to mention that, for both video and still photography, there is a new Clarity adjustment for Picture Controls, a broader Brightness range, and increased control over the Picture Control adjustments with more precise 0.25 EV increments.

D810 and Zebra Stripes – The Highlight Display feature will show zebra stripes, to indicate potentially overexposed areas of the scene.

The D810 now also allows you to set the frequency range for audio recording, either Wide to capture all sounds, or Voice to capture a more limited range and thus reduce unwanted sounds. And the Power Aperture setting found on the D800/D800E can now be used not only when recording video to an external recorder, but also when recording to a memory card. Power Aperture is a feature that allows you to more smoothly and continuously change the aperture opening while recording a video, rather than change it step-by-step where you might see the depth of field change as you jump from f/4 to f/ 4.5 to f/5 to f/5.6 for example. This feature, available in A or M shooting mode, actually changes the aperture in 1/8 EV steps, rather than the 1/3 EV steps you can choose with the command dial, so it gives the appearance of a smooth transition. Power Aperture can thus allow dramatic visual changes in the depth of field of a scene, or allow you to smoothly adjust the exposure settings to accommodate changing lighting levels.

8. Set up your Dual SD / CF Memory Card Slots: The two memory card slots of the D810 – the SD slot and the CF slot – can function in a couple different ways, including using one for saving RAW files and the other for JPEG files, saving all your images to both cards simultaneously, using the second card as overflow when the first one fills up, or saving still images to one and movies to the other. You can set this up in the Shooting Menu under Primary Slot Selection to choose which is the primary card, and Secondary Slot Function to determine the role played by the second slot. To set how the cards function for saving videos, use the Shooting Menu > Movie Settings > Destination.

Detail of the Nikon D810, showing the SD and CF card slots.

9. Customize the Exposure Compensation Controls: Exposure Compensation can be used to adjust the camera’s exposure settings in order to achieve the final exposure that you desire. Explore the various options of Custom Setting b4: Easy Exposure Compensation to customize exactly how the exposure compensation (EC) controls works. You can set it so that you press the Exposure Compensation Button first before turning a dial to change EC, or have it set so that you can just turn a dial to quickly and directly change EC. You can even select which dial you use with Custom Setting f9: Customize Control Dials. And you can set it so that the EC amount that you dialed in stays set for the subsequent shots, or that it is automatically reset to zero, depending on which controls you choose to use to set EC. This last option is the most sophisticated and most flexible, and may be the best one to learn and take advantage of. Using this option, On (Auto reset), you can choose to turn a dial to directly adjust EC, but your EC setting will be reset when the camera or exposure meter turns off. This is because you can still continue to use the Exposure Compensation Button with a Command Dial to set EC, but by setting it this way, EC will not be reset when the camera or meter turns off. Exposure Compensation will only be automatically reset if you set it directly using the dial without the button. So if you wish to use EC for just one shot, you can adjust EC with just the dial. But if you wish to take a series of shots with the same adjusted EC, you can use the button/ dial combination to set it more “permanently.” Pretty powerful stuff! This is why you got the D810, right? So that you can take advantage of these sophisticated controls!

Making use of Easy Exposure Compensation to configure how the controls can be used to change exposure compensation

10. Matrix Metering Face Detect, and Fine-Tune the Exposure Metering Modes: Using Custom Setting b5, you can enable a face detection feature of Matrix Metering. This means that the exposure metering system will take faces into account when determining the exposure settings, to ensure that portrait subjects are better exposed. This can be an extremely useful setting to use when taking images of people where they may be moving to different lighting, or moving in and out of the shade – especially in a fast moving session where you don’t have time to inspect all your images and adjust the settings. For example, if you are taking wedding portraits in lighting that varies.

While the Matrix Metering Mode will do an excellent job of determining the proper exposure for your images the majority of the time, there are some situations where you may wish to use the other exposure modes – Center-Weighted Metering, Spot Metering, and Highlight Weighted Metering. This includes dramatically backlit situations, subjects with a dramatically dark background, scenes that contain a wide range of highlights and shadow areas, or other dramatic lighting situations.

If you find that you are consistently not quite happy with how the camera’s meter is determining the exposure settings when making use of any of these modes, you can make fine-tune adjustments to the metering system using Custom Setting b7: Fine-tune optimal exposure. This is not an exposure compensation adjustment, but rather a “behind the scenes” fine-tuning of how the camera’s meter will determine the exposure settings, independently for each of the different Exposure Metering Modes (Matrix, Center-Weighted Average, Spot, Highlight Weighted). If you find that your images are always typically being slightly underexposed or overexposed when using a specific metering mode, adjust this accordingly so that you don’t have to use exposure compensation every time you use that metering mode. For example, you may find that Center-Weighted Metering delivers great exposures, but you would prefer that the images taken with Spot Metering were 1/3 EV (1/3 step) underexposed all the time. If that is the case, you would adjust Spot metering to -2/6 using this menu. If you make use of this fine-tune adjustment, you can still use exposure compensation in any situation in addition to this fine-tune adjustment.

Left: Custom Setting b5: Matrix Metering face detection for exposure. Right – Custom Setting b7: Fine-Tune Optimal Exposure, used to adjust the exposures of each metering mode to your preference, “behind the scenes,” so that exposure compensation is not needed each time you use that metering mode.

I have previously written articles with tips and tricks for the Nikon D7100, and most all of those items will also apply to the D810. Some of the tips overlap, but many of them are different that the ones explained here. You can read the D7100 Tips and Tricks part 1 and 2 here:

http://blog.dojoklo.com/2013/05/06/top-ten-tips-and-tricks-for-the-nikon-d7100-part-1/

http://blog.dojoklo.com/2013/06/27/tips-and-tricks-for-the-nikon-d7100-part-2/

Remember, I also explain these features and functions in even more detail, as well as explain all the other aspects of the D810 in my e-book guide Nikon D810 Experience, available on my Full Stop website. The guide not only explains the features, functions, and controls of the camera, but more importantly explains when and why you will want to use them in your photography. Take control of your D810 and the images you create! Click the cover below to learn more, preview, and purchase the guide.

And, in conjunction with the book, I have created a detailed and comprehensive Nikon D810 Setup Guide spreadsheet, which has recommended Menu settings, Custom Settings, and exposure settings for various shooting situations such as Landscape, Performance, Sports, and Travel, in order to help you set up your camera. You can learn about and download this free “cheat sheet” spreadsheet here:

http://blog.dojoklo.com/2014/06/30/nikon-d800800e-nikon-d810-setup-guide-with-recommended-settings/

Still looking to purchase your Nikon D810 or some lenses or accessories for it? Please consider using my affiliate links for Amazon or for B and H, found at the left side of this page – thanks! And please feel free to spread the word if this blog has been helpful.