The First User’s Guide to the Canon Rebel T4i / EOS 650D Now Available!

Canon T4i / 650D Experience, my most recent Full Stop dSLR e-book and the first available user’s guide to the T4i / 650D, goes beyond the manual to help you learn the features, settings, and controls of the advanced and versatile T4i / 650D, plus most importantly how, when, and why to use the functions, settings, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon T4i / 650D Experience will help you learn to use your Canon T4i / 650D quickly and competently, to consistently create the types of images you want to capture. The e-book is available in PDF format for reading on your computer, e-reader, or tablet.

Learn more about it, preview it, and purchase it here:
http://www.dojoklo.com/Full_Stop/Canon_T4i_Experience.htm

As one reader has said about the previous Canon T3i Experience e-book:A Must-Have Accessory – What a great addition to my bag. This is a well written, full body of work that explains, in plain English, how to get the most out of my new camera.  Doug provides the knowledge and experience to bring you to the next level.  I look forward to learning more every time I open the book.”

Take control of your Rebel T4i / EOS 650D, the image taking process, and the photos you create!

Canon Rebel T4i 650D book ebook manual guide tutorial instruction bible how to dummies field EOS

For beginner, intermediate and enthusiast photographers:  This Canon T4i / 650D e-book is for those who wish to get more out of their camera and to go beyond Auto+ and Program modes and shoot in Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) modes. To get your camera set up, it begins with explanations and recommended settings for all Menu settings, Custom Function options, and Movie Mode Menu settings of the T4i / 650D.  It covers basic dSLR camera functions and exposure concepts for those new to digital SLR photography, and explains more advanced camera controls and operation, such as using the various metering modes and exposure compensation for correct exposure of every image, controlling autofocus modes and focus points for sharp focus of still or moving subjects, and making use of the camera’s new multi-shot exposure modes.

Canon T4i / 650D Experience focuses on still-photography with an introduction to the movie menus and settings to get you up and running with video. Sections include:

  • Setting Up Your Camera – All of the Menu settings and Custom Function settings for the T4i / 650D, including movie mode menus, with brief descriptions and recommended settings for practical, everyday use. Set up and customize the advanced features of this dSLR to work best for the way you photograph.
  • Camera Controls – Description of all of the camera’s controls, plus when and why to use them, including how to take advantage of the new Touch Screen and Quick Control settings screens.
  • Aperture Priority (Av), Shutter Priority (Tv), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.
  • Auto Focusing Modes and Drive Modes – How they differ, how and when to use them to capture sharp images of both still and moving subjects. Also how and when to use focus lock and back-button focusing.
  • Exposure Metering Modes of the Canon T4i / 650D – How they differ, how and when to use them for correct exposures in every situation. Also how to make use of exposure lock.
  • Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations.
  • Lenses – Explanation of Canon lenses and choosing your next lens.
  • Composition – Brief tips, techniques, and explanations, including the creative use of depth of field.
  • The Image Taking Process – A descriptive tutorial for using the settings and controls you just learned to take still and action photos.
  • Photography Accessories – The most useful accessories for day-to-day and travel photography including those specific to this camera, plus recommended photography books.
  • Introduction to Video Settings – Some basic settings to get you started.

This digital guide to the Canon Rebel T4i / EOS 650D is a 165 page illustrated e-book that goes beyond the manual to explain how, when, and why to use the features, settings, and controls of the T4i / 650D to help you get the most from your camera.

Learn more about Canon T4i / 650D Experience e book manual for the Rebel T4i / EOS 650D on my Full Stop website here:

http://www.dojoklo.com/Full_Stop/Canon_T4i_Experience.htm

 

Canon Rebel T4i / EOS 650D Hands-On

I’ve had a chance to get some hands-on time with the new Canon Rebel T4i / EOS 650 as I’ve been working on my e-book user’s guide for the camera, Canon T4i / 650D Experience.  While the T4i shares the outward appearance and many of the features of its predecessor the T3i (and the T2i as well), if definitely has something new to offer.  Its improved autofocusing system for viewfinder shooting, its revamped AF modes for continuous movie shooting, its faster maximum continuous shooting rate, and its touch-screen all contribute to the T4i being a dramatic leap over the prior uninspired T2i/ T3i improvements.

I wrote about all the new features of the T4i and what they will mean for real life camera use in a recent post, Introduction to the Canon Rebel T4i / EOS 650D, so please have a look at that.  I will speak a little bit here about my thoughts on actually using these features.

Trickle-Down Features: The new Canon Rebel T4i / 600D demonstrates a significant leap in this “trickle-down” trend by taking the all-cross-type 9 point autofocus system and faster continuous shooting speed from the 60D and introducing these to the Rebel line. Although these previous omissions were seemingly necessary to differentiate the Rebels from the mid-level 50D/ 60D line, they resulted in two of the few but important “shortcomings” of the Rebels: they always had a less precise autofocus system with only one cross-type AF point (the center one), and a slower frames-per-second maximum continuous shooting speed. (Learn more about why cross-type points are so great just below.) Now with these improved features, the differences between the T4i and the mid-level 60D have been significantly reduced. (The 60D still offers additional external buttons and controls, slightly more rugged build and weatherproofing, and additional Custom Function options.)

All New LCD and Movie Focus: In addition, the T4i adds a first for a Canon dSLR: a touch-screen LCD that can be used for settings selection, image review, menu navigation, and even autofocusing or shutter release in Live View. Plus it offers a totally revamped hybrid autofocus system for Live View and Movie shooting that makes use of phase detection and contrast detect, allowing for another Canon dSLR first: continuous autofocus during Live View and Movie shooting. The phase detection aspect of the new AF system allows the camera to determine both the out-of-focus distance and the direction in which to correct, finally eliminating the slow and awkward focus hunting of previous models. Add one of the new “step motor” STM lenses such as the 18-135mm kit lens or the 40mm “pancake” and the lens will now silently focus during movie shooting, thus eliminating the autofocus motor noise previously picked up by the camera’s microphone. (Did I mention the built-in mic is now a stereo mic! And there is a stereo mic input jack.) Plus the image stabilization of the 18-35mm EF-S IS STM lens is designed to counteract camera shake caused by walking while shooting video.

All Cross-Type AF Points:  Cross-type autofocus points are more accurate and more desired because they can grab focus on a wider range of subjects. If your non-cross-type point is oriented only in the vertical direction, and you aim it at a subject displaying a strong line also also in the vertical direction (such as the side of a door frame) it will not be able to detect the line or a change in contrast, and will not be able to focus. Aim it at the strong horizontal line of the top of the door, and it will lock right on. (learn more about autofocus concepts here.)

So the fact that the T4i uses cross-type AF sensors for all 9 AF points means that the autofocus system is significantly more accurate, and you can confidently use not just the center AF point but all the outer points as well to focus on or track a subject. Not to mention that the center AF point is now also an even more accurate diagonal cross-type sensor when using an f/2.8 lens.

Faster Frame Rate: The T4i now boasts a more rapid 5 frames per second maximum continuous shooting speed, and incorporates the speedy Digic 5 processor, narrowing another major difference with the mid-level 60D. These features will allow you to capture quicker shots in a burst thus giving you the greater possibility of capturing just the right moment of action or the best facial expression or pose.

As mentioned, the Canon T4i also finally brings us great quality touch-sensitive (not old-fashioned pressure-sensitive) touch-screen capabilities on a Canon dSLR (with smear-resistance!). You can select and change your settings on the Quick Control Screen (Q Screen) simply by touching your choice, or use it to tell the camera where to focus during Live View shooting. It can also be used to navigate the menus, and during image playback you can easily swipe and zoom with iPhone-like multi-touch motions and response. Early reports indicate that the screen responds incredibly well, and the graphic layout of icons and options make it easy to use. This 1 million pixel LCD screen is fully articulating, as with the T3i and 60D.

New Live View/ Movie AF Modes: So in addition to the upgraded AF system during stills shooting, Canon has modified the Live View and Movie Shooting autofocus system, which now offers Face Detection+Tracking, FlexiZone-Multi, and FlexiZone-Single AF modes rather than the previous Quick, Live, and Face AF Modes. Quick Mode AF is still also available for Live View shooting. (With Quick Mode you use the 9 auto focus points, similar to the viewfinder AF Points, as displayed on the LCD Monitor. But since the camera is using the autofocus sensor to focus, it momentarily interrupts the Live View on the LCD Monitor when it flips the mirror back down to access the AF sensor.)

All of these features contribute to the T4i / 650D being quite an amazing consumer level camera. In most ways it is a higher-quality, more capable camera that the pro-sumer 50D of just a few years ago, and it will definitely fulfill the needs and expectations of most any enthusiast shooter. The only reasons one would need to step up to the 60D would be if you need more direct access to controls, buttons, and settings on the body of the camera in order to change and adjust settings on the fly, if you needed a slightly more rugged and dust/water-proof body, and wanted greater ability to customize the controls and functions of the camera with its additional Custom Functions.

Borrowing from the 5D MkIII:  The specs also note that due to the faster Digic 5 processor, the T4i has Lens Aberration Correction and Chromatic Aberration Correction features as first seen on the 5D3, as well as a new Ambient Light Correction.

Canon Rebel T4i EOS 650D mode dial
Note the additional Mode Dial options and Power Switch change (Movie Shooting Mode) to the Canon T4i (image courtesy of Canon USA)

Some Extras: And in addition to the standard Creative Zone shooting modes (Av, Tv, P, M) and the Basic Zone modes (Flash Off, Creative Auto, Portrait, Landscape, Close-Up, Sports, Night Portrait) the T4i eliminates the Automatic Depth of Field mode on the dial and adds Night shooting without a tripod and HDR backlight compensation. Movie Shooting mode is removed from the Shooting Mode dial and is added to the On-Off switch. The T4i includes the Auto+ Shooting Mode (Scene Intelligent Auto) introduced on the T3i and even used on the 5D Mark III, where the camera analyzes the specific scene in order to automatically determine the best and most appropriate exposure, white balance, Picture Style, focus, and other settings.

The T4i shares the same battery (the LP-E8) and the same battery grip (the BG-E8) as the T3i and T2i. The fun filter (Creative Filters) effects introduced in the previous models (including Grainy Black and White, Soft Focus, Fish-eye Effect, Toy Camera Effect, Miniature Effect) are all still available, plus a couple new ones such as Water Painting and Art Bold.

Canon Rebel T4i / 650D vs. EOS 60D

Canon Rebel T4i vs. EOS 60D

I first introduced and discussed the new Canon Rebel T4i in this recent post, Introduction the the Canon Rebel T4i.  I encourage you to read that first to learn about all the features of the T4i. Then you may be wondering about how to choose between the T4i vs. the Canon EOS 60D, so I go into more detail about that here:

The predecessor to the T4i, the T3i, shared several important features with the 60D including the same 18 MP image sensor and the 63 zone exposure metering mode, both allowing you to get great, high-quality, well exposed images even in challenging lighting situations.  However, the T3i lacked a couple critical features that dedicated enthusiast photographers might eventually find that they would need, even if they weren’t ready or knowledgeable enough to use them right away.  They might have found that the less accurate autofocus system was eventually not up to their needs and that the slower continuous shooting speed limited the moments they could capture.

Canon Rebel T4i EOS 650D unbox unboxing compare vs T3i 60D choose decide

As I discussed above, the new Canon Rebel T4i / 600D demonstrates a significant leap in the “trickle-down” trend by borrowing several additional important features from the 60D, including the more accurate all-cross-type 9 point autofocus system and 5 frames per second, faster continuous shooting speed.  The fact that both of these cameras, the T4i and 60D, now share numerous key features, it is obviously a challenge to decide between them.

There are still a few features, however, that may help you decide one way or the other. The T4i has added continuous autofocusing while shooting video and a couple new Movie autofocus modes to best make use of this.  If you intend to shoot lots of video with your camera, this could be an important deciding factor. The T4i also adds a Touch Screen, allowing you to change settings, navigate menus, and browse through images with iPhone-like multi-touch gestures.  This isn’t a vital feature for taking better images, but it may be a convenience issue that makes a difference.

But the 60D still holds some important advantages for those who intend to be serious and dedicated to their photography, and who wish to use their camera as a versatile tool to fit with how they shoot. The 60D still offers a bigger and brighter viewfinder, additional external buttons and controls which makes changing camera settings on the fly much quicker and easier.  For example it has the metering mode, autofocus mode, etc. buttons right on top for easy access, plus the large Quick Control Dial on the rear of the camera to quickly change exposure compensation or to help with changing settings and rapidly moving through menus, and the all-important AF-ON button allowing more control over autofocus operation.

The 60D also has a slightly more rugged build than the T4i and some amount of weatherproofing seals, where the T4i basically has none.  Even more importantly, the 60D boasts additional Custom Function options, which will allow you to customize the camera and its functions to operate  exactly how you want them to: Safety Shift, Bracketing Sequence, ISO increments at 1/2 or 1/3 rather than full stops, dial direction reversal.  While some of these options may not seem important to the casual user, the heavy-duty user will find them indispensable in increasing their efficiency and deceasing their aggravation. And due to some of the additional features/ controls and stronger build, the body of the 60D is larger, feels sturdier, and is better balanced with the larger heavier lenses that a more dedicated photographer will likely be using sooner or later.

Important Firmware Update to the Canon 7D

It has been reported that Canon will soon be releasing an important firmware update for the Canon EOS 7D.  Unlike most firmware updates that correct a little bug and a typo in one of the foreign language menus, this update will add a considerable amount of features that were recently included in the Canon 5D Mark III.  These include:

IMPROVED RAW MAXIMUM BURST
Increasing the maximum burst when shooting RAW images from 15 fps to 26 RAW frames in a singlecontinuous burst.

IN-CAMERA RAW CONVERSION
Post-processing of RAW images in-camera, including adjusting or setting the white balance, Picture Style, High ISO Noise Reduction, Color Space (AdobeRGB/sRGB) and lens corrections (Peripheral Illumination Correction, Chromatic Aberration Correction, and distortion correction).

The file can then be saved as a JPEG for immediate output and use.

IMAGE RATING CAPABILITIES
Rate your images in-camera, from 1 to 5 stars.  This feature speeds up the process of sorting and organizing images when you return to your computer and begin to work in Adobe Bridge, Apple Aperture, etc.

AUTO ISO MAXIMUM SETTING
Set the maximum ISO that the camera will use while working in Auto ISO, between 400-6400 (inclusive).

MANUAL ADJUSTMENT FOR AUDIO RECORDING LEVELS
Manually adjust the audio recording level while shooting video, as well as the volume during playback.

JPEG RESIZING
Resize (downsize) a JPEG image in-camera and save it as a separate image, for easy immediate output and use.

SUPPORT FOR THE GP-E2 GPS UNIT
Use the new Canon GP-E2 GPS unit to geo-tag your images.

QUICK CONTROL DURING PLAYBACK
Press the Q Button during image playback to quickly access several options including Protect Image, Rotate, Rate, Resize, Highlight Alert, AF Point Display, and Image Jump.

FILE NAME SETTING
This adds the ability to change the naming convention of file name prefixes, so that instead of an image file being named IMG_xxxx, it can now be anything you wish such as DJK1xxxx or 7D12xxxx.  The second option of this feature allows you to change just the first three letters of the name, and the third letter will reflect the file size setting, such as IMGL0025.JPG for Large JPEG files or IMGL0025.CR2 for large RAW files.

TIME ZONE SETTING
Set your time zone with the option to adjust for daylight savings time.

FASTER SCROLLING OF MAGNIFIED IMAGES
When reviewing an image during playback, this will allow you to scan around a magnified image quicker.

~ ~ ~

Be sure to check the Canon 7D page under Drivers and Software to see when this update has been released.

~ ~ ~

Canon 7D Experience e-book guide to the 7D – If you are looking to take full control of your Canon EOS 7D and the images you create, be sure to have a looks at my e-book guide Canon 7D Experience.  Since I publish only in e-book form, this may be the only book that will be able to quickly incorporate these major changes to the menus and features of the camera!  I will send out an update supplement to all those who have purchased the PDF version of Canon 7D Experience, and I will incorporate all the changes in an updated version of the guide, so that all new readers will obtain the latest information.

Canon EOS 7d manual guide book firmware 2 update 2.0

Introduction to the Canon Rebel T4i / 650D

Canon Rebel T4i / EOS 650D:

(After learning about the features of the new T4i here, see this other post for a comparison of the Canon Rebel T4i vs. EOS 60D)

Each year as Canon updates its high end Rebel (or xxxD) model, they borrow additional features from their more advanced (and more expensive) dSLR cameras, resulting in higher and higher quality consumer models that incorporate previous “pro” and “pro-sumer” features. The T2i then T3i added the improved 63 zone exposure metering system, 18 megapixel sensor, wireless controlled external flash, and full HD video of the pro-sumer models, plus threw in some additional menu items, custom function options, and in-camera processing features that were lacking in previous Rebels.

Canon Rebel T4i EOS 650D features compare
The Canon Rebel T4i / EOS 650D (image by the author)

Trickle-Down Features: The new Canon Rebel T4i / 650D demonstrates a significant leap in this “trickle-down” trend by taking the all-cross-type 9 point autofocus system and faster continuous shooting speed from the 60D and introducing these to the Rebel line. Although these previous omissions were seemingly necessary to differentiate the Rebels from the mid-level 50D/ 60D line, they resulted in two of the few but important “shortcomings” of the Rebels: they always had a less precise autofocus system with only one cross-type AF point (the center one), and a slower frames-per-second maximum continuous shooting speed. (Learn more about why cross-type points are so great just below.) Now with these improved features, the differences between the T4i and the mid-level 60D have been significantly reduced. (The 60D still offers additional external buttons and controls, slightly more rugged build and weatherproofing, and additional Custom Function options.)

All New LCD and Movie Focus: In addition, the T4i adds a first for a Canon dSLR: a touch-screen LCD that can be used for settings selection, image review, menu navigation, and even autofocusing or shutter release in Live View. Plus it offers a totally revamped hybrid autofocus system for Live View and Movie shooting that makes use of phase detection and contrast detect, allowing for another Canon dSLR first: continuous autofocus during Live View and Movie shooting. The phase detection aspect of the new AF system allows the camera to determine both the out-of-focus distance and the direction in which to correct, finally eliminating the slow and awkward focus hunting of previous models. Add one of the new “step motor” STM lenses such as the 18-135mm kit lens or the 40mm “pancake” and the lens will now silently focus during movie shooting, thus eliminating the autofocus motor noise previously picked up by the camera’s microphone. (Did I mention the built-in mic is now a stereo mic! And there is a stereo mic input jack.) Plus the image stabilization of the 18-135mm EF-S IS STM lens is designed to counteract camera shake caused by walking while shooting video.

Canon T4i EOS 650D Rebel T3i autofocus viewfinder 9 point cross type
Simulated view of the Canon T3i/ T4i viewfinder with 9 autofocus (AF) points. (Image by author)

All Cross-Type AF Points:  Cross-type autofocus points are more accurate and more desired because they can grab focus on a wider range of subjects. If your non-cross-type point is oriented only in the vertical direction, and you aim it at a subject displaying a strong line also also in the vertical direction (such as the side of a door frame) it will not be able to detect the line or a change in contrast, and will not be able to focus. Aim it at the strong horizontal line of the top of the door, and it will lock right on. (learn more about autofocus concepts here.)

So the fact that the T4i uses cross-type AF sensors for all 9 AF points means that the autofocus system is significantly more accurate, and you can confidently use not just the center AF point but all the outer points as well to focus on or track a subject. Not to mention that the center AF point is now also an even more accurate diagonal cross-type sensor when using an f/2.8 lens.

Faster Frame Rate: The T4i now boasts a more rapid 5 frames per second maximum continuous shooting speed, and incorporates the speedy Digic 5 processor, narrowing another major difference with the mid-level 60D. These features will allow you to capture quicker shots in a burst thus giving you the greater possibility of capturing just the right moment of action or the best facial expression or pose.

As mentioned, the Canon T4i also finally brings us great quality touch-sensitive (not old-fashioned pressure-sensitive) touch-screen capabilities on a Canon dSLR (with smear-resistance!). You can select and change your settings on the Quick Control Screen (Q Screen) simply by touching your choice, or use it to tell the camera where to focus during Live View shooting. It can also be used to navigate the menus, and during image playback you can easily swipe and zoom with iPhone-like multi-touch motions and response. Early reports indicate that the screen responds incredibly well, and the graphic layout of icons and options make it easy to use. This 1 million pixel LCD screen is fully articulating, as with the T3i and 60D.

New Live View/ Movie AF Modes: So in addition to the upgraded AF system during stills shooting, Canon has modified the Live View and Movie Shooting autofocus system, which now offers Face Detection+Tracking, FlexiZone-Multi, and FlexiZone-Single AF modes rather than the previous Quick, Live, and Face AF Modes. Quick Mode AF is still also available for Live View shooting. (With Quick Mode you use the 9 auto focus points, similar to the viewfinder AF Points, as displayed on the LCD Monitor. But since the camera is using the autofocus sensor to focus, it momentarily interrupts the Live View on the LCD Monitor when it flips the mirror back down to access the AF sensor.)

All of these features contribute to the T4i / 650D being quite an amazing consumer level camera. In most ways it is a higher-quality, more capable camera that the pro-sumer 50D of just a few years ago, and it will definitely fulfill the needs and expectations of most any enthusiast shooter. The only reasons one would need to step up to the 60D would be if you need more direct access to controls, buttons, and settings on the body of the camera in order to change and adjust settings on the fly, if you needed a slightly more rugged and dust/water-proof body, and wanted greater ability to customize the controls and functions of the camera with its additional Custom Functions.

Borrowing from the 5D MkIII:  The specs also note that due to the faster Digic 5 processor, the T4i has Lens Aberration Correction and Chromatic Aberration Correction features as first seen on the 5D3, as well as a new Ambient Light Correction.

Canon Rebel T4i EOS 650D mode dial
Note the additional Mode Dial options and Power Switch change (Movie Shooting Mode) to the Canon T4i (image courtesy of Canon USA)

Some Extras: And in addition to the standard Creative Zone shooting modes (Av, Tv, P, M) and the Basic Zone modes (Flash Off, Creative Auto, Portrait, Landscape, Close-Up, Sports, Night Portrait) the T4i eliminates the Automatic Depth of Field mode on the dial and adds Night shooting without a tripod and HDR backlight compensation. Movie Shooting mode is removed from the Shooting Mode dial and is added to the On-Off switch. The T4i includes the Auto+ Shooting Mode (Scene Intelligent Auto) introduced on the T3i and even used on the 5D Mark III, where the camera analyzes the specific scene in order to automatically determine the best and most appropriate exposure, white balance, Picture Style, focus, and other settings.

The T4i shares the same battery (the LP-E8) and the same battery grip (the BG-E8) as the T3i and T2i. The fun filter (Creative Filters) effects introduced in the previous models (including Grainy Black and White, Soft Focus, Fish-eye Effect, Toy Camera Effect, Miniature Effect) are all still available, plus a couple new ones such as Water Painting and Art Bold.

Order your T4i from Amazon or B and H Photo today:

(If you plan to purchase the T4i, or any photo equipment or books etc., I encourage you to do so through these referral links. While your price will be the same, they will give me a little something for the referral, which helps to support my blog and my work – thanks!  I appreciate your support!)

Canon T4i from Amazon – body only, 18-55mm kit, or new 18-135mm STM kit

Canon T4i from B&H Photo – body only, 18-55mm kit, or new 18-135mm STM kit



Remember to check out this other post for a comparison of the Canon Rebel T4i vs. EOS 60D.

For a full list of Rebel T4i / EOS 650D specifications and features, have a look here:

http://www.usa.canon.com/cusa/consumer/products/cameras/slr_cameras/eos_rebel_t4i_18_135mm_is_stm_lens_kit#Specifications

 

The First Canon 5D Mark III e book user’s guide Now Available!

Canon 5D Mark III Experience is my latest Full Stop dSLR user’s guide e book, which goes beyond the manual to help you learn the features, settings, and controls of the powerful and highly customizable EOS 5D Mk III, plus most importantly how, when, and why to use the functions, settings, and controls in your photography.

Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon 5D Mark III Experience will help you learn to use your Canon 5D Mk 3 quickly and competently, to consistently create the types of images you want to capture.  The e-book is available in either PDF, EPUB, or MOBI format for reading on any device.

Learn more about it, preview it, and purchase it here:
http://www.dojoklo.com/Full_Stop/Canon_5DMkIII_Experience.htm

As one Canon user has said about Full Stop guides, “I don’t know how I could fully take advantage of all the features the camera has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera.”

Take control of your 5D Mk III, the image taking process, and the photos you create!

Canon 5D Mark III mk 3 book ebook manual guide tutorial instruction bible how to dummies field EOS

For experienced photographers coming to the 5D Mk III from previous EOS models, this guide explains the new and advanced features to quickly get you up and running and taking advantage of these capabilities, including the new 61 Point Autofocus System and its Modes, Area Modes, Menu options and AF Case Presets. Plus it explains the new camera controls, the in-camera HDR and Multiple Exposures features, introduces the new video capabilities, and guides you through all the Menu and Custom Function items to help you set up the camera for your specific needs. This guide is also designed for Intermediate and Enthusiast dSLR Photographers who wish to take fuller advantage of the capabilities of the camera to go beyond Auto+ and P modes and shoot competently in Av, Tv, and M modes; take control of the sophisticated 61 point autofocus system; learn how, when, and why to use the controls, buttons, and features of the 5D Mk III, and much more. It covers basic dSLR camera functions and exposure concepts for those learning digital SLR photography, and explains more advanced camera controls and operation such as using the various metering modes and exposure compensation for correct exposure of every image.

Canon 5D Mark III Experience focuses on still-photography with an introduction to the movie menus and settings to get you up and running with video. Sections include:

  • Setting Up Your 5D Mk III – Explanations of all of the Custom Function settings and Menu options, with recommended settings.
  • Auto Focusing Modes and Drive Modes – Taking control of the new 61 point autofocus system will enable you to successfully capture more sharp images in still and action situations. Learn the AF Modes, AF Area Modes, and AF Configuration Presets and how and when to take advantage of them.
  • Aperture (Av), Shutter (Tv), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings.
  • Exposure Metering Modes – How they differ, how and when to use them for correct exposures in every situation.
  • Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding these features for adjusting to the proper exposure in challenging lighting situations.
  • HDR Shooting mode and Multiple Exposure mode – Configure and use these new features.
  • The Image Taking Process – Descriptive tutorials.
  • Composition – Brief tips, techniques, and explanations, including the creative use of depth of field.
  • Lenses – Canon lens notations and choosing L series lenses.
  • Photography Accessories – Useful accessories for the 5D Mk III and for dSLR photography.
  • Introduction to Video Settings – Explanations of the settings and options to get you started.

This digital guide to the Canon 5D Mark III is a 195 page illustrated e-book that goes beyond the manual to explain how, when, and why to use the features, settings, and controls of the 5D Mark III to help you get the most from your camera.

Learn more about Canon 5D Mark III Experience e book manual for the EOS 5DIII, preview it, and purchase it on my Full Stop website here:
http://www.dojoklo.com/Full_Stop/Canon_5DMkIII_Experience.htm

 

Canon 5D Mark III is Here!

Here are my first quick shots of the Canon EOS 5D Mark III, during the ceremonial unboxing at Newtonville Camera, Newton Mass.  (Thanks guys!)

Canon 5D Mark III mk 3 EOS unbox unboxing package box
Images copyright by author, taken at Newtonville Camera, Newton, Mass.  Please do not use without permission.

Canon 5D Mk III mark 3 unboxing unbox box package new EOS
Images copyright by author, taken at Newtonville Camera, Newton, Mass.  Please do not use without permission.

I am in the process of working on the first and best (hopefully on both counts) e-book guide for the Canon 5D Mk III called Canon 5D Mark III Experience – The Still Photography Guide to Operation and Image Creation with the Canon EOS 5D Mk III.  You can learn more about it by clicking on the title or here:

http://www.dojoklo.com/Full_Stop/Canon_5DMkIII_Experience.htm

I wrote an initial post about the 5D Mk III Specs and What They Mean for real world use, so you can begin to learn about its new and/ or improved features.  I’ve also spent a lot of time with the manual, and a little bit of time with the camera itself, and I am thoroughly impressed!  I love the new autofocus system and the new menu systems that are far better organized than ever before.  The new menus include the new AF Autofocus Menu tab and sub-menus with the pre-set autofocus Cases to make it far easier to configure your camera for your specific subject tracking needs than was previously possible with the Canon 7D menus and Custom Functions.  The side-by-side Comparative Image Review is great for comparing two images at once on the nice, wide rear LCD Monitor, or for comparing a full image with a detailed view of part of it.

Canon 5D Mark III Mk 3 111 eos detail image quality
Quick shot with the 5D MkIII, with a detail of the dew drop I noticed during post-processing.  Captured in JPEG – looks even better full size!.  Images copyright by author, taken at Newtonville Camera, Newton, Mass.  Please do not use without permission.

The feel of the body is great too, more 7D than 5D Mk II, and the sound of the shutter is much more appealing than the “ka-chunk” of the 5D Mk II.  The silent Touch Pad control for movie shooting works great, and the in-camera HDR and Multiple Exposures are fun to play with.  I will write more about the camera and its features as I get a chance.

Canon EOS 5D Mark III Mk 3 unbox unboxing box package
Images copyright by author, taken at Newtonville Camera, Newton, Mass.  Please do not use without permission.  (Sorry for the copyright watermarks, but I had my previous unboxing image widely stolen by unsavory websites.)

Here are some in-camera HDR Mode and in-camera Multiple Exposure Mode experiments:

Canon 5D Mark III mk 3 111 sample image photo in camera HDR mode art embossed lowell house harvard square cambridge ma mass
Lowell House, Harvard Square, Cambridge, Mass.  Canon 5D Mark III – in-camera HDR Mode, Art Embossed

Canon 5D mark III mk 3 111 in camera hdr mode sample image art vivid
Lowell House, Harvard Square, Cambridge, Mass.  Canon 5D Mark III – in-camera HDR Mode, Art Vivid

Example images of all of the other HDR processing options can be seen here.

Canon 5D Mark III mk 3 111 multiple exposure mode test shot image sample
Neon Sign, Cambridge, Mass. – Canon 5D Mark III Multiple Exposure Mode.  Multiple-exposure control: Bright, 3 exposures

Canon 5D Mk III Specs and What They Mean

It is here!

Canon 5D Mark III pre-orders available at Amazon.com and at B and H Photo (my affiliate links – thanks for supporting this blog by using them!):

pre-order your Canon 5D Mk III from Amazon

pre-order your Canon 5D Mk III from B and H Photo

 

It is expected to be available and start shipping on March 22, 2012.

THE INTRODUCTION of the CANON EOS 5D Mk III

The long awaited and highly anticipated Canon EOS 5D Mark III has finally been announced!  There has been wide speculation of what the camera will include (including predictions at one time that it would be split into two camera lines for still vs. video).  It seems that the most current leaked specs were accurate, and the new 5D boasts such features as a whopping 61 point autofocus system, improved exposure metering system, fast DIGIC 5+ processor, and dual card slots for CF and SD.

I myself made some educated guesses back on August 5, 2011 as to what the camera was likely to offer.  I have included my predictions below in red, and my reactions and comments are in blue:

Canon EOS 5D Mk III specs:

  • 22.3 MP Full Frame Sensor. (26 to 28 MP Full Frame sensor.)  This is a surprise that they didn’t increase the sensor resolution very much, but as anyone who has used a 5D Mk II is aware, it already has amazing resolution and great high ISO/ low noise performance.  It appears from early test samples that this new sensor is going to show significant improvement in the high ISO/ low noise area, with perfectly acceptable, low noise, usable images all the way up to 12,800.  Yes, 12,800 ISO.
  • DIGIC 5+ Processor. (Single or Dual DIGIC 5 processors).  A nice, fast processor to keep up with the 6 fps frame rate, HD video, and all the image info coming from the high resolution sensor either in RAW or JPEGs that are being processed in-camera to include various settings such as Auto Lighting Optimization, Picture Controls, and other user-set adjustments such as the newly included Lens Aberration Correction.  This higher processing speed will also allow long continuous bursts even with the in-camera processing settings being used on JPEG images as they are being captured.
  • Full HD Movie – ISO 100-12800 H:25600.  (Full HD video at all the frame rates, perhaps with RAW video, perhaps with full time autofocus).  With two different compression formats to choose from, time codes with multiple options, and audio control plus a new headphone jack.
  • 6.0 frames per second high speed continuous shooting.  (7 frames per second high speed continuous shooting.)  Not quite as fast as I expected, but this is actually a much more useful rate for most situations.  This higher fps rate combined with the new 61 point AF system is going to allow the 5D to be used a bit more as a sports and action camera.  It does not appear the this desired feature that I hoped for is included:  Ability to customize Continuous Low and High settings so that you can choose your own rates.
  • ISO 100-25600, expandable to L: 50 H1: 51,200, H2: 102,400.  (ISO 100 to 12,800 or more, and then expandable.)  The new sensor, as mentioned, is likely to have tremendous performance in low light, high ISO situations with minimal noise, and preliminary samples and tests indicate this is indeed the case.
  • 3.2″ 1.04 million pixel Clear View II LCD screen.  Not articulating.  (3” very-high resolution LCD screen – Non-articulating?  Articulating?  Touch screen?)  A nice, high-resolution rear LCD screen, with a wider ratio to match the sensor and great for video shooting.
  • 61 point autofocus system with up to 41 cross type sensors.  (19 point (or more) autofocus system, all cross-type, with numerous configurations and customization options, as taken from the 7D.  Plus the new Autofocus menu system of the new 1D X to make configuring and taking full advantage of the AF system much easier.)  This is the biggest surprise for me.  I expected something like the19 point AF system of the Canon 7D, maybe with 20-30 AF points – but the 61 points is a shock.  While this will be awesome for tracking moving subjects and action, it is also customizable to reduce the number of choosable AF points and make it reasonable workable for “still” photography, as demonstrated in this still grabbed from a Canon video.
      Canon 5D Mk III mark III autofocus points 61 41 15 9
    Still from Canon video on the 5D Mk III

What this is showing is that if you wish to manually select a single AF point – which you should typically do in non-action-tracking situations to ensure that the camera autofocuses exactly where you want – you can limit the number of selectable AF points so that you don’t have to  manually click across dozens of points to quickly get to the one you want.  You can limit it to 9 points (as with the 5D Mk II or 60D), 15 points (similar to the 19 points of the 7D and likely the one I will most often use), just the cross-type points (which will number up to 41 depending on which lens you are using), or all 61 of them.

  • When using Center AF Point with an f/2.8 lens, the 5D Mark III is able to focus in EV -2, which according to Canon, “is the equivalent of shooting by the light of a full moon.”  This is an incredible improvement over the autofocusing abilities of the 5D Mk II, which struggles in low light.
  • 63-zone dual layer metering sensor.  (Improved 63 zone+ exposure metering system)  This is a similar metering system as in many of the current Canon cameras, such as the 7D and 60D, which has proved to be excellent as determining the proper exposure even in challenging lighting situations.  This metering system takes into account color, luminance, as well as information provided by the active AF point(s) to best determine the exposure.
  • Magnesium alloy body with improved durability, water, and dust resistance.  (Magnesium alloy body with weather sealing – already has this, not much improvement required.)  A durable, go-anywhere camera is now even more durable and resistant!

Additional features of the new 5D Mk III:

  • “Intelligent viewfinder” which means it includes the 7D type viewfinder with the LCD grid that can be turned on or off, sensitivity to light and dark to automatically illuminate the AF points when needed, if desired.
  • Silent and Low Vibration Modes.  These are likely designed to enable one to use the camera more stealthily – not just surreptitiously, but in situations such as dance and theater performances where you need the shutter and mirror to be quieter.  Low vibration is handy for optimal sharpness in certain hand-held and tripod shooting situations.
  • Dual memory card slots – CF and SD.  This is a new feature for the 5D line.  (It will likely and hopefully retain the CF card)
  • LP-E6 battery – thankfully they have retained the same battery as the 5D Mk II and 7D.  (It will likely retain the LP-E6 battery)
  • HDR Mode – This is an in-camera feature that will take and combine 3 images, either at auto-levels of exposure or user-selected EV increments.  You can then choose from various options of how you wish the camera to process the final image.  The original 3 images will also be saved for your own use.  The camera also offers an improved 7 stop EV latitude of exposures for auto bracketing, for those who wish to do more with HDR using other software and post-processing themselves.
  • Multiple Exposures – Nikon has had this feature for a while, so it is nice to see it on a Canon.

The 5D Mk III has also incorporated many of the menu and Custom Function features of the 7D, such as the ability to customize many of the buttons and controls of the camera, as well as the new, easier to use and comprehend Autofocus Menu system as the one seen in the Canon 1D X.  By putting all the AF options in one menu, it makes it considerably easier to take advantage of the powerful AF system options without having to access and understand various menus items and Custom Function options (as you do with the 7D).  There are also AF “presets” so you don’t have to remember and set the variables such as “Tracking Sensitivity” and “AF Point Auto Switching.”  The Custom Functions of the 5D Mk III have also been grouped into 3 categories now for ease of use.

There is also an image comparison feature where you can compare two images side by side on the rear LCD to see the effects of your adjustments – double chimping!

Hopefully there will be the options to customize the size of the Center-Weighted, Spot, or Partial Metering circles, and to adjust the Hi Speed and Low Speed Continuous shooting rates, and perhaps some additional WB options such as more Fluorescent option.

Built-in GPS, wireless flash, or wi-fi?  No, they all still require optional, external devices.  But we will see these in-camera features eventually.

I will soon be starting to write an e-book user guide for the Canon 5D Mk III to join my current Full Stop camera guide line-up which includes Canon 7D Experience and Your World 60D. You can check out my Full Stop bookstore website to learn more:

full stop dslr photo photography camera manual guide for dummies canon nikon

If you are interested in pre-ordering your Canon 5D Mk III, please use my referral links to the 5D Mk III on Amazon.com or B&H Photo. Using these links will help support my blog and my work.  Thanks, I appreciate your support!

If you are in the UK, please click here for the UK Amazon referral link.

And if you are in Canada, please click here to use my Canada Amazon.ca referral link.

BandH Photo

Direct Link to Canon 5D Mark III pre-order at B and H Photo.

These are retailers that I have purchased equipment from (excluding Amazon UK/ CA), and I recommend them based on my good experiences, their extensive selection, competitive prices, great customer service and responsiveness, and fair return policies.

Canon 24-70mm f/2.8L II vs. 24-70mm f/2.8L

Canon has just announced an updated, improved version of it’s high-quality EF 24-70mm f/2.8L standard zoom, called the EF 24-70mm f/2.8L II USM.  (To understand what all the notions mean, please see my Canon Lens Notations post.)

Some would call this the full frame standard zoom, though as an EF lens it can also be used on non-full-frame cameras such as the 7D, 60D, and T3i/600D.  The difference is that on non-full-frame bodies, it will act more like a 38-112mm focal length lens due to the crop factor of the smaller sensors.

Canon 24-700mm f/2.8L II lens new updated improved
New Canon 24-70mm f/2.8L II USM – (image from Canon USA)

Many, including myself, had hoped for – or even expected – this update to incorporate image stabilization, but this was not included.  The image stabilization would have made it an even tougher decision between the new 24-70 f/2.8L II and the 24-105mm f/4L IS, which offers a similar focal length plus image stabilization, but has a minimum aperture of “only” f/4.0.

Canon states that the lens has been completely redesigned, and in addition to still offering great weather sealing like the original, the same .38m / 1.25 ft. minimum focus distance, and improved durability, it also now “features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length.

With a redesigned optical system that includes two Ultra-low Dispersion (UD) and one Super UD aspheric elements to minimise chromatic aberration and colour blurring, the lens delivers consistently sharp, high-contrast images. Each lens element also features Canon’s optimised Super Spectra coatings to reduce ghosting and flare and ensure excellent colour balance. Additionally, a fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear of the lens, helping to maintain superior image quality.”

The original 24-70mm f/2.8L lens included “the use of two different types of aspherical lens elements and a UD (Ultra-low Dispersion) glass element for obtaining sharper image quality.”  (quotes from Canon press releases)

Canon 24-70mm f/2.8L original lens
Original Canon 24-70mm f/2.8L USM – (image from Cburnett, Wikipedia, GFDL license)
PLEASE do not put a cheap Tiffen filter on an L lens – use a high quality multi-coated B+W MRC filter

There are some significant differences in the design of the new lens vs. the older version.  They both have ultrasonic motors for autofocus and full time autofocus (you can override the AF by turning the focus ring without switching to manual focus).  And they both use an external zoom mechanism, meaning the lens extends as you zoom in and out.  However, the original lens extended as you zoomed toward the 24mm wide end, which is “backwards” from a typical zoom lens.  The new version acts as a more typical zoom, extending as you zoom towards the 70mm telephoto end.  They both include a lens hood, though the older hood attached to the main section of the lens and the lens extends inside of the hood, thus working more effectively as a hood throughout the entire focal range from wide to tele.  The hood of the new version attaches to the extending section, and thus is a smaller tulip style lens hood typical of most lenses.  Perhaps the new coatings and lens elements make up for any internal reflections that might have resulted from this less effective hood.  The new lens offers a lock switch for when it is retracted, though L lenses typically zoom so smoothly and tightly that they don’t tend to creep.

The sizes of the lenses are similar, though the new version is slightly shorter and lighter but wider.  Due to the changed design, the new lens boasts a larger 82mm filter size.  And the prices at this point are dramatically different.  As far as the image quality, it is certain that the new 24-70mm is going to demonstrate dramatically improved image quality, especially when paired with the new Canon 5D MkIII (Canon 5D X?) when it comes out, as it is rumored to boast 30+ MP, which is going to require excellent glass to fully take advantage of.

24-70mm f/2.8L
3.3″ x 4.9″
2.1 lbs (950 g)
77mm filter size
$1,269 at B&H
$1,299 on Amazon

24-70mm f/2.8L II
3.5″ x 4.4″
1.77 lbs (805 g)
82mm filter size
$2,299 at B&H available for pre-order, expected in mid-April

Why Photographers and Authors Should Embrace Anti-Piracy Bills

At the risk of being widely unpopular today, I am going to come out and say I support the SOPA/ PIPA anti-piracy bills now in Congress designed to battle Internet piracy.

Piracy and copyright violations are serious, international, multi-billion dollar issues that require serious, effective laws.  While those who don’t like SOPA are complaining about  the unrealitic “censoring” of YouTube videos, a “broken Internet” and the “potential for abuse,” authorities are pursuing and taking down Internet criminals with complex, multi-national investigations and police raids.

Piracy doesn’t just affect the music and movie industry, it affects anyone who creates original content and earns their income and livelihood from it, like photographers and authors, artists and bloggers.  Piracy directly affects me.  SOPA truly will protect and assist independent creators and innovators in important ways – this is not political smoke.  Most of the claims that the anti-SOPA critics are making about censorship, the threat to a free and open Internet, and the potential for abuse are unfounded, grossly misleading, and have no basis in the actual legislation.  And many of the most common claims that are being repeated across the Net are simply false.  But more on that later.

When one steps back and views the bigger picture, there is also a tremendous amount at stake when it comes to media companies who produce and fund the content vs. Internet companies who wish to take the content and deliver it all for free (and make money for themselves in the process).  One important issue is that when someone who creates quality, original content can no longer be  compensated or make a living at it, there is no longer an incentive to create quality original content.  This article talks about a fascinating book called Free Ride – How Digital Parasites Are Destroying the Culture Business, and How the Culture Business Can Fight Back by Robert Levine, which addresses this larger issue.

As both a photographer and an e-book author, I have been, and continue to be, dramatically and negatively affected by Internet piracy in several different ways – the same type of piracy that SOPA aims to bring accountability to.  Over the past couple months, I have spent many, many hours stumbling across, searching for, sending copyright infringement DMCA notices to, and monitoring websites that have stolen my photos and e-books and are using them on their sites for their own profit.  I rely on the infringing sites to comply once they are notified, but I must verify this myself and contact their ISP if they do not comply.  I am forced to police the content of sites that belong to, are run by, and which create income for somebody else.  I, an independent author and photographer, am responsible for policing the entire Internet against those who violate my rights.  That costs a lot of time, effort, and money.  When I am forced to spend my time doing that, I am no longer pursuing my income-generating job, and that job and income could collapse as a result.  I am thrilled that Congress is attempting to do something about this by cutting off access and sources of funding to illegal foreign sites doing business in the US and bringing the same accountability to them that currently exists, by law, for domestic sites.  And by forcing websites to be responsible – God forbid – for their own content.

Not only is it wrong and illegal for someone else to profit off of your copyright protected work, it can directly impact your own income and livelihood.  For a content creator, SOPA helps your bottom line when everyone is held accountable to the law and the law is enforced.  For a website who profits off of others’ content and/ or the advertising revenue it brings them, SOPA hurts their bottom line when they are held accountable to current laws, already in place.

Regarding e-books, while some claim that those who illegally download a book were never actually going to buy it, will never read it, and that it actually helps promote sales, I can assure you that in my experience none of that is true.  Piracy directly and immediately impacts sales and income, and threatens to put an end to my livelihood that I very much enjoy and wish to continue.

Regarding photography, I have an unexpected example of how piracy affects me, but it is one that can easily affect any photographer with a website who relies on Google searches to drive traffic.

When the Nikon D5100 dSLR camera came out, I took a quick picture of it sitting on its box, and posted to my blog and Flickr.

Nikon D5100 kit unbox

This photo began appearing in Google searches, and led people to my blog.  Thousands of people.  It is my most viewed photo on Flick, for better or worse.  When people come to my blog, led there by this photo, I can tell them about my e-books and maybe sell a couple.  I can help them decide which camera to buy, recommend one, and perhaps earn a small affiliate commission for the sale.

But then other websites stole this photo and began to use it on their sites to promote sales and income of their own.  Some even put their own watermark on my image.  Soon, when people did a Google image search for the D5100, they continued to click on my popular photo, except it now led them to someone elses’ site.  My original image, leading to my site, disappeared from Google search results.  My blog traffic and sales were immediately impacted.

On a bit of a side note, I have nothing against Creative Commons and sharing photos for artistic and creative use.  I don’t choose to use it, but others have had great success with it.  But the proper or legal use of Creative Commons has nothing to do with SOPA.  SOPA comes into play when the Creative Commons license is violated.  What happens when someone takes your photo, maybe puts their watermark on it, uses it on their site to create or earn income for themselves, and does not credit you or link to your site?  What happens when your photo, as posted on their site, appears now in Google searches and leads people to these illegal sites and not yours?  This is no longer your photo being used according to the Creative Commons license, and your traffic and income can be immediately and directly affected.  DMCA is already in place to address this, as long as you do the policing and monitoring and rely on the infringing site for compliance, but SOPA will help assist you from having to be the one to spend your time, money, effort, and aggravation to monitor and address this type of infringement on a daily basis.  Monitoring and policing keeps me from creating and writing, what I would rather be doing and what I need to be doing to continue my livelihood and income.

I came across an anti-SOPA site that is filled with many of the completely false claims that are being touted today, and I would like to address them:

“SOPA would hold websites liable for all user-posted content.”
Yes, exactly. Any company is responsible for its “content” (however “content” may translate to the physical world or other types of companies) and for the activities it is facilitating. It is that way in the physical world, and it is no different on the Internet.  In the physical or Internet world, one is not free to engage in or facilitate illegal activity – this is already the law.  But it costs time, energy, and money to monitor one’s own company or site, and websites are currently getting a free ride on this.  SOPA merely enforces the current laws.

“That means sites like Google, YouTube, Facebook, Tumblr, and Twitter would be required to monitor everything posted by their users or risk being shut down.”
As these sites are not “foreign websites dedicated to the facilitation of the illegal sale and distribution of counterfeit or pirated goods” they will not be “shut down.”  Yes, that is what SOPA addresses: foreign websites selling pirated goods, not Justin Bieber videos on YouTube.  But yes, they already are responsible for the content on their sites, by law, as they should be.  That is simply copyright law, already in place.  US websites can already be taken down for illegal activity.  SOPA brings the same standards to illegal foreign websites aimed at US customers.  SOPA will hold websites responsible for violating the law rather than making the copyright holder have to find them, request a takedown, then monitor their compliance in perpetuity.

“Passing SOPA would give the U.S. government the power to censor the entire internet”
No, not true in any way shape or form.  The bill has nothing to do with censorship because it addresses only illegal activity – piracy to be exact – and there is no First Amendment right to illegal activity.  The bill includes the same due process protections provided in all civil litigation in federal courts.  And while Google is making a big show of SOPA “censorship” with their black bar today, note that they have never made the same homepage protest against actual, ongoing, real Internet censorship in China and other oppressive countries.  This seems to confirm that it is not “censorship” they are really protesting, but rather that they are irresponsibly abusing their power and reach to promote fear and misinformation of a bill that could affect them in a very different ($) way.

“Stifle innovation, scaring off new startups without the resources to monitor everything posted on their sites.”
No, quite the opposite. Having one’s income and livelihood stolen from them stifles innovation and startups.  Putting loads of time and effort into creating a company and products and then watching as thieves steal these products and profit from them…that stifles innovation or the desire to set out on that innovative course.  If innovative start-ups include websites, actions or activities that break the law, yes, they will be stifled.  That is simply the law that currently applies to any business.  Illegal activity is supposed to be stifled.

“Clamp down on Americans’ free speech rights, subjecting them to criminal prosecution for posting film clips or covers of famous songs on YouTube”
First, if you read the SOPA legislation, you will quickly see that this statement has nothing to do with SOPA.  It can’t even be labeled as a distortion, it is just flat out nonsense (see “foreign websites…sale of pirated good” above).  Second, in terms of other already existing laws, there is no First Amendment right to theft and illegal activity, period. Copyright infringement is already part of the law now, and is already enforced by courts – SOPA doesn’t change this in any way.  Infringing someone’s copyright, an illegal activity, is not covered by free speech rights.  Never was.

“Fail in its goal to stop copyright violations online—the bill does not cut off pirates’ access to resources, so they will be able to continue business as usual.”
No, that is not its goal.  That is addressed by DMCA and copyright laws already in place. SOPA’s goal is to prevent these sites from profiting off of others’ content and creations, and it will do exactly that.  Pirates can not continue business as usual if they cannot reach potential customers and if their sources of funding are cut off.  First they will be notified, then they will be afforded due process, and if they don’t comply with the law and are ruled to be illegal, their sites will be blocked from access by users in the US or US advertisers, banks, or credit card processors will be forbidden to finance their illegal activity.

“SOPA breaks the Internet.”
Critics claim that SOPA will “break the Internet” and its protocols because it would result in not everyone seeing the exact same page when they type in an address.  When a site is legally blocked by SOPA, someone in a non-US country will still be able to access the infringing site, but no one in the US will.  This exact blocking or redirecting already occurs with the most egregious of illegal websites, though few realize this or wish to come to their defense.  A similar blocking or redirection also happens when a computer and/ or web browser contains anti-virus or “cyber nanny” type software and one tries to access a known or suspected bad or “mature” site.  A computer without the software can access the potentially damaging site, while one with the software displays a warning and cannot access the site.  This has been occurring for 18 years or so and has never before been described as a “broken Internet” as far as I know.  So the next time you are at work and are blocked or redirected when you type in “slutty-teens.com” please be sure to call for an Internet Blackout to let everyone know that the Internet is “broken” and that your request is not being resolved to the same IP address as when you use it at home.

There are many other arguments that support SOPA and refute the claims that anti-SOPA critics are making.  For example, this article explains how SOPA is not censorship, and how it adds nothing in that arena that is not already in place and already being used by the courts to battle illegal activity:

Realize that the huge sites that are against SOPA are those that will have their bottom line affected.  Not only are they sites that use the content of others for their own income and profit, but with SOPA it will cost them time, effort, and money to comply with laws already in place.  It will affect the advertising income some sites gain from the abundance and popularity of illegal websites driven by pirated content.  While these sites today are using fear and misinformation of the baseless threat of censorship and the threat to a free and open Internet, consider what their real concerns are.  As with any company, including myself, their concerns are their bottom line.  SOPA helps my bottom line when everyone is held accountable to the law, and it hurts their bottom line when they are held accountable to the law and must devote resources to complying with existing law.  A free and open society does not condone, support, and promote illegal activity, and neither should a free and open Internet.

a few hours later…

The anti-SOPA arguments keep coming in today, and I still don’t buy them.  If you have illegal content on your site, you are legally responsible for it. That is already the law. SOPA provides a means to enforce the law, rather than all these sites now getting a free ride for law-flaunting. I find that a good thing. Just because YouTube is YouTube and Facebook reaches millions doesn’t mean they don’t have to abide by the law – even though this is a separate issue because SOPA actually legally addresses foreign websites not domestic sites, holding them to the same takedown standards that are already, currently in place for domestic websites.  But there are compliance issues that will affect domestic sites, so to that I reply:  many companies, large and small, need to dedicate money and manpower to compliance so that they abide by the law, and they are held accountable when they don’t. Businesses and companies do this on a daily basis because it is their legal responsibility.  Why should Internet companies be exempt?

Why does everyone want to hold Internet companies to standards, compliance, and enforcement that are more lax than those of every other business or company?  Is there a lesser degree of what constitutes a violation of the law on the Internet?

The piracy issue needs to be addressed.  SOPA / PIPA are the current proposals designed to address it.  They are still being shaped and modified, and I hope all involved can write them into an agreeable form that is acceptable to me and to most others.  I support their work through this process and I hope to support the final result.  If you haven’t even attempted to read the text of the bill and are relying on hype and hearsay for your information, I encourage you to actually read the bill and see what is in it…and what isn’t.

http://www.gpo.gov/fdsys/pkg/BILLS-112hr3261ih/pdf/BILLS-112hr3261ih.pdf

Taking Control of, and Possibly Understanding Exposure

Whenever a new photographer wishes to learn about exposure, shooting modes, and working in Manual or Aperture Priority Mode, most photographers recommend the Bryan Peterson book Understanding Exposure.  It has become the go to guide because it offers explanations that no other book seems to cover as well or as thoroughly.  However, many people aren’t the biggest fans of it and wish there was another guide with a slightly different approach – perhaps an easier, less confusing way to present some of the material.

Understanding Exposure has been updated for the current digital era, but it may be better to toss many of the old notions and methods that have been carried over from film, start from scratch, and approach the subject in a practical manner that applies fully to digital SLR cameras – cameras with histograms and instant feedback of the image and the exposure settings via the rear LCD screen, not to mention the ability to head straight to your computer and study and analyze your results and EXIF data.

While I contemplate writing an exposure book for the digital era, I will begin with a quick-start tutorial to exposure and metering with a dSLR:

First, don’t start with M mode yet. Start working in Av or A – aperture priority mode.

Set the camera on Av / A (aperture priority). Go into the menus and turn off Auto Lighting Optimizer and Highlight Tone Priority on a Canon and Active D-Lighting on a Nikon.

Set the ISO to an appropriate setting based on the lighting of the scene.
outdoors in sun: 100
less sun or shade: 200-400
more shade or darker: 800
indoors: 1600-3200

Set your aperture setting to whatever aperture setting you desire based on how much depth of field you want. Want a lot of depth of field with everything in focus from near to far? Set for f/16 or f/22. Want very shallow depth of field with just the subject in focus and cool background blurring? Set for f/2.8, f/4, or f/5.6.

Aim your camera at your subject, press the shutter button halfway, and see what Shutter Speed the camera selected. Is it slower than 1/125? (such as 1/80, 1/30) Then increase your ISO setting to a higher number. If you can’t or don’t want to increase ISO, use a wider aperture setting (a “lower” F number like f/4, f/5.6).

Is your shutter speed now about 1/125 or faster? (for still subjects – use perhaps 1/500 or 1/1000 for moving subjects). Take the photo.

Now, if the exposure is not coming out how you want, use exposure compensation to adjust it and then re-take the photo.  Adjust it to the positive side to make the exposure lighter, and to the negative side to make the exposure darker.

Sound easy? It is! But of course, it all gets more complicated from here. For example, how did the camera determine what the proper exposure was? You can learn more about that, and how to better control the camera’s determination of exposure with Exploring Metering Modes.

And then now that you have the basics, and can move on to learning more about controling your autofocus system, locking focus and exposure – independently, how focal length and distance affect depth of field, composition, white balance, etc, etc!

You can learn all about these settings and functions in my e-book camera guides for Nikon and Canon dSLRs, such as Nikon D5100 Experience and Canon T3i Experience.  Click the image below to see all the available guides and to learn more:

full stop dslr photo photography camera manual guide for dummies canon nikon

 

Canon at CES 2012

You can have a look at the Canon brochure from CES 2012, the 2012 Consumer Electronics Show in Las Vegas. The brochure highlights their new cameras, including the Powershot G1 X, where you can learn about some of its exciting new features such as Intelligent Image Stabilization, which will determine if the camera is taking a hand-held still shot, a macro shot, panning, a movie, on a tripod, etc. Also, the Face ID feature can be used to identify specific faces, which are then given priority when taking the shot.

Have a look at the Canon 2012 CES brochure here (cut and paste the link below to view it):

Canon Powershot G1 X vs. G12

The latest in the Canon Powershot G series, the Powershot G1 X was recently announced, and should be available in February 2012. I wrote a bit about what new features it offers compared to the G12, namely a much larger CMOS sensor and a different lens to go with it. The G1 X is not a replacement to the G12, but rather is a new, even higher-end compact with manual controls, designed for dSLR users who want a very high quality point and shoot for various situations, as well as for dedicated enthusiasts who want the quality and manual control of a dSLR but don’t want the size, weight, and bulk of a dSLR body and lenses. The G1 X should prove to be a very popular camera for many demanding photographers for both everyday and travel use.

Canon g1 x g1x gx1 gx 1 compact asp-c large sensor high end g12
image courtesy of Canon USA

If you are trying to decide between the new G1 X and the older G12, the most important consideration (besides the price difference) is the sensor/ lens/ Digic V processor combo. While not quite as large as the ASP-C sensor of a dSLR like the T3i or 60D, the 18.7mm x 14mm, 14 megapixel sensor of the G1X is six times larger than that of the G12, and thus promises to offer not only higher image quality, but also much improved low light performance. Its f/2.8 maximum aperture at the wide end coupled with the larger sensor will also allow a larger degree of background blurring for portraits, etc. While you shouldn’t expect the degree of out of focus areas (bokeh) as a dSLR due to the minimum aperture becoming f/5.8 at the telephoto end, it will be somewhat improved over what the G12 or other compacts can offer. The 4X zoom lens of the G1 X also does not have quite the reach of the 5X zoom lens of the G12.

Other possibly important differences between the two are the camera size and weight and the battery life. While the G1 X is larger and heavier than the G12, it uses a smaller batter with a shorter shot life (see below for details). The G1 X also offers a high speed burst of continuous shooting, 4.5 fps for up to 6 shots at full quality, or 1.9fps for unlimited continuous shots.

The controls of both cameras are very similar, with some minor tweaks made to the G1 X. The G series is prized by demanding photographers because it offers quick and easy access to many manual controls, similar to a dSLR, as well as a viewfinder. Both cameras have a mode dial to quickly change shooting modes, an exposure compensation dial for quick EC adjustments, and button access to autofocus modes, metering modes, flash, as well as exposure lock. The G1 X looses the ISO dial of the G12, but places it on the rear control dial for relatively easy access. The G1 X however adds a movie record button for rapid start of movie recording in any shooting mode. As a result of these changes, the AE-L button is moved lower, and the self-timer and manual focus functions no longer have dedicated buttons, but can be accessed in the menus.

Below is a further comparison of some of the key specs of each camera:

Canon G1 X

sensor: 14 MP, 18.7mm x 14mm sensor
lens: 28-112mm equivalent, 4X zoom lens
aperture: f/2.8-5.8 maximum aperture
rear LCD: 3″ articulating rear LCD with 920,000 dots
size: 116.7 x 80.5 x 64.7mm
weight: 534 g
processor: Digic V
RAW image file format: yes, 14 bit RAW
ISO: 100-12,800
exposure compensation: +/- 3 EV at 1/3 stops
continuous shooting: 4.5 fps for 6 shots
metering: Evaluative, Center-weighted, Spot
flash: internal pop-up plus hot-shoe for EX Speedlites
battery: NB 10L – 250 shots
video: up to 1920 x 1080 @ 24fps full HD
price: $799

Canon G12

sensor: 10 MP, 7.44 x 5.58mm sensor
lens: 28-140mm equivalent, 5X zoom lens
aperture: f/2.8-4.5 maximum aperture
rear LCD: 2.8″ articulating rear LCD with 460,000 dots
size: 112 x 76 x 48mm
weight: 351 g
processor: Digic IV
RAW image file format: yes
ISO: 80-3,200
exposure compensation: +/- 2 EV at 1/3 stops
continuous shooting: 2 fps
metering: Evaluative, Center-weighted, Spot
flash: internal plus hot-shoe for EX Speedlites
battery: NB 7L – 370 shots
video: up to 1280 x 720 @ 24fps HD
price: $395

So as you can see, the cameras are quite similar in many ways, with the exception of the sensor, lens, and processor, which is going to make a very large difference in terms of improved image quality, higher dynamic range, better low light performance, reduced noise at high ISO settings, longer flash reach, larger image size allowing for more aggressive cropping, and will allow the ability to achieve more dramatic depth of field. According to Canon:

The powerful DIGIC 5 processor in the PowerShot G1 X is able to process six times the amount of information compared to the DIGIC 4 processor used in the PowerShot G12 compact. With this vastly increased processing power advanced noise reduction is possible to provide even better image quality than the DIGIC 4-powered HS System.

The DIGIC 5 processor uses approximately four times as much information as before to resolve one pixel, with the aforementioned six times faster processing speed. For the total performance of noise and image clarity this has an effect of two stops at high ISOs compared to the PowerShot G12 compact at ISO 3200, and three stops at lower ISO.

The 14 bit RAW allows for those who shoot in RAW file format for later post-processing to capture images with more dynamic range, better noise reduction, and more shadow detail.

Most of the other features such as the viewfinder, scene modes, autofocusing systems, creative filters, movie modes, and white balance options are nearly identical on both models. The G1 X also adds improved, 4-stop image stabilization, a built in 3-stop neutral density (ND) filter, and an intelligent face detection system which will give focus and exposure priority to faces it recognizes. It also offers multi-area white balance correction so that different light sources are equally neutralized or balanced – such as the flash lit subject with the fluorescent lit background.

So, how do you decide between the two? Who is the G1 X for vs. the G12? Well, if the price difference doesn’t make up your mind for you, the G12 is for those who want a very high quality point, rugged point and shoot with manual controls and great image quality. If you are going to be viewing and sharing your photos online or on a computer screen primarily, the images from the G12 should suffice. You can still do post-processing and make small or medium size prints for the special images. It is great for everyday use and for travel.

But if you need to take it to the next level – if you need or want near dSLR quality images for more invasive post-processing, larger prints, cropping, or even publication, you will want the G1 X. If you want the ability to more easily create background blurring, and the occasional high speed burst for action shots, you will want the new model. If you want to get as close to a dSLR without the size, weight, and lenses, the G1 X (or Sony NEX-7) is the answer.

Pre-order your G1 X from B and H Photo here! – $799 – expected Feb. 2012?

Pre-order your G1 X from Amazon – $799 – expected March 31, 2010

See the Powershot G12 on Amazon – $395

The official Canon press release for the G1 X can be read on their site here.

Canon G1 X – the Compact Approaching Near-dSLR Capabilities

Canon has announced their latest model in the G series of high-end compacts, the PowerShot G1 X, and its specifications indicate that it may finally have brought the G series to the place where most have always wished it would be.  While the G12 and previous models worked well as the compact camera with manual control, for dSLR users who didn’t want to carry their dSLR with them, they never quite fully lived up to the task because the sensor and lens sizes simply did not allow for dramatic shallow depth of field and good background blurring in many situations.

Canon g1 x g1x gx1 gx 1 compact asp-c large sensor high end g12
image courtesy of Canon USA

The G1 X takes the model-line a giant step forward in fulfilling this promise, as it includes a larger 18.7mm x 14mm sensor – not quite as big as an ASP-C sensor in a dSLR, but six times larger than the G12 sensor and larger than the sensors of any of its competitors including the Four-Thirds cameras and the Nikon 1.  Combined with its 4x zoom (28-112mm) lens, f/2.8 to f/16 aperture range, low light capabilities, Digic 5 processor allowing for 1.9fps or up to 4.5fps for 6 shots in high speed mode at full image quality, 14-bit RAW file support, and full HD video, this should prove to be a very popular compact for pros and dedicated enthusiasts, as well as to ideal primary camera for enthusiasts and travelers who simply don’t want or need the size, weight, and bulk of a dSLR system.  High end digital cameras are rapidly making the move back to smaller and lighter bodies, and the G1 X is going to serve to push this trend along.

The body of the the G1 X is slightly larger than the G12, sitting taller and wider with a larger lens protrusion, but is none-the-less still incredibly compact for the size of the sensor and all else it offers inside its metal body.  The camera boasts 14 megapixels, the HS system for excellent low light performance, fast response due to the Digic 5, a 9 point autofocus system plus child-priority face detection, +/-3 EV exposure compensation, built-in neutral density filters, an articulating screen, and even an HDR mode.

However, despite all that it offers, the G1 X is not capable of completely replacing a dSLR.  Its shutter response time is likely not instantaneous, its maximum aperture at the telephoto end is only f/5.8 thus limiting the amount of background blurring, its high speed shooting 4.5fps at full image quality is only for 6 shots before the camera needs to stop and process, and its built-in lens does not give the range, focusing speed, and zoom speed and control of an interchangeable lens.  But for those willing to work with these compromises, the image quality will likely meet or exceed your needs.

I would like to go into more detail about this promising model, and compare it to the G12, as soon as I learn more about it and have a chance to study the differences.  But as it looks now, this just might be the G model that starts to approach the depth of field flexibility and the increased performance that many have longed for with the already-well-regarded high-end compact G series.

Pre-order yours from B and H Photo here! – $799 – expected Feb. 2012

The official Canon press release for the G1 X can be read on their site here.

 

 

 

 

 

 

How to Use Your New dSLR

I know many people happily unwrapped a new dSLR this holiday.  And now after playing with it for a bit, you may be discovering that there is a bit of a learning curve to learning all the features and functions of your camera.  So if your are eager to learn how to use your new T3i, D5100, 60D, D7000, or whichever Canon or Nikon dSLR you received, be sure to have a look around my blog at the various articles discussing how to use your autofocus system, metering system, and other functions, plus photography techniques once you have started to get a hang of the controls.

Have a look at the front page of this blog to see these different categories and find the articles about Canons, Nikons, Photography Techniques, Lenses, Accessories, Books, and more.

And to quickly learn the ins and outs of your camera, also be sure to have a look at my e-book camera guides, which will not only teach you the functions and controls of your dSLR, but when and why to use them.

full stop dslr photo photography camera manual guide for dummies canon nikon

Happy shooting, and let me know if you have any questions.

Choosing Photography Books for Your New Kindle, Nook, or iPad

Now that you’ve received you new e-reader device as a gift this holiday – Kindle, Nook, or iPad, etc. – I’m sure you are eager to fill it with great content, including photography books.

But first be aware that sometimes these devices are not ideal for viewing image-dependent books such as most photography books.  As the epub format evolves, this issue will improve, and of course the pages of a PDF formatted e-books can appear just as the pages of the actual book.  Be sure to look at the preview of the book before you purchase it to see how the images and page layouts survived the conversion to e-reader format.  And of course iPad apps that were intentionally designed to take advantage of the iPad’s capabilities should look great.

Some photography books and camera guides that were designed with e-reader formats in mind are my Full Stop camera guides!   They will (or should) appear nearly identical on an e-reader (Nook, Kindle, iPad) as they do in their PDF format.  This doesn’t allow for complex page layouts, but rather displays a continuous flow of text and example images, as seen in this example preview.

I offer several popular e-book user’s guides and tutorials for most all of the latest Canon EOS and Nikon dSLR cameras, plus an e-book on general dSLR photography, and an e-book about how to create, publish, and sell you own e-books.  All are available for purchase in the bookstore section of my website. Each e-book is available in PDF format, which you can view on your computer, print, and read on the iPad, Kindle, Nook, etc., and there are also dedicated Kindle and Nook versions at Amazon and Barnes and Noble, and all are available via Apple iTunes and iBooks.

Click the titles or covers below to learn more:

Nikon Guides:

Nikon D7100 Experience
Nikon D7000 Experience
Nikon D600 Experience
Nikon D5200 Experience
Nikon D5100 Experience

Canon Guides:

Canon 5D Mark III Experience – updated for Firmware 1.2.1!
Canon 6D Experience
Canon T5i / 700D Experience
Canon 70D Experience
Canon T4i / 650D Experience
Canon 7D Experience – Updated for Firmware 2.0!
Your World 60D
Canon T3i Experience
Canon T2i Experience

Other E-Books

Ten Steps to Better dSLR Photography
and
The E-Book Handbook

Canon 5D MkII at Lowest Price Ever

B and Photo Photo is selling the Canon 5D MkII body at the lowest price it has ever been: $1999.95.  Plus they include a great memory card and a shoulder bag for free!  Click on the image to head to B&H and learn more:

Canon 5D mark mk II low lowest price sale

Many are speculating, and I concur, that the replacement of the 5D Mk II (probably to be called the 5D Mark III) may be arriving in February 2012.  This doesn’t mean the 5D Mk II is outdated.  It is still an incredible camera with 21 megapixels, great low light/ high ISO performance, and of course the full frame sensor so that your wide angle lenses really go wide.  And 1080p video with all the frame rates, for the videographers.  Any aspiring pro or wedding photographer that won’t be able to afford the newest 5D Mk III when that arrives should consider taking advantage of this deal.

Ten Top Accessories for the Nikon D5100

Now that you’ve finally decided on a dSLR and chosen the Nikon D5100 you will want to get some basic, essential accessories. While there are countless accessories available that may look appealing or seem necessary, I suggest you first gain some experience with your basic equipment, and then discover through use which additional items you truly want or really need.  No add-on, whether an elaborate flash modifier or color balance correction tool, will instantly improve your images so concentrate instead on your image making!

nikon d5100 dslr camera unbox unboxing kit lens choose decide vs
photo by author – copyright 2011 – please do not use without permission!

But you can’t go wrong with these initial 10 additions to your camera bag. Click on the links or the images to view and purchase them on Amazon.com (and help support my blog by doing so – thanks!)

1. SanDisk Extreme 8GB Memory Card – You are going to need a high quality, high speed memory card to save all those images and capture those videos. Go with the best and don’t risk corruption and errors – a SanDisk Extreme. Perhaps a couple 8GB cards or 16GB cards.

2. Nikon EN-EL14 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing an event all day.  Go with the official Nikon brand and avoid battery communication and charging issues. If you are a fan of the optional battery back / vertical grip, there is a third-party offering for the D5100, the Neewer Pro Battery Grip for Nikon D5100.  Though Nikon did not design their own D5100 battery grip, this third-party option fills the gap, and accepts 2 EN-EL 14 batteries. The grip may make the camera easier to handle for those with larger hands, when working with a large lens, or if often working in portrait orientation.

Nikon d5100 battery en-el14

3. Nikon D5100 Experience e-book – You will want to begin to learn to use your camera, go beyond Auto, and start to use the advanced functions and settings of your sophisticated D5100, so be sure to check out my e book, Nikon D5100 Experience.  This guide will help you to take control of your camera so that you can consistently take better images – the images you wish to capture. You’ve invested in an advanced camera, now invest the time to learn how to use it to its full potential! There are also Kindle, Nook, and iPad versions of the e-book available here.

4. Black Rapid RS7 Strap – This sling-style camera strap provides a more comfortable and practical – and somewhat more discreet – way to carry around your camera, especially if you have a larger lens on it.  The RS-7 version has a nice curved shoulder strap, the RS-4 is not curved at the shoulder but does have a handy little pocket for memory cards, and the RS-W1 R-Strap is designed for women.

5. Giottos Large Rocket Blower – Blow the dust off your lens, camera body, interior, and sensor safely with the Rocket Blower. Get the large size for maximum “whoosh!”

6. LensPEN Lens Cleaning System – Clean those fingerprints, smudges, and mysterious spots off your camera lens (filter) safely and quickly with the LensPEN. Brush off the loose spots with the brush end, “charge” the tip with a twist of the cap, then clean by “drawing” in a circular motion. Read the manufacturer’s instruction for complete details.

7.  Nikon SB-900, SB-800, SB-700, or SB-600 Speedlight Flashes: Use one of these external flashes for greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash, and all of them can be used as remote flashes controlled by the built-in flash.  With the exception of the SB-600 all can be used as commanders to trigger remote flashes. The SB-900 Speedlight or the new SB-910 Speedlight is recommended if you need maximum flash power for events and weddings, etc. Otherwise the smaller SB-700 Speedlight is best for general use.

8. B+W Brand UV Filter – Protect your lenses from dust, scratches, and impact damage with a high-quality, multi-coated B+W brand UV filter. It typically shouldn’t affect your image quality due to its high quality glass and coatings, and it just might save you from a $200 repair. Leave one on each of your lenses at all times, unless you are using another filter like the circular polarizer. Be sure to get the right size filter for your lens.

8a. B+W Brand Circular Polarizer Filter – Use this high-quality, multi-coated filter to dramatically darken skies, increase contrast, and cut through reflections. Turn the rotating lens to adjust the amount of darkening or reflection as you place the sun to your left or right.

9. Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Lens – After you’ve realized the limitations of the kit lens, especially in that area of focal range, pair your D5100 with this high quality all-purpose “walk-around” lens, great for everyday and travel use. It provides the full focal range from wide angle (for capturing the entire scene) to telephoto (for zooming in on details and faces), and delivers excellent image quality, color, and contrast, as well as Vibration Reduction (image stabilization) to prevent blur from camera movement.

9a. HB-35 Lens Hood – And you will want the optional bayonet lens hood for the 18-200mm lens, to shade the lens from unwanted glare and flare and protect it from bumps and bangs.

10. M Rock Holster Bag – Carry and protect your camera and walk-around lens in a holster style bag from M Rock. I used the Yellowstone style extensively in my travels throughout South America, and I love its durability and extra little features like a built-in rain cover, micro-fiber cleaning cloth, zippered interior pocket, adjustable interior, and extra strap. Be sure to get the model that fits your body and lens.

 

Bonus items:

Understanding Exposure by Bryan Peterson – If you don’t yet understand the relationship between aperture, shutter speed, and ISO, read this book immediately. This knowledge is essential to understanding and using your powerful dSLR to its full potential.

Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter-Release Button thus preventing possible camera shake.

Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.

For additional photography gear, accessories, and books, be sure to check out my dSLR Photography Gear, Accessories, and Books post!

Free E-Book from Craft and Vision

Craft and Vision, publishers of many fine photography e-books, has just introduced a new, FREE e-book!  It is a collection of articles from various talented Craft and Vision authors/ photographer, and is intended, of course, to introduce you to their thoughts and writings and entice you to buy all the other Craft and Vision books!  This is not a bad thing, as the books are all excellent, and I’m certain you will find at least a couple, if not a handful that will appeal to you as well as help you improve your photography.

The FREE e-book, 11 Ways You Can Improve Your Photography, is available by clicking on its title or the image below.  You will be taken to the Craft and Vision site where, after getting your free book, you can view (and purchase!) all the other books.

The free book has several excellent articles discussing numerous aspects of making a photograph and improving your results including composition, exposure, making prints, self-assignments/ projects, and capturing the moment.  And it is no pamphlet…67 spreads, as in 134 magazine pages!

Authors include: David duChemin, Piet Van den Eynde, Andrew S. Gibson, Nicole S. Young, Alexandre Buisse, Stuart Sipahigil, Eli Reinholdtsen and Michael Frye.

To read my reviews or intros to other Craft and Vision books, have a look at my post Developing Your Photographic Vision as well as the other posts tagged “Craft and Vision.”

Cyber Monday Camera Deals at Amazon and B&H

Like every other retailer, Amazon and B&H Photo are having some great Cyber Monday deals.

Amazon is offering the Canon T3i with a couple different lens kit options for a really great price.  They also have some great quality point and shoots like the Canon Powershot SX230 (which boasts 14X zoom) on sale.

cyber monday camera photo sale deal bargain

B and H Photo also has deals on the Canon T3i, as well as some third party lenses, plus the Zoom H2 digital audio recorder that is great for recording interviews or sound to go with your videos or photo slideshows.  Plus countless other deals on external hard drives and other equipment and accessories.  Plus great deals on Lexar and Sandisk memory cards.

camera photo cyber monday deal sale bargain

Please consider clicking on these links or logos to take you to these sites if you plan to make any purchases, as it will help support my blog – thanks!

Plus, there are lots of new Canon instant rebates available on the top quality lenses and Speedlites.  Click the image below to go to B&H and start saving!